<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Visualizing the characters' backstories- their likes, dislikes, occupation, hobbies, etc.- the garment is the most significant part of the storytelling.</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/b27acf50c8bb43d8b46d109d5ed6b998till1.gif" class="custom-image original-size" data-id="b27acf50c8bb43d8b46d109d5ed6b998" data-width="432" data-height="540"><h1 style="text-align: center"><strong>Interview with Nishigandha Sahasrabudhe | </strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nishigandhasahasrabudhe8"><strong>Till Death Do Us Part Indeed</strong></a><strong> | 3D Artist</strong></h1><hr><h1><strong>Artist Introduction</strong></h1><p>I am a 3D artist based out of Mumbai, India, who loves creating artwork in which the characters have unique little stories to tell. Having graduated in visual design, I started working professionally as a UI/UX designer and simultaneously started dabbling in the world of 3D art. I was always fascinated by 3D animated movies and games from an early age and wondered how the artists brought such breathtaking worlds to life. Soon this awe turned into a strong desire to try illustrating in 3D myself, so I slowly started exploring sculpting objects and characters in various 3D software and have never looked back since. Being self-taught has its challenges, but my love for 3D makes me want to explore and learn something new daily.</p><h1><strong>What inspires you as an artist?</strong></h1><p>Visualizing the characters' backstories- their likes, dislikes, occupation, hobbies, etc.- is one of my favorite processes in creating artwork. These backstories shape up the character, quite literally. I sculpt, texture, and light my illustrations, which I enjoy and have fun with.&nbsp; As I mentioned, I love to tell unique stories through my artwork and strive to make my scenes and characters as expressive as possible. I aspire to create art that can be seen, enjoyed, and experienced by all, and that inspires me and keeps me going.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/4bbc60571b1748868405c1c0aa610431till2.jpg" class="custom-image original-size" data-id="4bbc60571b1748868405c1c0aa610431" data-width="1432" data-height="1080"><h1><strong>How would you describe your artwork stylistically?</strong></h1><p>I want to describe my art as more “stylized” than realistic. Although I like to encapsulate and add real-world details into my pieces, my art style would definitely fall more into the cartoon / stylized domain.</p><h1><strong>What is the story behind the piece?</strong></h1><p>This piece is about a beautiful, mysterious woman who charms her lovers and leads them into perfidious situations. I have always wanted to create a villainous character, but I wanted to avoid the obvious visual cues that are generally used to depict a villain or an evil character. So I tried to explore and push the style and tried to depict the corrupt motives of the character using facial form and expressions. Everything about the character, including her beautiful features and gorgeous clothes, contrasts her dark, murderous personality.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/4a18cfb0ff9f44799762dcf264989aa2till3.jpg" class="custom-image original-size" data-id="4a18cfb0ff9f44799762dcf264989aa2" data-width="1080" data-height="1350"><h1><strong>What is this character? Are they a part of a larger story?</strong></h1><p>Yes, it is a part of a larger story. The main character is a beautiful, mysterious woman who charms her lovers and leads them into perfidious situations. In this one, she is in her wedding gown and looks like someone who has just accomplished what she had set out for. The apple, with the green glow, is a poisoned apple, and the fact that one bite has been taken from it signifies that she has just turned her latest prey into her victim.</p><h1><strong>How does the garment contribute to the storytelling?</strong></h1><p>The garment is the most significant part of the story. The witch’s preys are wealthy but asinine men who fall for her beauty and ignore all the warning signs. She feeds off such men to further her wicked motives. Her usual method is, making the men fall head over heels in love with her, marrying her, and then slaughtering them on her wedding night. A poisoned apple is her choice of weapon. The witch is swift and clean and leaves no traces once she has made her kill. The poisoned apple makes it easy and leaves no mess. The beautiful gown conveys that she is either just married or about to get married. The style indicates an older time period. The gorgeous gown shows her sophisticated taste and gives clues about her personality. In this piece with no background, the garment is an excellent indicator to hint at the character and the story.