<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Concept artist Rui Li shares how 3D tool like Marvelous Designer enhances 2D illustration, shaping the intricate world of his concept art - The Scent. From hyper-realistic fabrics to immersive storytelling, discover how 3D-assisted costume design improves efficiency, detail, and creative flexibility.</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0214c9e458e4433a8cae6fb57638f2fa%E6%9D%8E%E7%9D%BF-%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="0214c9e458e4433a8cae6fb57638f2fa" class="custom-image original-size" data-id="0214c9e458e4433a8cae6fb57638f2fa" data-width="960" data-height="640"><h1 style="text-align: center"><strong>Interview with </strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost"><strong>Rui Li</strong></a><strong> | The Scent | Concept Artist &amp; Illustrator</strong></h1><hr><h1><strong>Please introduce yourself to the Marvelous Designer community.</strong></h1><p>Hello everyone, my name is Rui. I am a concept artist and illustrator from China. My primary work involves creating concept designs and promotional illustrations for games. I have been in this industry for 15 years and started incorporating 3D software into my workflow about 5-6 years ago to enhance my creative process.</p><h1><strong>What led you to concept art and character design? Were there any artists or works that inspired you?</strong></h1><p>After graduating, I went straight into the game industry as a concept artist. I’ve drawn inspiration from many different artists over the years, but there isn’t one particular artist who had a defining influence on me. Since I’ve worked on a variety of projects with different styles, I’ve found new inspirations at every stage of my career. Early on, I was greatly influenced by <strong>Craig Mullins</strong> while working on realistic projects. Growing up, I played a lot of Japanese games and watched anime and manga, which also left a deep impression on me. Artists like <strong>Katsuya Terada</strong>, <strong>Yoshitaka Amano</strong>, and manga creators like <strong>Takehiko Inoue</strong> and <strong>Rumiko Takahashi</strong> have all influenced my artistic style. My taste is quite eclectic.</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/5d482a5942694df688af72b5aa16cb78CM%20%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="5d482a5942694df688af72b5aa16cb78" class="custom-image original-size" data-id="5d482a5942694df688af72b5aa16cb78" data-width="640" data-height="852"><p style="text-align: center">Artist: Craig Mullins</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/106aa07a17e94d84a2283f8feab0dbd0%E5%AF%BA%E7%94%B0%E5%85%8B%E4%B9%9F1.jpg" alt="106aa07a17e94d84a2283f8feab0dbd0" class="custom-image original-size" data-id="106aa07a17e94d84a2283f8feab0dbd0" data-width="844" data-height="844"><p style="text-align: center">Artist: Katsuya Terada</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/69eb7e606698484d9524936f2981fd8b%E5%A4%A9%E9%87%8E%E5%96%9C%E5%AD%9D1.jpg" alt="69eb7e606698484d9524936f2981fd8b" class="custom-image original-size" data-id="69eb7e606698484d9524936f2981fd8b" data-width="770" data-height="380"><p style="text-align: center">Artist: Yoshitaka Amano</p><h1 style="text-align: left"><strong>Your worldbuilding for <em>The Scent</em> is fascinating! What inspired it, and how would you describe its setting and artistic vision?</strong></h1><p style="text-align: left">A few years ago, I became passionate about collecting perfumes and exploring different scents. Last year, I finally had some free time and decided to build a world around the theme of “fragrance.” Over time, as I continued creating, the story naturally evolved and became more refined.</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/118da70db2364902a28ac039b74f76a3final-22%20%281%29.jpg" alt="118da70db2364902a28ac039b74f76a3" class="custom-image original-size" data-id="118da70db2364902a28ac039b74f76a3" data-width="3840" data-height="5760"><p style="text-align: left">The story revolves around a perfumer who uses scents to heal emotional wounds. Each character embodies a unique fragrance, representing a particular emotion. Visually, I wanted to create a sense of vintage opulence. The aesthetic is inspired by the late 19th century, a period that blends the elegance of Art Nouveau with the structured forms of Art Deco. Since different fragrances originate from various places, the design incorporates diverse cultural influences, making for a richly layered visual experience.</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0725a55152a44170bb18cacdbad06a11final.jpg" alt="0725a55152a44170bb18cacdbad06a11" class="custom-image original-size" data-id="0725a55152a44170bb18cacdbad06a11" data-width="3840" data-height="2560"><h1 style="text-align: left"><strong>What software and tools do you mainly use in your workflow?