<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/b16c7780fc0f416caddd4a95f5df96f9/images/bb50e44c127b49aba155ce3c18ac3f5fHeader_thumb%20%282%29.png" class="custom-image hidden-thumbnail" data-id="bb50e44c127b49aba155ce3c18ac3f5f" data-width="1240" data-height="652">"<a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</h2><h2 style="text-align: center">In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>Artist and Brand Introduction</h2>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.<hr><h2>Brand Theme and Aesthetics</h2>Q. YOYOGI MORI's works have a unique worldview and fashion sense. Please tell us about the themes and aesthetics the brand cherishes.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024">A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.<hr><h2>Significance of Fashion in VRChat</h2>Q. What appeal or significance do you feel in creating fashion for VRChat?<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024">A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.<hr><h2>Production Flow with Marvelous Designer</h2>Q. How is Marvelous Designer utilized in your usual production workflow?A. [Pattern Making and Sewing] After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001">Pattern making using the Pleats function and Tacks[Simulation and Wrinkle Creation] To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741">Adjusting wrinkles using pins and partial freezing[Final Details] In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677">Wrinkle details on the finished outfit<hr><h2>Role and Benefits in Team Production</h2>Q. I understand YOYOGI MORI is a small team production. Are there any moments in the process where Marvelous Designer proves particularly useful?A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power as clothing, which is a wonderful point.<hr><h2>Production Challenges and Solutions</h2>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.<hr><h2>Future Outlook</h2>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that can actually be produced, so I want to pursue what is possible because it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"><h2>Message to VRChat Avatar/Clothing Creators</h2>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.<hr><h2>Credits</h2>Avatar &amp; Costume Images/Video: From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>"Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

Dear Creators,Please note I have tried to make a dress 👗, but I'm struggling to fix this point, because no shoulder joints and front and back is up and down, could anyone assist me how to fix this... I'm thinking to use attach to avatar measure tool. Is any other options to make perfect for this type of dresses. Thank you for your valuable time and suggestions.Thanks <img src="https://storagefiles.clo-set.com/public/community/202602/4839c39deb684d5b97ca5f271e5e2ab0/images/07af91e908e94c9f976c3f912ed799a1Screenshot%202026-02-14%20131532.png" alt="07af91e908e94c9f976c3f912ed799a1" class="custom-image original-size" data-id="07af91e908e94c9f976c3f912ed799a1" data-width="1125" data-height="740">