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/31ba9a6d582a4936b43d1f3323c4ee95till4.jpg" class="custom-image original-size" data-id="31ba9a6d582a4936b43d1f3323c4ee95" data-width="1080" data-height="1350"><h1><strong>Where did you use Marvelous Designer on this piece?&nbsp;</strong></h1><p>The complete gown and the veil have been created using Marvelous Designer.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/2fcf11f762df4732ae536d2221acb81dtill5.png" class="custom-image original-size" data-id="2fcf11f762df4732ae536d2221acb81d" data-width="936" data-height="1253"><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/c64efc6c33484bf59e7c0984e0d93306till6.png" class="custom-image original-size" data-id="c64efc6c33484bf59e7c0984e0d93306" data-width="936" data-height="1253"><h1><strong>Why is Marvelous Designer the best choice for digital apparel creation?</strong></h1><p>Marvelous Designer allowed me to experiment with digital clothing patterns and different styles for the outfit. The garment easily forming (from) just 2D patterns helped me visualize how the final piece would look. The cloth simulations helped with capturing the flow of the garment accurately. It’s a very intuitive tool to work with. Creating this garment with any other tool wouldn’t have been so simple.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/dc2b4395e14e457888c13ca985b8c4e8till8.png" class="custom-image original-size" data-id="dc2b4395e14e457888c13ca985b8c4e8" data-width="2048" data-height="1152"><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/60a5dab2491f462eb9c7081ad30719detill9.png" class="custom-image original-size" data-id="60a5dab2491f462eb9c7081ad30719de" data-width="2048" data-height="1152"><h1><strong>What were the ups &amp; downs in creating this piece?</strong></h1><p>I am relatively new to Marvelous Designer software. I have used it before, but not as intensively as in this piece. Figuring out the 2D patterns and stitching the pieces together was one of the process’s most difficult parts since I had minimal sewing knowledge. That was challenging, but seeing your digital garment simulate and drape over your character perfectly was extremely rewarding.</p><h1><strong>Can you share any tips and tricks with Marvelous Designer with the community?</strong></h1><p>Finalizing the dress design and the pattern and having a clear vision of what design I wanted to go with helped me a lot throughout the process and made the process much faster. The abundant tutorials and videos made available by Marvelous Designer helped me a great deal while creating this piece. Instead of following one tutorial step by step, having a vision and finding answers to questions helps a lot while learning any new tool.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/b1b358d706704ba9b44822dcee73b24ftill10.jpg" class="custom-image original-size" data-id="b1b358d706704ba9b44822dcee73b24f" data-width="1920" data-height="1080"><h1><strong>What new things did you learn on this project that you might want to share?</strong></h1><p>I consider myself relatively new to the software, so I learned a great deal while working on this piece. Learning how to break up the garment correctly into pieces, stitch them up, and how to have fabrics layered one on top of the other without making them interact/collapse into one another is something I learned. Although I did not use this in the end piece, I also learned how to add animation to your avatar and make the garment respond after being draped on the T pose to the final pose of the avatar along with its interaction with the background elements is something I had fun exploring too.</p><img src="https://storagefiles.clo-set.com/public/community/202501/b41b2b949aa5485b9dc51e7b8e7202bf/images/53856a0e65f548c1ad424789ca0219d9till11.jpg" class="custom-image original-size" data-id="53856a0e65f548c1ad424789ca0219d9" data-width="5333" data-height="5333"><h1><strong>What were some unexpected outcomes that occurred while working on this?</strong></h1><p>I started this piece feeling extremely overwhelmed and intimidated, thinking of the task’s complexity. But the process felt very intuitive, and I enjoyed it more than I thought I would. I started exploring a lot of fashion trends and tweaked my pose and character a bit so it matched and showed off the garment.&nbsp;</p><p>Suppose you're looking for a powerful design software for creating digital garments that's easy to use. Marvelous Designer 12 is perfect for you! It's available on Windows and macOS, and personal licenses are perfect for freelancers or small studios. Enterprise licenses are also available if you're working with a larger team.</p><p></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nishigandhasahasrabudhe8"><strong>Artstation</strong></a></p>

