Sweet? Maybe. Soft? Never.This look is all about contradictions — a massive denim bow meets sleek flared pants and satin ribbon details. It’s girly with a side of don’t-mess-with-me. 💅✨The bow was built using layered internal lines and puff volume, giving it that bold sculptural shape without losing softness. The pants? High-waisted and full of movement, finished with contrast ties to break the structure.🧷 Made entirely in CLO 💙 Custom denim texture 🧶 Ribbon details mapped manually 🔥 Attitude level: maxed out<img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/662df291fc134edab583f56aa70e315c7.png" alt="662df291fc134edab583f56aa70e315c" class="custom-image original-size" data-id="662df291fc134edab583f56aa70e315c" data-width="1586" data-height="2820"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/4e58d5183a1d4606afcc4c7ec6177df35.png" alt="4e58d5183a1d4606afcc4c7ec6177df3" class="custom-image original-size" data-id="4e58d5183a1d4606afcc4c7ec6177df3" data-width="1049" data-height="1866"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/4e1f0626da154c11b1f2f55b757a9cec1.png" alt="4e1f0626da154c11b1f2f55b757a9cec" class="custom-image original-size" data-id="4e1f0626da154c11b1f2f55b757a9cec" data-width="1985" data-height="3660"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/fdef28f420844947beb3bdef828c84923.png" alt="fdef28f420844947beb3bdef828c8492" class="custom-image original-size" data-id="fdef28f420844947beb3bdef828c8492" data-width="1758" data-height="3126"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/19652ae76ffa4d5cb3fc7ecdbc480dc96.png" alt="19652ae76ffa4d5cb3fc7ecdbc480dc9" class="custom-image original-size" data-id="19652ae76ffa4d5cb3fc7ecdbc480dc9" data-width="997" data-height="1772"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/c4919f004db747eabba62478d50a35574.png" alt="c4919f004db747eabba62478d50a3557" class="custom-image original-size" data-id="c4919f004db747eabba62478d50a3557" data-width="770" data-height="1368"><img src="https://storagefiles.clo-set.com/public/community/202507/61c6376703744f08b19f4f2570018732/images/50c8216b900c4bf48affc025845afe1a2.png" alt="50c8216b900c4bf48affc025845afe1a" class="custom-image original-size" data-id="50c8216b900c4bf48affc025845afe1a" data-width="1827" data-height="3289">

🎀 Blue Ribbon Rebel

Hi, I am a finalist in the Rising Talent Europe competition. I would like to know if we are required to be there in person for the final?P