</strong></h1><p>I primarily work with <strong>Blender, Daz Studio, Marvelous Designer, and Photoshop</strong>.</p><h1><strong>Your creative process is based on 3D modeling before bringing the work into Photoshop for painting. What led you to adopt this workflow?</strong></h1><p>&nbsp;I initially adopted this workflow to improve efficiency and image quality. Over time, I’ve realized that 3D-assisted illustration brings several key benefits:</p><ol><li><p><strong>Faster workflow</strong> – In commercial projects, recurring characters and props can be reused across different scenes, making the process much more efficient.</p></li><li><p><strong>Better realism</strong> – 3D rendering provides accurate lighting, depth, material reflections, and textures that would be difficult to replicate with pure hand-drawing.</p></li><li><p><strong>More flexibility</strong> – With 3D, I can adjust camera angles and lighting at any stage. In contrast, 2D workflows tend to be more linear—once the composition, lighting, and colors are set, making big changes later is often impractical.</p></li></ol><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/04c0bb2494164f55b72d2b0936b8f1dfimg_v3_02k1_df28d569-496c-4603-8f07-7251f105c8cg.jpg" alt="04c0bb2494164f55b72d2b0936b8f1df" class="custom-image original-size" data-id="04c0bb2494164f55b72d2b0936b8f1df" data-width="3837" data-height="2060"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/2ef8a55081fd42bd968205172726b3d1img_v3_02k1_599edcff-2748-4e3d-afec-761d9888479g.jpg" alt="2ef8a55081fd42bd968205172726b3d1" class="custom-image original-size" data-id="2ef8a55081fd42bd968205172726b3d1" data-width="3839" data-height="2062"><h1><strong>When designing character garments in Marvelous Designer, which aspects or features do you focus on the most?</strong></h1><p>I primarily focus on <strong>accurate fabric simulation</strong>, which is why I mainly use the <strong>2D pattern-making tools</strong> and <strong>basic animation features</strong> to refine my designs.</p><h1><strong>Could you share a specific example of how Marvelous Designer played a key role in your creative process?</strong></h1><p>In <em>The Mastic</em>, about <strong>one-quarter of the scene is dedicated to fabric details</strong>, which play a crucial role in enhancing the composition. The folds and drapery not only complement the character but also help <strong>fill the scene naturally</strong>, creating a richer and more immersive atmosphere.</p><p>Marvelous Designer’s ability to generate <strong>realistic fabric textures and movement</strong> brings an added level of authenticity to my work. It also <strong>softens the stiffness</strong> that can sometimes come with 3D-assisted creations. I see it as a <strong>visual and compositional mediator</strong>, seamlessly blending characters with their surroundings. The way fabric interacts with objects in the scene further enhances the character’s presence, making the world feel more alive.</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/e4670ac912164810af9ab1ca607aef7fRuxiang3.jpg" alt="e4670ac912164810af9ab1ca607aef7f" class="custom-image original-size" data-id="e4670ac912164810af9ab1ca607aef7f" data-width="4500" data-height="6660"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/85f534f6839b44728e97cbdde0d20039img_v3_02k1_835cfbe5-e3ad-4760-982d-27b073a2aaeg.jpg" alt="85f534f6839b44728e97cbdde0d20039" class="custom-image original-size" data-id="85f534f6839b44728e97cbdde0d20039" data-width="3839" data-height="2065"><h1><strong>&nbsp;Any practical tips for artists looking to use Marvelous Designer for concept character costume design?</strong></h1><p>The best advice? Start using it right away. Marvelous Designer’s pattern-based approach helps artists understand how clothing actually fits and moves, which is essential for making designs more believable.</p><p>That said, don’t rely entirely on raw 3D outputs—while simulations provide a strong foundation, they often need additional refinement. Shapes may lack structural clarity, so post-processing is key to achieving a polished final design.</p><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/76a524a2ed044fb798d14a7d5acab3b1%E8%95%BE%E5%A7%86.png" alt="76a524a2ed044fb798d14a7d5acab3b1" class="custom-image original-size" data-id="76a524a2ed044fb798d14a7d5acab3b1" data-width="2048" data-height="1365"><p></p><p></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost">Artstation</a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://space.bilibili.com/10178650">Bilibili</a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/61ca6e6100000000100065e4?xsec_token=ABvR5H1BwoNPsdmxYAAEhaoLj5ZZMSkmdaDhnxa12hJQc%3D&amp;xsec_source=pc_search">RedNote</a></p><p></p>

