<p></p><p></p><p>I downloaded latest UE 5.54 and Clo 2025.0.128 version, installed the PlugIn 1.1.6 as I did in past and getting now this message in UE.<br>I did this workflow in former versions and never had this issue.<br>Does someone know what I did wrong?<br></p><p></p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202504/7610a3a4f4834ced8d290c7748239769/images/29c6ac20935f4b9f8db03bf666eff298Screenshot%202025-04-24%20105844.png" alt="29c6ac20935f4b9f8db03bf666eff298" class="custom-image original-size" data-id="29c6ac20935f4b9f8db03bf666eff298" data-width="362" data-height="207"></p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202504/7610a3a4f4834ced8d290c7748239769/images/99880a00913e49e7ab1819445f48d3a3Screenshot%202025-04-24%20110133.png" alt="99880a00913e49e7ab1819445f48d3a3" class="custom-image original-size" data-id="99880a00913e49e7ab1819445f48d3a3" data-width="1652" data-height="1215"></p>

No LiveSync Connection

<p>If you have custom poses or fabrics/whatever you saved into the documents clo asset folder, for example I save poses in the avatar pose folder. You have to manually copy them back over to the new CLO Asset folder for 2025.</p><p></p><p>If you switch from the new library to the old one you have to manually add the folder back as well.</p><p></p>

Assets saved in 2024 not being copied over to 2025

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Senior character artists at Ubisoft Montreal shared their experience of ultra-realistic clothes with Marvelous Designer</em></span></h2><img src="https://storagefiles.clo-set.com/public/community/202501/3ace9d29de0d4947b2626990261e6990/images/878de6e7f98a4c4db5fb3cadbfd4917eea168e2e1e9a48a69e777f17a2909bd0.jpg" class="custom-image original-size" data-id="878de6e7f98a4c4db5fb3cadbfd4917e" data-width="1180" data-height="610"><p></p><hr><h1 style="text-align: center"><strong>Boyon Raphael | ASSASSIN´S CREED UNITY | Senior character artist at Ubisoft Montreal</strong></h1><p></p><h1><strong>Can you briefly introduce yourself?</strong></h1><p>My name is Vince Rizzi. I was a senior character artist on Assassin’s Creed Unity. I’ve been at Ubisoft for almost 6 years.</p><p>Working on ACU drastically changed the way I work, primarily because of the use Marvelous Designer in the pipeline.</p><p></p><h1><strong>Which features do you think provide Marvelous Designer with a powerful advantage in comparison to other clothing simulation tools?</strong></h1><p>I really enjoyed the fact that the simulated cloth models automatically had UVs right from the start, which is basically your pattern you built the garment with. This was useful for me in such cases where I would apply patterns/fabric details to the garment or paint stuff like stitching in Photoshop and apply it to the 3D model afterwards as a map.</p><p></p><h1><strong>Which features would you want to see from Marvelous Designer in future versions?</strong></h1><p>I’m pretty happy with the program as it is currently, but If I would have to improve on it I would say to stabilize the software’s ability with working with more complex shapes like knots, or scarves for example. Garments that have lots of twists and turns and that overlap with itself can be a little difficult to work with at times.</p><p></p><h1><strong>Would you recommend Marvelous Designer to a CG artist and why?</strong></h1><p>I definitely recommend Marvelous Designer to cg artists who are looking to save lots of time and take the guesswork out of creating credible cloth.</p><p>Marvelous Designer is a very consistent and easy way of getting ultra-realistic clothing quickly which is extremely important on productions.</p><img src="https://storagefiles.clo-set.com/public/community/202501/3ace9d29de0d4947b2626990261e6990/images/cf03596c8e764c088200ed92ae9d6ac4md_cases_as2_002.jpg" class="custom-image original-size" data-id="cf03596c8e764c088200ed92ae9d6ac4" data-width="1180" data-height="610"><p></p><img src="https://storagefiles.clo-set.com/public/community/202501/3ace9d29de0d4947b2626990261e6990/images/90c4765b902b4530aab585dd40adffa1md_cases_as2_004.jpg" class="custom-image original-size" data-id="90c4765b902b4530aab585dd40adffa1" data-width="1180" data-height="610"><p></p><hr><p></p><h1 style="text-align: center"><strong>Vince Rizzi | ASSASSIN´S CREED UNITY | Senior character artist at Ubisoft Montreal</strong></h1><h1 style="text-align: center"></h1><h1><strong>Can you briefly introduce yourself?</strong></h1><p>My name is Vince Rizzi. I was a senior character artist on Assassin’s Creed Unity. I’ve been at Ubisoft for almost 6 years.</p><p>Working on ACU drastically changed the way I work, primarily because of the use Marvelous Designer in the pipeline.</p><p></p><h1><strong>Which features do you think provide Marvelous Designer with a powerful advantage in comparison to other clothing simulation tools?</strong></h1><p>I really enjoyed the fact that the simulated cloth models automatically had UVs right from the start, which is basically your pattern you built the garment with. This was useful for me in such cases where I would apply patterns/fabric details to the garment or paint stuff like stitching in Photoshop and apply it to the 3d model afterwards as a map.</p><p></p><h1><strong>Which features would you want to see from Marvelous Designer in future versions?</strong></h1><p>I’m pretty happy with the program as it is currently, but If I would have to improve on it I would say to stabilize the software’s ability with working with more complex shapes like knots, or scarves for example. Garments that have lots of twists and turns and that overlap with itself can be a little difficult to work with at times.</p><p></p><h1><strong>Would you recommend Marvelous Designer to a CG artist and why?</strong></h1><p><span>I definitely recommend Marvelous Designer to CG artists who are looking to save lots of time and take the guesswork out of creating credible cloth.</span></p><p>Marvelous Designer is a very consistent and easy way of getting ultra-realistic clothing quickly which is extremely important on productions.</p><p></p><img src="https://storagefiles.clo-set.com/public/community/202501/3ace9d29de0d4947b2626990261e6990/images/039a778791554319a180a471b5364b56md_cases_as2_003.jpg" class="custom-image original-size" data-id="039a778791554319a180a471b5364b56" data-width="1180" data-height="610">

ASSASSIN´S CREED UNITY

<img src="https://storagefiles.clo-set.com/public/community/202502/a941aab6aa0344868bbdd820df800fcf/images/6fd07087edc546e389614eed660a975ctop%20stitch%20problem.png" class="custom-image original-size" data-id="6fd07087edc546e389614eed660a975c" data-width="992" data-height="152"><p>how do i fix this problem? my topstich is not following the bottom shape!</p>

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aschno

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