Rising talent Múnich 

Ugly Sweater Edition

Heels

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f252645328cc4bc592df1553808e8507WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.webp" class="custom-image hidden-thumbnail" data-id="f252645328cc4bc592df1553808e8507" data-width="1200" data-height="1600">In this User Spotlight, we are thrilled to introduce Elli: 2nd place award winner in <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator's Contest 2025 Vol.3 "FANTASY ARCHIVES".</a></h2><h2 style="text-align: center">ELLi discusses the story of her creation, and methods on how she created her entry for FANTASY ARCHIVES: the usage of Marvelous Designer to bring a rebellious Victorian queen to life.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202509/878bf8922dce480e8086207c9c367452/1/thumbnail/WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.jpeg?w=2560" alt="Award Thumbnail" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/878bf8922dce480e8086207c9c367452">Regal Rebel</a><hr>1. Artist Introduction: please tell us about yourself.My name is Ella-Liencha and I live in South Africa. For years I searched for a way to express my creativity. I tried painting, drawing, and writing, but I always felt a pull toward something more - something that would allow my ideas to feel alive. In February 2025, at the age of 31, I discovered Marvelous Designer for the very first time. I had no background in 3D art or digital garment creation, yet the moment I opened the software, I was hooked!My curiosity carried me through every step of the learning process. I was fascinated by how fabric could be shaped to appear structured or fluid, how folds and silhouettes could guide the viewer’s eye, and how each design could evoke an emotion or story. With every experiment, I fell deeper in love with the possibilities.Participating in the Fantasy Archives competition was both an honor and a challenge. I felt I had everything to gain by simply trying. As a lifelong daydreamer, this theme felt like home, an invitation to bring my imagined worlds to life. Since I work a full-time job, most of this came together at night - hours of quiet crafting, stitching digital fabric together while my real world slept. It felt like threading my vision into the garment piece by piece: undoing, redoing, learning, and embracing the unpredictability of the process.Through trial and error, I allowed myself to enjoy the process fully, to follow inspiration rather than control it. That freedom ultimately led me to the piece that placed, and I’m incredibly humbled and grateful for the recognition.<hr>2. We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?To be honest, my initial concept looked nothing like what “Regal Rebel” ultimately became. But the heart of the idea never changed: I wanted to create a queen-like figure who refuses to conform - someone powerful, elegant, and unapologetically rebellious.My visual direction became a blend of Victorian influence and high fantasy - a meeting point between structure and softness, order and defiance. I experimented with how colors, fabrics, and textures could speak to one another: the richness of royalty intertwined with the unpredictability of rebellion.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/c303deda450e439a836af4f18f0721d7Untitled%20design%202.png" alt="c303deda450e439a836af4f18f0721d7" class="custom-image original-size" data-id="c303deda450e439a836af4f18f0721d7" data-width="3600" data-height="2025">Creating “Regal Rebel” felt very much like creating art itself. It was about pushing against boundaries, letting intuition lead, embracing mistakes, and trusting the process until the character revealed her true form.Several symbolic choices shaped the final design.The external crinoline cage:Traditionally hidden beneath skirts, here it becomes visible and symbolic. It reflects the “cage” of the Victorian era, its expectations and constraints. By placing it on the outside, her rebellion becomes unmistakable.The shorts instead of a long Victorian skirt:Few things scream rebellion more loudly than wearing shorts in a period defined by restrictive dress! The ruffles and lace preserve the era’s dramatic volume without losing the bold statement.Overall, the visual style aimed to capture a fantasy queen who embodies both grace and rebellion - someone who challenges tradition while still honoring the beauty of where she comes from.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/3d956cfa5d5f4e869d701567b2edab3dUntitled%20design%20%281%29%203.png" alt="3d956cfa5d5f4e869d701567b2edab3d" class="custom-image original-size" data-id="3d956cfa5d5f4e869d701567b2edab3d" data-width="2880" data-height="1620"><hr>3. Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?Oh wow! I have so much still to learn, and that honestly excites me more than anything. For Regal Rebel, my pipeline was simple but incredibly personal.Marvelous Designer became my sketchbook, my mood board, and sometimes even my chaos playground. I drafted patterns, stitched them together, tore them apart again, reshaped them, and kept refining until the character started revealing who she wanted to be. It was a very intuitive process, less linear, more like sculpting with fabric and movement.One of the biggest challenges was the armor elements. I wanted them to feel structured but not rigid, elegant but protective. Getting them to behave correctly in simulation meant playing and tweaking.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f3fa4f7bf82a49fda904d744d8b10f502D-3D%20Marvelous%20Designer%203.JPG" alt="f3fa4f7bf82a49fda904d744d8b10f50" class="custom-image original-size" data-id="f3fa4f7bf82a49fda904d744d8b10f50" data-width="1917" data-height="1005">I also made heavy use of pressure simulation for the ruffled blouse and subtle gathers. Small changes in pressure and layering brought the softness and movement that helped balance the harsher armor.The external crinoline cage was another adventure. Normally it would hide under a dress, but here I wanted it to stand proudly. Marvelous Designer’s curve tools and thickness settings let me shape it like a structural frame - symbolic, expressive, and unapologetically visible. Once the garments felt alive in Marvelous, I moved into Blender for the atmospheric side of the story.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/358ee9bf08ab4d28bcc0f032873090982D%203.JPG" alt="358ee9bf08ab4d28bcc0f03287309098" class="custom-image original-size" data-id="358ee9bf08ab4d28bcc0f03287309098" data-width="1902" data-height="1028">Creating the boot cuffs and lacing was surprisingly one of the most time-consuming steps. I rebuilt those pieces several times in Marvelous until the tension and direction of the straps felt believable. But once they finally worked, they grounded the entire silhouette.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/40799857c8784b2c8582183b588e393a2D%20Close-Up%203.JPG" alt="40799857c8784b2c8582183b588e393a" class="custom-image original-size" data-id="40799857c8784b2c8582183b588e393a" data-width="779" data-height="996">In the end, Marvelous Designer gave me the structure and movement, and Blender let me wrap everything in emotion. Both tools together helped me bring Regal Rebel to life - a queen who stands in elegance, defiance, and power.<hr>4. Are there any tips and tricks with Marvelous Designer that you can share with the community?If there’s one thing Marvelous Designer has taught me, it’s this: play. Be curious, be bold, be messy, be experimental. Don’t worry about always being “right” - worry about being alive in your creativity.I came into the 3D world with no background at all, and I realized very quickly that Marvelous Designer rewards those who explore. Every time I pushed a button I didn’t fully understand, every time a simulation exploded into chaos, every time I stitched the wrong line and everything collapsed, I learned something new. You are never too old, too new, or too inexperienced to follow your passion. But above all else: enjoy the process. Marvelous Designer is both a tool and a playground. Approach it with curiosity, and it will reward you with unexpected beauty.If you’re stepping into 3D for the first time - welcome. It’s never too late, and your voice, your vision, and your story absolutely belong here. I am in awe every time I see the creators on Connect - their visions, their stories, the worlds they bring to life. They inspire me constantly. Being part of this community feels like my heart could burst; it’s one of my greatest motivators and one of the biggest joys of this journey.<hr>