How to hold this dress

Pose_FV2

Kawaii

pythonAPIでUSDファイルを書き出そうと思っています。しかし、UI上から設定したusdとpythonAPIから設定して書き出したusdが異なってしまいます。 UI上から設定できる副資材（stitchやプロップなど）のオンオフもPython上からだとうまくいきません。 以下PC環境<ul><li> OS 　Windows 11 Pro (64ビット) - Build 10.0.26200</li><li>CPU intel Core Ultra 9 285K (24コア / 24スレッド) </li><li> GPU NVIDIA GeForce RTX 5060 (VRAM 4GB*) + Intel Graphics (内蔵) </li></ul>メモリ 約64GB <h1 style="text-align: left">クラッシュについて</h1> また、ExportUSDコマンドはファイルパスを指定して実行するとMDがクラッシュします。その為、ファイルパスの引数指定なしで実行したのち、所定の位置にコピーするような処理を入れています。 PythonAPIドキュメントのUSDに関する情報も乏しく、情報頂けると助かります。<hr>以下使用しているPythonスクリプトです。"""Marvelous Designer 内で直接実行する USD エクスポートスクリプト """ import export_api import import_api import utility_api import ApiTypes import os import json import shutil # exec() 実行時は file が未定義のため、スクリプト自身のディレクトリを # inspect で取得してパスを解決する try: SCRIPTDIR = os.path.dirname(os.path.abspath(__file__)) except NameError: import inspect SCRIPTDIR = os.path.dirname(os.path.abspath(inspect.getfile(inspect.currentframe()))) # ====================================================================== # ロガー — cp932 回避のため print + 最後にまとめて UTF-8 書き出し # ====================================================================== _LOG_PATH = os.path.join(_SCRIPT_DIR, "Aru_md_batch.log") _log_lines = [] def log(level, msg): import datetime line = f"{<a target="_blank" rel="noopener noreferrer nofollow" href="http://datetime.datetime.now">datetime.datetime.now</a>():%Y-%m-%d %H:%M:%S} [{level}] {msg}" loglines.append(line) print(line) def log_flush(): with open(_LOG_PATH, "w", encoding="utf-8") as f: f.write("\n".join(_log_lines)) # ====================================================================== # プログレスバー # ====================================================================== def progress(title, pct): """MD のプログレスバーを更新する。pct: 0〜100""" utility_api.SetProgressW(title, int(pct)) utility_api.Refresh3DWindow() # UIイベントを強制処理してバーを即時描画 # ====================================================================== # CONFIG # ====================================================================== _JSON_PATH = os.path.join(_SCRIPT_DIR, "Aru_md_batch.json") def loadconfig(): if os.path.exists(_JSON_PATH): with open(_JSON_PATH, "r", encoding="utf-8") as f: cfg = json.load(f) log("INFO", f"JSON を読み込みました: {_JSON_PATH}") return cfg return { "zprj_path" : "", "pose_usd_path" : "", "export_usd_path": "", "simulate_steps" : 120, "quality" : 1, "start_frame" : 0, "end_frame" : 120, } # ====================================================================== # オプション構築 # ====================================================================== def buildexport_option(): opt = ApiTypes.ImportExportOption() opt.bExportGarment = True # ガーメント本体のみ（isSelectAllPatternsChecked=true相当） opt.bExportAvatar = False opt.bExportLight = False opt.bExportFabric = False opt.bIncludeHiddenObject = False opt.bSingleObject = True #統合したオブジェクトとして opt.bThin = True #薄いシェイプでエクスポート opt.bUnifiedUVCoordinates = True #UVを統合 opt.bCreateUnifiedTexture = True #テクスチャを統合して出力 opt.bIncludeInnerShape = True opt.bIncludeAvatarShape = False opt.bSaveInZip = False opt.bMetaData = True opt.scale = .1 # cmに合わせてスケールダウン opt.bCreateClothCacheAnimation = True opt.bCreateAvatarCacheAnimation = False return opt def buildusd_option(): opt = ApiTypes.ExportUSDOption() opt.m_upAxis = 0 # プリセット: usdUpAxis=0 (Z-up) opt.m_metersPerUnit = 0.001 # cm 単位 opt.m_bAssignGarment = True opt.m_bAssignAvatar = False opt.m_bAssignSceneNProp = False # isSelectAllSceneAndPropsChecked=false相当 opt.m_garmentPrimPath = "/Garment" opt.m_bExportSimulationData = True # includeGarmentSimulationData=false相当 opt.m_bExportStrandData = False # includeFurStrandData=false相当 return opt # ====================================================================== # メイン # ====================================================================== def main(): log("INFO", "===== Aru_md_batch 開始 =====") cfg = loadconfig() log("INFO", f"CONFIG: {cfg}") zprj_path = cfg.get("zprj_path", "").strip() pose_usd_path = cfg.get("pose_usd_path", "").strip() export_usd_path = os.path.normpath(cfg.get("export_usd_path", "").strip()) simulate_steps = int(cfg.get("simulate_steps", 