Blending 3D into 2D: Unveiling the Concept Art of “The Scent”

패브릭디자인스튜디오

<hr><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/72d7f24642824a598db3bfa1249f2574%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="72d7f24642824a598db3bfa1249f2574" class="custom-image original-size" data-id="72d7f24642824a598db3bfa1249f2574" data-width="4000" data-height="1713"></p><p>In character illustration, clothing is more than visual decoration. It affects a character's movement, material expression, visual depth, and the overall mood of the image.</p><p>Illustrator <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/5af06707db2e600283b2ffd3?xsec_token=ABX4egR0ayT1owObWsVpTJhkUCcT_rOD4InRUFSxzXPxM%3D&amp;xsec_source=pc_search">Luobu</a> specializes in anime-style character illustration. Her work often features a semi-realistic atmosphere, strong lighting, dynamic poses, and elaborate costume design. In her workflow, 3D tools are not a replacement for drawing. They help her understand structure, space, and fabric behavior more accurately.</p><p>In this interview, we spoke with Luobu about how she brings Marvelous Designer into her 2D illustration workflow, including real-world garment experience, 3D base models, garment patternmaking, animation simulation, and final 2D refinement.</p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/8b5f2f2dbabe4e0db3d8963cf29f0c78%E7%BB%86%E5%8C%961.jpg" alt="8b5f2f2dbabe4e0db3d8963cf29f0c78" class="custom-image original-size" data-id="8b5f2f2dbabe4e0db3d8963cf29f0c78" data-width="4000" data-height="1715"></p><hr><h1><strong>To start, could you introduce yourself and the creative direction you usually focus on?</strong></h1><p>Luobu: Hi everyone, I'm Luobu, an illustrator.</p><p>I enjoy creating anime-style character illustrations. I am especially drawn to images with a semi-realistic atmosphere and strong lighting, as well as dynamic character poses and elaborate costume designs.</p><p>In character design and illustration, I usually use 3D software to support my 2D painting process. It helps me handle space, garment structure, and lighting relationships with more stability.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/f0fd4b0cc99a4551bab0dfccd34f4567zl1.jpg" alt="f0fd4b0cc99a4551bab0dfccd34f4567" class="custom-image original-size" data-id="f0fd4b0cc99a4551bab0dfccd34f4567" data-width="3648" data-height="6000"></p><h1><strong>You also have experience with cosplay. How has making or wearing clothing in real life helped you understand clothing in digital painting?</strong></h1><p>Luobu: Making clothing in real life gives me a more intuitive understanding of garment styles, structure, and patternmaking.</p><p>It also helps me understand the properties of different fabrics, such as weight, sheen, and elasticity. That experience supports me in two ways. On one hand, when I build clothing models in 3D software, I can judge the structure more quickly. On the other hand, when I paint in 2D, I have a clearer sense of why folds form, how they flow, and how different material textures should be rendered.</p><h1><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/27c07cf90a8e41ea9b1d1e18dcab6f43teres.jpg" alt="27c07cf90a8e41ea9b1d1e18dcab6f43" class="custom-image original-size" data-id="27c07cf90a8e41ea9b1d1e18dcab6f43" data-width="3000" data-height="6000"></h1><h1><strong>Many 2D illustrators feel that 3D comes with a learning curve. What first made you decide to bring 3D tools into your illustration workflow?</strong></h1><p>Luobu: When I was first learning to draw, I was not very confident with illustrations involving perspective or complex scenes.</p><p>At the time, I learned that some illustrators were using 3D software to build more complex scene compositions before painting. That became the starting point for me. I began learning 3D software and gradually brought it into my own workflow.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/81dd02d7021d4fbfb5d2e24eab7d7fd4%E9%A2%86%E4%B8%BB.jpg" alt="81dd02d7021d4fbfb5d2e24eab7d7fd4" class="custom-image original-size" data-id="81dd02d7021d4fbfb5d2e24eab7d7fd4" data-width="1750" data-height="3500"></p><h2><strong>What does your usual 2D + 3D workflow look like now?</strong></h2><p>Luobu: My current workflow is roughly: sketch -&gt; 3D base human model -&gt; garment creation in Marvelous Designer -&gt; scene props and set pieces in 3D software -&gt; lighting and rendering -&gt; final 2D refinement.</p><p>In this process, different software tools need to work together. Some tools can be connected through bridge plugins. When there is no bridge plugin available, I use common model formats such as OBJ or FBX files. I also keep the scale units consistent across programs, which makes it more stable to move between different tools.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/737e0714b00c401eb19e5cd22b0d61abmain11%20s.jpg" alt="737e0714b00c401eb19e5cd22b0d61ab" class="custom-image original-size" data-id="737e0714b00c401eb19e5cd22b0d61ab" data-width="5000" data-height="2143"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/961d325c9a8941cc9e92c6e4588771d3out%202.png" alt="961d325c9a8941cc9e92c6e4588771d3" class="custom-image original-size" data-id="961d325c9a8941cc9e92c6e4588771d3" data-width="3500" data-height="1500"></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Pnx76q2e1tE" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2><strong>You often share your process of building 3D garments by hand. What does Marvelous Designer help you with in garment creation?</strong></h2><p>Luobu: I usually begin by sketching the full illustration and deciding the character's pose, clothing style, and the general motion of the garment.</p><p>After that, I use Marvelous Designer to create the garment patterns and dress the clothing on the character model. With Marvelous Designer's animation simulation features, I can simulate the dynamic shape of the garment. This process can produce highly realistic garment folds and physical simulation effects.