 ELLi: Shaping a Daydream to a Digital Fantasy -  MDCC Vol3 2nd Place Award Winner

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

<h2 style="text-align: center">Where cinematic atmosphere meets intricate costume detail. Discover how artists <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/Kinn_hj">Hyun-jong Kim</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/ohminji3">Min-ji Oh</a> brought inspiration from Dune to life using Marvelous Designer, revealing their collaborative workflow and secrets to achieving hyper-realistic cloth simulation.</h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Ax346ZAUXUo" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Could you introduce yourselves?</h1>Hyun-jong Kim : Hello, I am Kim Hyun-jong, a 3D artist. I mainly work with Cinema 4D and Blender. Over the past two years, I have focused on learning Marvelous Designer and actively applying it to my personal projects. I enjoy creating cinematic visuals, so I have conducted various projects centered around that style.I have been working as a 3D artist for about five years. During this time, my work has been well-received, winning awards in various categories at the Rookies Awards, LACA, and the Motion Design Awards. These experiences have served as a strong foundation for refining the direction and quality of my work.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d2f02cb1dc3349ac985bcdf8c2ccbc89Eyes_of_Empire_Behind_3_GIF-ezgif.com-resize%20%281%29.gif" alt="d2f02cb1dc3349ac985bcdf8c2ccbc89" class="custom-image original-size" data-id="d2f02cb1dc3349ac985bcdf8c2ccbc89" data-width="700" data-height="296"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/1223dde8d89a41899c11032b00c9e08cEyes_of_Empire_thumbnail_1.png" alt="1223dde8d89a41899c11032b00c9e08c" class="custom-image original-size" data-id="1223dde8d89a41899c11032b00c9e08c" data-width="2560" data-height="1080"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/905612097?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Min-ji Oh: I am Oh Min-ji, currently working as a 3D Asset Artist at 2grey. I started learning CG in earnest in 2018 to prepare for my career, and it has been about four years since I entered the industry. Originally, I aimed to be a generalist and experienced various parts of CG, but I felt particularly excited and enthusiastic whenever I worked on character modeling. I think that is why I naturally ended up pursuing the path of a modeler.I often use costumes as a key element to express a character's personality, and Marvelous Designer has been an indispensable tool in that process. As I continued working with Marvelous Designer from the beginning of my studies until now, my skills naturally improved, which led to the opportunity to join Hyun-jong's project.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/65062147414144d4a39876c97dbf2486Flea_Render_2.jpg" alt="65062147414144d4a39876c97dbf2486" class="custom-image original-size" data-id="65062147414144d4a39876c97dbf2486" data-width="3507" data-height="4962"><h1>Let’s discuss your recent project, ‘Mirage,’ created using Marvelous Designer. Where did you find inspiration for the concept, and what visual style were you aiming for?</h1><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/e74db7dabce54cbeb91c304dd50f92f0imgi_91_30892a232584561.68aefd17067b4.png" alt="e74db7dabce54cbeb91c304dd50f92f0" class="custom-image original-size" data-id="e74db7dabce54cbeb91c304dd50f92f0" data-width="1312" data-height="1800">The inspiration for creating 'Mirage' came after watching the movies Dune and Lawrence of Arabia. I was deeply inspired by the restrained depiction of vast deserts in both films and wanted to create a piece based on that motif.The overall narrative centers on the story of T.E. Lawrence dispatched to the Middle East during World War I, while the visual style was largely developed by drawing reference from Dune. For the costume design, I referenced traditional Bedouin attire to capture the Middle Eastern atmosphere, placing special emphasis on expressing the movement of the fabric fluttering in the wind.<h1>How did you utilize Marvelous Designer for this project? I’m also curious about the brief pipeline regarding how you integrated it with other tools.</h1>First, for character animation, we used data based on an AI motion capture tool where I acted out the necessary actions myself. For additional movements, we utilized Mixamo preset animations. Facial animation was created using the 'Move by Maxon' application. Afterwards, any awkward or jittery parts of the mocap data were polished using keyframe animation to ensure smooth movement.