120)) quality = int(cfg.get("quality", 1)) start_frame = float(cfg.get("start_frame", 0)) end_frame = float(cfg.get("end_frame", 120)) if not zprj_path: log("ERROR", "'zprj_path' が設定されていません。") log_flush(); return if not export_usd_path: log("ERROR", "'export_usd_path' が設定されていません。") log_flush(); return export_dir = os.path.dirname(export_usd_path) if export_dir: os.makedirs(export_dir, exist_ok=True) # ---- プロジェクト読み込み ---- log("INFO", f"プロジェクトを開く: {zprj_path}") try: import_option = ApiTypes.ImportZPRJOption() import_option.bLoadGarment = True import_option.bLoadAvatar = False result = import_api.ImportZprjW(zprj_path, import_option) log("DEBUG", f"ImportZprjW 戻り値: {result}") except Exception as e: log("WARN", f"ImportZprjW 例外: {e} — ImportFileW にフォールバック") result = import_api.ImportFileW(zprj_path) log("DEBUG", f"ImportFileW 戻り値: {result}") if not result: log("ERROR", "プロジェクトの読み込みに失敗しました") log_flush(); return log("INFO", "プロジェクトを開きました") # ---- アバター読み込み ---- if pose_usd_path: log("INFO", f"ポーズファイルを読み込む: {pose_usd_path}") ext = os.path.splitext(pose_usd_path)[1].lower() loaded = False try: if ext in (".usd", ".usda", ".usdc", ".usdz"): result = import_api.ImportFileW(pose_usd_path) elif ext == ".avt": result = import_api.ImportAvatar(pose_usd_path, ApiTypes.ImportExportOption()) elif ext == ".abc": result = import_api.ImportAlembic(pose_usd_path, ApiTypes.ImportAlembicOption()) else: result = import_api.ImportFileW(pose_usd_path) log("DEBUG", f"アバター読み込み戻り値: {result}") loaded = bool(result) except Exception as e: log("WARN", f"アバター読み込み例外: {e}") log("INFO", "アバター読み込み完了" if loaded else "アバター読み込み失敗（続行）") else: log("INFO", "pose_usd_path 未指定 — スキップ") # ---- シミュレーション（落ち着かせ） ---- log("INFO", f"シミュレーション品質: quality={quality}") try: utility_api.SetSimulationQuality(quality, 0) except Exception as e: log("WARN", f"SetSimulationQuality 例外: {e}") log("INFO", f"シミュレーション開始 ({simulate_steps} steps) ...") try: utility_api.Simulate(simulate_steps) log("INFO", "シミュレーション完了") except Exception as e: log("ERROR", f"Simulate 例外: {e}") log_flush(); return # ---- アニメーション録画（キャッシュ生成） ---- # Simulate() はポーズに落ち着かせるだけ。 # アニメーションのフレームキャッシュを生成するには # RunAnimationRecording() で全フレームを再生・焼き込む必要がある。 total_frames = int(end_frame - start_frame) log("INFO", f"アニメーション録画: frame {start_frame} → {end_frame}") try: utility_api.SetStartAnimationFrame(start_frame) utility_api.SetEndAnimationFrame(end_frame) utility_api.CreateProgressBar() progress(f"アニメーション録画中... (0/{total_frames}frames)", 0) utility_api.RunAnimationRecording(start_frame, end_frame) progress(f"アニメーション録画完了 ({total_frames}frames)", 100) utility_api.DeleteProgressBar(False) log("INFO", "アニメーション録画完了") except Exception as e: log("ERROR", f"RunAnimationRecording 例外: {e}") utility_api.DeleteProgressBar(True) log_flush(); return # ---- USD エクスポート（一時フォルダ → コピー）---- # Top-stitch はAPIフラグで除外できないため、 # エクスポート前に非表示化 + bIncludeHiddenObject=False で対処する # 6:Threads(Top-stitch含む), 7:Pins を非表示に HIDEOPTIONS = [6, 7] log("INFO", "Top-stitch / Pins を非表示に設定") for opt_i in HIDEOPTIONS: try: utility_api.SetGarmentDisplayProperties(opt_i, False) except Exception as e: log("WARN", f"SetGarmentDisplayProperties({opt_i}, False) 例外: {e}") log("INFO", f"USD エクスポート開始 → 最終出力先: {export_usd_path}") try: exp_opt = buildexport_option() usd_opt = buildusd_option() log("INFO", "ExportUSD（一時フォルダ）実行中...") tmp_paths = export_api.ExportUSD(exp_opt, usd_opt) log("INFO", f"一時フォルダ出力: {tmp_paths}") except Exception as e: log("ERROR", f"ExportUSD 例外: {e}") log_flush(); return if not tmp_paths: log("ERROR", "ExportUSD の戻り値が空です") log_flush(); return # 書き出されたファイルをコピー src = tmp_paths[0] src_ext = os.path.splitext(src)[1] # 例: .usda / .usd dst_base = os.path.splitext(export_usd_path)[0] dst = dst_base + src_ext try: shutil.copy2(src, dst) log("INFO", f"コピー完了: {src} -&gt; {dst}") except Exception as e: log("ERROR", f"コピー失敗: {e}") log_flush(); return # 表示を元に戻す log("INFO", "Top-stitch / Pins の表示を復元") for opt_i in HIDEOPTIONS: try: utility_api.SetGarmentDisplayProperties(opt_i, True) except Exception as e: log("WARN", f"SetGarmentDisplayProperties({opt_i}, True) 例外: {e}") log("INFO", "===== Aru_md_batch 完了 =====") log_flush() main()