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/545b976ad46d4b6b85b79e499c597b77erk2.jpg" alt="545b976ad46d4b6b85b79e499c597b77" class="custom-image original-size" data-id="545b976ad46d4b6b85b79e499c597b77" data-width="1575" data-height="3500"></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/vmzqrNUL7Jo" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2><strong>In 2D painting, artists often rely on imagination to work through complex folds. After using Marvelous Designer, how has it influenced your 2D rendering?</strong></h2><p>Luobu: Marvelous Designer's cloth simulation can create very realistic and delicate folds. It can also simulate physical collisions between fabric and objects such as the floor, tables, and chairs.</p><p>For later 2D rendering, these results give me useful references for form and for separating light and shadow. I do not copy the simulation results directly. Instead, I organize and simplify them, then translate them into clothing details that suit the final image.</p><p>In that sense, it helps me quickly establish the overall movement and shape of the garment, while also improving my efficiency during the final refinement stage.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/5b16ce6a84e644288b93e846c96b9826xingyuan1.jpg" alt="5b16ce6a84e644288b93e846c96b9826" class="custom-image original-size" data-id="5b16ce6a84e644288b93e846c96b9826" data-width="3000" data-height="1687"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/42fbbd0d10ff4c789bc9c8504a7635aareed.png" alt="42fbbd0d10ff4c789bc9c8504a7635aa" class="custom-image original-size" data-id="42fbbd0d10ff4c789bc9c8504a7635aa" data-width="3500" data-height="1499"></p><h1><strong>Would you recommend 3D tools to artists who are still working in a traditional 2D workflow?</strong></h1><p>Luobu: If an artist needs to paint more realistic clothing, environments, or atmospheric lighting, I would recommend bringing 3D tools into the workflow.</p><p>For beginners, I suggest first building a simple workflow, such as base model -&gt; clothing model -&gt; scene render -&gt; painting. You do not need to learn many software tools at once. Start with one tool, understand its basic functions, and build from there.</p><p>Taking it one step at a time makes the learning process more gradual, and makes it easier to truly integrate the tools into your own creative workflow.</p><hr><p>From real-world garment experience to garment patternmaking and cloth simulation in Marvelous Designer, and finally to 2D refinement, Luobu's workflow offers a useful approach for illustrators: use 3D tools to establish structure and physical logic, then return to 2D painting for the final artistic interpretation.</p><p>In this workflow, 3D is not a replacement for drawing. It is a more stable and intuitive reference system. It helps artists see folds, gravity, material, and spatial relationships more clearly, making clothing in character illustration feel more believable, layered, and alive.</p><hr><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/82ab1cc7e6ea4eedb0a714e1c0bf8025bmx.jpg" alt="82ab1cc7e6ea4eedb0a714e1c0bf8025" class="custom-image original-size" data-id="82ab1cc7e6ea4eedb0a714e1c0bf8025" data-width="2000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/29943df72bab47cc97a219f351c73e87%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="29943df72bab47cc97a219f351c73e87" class="custom-image original-size" data-id="29943df72bab47cc97a219f351c73e87" data-width="4000" data-height="1713"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/3105d52a2d914aeb9676a8286e73c6aesaki%20%E7%BB%88%20%E6%8B%B7%E8%B4%9D.png" alt="3105d52a2d914aeb9676a8286e73c6ae" class="custom-image original-size" data-id="3105d52a2d914aeb9676a8286e73c6ae" data-width="1857" data-height="3300"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/421ea98f37bb4b77a459b5a2e9946b33mr1.png" alt="421ea98f37bb4b77a459b5a2e9946b33" class="custom-image original-size" data-id="421ea98f37bb4b77a459b5a2e9946b33" data-width="1625" data-height="2600"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/d88d0d622a5643d3b9fa4bf7be0eefd8mami2.png" alt="d88d0d622a5643d3b9fa4bf7be0eefd8" class="custom-image original-size" data-id="d88d0d622a5643d3b9fa4bf7be0eefd8" data-width="1900" data-height="2850"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/df63c165446341858480d78c59d80a4cange.jpg" alt="df63c165446341858480d78c59d80a4c" class="custom-image original-size" data-id="df63c165446341858480d78c59d80a4c" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/94b95f104a9b4d6a9fb07261f9df5050yasu.jpg" alt="94b95f104a9b4d6a9fb07261f9df5050" class="custom-image original-size" data-id="94b95f104a9b4d6a9fb07261f9df5050" data-width="2000" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/736c4a6ad70d488c80c4f72c408d153d%E5%9B%BE%E5%83%8F1%20%E6%8B%B7%E8%B4%9D.jpg" alt="736c4a6ad70d488c80c4f72c408d153d" class="custom-image original-size" data-id="736c4a6ad70d488c80c4f72c408d153d" data-width="1800" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/16dee19d8ed44deeb0ae47b91582b58f%E6%88%90%E5%9B%BE1.jpg" alt="16dee19d8ed44deeb0ae47b91582b58f" class="custom-image original-size" data-id="16dee19d8ed44deeb0ae47b91582b58f" data-width="3000" data-height="6000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/b7612bfd45004ed88e0489322ea98bea%E7%9D%A6%E8%8E%AB.jpg" alt="b7612bfd45004ed88e0489322ea98bea" class="custom-image original-size" data-id="b7612bfd45004ed88e0489322ea98bea" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/6f86e2360150409fbaa404cfcb7445c41.jpg" alt="6f86e2360150409fbaa404cfcb7445c4" class="custom-image original-size" data-id="6f86e2360150409fbaa404cfcb7445c4" data-width="3500" data-height="1969"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/4b2e89dcdfb345e0b44f7b88760a66f31%202.jpg" alt="4b2e89dcdfb345e0b44f7b88760a66f3" class="custom-image original-size" data-id="4b2e89dcdfb345e0b44f7b88760a66f3" data-width="3000" data-height="1286"></p>