Till Death Do Us Part Indeed 

<p><img src="https://storagefiles.clo-set.com/public/community/202606/0426208b538549909d801a059154c1be/images/89615f1e1a004d3a88b777b9e9f10da3PORTADA_cabecera%20copia.png" class="custom-image hidden-thumbnail" data-id="89615f1e1a004d3a88b777b9e9f10da3" data-width="1496" data-height="1125"><span>Hola comunidad CLO,</span></p><p>Me llamo Cecilia Renau y llevo meses viviendo dentro de CLO3D. <strong>Lo que empezó como el software de mi Máster en Moda Digital y Avatares se ha convertido en el idioma con el que pienso el diseño.</strong></p><p>Este es el primer post de una serie en la que voy a compartir el proceso completo de mi TFM: GS70, una colección de moda digital inspirada en el béisbol femenino y en los años 70. Seis looks, 2 avatares personalizados en <strong>DAZ Studio</strong>, entornos en <strong>Blender</strong>, tejidos desarrollados en <strong>Substance Sampler</strong> y, en el centro de todo, <strong>CLO3D</strong> como herramienta principal de construcción de prendas.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/0426208b538549909d801a059154c1be/images/642859b808be4cd6bb7dc54640c78befPORTADA_cabecera.png" alt="642859b808be4cd6bb7dc54640c78bef" class="custom-image original-size" data-id="642859b808be4cd6bb7dc54640c78bef" data-width="1701" data-height="1026"></p><p>Pero no voy a hablar solo del resultado. Quiero contaros el proceso real: los errores, los workarounds, lo que descubrí por accidente y lo que tardé semanas en entender.</p><p>Porque creo que la <strong>comunidad hispanohablante de CLO</strong> necesita más voz. Más gente compartiendo flujos de trabajo en castellano, más referentes, más conversación técnica.</p><p><strong>Bienvenidos a GS70. Esto es solo el principio.</strong></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Ev-E2Q_dEp8?si=7ZfTBIt6-zTuvH81" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p></p><p><strong><em><u>TIP CLO del post: Empieza con el avatar correcto</u></em></strong></p><p><em>Antes de hacer el patrón, define el avatar. En GS70 usé avatares de DAZ Studio exportados a FBX e importados en CLO.</em></p><p><em>Asegúrate de que el avatar está en T-pose o A-pose antes de la importación (yo lo hago con "Autoconvertir en Avatar") y no olvides revisar el cabello, para que CLO pueda importarlo debes activar la teselación (yo suelo usar un valor de 2). ¡Ah! Si dentro de CLO no ves las cejas selecciona todo el avatar y pon la opacidad al máximo. Al aumentar la opacidad seguramente los ojos serán completamente blancos, no te preocupes, selecciona las zonas blancas y baja la opacidad.</em></p><p><em>Exporta todos los mapas del Avatar, no sólo los que DAZ empaqueta, tendrás que buscarlos y hacerlo a mano pero valdrá la pena.</em></p><hr><h1 style="text-align: center"><strong>¿Tienes alguna duda?</strong></h1><p style="text-align: center"><strong>¡Gracias por tu tiempo!</strong></p>