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/f9e74bf30d6142c5a6dd3ac211ee4eb9Mirage_thumbnail_2.png" alt="f9e74bf30d6142c5a6dd3ac211ee4eb9" class="custom-image original-size" data-id="f9e74bf30d6142c5a6dd3ac211ee4eb9" data-width="2560" data-height="1080">Once the animation was complete, we exported it as Alembic data to ensure stability during simulation and prepared to dress the character in Marvelous Designer.In the costume production phase, we focused our plan specifically on the detailed movements of the main character's turban and scarf. Since the entire outfit required simulation in the video, we determined the workflow by anticipating potential issues beforehand. With the turban, scarf, and clothing all needing to collide, simulating the turban itself proved to be quite unstable.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/524deca99d4b4c8fabb4682c2845b4d7Mirage_Behind_1.png" alt="524deca99d4b4c8fabb4682c2845b4d7" class="custom-image original-size" data-id="524deca99d4b4c8fabb4682c2845b4d7" data-width="1200" data-height="652">Therefore, we shaped the turban's natural wrinkles and form in Marvelous Designer first, but handled it through rigging rather than simulation. This allowed us to add significant details and extra wrinkles in ZBrush later.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d026a72210134411b90a1799e6c45dafimgi_411_d85329232584561.68b2ded6aa157.gif" alt="d026a72210134411b90a1799e6c45daf" class="custom-image medium-size" data-id="d026a72210134411b90a1799e6c45daf" data-width="600" data-height="253"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/cccc0c4db08f472eaab0993f6b9735b2imgi_492_f70e17232584561.68b06a2fc4cff-ezgif.com-resize.gif" alt="cccc0c4db08f472eaab0993f6b9735b2" class="custom-image original-size" data-id="cccc0c4db08f472eaab0993f6b9735b2" data-width="700" data-height="296">For the scarf, it needed to flutter in the wind and exhibit many wrinkles due to the material's nature. We adjusted the particle distance to a low value and frequently checked the physical properties by applying wind during the process. We didn't create the fluttering section as a single pattern; instead, we split it into two pieces to prevent the pattern from becoming unnecessarily large.Typically, after the Marvelous Designer stage, we import the model into ZBrush to add details like seams and fine wrinkles, and then to Substance Painter for additional weathering. However, since the base form needs realistic wrinkles, we spend considerable time in Marvelous Designer tweaking various properties until the wrinkles look authentic. For simulation optimization, we didn't perform separate retopology but instead adjusted the mesh style settings directly within Marvelous Designer.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d7cff6e94ad047728d273349fe7eacb5Mirage_Behind_2.png" alt="d7cff6e94ad047728d273349fe7eacb5" class="custom-image original-size" data-id="d7cff6e94ad047728d273349fe7eacb5" data-width="1200" data-height="689">Regarding the simulation, the most critical element in the full-body shots was the form of the scarf fluttering in the wind. To achieve this, we conducted numerous tests, finely adjusting the physical property values set during the production phase. As a result, we set the military uniform to a relatively thick fabric, making it slightly heavier than the default properties, while the scarf was set to be thinner and lighter to create a clear distinction. This allowed the scarf’s movement to stand out even under the same wind intensity, enabling us to achieve the desired visual satisfactorily.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/85d9a2a2b8de4abfa410cb113a3b531aimgi_486_14123d232584561.68adc02a415c9-ezgif.com-resize.gif" alt="85d9a2a2b8de4abfa410cb113a3b531a" class="custom-image original-size" data-id="85d9a2a2b8de4abfa410cb113a3b531a" data-width="700" data-height="296">For specific shots, we also utilized Houdini alongside Marvelous Designer. The scene where the turban is pulled off by hand was handled by combining both tools appropriately. The part where the bottom of the turban is grabbed and pulled was created in Houdini, while the natural movement of the scarf underneath was simulated in Marvelous Designer.Finally, we combined the completed simulation data and character animation data into a single scene, proceeded with rendering, and finished with compositing in After Effects.<h1>Min-ji, you have also worked on numerous personal projects, and the expression of wrinkles in your character costumes is exceptionally detailed. Do you have any personal tips for creating realistic wrinkles?