Making Fabric Folds Make Sense: Illustrator Luobu on Her 2D + 3D Workflow

<p>This outfit was created by <a href="https://connect.clo-set.com/portfolio/927302/collection/collections" target="_blank">[valeriasousa3d]</a> and is compatible with the inZOI Mod.<br/>The original work can be found at: <a href="https://connect.clo-set.com/detail/20564ddab940481b927c9d9128123072" target="_blank">[Link]</a><br/>**Limited-Time Offer: This asset is only available during the contest period.<br/><br/>[File Contents]<br/>Mod Package File<br/><br/>[How to use]<br/>Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods<br/>For a detailed guide, please refer to the link below.<br/><a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a><br/><br/>---<br/><br/>Use of Gamewear Items is permitted solely for your personal gameplay within inZOI.<br/>Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.</p>

Portuguese Heritage Meets Streetwear

Garment

Gender & Age

Women

Style

Outfits

Pants

Shirt / Blouse

Vest / Cardigan

Genre & Mood

Historical / Traditional

Streetwear

M Warrior Armor Costume

M_Classic_Rider_Set_88217E4D

OffShoulder Dolfin Shorts Set

M Workwear Casual Outfit

M Korean Military Uniform

F Red One-Shoulder Swimsuit

Knit Bikini Set

F Classic Maid Costume

<p>i updated my clo app to the latest version and then i had an issue that CLO 3D is open but stuck on a blank (black) interface — no workspace, avatar, or panels are showing properly. Can anyone help me solve this problem?<img src="https://storagefiles.clo-set.com/public/community/202506/21a1b0a7fabf480197fe09787b228bb0/images/23693d7e0302450ea79a0a97795c59f6Screenshot%201446-12-26%20at%2012.37.54%E2%80%AFPM.png" alt="23693d7e0302450ea79a0a97795c59f6" class="custom-image original-size" data-id="23693d7e0302450ea79a0a97795c59f6" data-width="4456" data-height="2410"></p>

Blending 3D into 2D: Unveiling the Concept Art of “The Scent”

Marvelous Designer Official

Marvelous Designer Official