ExportUSDがうまく使えません。

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

The Gentleman Fatal

FV2 Standing 07

FV2 Standing 14

FV2 Standing 03

FV2 Sitting 01

FV2 Standing 16

FV2 Standing 08

sahar

<h2 style="text-align: center">Jaegil Lim shares his character creating workflow, from garment making in Marvelous Designer and final lighting and rendering.</h2><img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/408dcf4a5a6948e6a7692b0d93f94bc161d7a56ed2bc43eda401517c53ff89ea.png" class="custom-image original-size" data-id="408dcf4a5a6948e6a7692b0d93f94bc1" data-width="1601" data-height="738"><h1 style="text-align: center">Interview with Jaegil Lim | Swan | Freelancer Character Artist</h1><hr><h1>The Process of Collecting References For Swan</h1>﻿This artwork is inspired by Jun, Swan which comes from the 3rd hero character from the animation called “GATCHAMAN”I chose to envision Swan wearing a casual outfit rather than reproducing the original hero costume from the animation.The overall concept style is an image of a Korean woman in her early-mid 20s. The style is also inspired by the current trends of Jean Jacket, juicy makeup and bob hair.<h1>A Workflow For Swan</h1>1) Face Modelling in ZbrushFirstly, the model’s face was made in ZBrush. The aim of the model was to reflect a woman during her early-mid 20s.I used a multi-channel face purchased from Texturing XYZ to work on the finer details of her face.2) Garment Making in Marvelous DesignerThe next step was to model the body.I used Marvelous Designer to create a well fitting garment for Swans’ body shape.I purchased a base denim jacket &amp; Skirt set on Marvelous Designer Store and imported the patterns into Marvelous Designer to edit.Some patterns were merged for convenience for further editing.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/e0182a0616c74cd4bb81ce435a435bd9%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175458.png" class="custom-image original-size" data-id="e0182a0616c74cd4bb81ce435a435bd9" data-width="1132" data-height="600">For the next step, I edited the pose in 3Ds Max and converted it to an Alembic file then imported it to Marvelous Designer to apply the changed pose.The picture below indicates that the costume was simulated in the pose shown.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/043eb0819c3f4e9e9442203f222915e28bf71628e31f42f5936b655f14b30289.png" class="custom-image original-size" data-id="043eb0819c3f4e9e9442203f222915e2" data-width="602" data-height="317">After remeshing the patterns, each of Pose Mesh and Pattern Mesh were converted to OBJ files then imported into 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/67dee29ffa19488492955c1fa9b948f4%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175603.png" class="custom-image original-size" data-id="67dee29ffa19488492955c1fa9b948f4" data-width="1317" data-height="692">Substance Painter was used for the texturing process to express finer texture and fading of the denim jacket.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8d0aea0e7f5e4ab5946fd8e28679a233%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175749.png" class="custom-image original-size" data-id="8d0aea0e7f5e4ab5946fd8e28679a233" data-width="1129" data-height="595">3) Hair ModellingOrnatrix was used in Hair modelling.Based on the Guide Mesh I made in Zbrush, I made Cardmesh in Ornatrix. I used the same method for her eyebrows as well.4) Final Lighting and RenderingPastel pink was chosen for the background to express a joyful and lively Swan.Marmoset Toolbag was used for final lighting and rendering.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8925e77ffbdf44c3b65a7a1e8ab32224%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175922.png" class="custom-image original-size" data-id="8925e77ffbdf44c3b65a7a1e8ab32224" data-width="1110" data-height="600"><h1>Experiences in Marvelous Designer and Marvelous Designer Store</h1>I absolutely enjoy using Marvelous Designer Store to save time on pattern making.It takes less time when I modify the purchased patterns to fit into the character than making patterns from scratch.The cloth simulation in Marvelous Designer also enables me to have intuitive and efficient workflow.Any changes made in the 2D window are directly reflected in the 3D window.Another advantage of Marvelous Designer is the compatibility with a variety of 3D software such as Maya, ZBrush, and 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/5231bff209634cceb2427fb0efca5a9d%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20180039.png" class="custom-image original-size" data-id="5231bff209634cceb2427fb0efca5a9d" data-width="1125" data-height="592">Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/channel/UCVoQTOFddiTlz4pI_MuW0hw">Youtube&nbsp;</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://softbeast.artstation.com/">Artstation</a>

Swan

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Marvelous Designer Official

Marvelous Designer Official