</h1><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/89fa3084761849e7b831ce7c3b31bf6dimgi_515_889f50232584561.689f1e643a07e.png" alt="89fa3084761849e7b831ce7c3b31bf6d" class="custom-image original-size" data-id="89fa3084761849e7b831ce7c3b31bf6d" data-width="1920" data-height="810"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/bed8ceec182846d78b4d4b20e7275bc0imgi_146_93ff1b232584561.689f36a3da361-ezgif.com-resize.gif" alt="bed8ceec182846d78b4d4b20e7275bc0" class="custom-image original-size" data-id="bed8ceec182846d78b4d4b20e7275bc0" data-width="648" data-height="810">I believe the greatest strength of Marvelous Designer lies in its ability to control physical properties in great detail. Therefore, I adjust specific parameters while carefully observing references of the desired fabric and lower the particle distance to capture natural wrinkles that are impossible to recreate by hand.While it is possible to sculpt wrinkles onto a rough form in ZBrush later, I believe achieving a solid base through Marvelous Designer’s accurate physical calculations results in a much higher level of realism.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/68baf64770d8414eb0d939fcf1346375imgi_144_fdc0ff232584561.689f2cb4cdd10-ezgif.com-resize.gif" alt="68baf64770d8414eb0d939fcf1346375" class="custom-image original-size" data-id="68baf64770d8414eb0d939fcf1346375" data-width="648" data-height="810">For neat, tailored clothing, I match the pattern lengths and seam lines exactly. However, to express the feeling of worn clothing or tension around seams, I often deliberately mismatch the lengths of connecting patterns.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/c22c7d3c571a4960a0f393d201b08ecf%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Render.jpg" alt="c22c7d3c571a4960a0f393d201b08ecf" class="custom-image original-size" data-id="c22c7d3c571a4960a0f393d201b08ecf" data-width="2480" data-height="3508"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/628e23c29db843ee96ee127d10a05c84%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_MD_1.png" alt="628e23c29db843ee96ee127d10a05c84" class="custom-image original-size" data-id="628e23c29db843ee96ee127d10a05c84" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/542bd063ffd74725a8fb4e5c45cc2075%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_MD_2.png" alt="542bd063ffd74725a8fb4e5c45cc2075" class="custom-image original-size" data-id="542bd063ffd74725a8fb4e5c45cc2075" data-width="3840" data-height="2160">For example, with the Hanbok and leather jacket I created for the character 'Chang Ki-ha,' I arbitrarily adjusted the pattern lengths of the Hanbok to highlight the aesthetic curves of the fabric folds. I made the sleeves longer than standard to allow for multiple layers of folding, creating richer wrinkles. For the pants, I created a significant difference in pattern lengths to achieve voluminous bunching just above the ankles.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/30ea498ec0f24a579f8c89293ff204db%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Sp_1.jpg" alt="30ea498ec0f24a579f8c89293ff204db" class="custom-image original-size" data-id="30ea498ec0f24a579f8c89293ff204db" data-width="2423" data-height="1210">Additionally, when a character poses, the volume or shape of the wrinkles sometimes doesn't look right. In such cases, I have occasionally modified the patterns—originally made in an A-pose—to better suit the specific pose. This approach is feasible, of course, because I am working on still images.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/8880c505b17740898b75bd876a2ecab9%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Zbr_1.JPG" alt="8880c505b17740898b75bd876a2ecab9" class="custom-image original-size" data-id="8880c505b17740898b75bd876a2ecab9" data-width="2423" data-height="1210">Finally, although not shown in these images, when I want to depict stretched or worn-out fabric, I use the Steam tool to locally stretch or shrink areas to artificially generate wrinkles.<h1>If you are planning future projects using Marvelous Designer, in what direction would you like to expand your work?</h1>Hyun-jong Kim: Lately, I have been studying Blender as well as Cinema 4D, specifically researching workflows that integrate Blender and Marvelous Designer. Since Blender offers excellent compatibility with various other tools compared to Cinema 4D, I expect to find an even more efficient process than my current one. In terms of creative work, I am currently working on a light personal project inspired by the game The Last of Us, and I plan to actively utilize Marvelous Designer for this project as well.Min-ji Oh: Up until now, I have mostly focused on still images. However, I am currently planning a video project where I utilize Marvelous Designer's simulation features to make costumes flutter naturally in sync with the mood and music. While my previous works featured relatively simple clothing, my next project will feature a more flamboyant character. I intend to create an elaborate dress adorned with various decorations to match. I've heard that the latest versions of Marvelous Designer allow for much more detailed control over simulation features, so I am very much looking forward to my next piece!<h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/Kinn_hj">Hyun-jong Kim(Behance)</a></h1><h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/ohminji3">Min-ji Oh(Artstation)</a></h1>