GS70: mi TFM en CLO3D — y por qué el 3D cambió cómo entiendo el diseño

YKK Burr_RT41 14L

tae.yamamoto.xr

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202603/83fd1dcdcaf54d4384978522f28ab550/images/7aca3f99901144df822718dc9df5ee9cScreenshot%20March%2009%202026%2004.png" class="custom-image hidden-thumbnail" data-id="7aca3f99901144df822718dc9df5ee9c" data-width="2059" data-height="1400"><span style="font-family: &quot;Times new roman&quot;"><em>We dive into the creative universe of </em></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/bigboy2988eba7"><span style="font-family: &quot;Times new roman&quot;"><em>Seongmin Lee</em></span></a><span style="font-family: &quot;Times new roman&quot;"><em>—an artist who moves seamlessly across genres and boundaries.</em></span></h2><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1151853555?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1072955573?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><strong>Could you please introduce yourself to our community?</strong></h1><p>Hi everyone! I’m Seongmin Lee from Walps Studio. Marvelous Designer has been a staple in my workflow since the very beginning of my career. I’ve utilized it extensively not only for client projects but also for my personal work, which has allowed me to bring so many exciting ideas to life. I’d like to take this opportunity to express my heartfelt gratitude to Marvelous Designer for being such a pivotal partner throughout my journey. Thank you!</p><p></p><h1><strong>Let’s talk about your "Zurg Story" project first, which featured Marvelous Designer. The narrative centered around Zurg—the toy belonging to Sid, the "bully" from Toy Story 1—is truly captivating. What was the inspiration behind this project?</strong></h1><p>Zurg Story is a personal project that actually originated from a sense of professional insecurity I felt at the time. I projected my own emotions onto the character of Zurg. Between 2020 and 2022, I saw many of my peers creating incredible personal projects, and I was naturally influenced by their work. I found myself thinking, "I really want to create a signature piece that I can truly call my own." That desire was the spark that started this entire project.</p><p><img src="https://storagefiles.clo-set.com/public/community/202603/83fd1dcdcaf54d4384978522f28ab550/images/3bdb7cdc54264b6c8c233cc67a6d7334Zurg_Story_%E1%84%8C%E1%85%A1%E1%84%85%E1%85%AD%E1%84%8E%E1%85%A5%E1%86%B7%E1%84%87%E1%85%AE_00.png" alt="3bdb7cdc54264b6c8c233cc67a6d7334" class="custom-image original-size" data-id="3bdb7cdc54264b6c8c233cc67a6d7334" data-width="1839" data-height="1176"></p><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163872832?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163872847?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><strong>How did you utilize Marvelous Designer in this specific project? Could you walk us through your pipeline and how it integrated with other software?</strong></h1><p>My core workflow involves a pipeline between Marvelous Designer and Cinema 4D (C4D). I first finalize the character animation in C4D and then export that data as an Alembic (.abc) file to bring it into Marvelous Designer. That’s where the garment construction and cloth simulations take place. Once the simulation is polished, I bring the cache back into C4D for final output. This has become my standard, go-to pipeline for most of my projects.</p><p></p><h1><strong>Do you have any specific "pro-tips" for achieving those aesthetically pleasing wrinkles and draping that perfectly match a character’s pose or movement?</strong></h1><p>Looking at real-world apparel, I’ve found that outfits look best when the ribbed areas (cuffs or hems) have a strong elastic tension, while the main fabric falls with a more relaxed, loose fit. To replicate this in MD, I typically set the 'Shrink Weft/Warp' values for the ribbing patterns to around 70% to give them that tight, snug feel. It’s easiest to visualize if you think of the distinct silhouette of jogger pants. Balancing that tension is key to creating a natural and high-quality silhouette.</p><p></p><h1><strong>I’ve been following your previous projects with Marvelous Designer, and they are quite impressive. As someone who works across both 2D and 3D genres, what do you consider the "defining aesthetic touch"—that subtle difference that elevates a piece?</strong></h1><p><img src="https://storagefiles.clo-set.com/public/community/202603/83fd1dcdcaf54d4384978522f28ab550/images/87c3b7069a8245c2bfc2dabf6f8bc3e3PLEASE%20BE%20KIND_%E1%84%8C%E1%85%A1%E1%84%85%E1%85%AD%E1%84%8E%E1%85%A5%E1%86%B7%E1%84%87%E1%85%AE_00.png" alt="87c3b7069a8245c2bfc2dabf6f8bc3e3" class="custom-image original-size" data-id="87c3b7069a8245c2bfc2dabf6f8bc3e3" data-width="1987" data-height="1493"></p><p>I believe there is a fundamental difference in how 2D and 3D are constructed. In a 3D environment, even if you blur the forms or let the silhouettes fade out naturally, the image can still feel "right." In 2D, however, I’ve found that while light values may shift, the overall beauty comes from having the forms and shapes remain as sharp and defined as possible. Ultimately, I think the key to creating an aesthetically superior piece lies in truly understanding the "sensibility" behind 2D shading. To be honest, it’s still a very challenging area for me, so I’m constantly studying and pushing myself to learn more.</p><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163872888?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163872906?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><strong>In your work, Rainy Day Puppy, you designed outfits specifically for a dog. Obviously, canine anatomy and movement are entirely different from those of humans. What was the most challenging part of drafting patterns for a dog, and how did you approach the problem?</strong></h1><p>When I was working on the dog outfits, I actually started by exploring many of the free pattern assets available on the Marvelous Designer Store. I experimented by adapting human hoodie patterns for a dog and then added creative touches, like attaching a skirt to the hem of the hoodie.</p><p>Since their proportions are so different from ours, I had to significantly adjust the scale—the neck and shoulder regions required much larger patterns, while the leg openings had to be much narrower. I remember going through countless iterations and pattern variations. Fortunately, because Marvelous Designer is such a robust and high-speed tool, I was able to test, refine, and iterate multiple times without any technical burden. It allowed me to focus entirely on the creative trial-and-error process.</p><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163872938?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163873015?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1163873031?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><strong>Looking ahead, in what direction do you hope to expand your creative work with Marvelous Designer?</strong></h1><p>I plan to continue focusing on narrative-driven character work, and I expect to rely heavily on Marvelous Designer for all garment-related elements in my storytelling. It has become an indispensable part of my creative process. Finally, I’d like to express my sincere gratitude to everyone who took the time to read through this long interview. Thank you!</p><p></p><p></p>