Behind the Scenes of ‘Mirage’: Capturing the Desert Wind

<img src="https://storagefiles.clo-set.com/public/community/202511/bc462714126240ce9817aed6ad9d773b/images/a8916eee3d024aa5b7e56d1fc23cef89Social%20Media_Square_B.png" class="custom-image hidden-thumbnail" data-id="a8916eee3d024aa5b7e56d1fc23cef89" data-width="1080" data-height="1080">We’re excited to open the inZOI Gamewear Store! You now have&nbsp;access to upload inZOI Character Custom Content directly on CONNECT. Join the Gamewear Creator Benefit Event — an open event celebrating and supporting CONNECT’s most active creators. Take part in the opening event and earn exclusive&nbsp;creator rewards! ** Uploads must be submitted by December 31 to be eligible for the event.** Eligibility is based on the initial upload date. Items first uploaded by Dec. 31 remain eligible even if re-uploaded after review. Please note that reviews may take 2–3 weeks during the holiday period. In accordance with game policy, only free items are currently supported. Paid options are under review.<img src="https://storagefiles.clo-set.com/public/community/202511/bc462714126240ce9817aed6ad9d773b/images/a79749bb267c43be9463414150ceccfcSection%20%282%29.png" alt="a79749bb267c43be9463414150ceccfc" class="custom-image original-size" data-id="a79749bb267c43be9463414150ceccfc" data-width="1200" data-height="3146"><h1 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/sections/51484859987097-Upload-as-Game-Format">Learn More in the Creator Guide!</a> </h1>

🎀 Blue Ribbon Rebel

Bertha Jimenez

Bertha Jimenez