From 3D’s Vibrancy to 2D Lyricism: Redefining the Boundaries

Collection A

Sport wear

<p>⚠️ Please Read Before Purchase</p><p>✅ This avatar is PC-only (Quest unsupported)</p><p>✅ Results may change if you change to a different shader.</p><p></p><p>━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━</p><p></p><p>🎨 About</p><p>[Lucy] is a VRChat-exclusive 3D avatar created by CONNECT Studio.</p><p>This package includes both the avatar and outfit. It comes as a fully set-up Prefab, so you can use it in VRChat right away after a simple build in Unity.</p><p></p><p>✅ Avatar 3.0 compatible  </p><p>✅ PhysBone support (hair/tail/some outfit parts)  </p><p>✅ LipSync support</p><p>✅ Full-body Tracking compatible (standard VRChat Humanoid)</p><p>   ※ Results may vary depending on individual setup.  </p><p>✅ 6 expressions (basic emotions) + MMD blendshapes included  </p><p>✅ PC only / Quest unsupported</p><p>❌ Platforms other than VRChat are not supported.</p><p></p><p>━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━</p><p></p><p>📊 Model Specifications</p><p></p><p>Polygons: </p><p>- Avatar: △19,494</p><p>- Outfit (includes hair/tail/ears/shoes): △59,144</p><p>- Total: △78,638</p><p></p><p>Blendshapes: </p><p>- Face: 138 shapes (includes MMD blendshapes) </p><p>- Body: 32 shapes (for preventing the outfit clipping issue)</p><p>Performance Rank: Very Poor </p><p></p><p>━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━</p><p></p><p>📦 Included Files</p><p>✅ FBX, Unitypackage, Textures (PNG), ReadMe.txt </p><p></p><p>━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━</p><p></p><p>⚙️ Requirements</p><p>✅ Unity 2022.3.22f1</p><p>✅ VRChat SDK 3.9.0 or higher (Latest version via VCC recommended)</p><p>✅ VRChat Creator Companion (VCC)</p><p>✅ lilToon Shader</p><p>✅ Modular Avatar</p><p></p><p>━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━</p><p></p><p>📖 Installation &amp; Usage Guide</p><p>🔗 Full Guide: </p><p>- [KR] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide</a></p><p>- [EN] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide</a></p><p>- [JP] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide</a></p><p></p><p>⚠️ If you're new to Unity/VCC, please read the guide before installation!</p>

[Lucy] Magical Heart Idol Dress

Garment

VRChat

Character

Lucy

Item Type

Character Style

Anime

Clothing Style

Uniform

Fantasy

Platform

[Manuka/マヌカ専用]デビルハートストリート/Devil Heart Street Set

[Lucy] Tail-Fox

[Lucy] Elite Suit Set

[Lucy] Sweet Ribbon Pajamas

[Lucy] Ear-Fox

【無料】夜空セット① きらきら月ピン / Twinkle Moon Hairpin / Quest対

[Lucy] Tail-Rabbit

[Lucy] Pink Tweed Set

Balaclava

Till Death Do Us Part Indeed

Marvelous Designer Official

Marvelous Designer Official