Gender & Age

Style

Genre & Mood

Objective

Garment

<h1>Dear Designers,</h1><h1>We’re thrilled to announce the third Creator's Contest of <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">FANTASY ARCHIVES</a></h1>Created with our Japanese Marvelous Designer community in mind, we warmly invite talented designers from around the world to participate. Volume 3 is an exclusive contest for Marvelous Designer, so entries created with CLO or Jinny are not eligible. Participants are free to use any rendering tool of their choice.<h1>[Theme for Round 3 : FANTASY ARCHIVES]</h1>Create works inspired by the unique blend of tradition and future in Tokyo's cityscape, breaking existing concepts while maintaining practicality.📆Submission Deadline: Wednesday, Oct 7th🔍Check the contest page for details✅Only projects using Marvelous Designer can participate in Vol.3.✅This time, please use the hashtag #mdcc2025vol3✅Check below for detailed application instructions 🔽🔽<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/JEy4WPC-ewU" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Click here </a>to check the details!</h1>We look forward to receiving your wonderful submissions!<img src="https://storagefiles.clo-set.com/public/community/202508/f16d21d45b9b48e487c11a1df9b8c20c/images/3b5815ab12d047138ce0edf1bdd1965ePopupBg%2020250702.png" class="custom-image hidden-thumbnail" data-id="3b5815ab12d047138ce0edf1bdd1965e" data-width="1400" data-height="800"><img src="https://storagefiles.clo-set.com/public/community/202508/f16d21d45b9b48e487c11a1df9b8c20c/images/6f9105e9adc74244a9df7e577b893a09PopupBg%2020250702%20M375.png" class="custom-image hidden-thumbnail" data-id="6f9105e9adc74244a9df7e577b893a09" data-width="712" data-height="800">

Creator’s Contest 2025 vol.3 : FANTASY ARCHIVES

Like petals carried by the tide, these garments float freely over the water, catching the last golden rays of the sunset. Each piece drifts as if it has its own rhythm, a delicate dance between fabric and sea. This moment celebrates the ephemerality of beauty — fashion becoming part of nature, dissolving into light, water, and movement. A serene ode to freedom, flow, and timeless elegance. 🌊 Fabrics adrift, golden light on water, and a sunset that turns fashion into poetry ✨🌅<img src="https://storagefiles.clo-set.com/public/community/202508/532b44e625734577be70b8183a98b1db/images/5723c3087a17444184df924fa5fa168bfrontal20006.png" alt="5723c3087a17444184df924fa5fa168b" class="custom-image original-size" data-id="5723c3087a17444184df924fa5fa168b" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202508/532b44e625734577be70b8183a98b1db/images/f6af6b687d1a40ee8a480304e95a47a0lateral0036.png" alt="f6af6b687d1a40ee8a480304e95a47a0" class="custom-image original-size" data-id="f6af6b687d1a40ee8a480304e95a47a0" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202508/532b44e625734577be70b8183a98b1db/images/bd5a2138d7c84dbe830c9dc836a53534lateral0291.png" alt="bd5a2138d7c84dbe830c9dc836a53534" class="custom-image original-size" data-id="bd5a2138d7c84dbe830c9dc836a53534" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202508/532b44e625734577be70b8183a98b1db/images/c3c793c19a9f46dc861b695bb45366d0zoom0597.png" alt="c3c793c19a9f46dc861b695bb45366d0" class="custom-image original-size" data-id="c3c793c19a9f46dc861b695bb45366d0" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202508/532b44e625734577be70b8183a98b1db/images/136696265db74828a819f16f439bad72zoom0065.png" alt="136696265db74828a819f16f439bad72" class="custom-image original-size" data-id="136696265db74828a819f16f439bad72" data-width="1440" data-height="2560">

🌊 Floating Dreams 🌊

Hi CLO Team,Since the CLO 2024 version, I’ve noticed that after every update, some of my favorite fabrics, topstitches, and normal maps disappear. Even the list of fabric physical properties becomes smaller. This just happened again after the latest update.Interestingly, this only happens on my MacBook — on my iMac (2017) I still have all the old fabrics and assets, including V1 and basic fabrics. My friend updated too and also lost her V1 and basic fabrics. This suggests the files might still exist, but CLO isn’t reading from the same library location after updates.I really enjoy seeing the library grow, but it’s a bit frustrating to lose the older items we rely on. It would be wonderful if future updates could keep all previous assets while adding new ones — or at least give users an option to retain older libraries.Issue Summary:<ul><li>Missing fabrics, topstitches, and normal maps after every update since CLO 2024.</li><li>Fabric physical properties list is reduced.</li><li>Problem occurs on MacBook, but iMac 2017 retains all assets.</li><li>Friend updating also lost all V1 and basic fabrics.</li><li>Suggests files exist but library path or update process prevents CLO from reading them.</li><li>Request: Keep all previous assets intact while adding new ones in future updates.</li></ul>Thanks so much for your hard work and for creating such a great tool — I truly appreciate the effort you put into supporting designers!Best regards,Vida

Repeated Missing Fabrics & Assets After Updates (Mac Issue)

<h2 style="text-align: center">"Marvelous Designer has enormous potential. I like the different types of fabrics and their different animation! it makes our creations really realistic."</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/2effd6bc63a14256a0477d2740845d77/images/ea56062081334b62b62fff28e7744babdress1.png" class="custom-image medium-size" data-id="ea56062081334b62b62fff28e7744bab" data-width="1080" data-height="1920"><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/LeV1ZK">Manon Devaux</a> | Middle Age Dress | 3D Generalist</h1><hr><h1>Artist Introduction</h1>My name is Manon Devaux, I am a 3D generalist specializing in clothing. Graduated from the MJM graphic design in Nantes (France). I work today with an Italian advertising company where I model, texture and animate clothes. While learning 3D I fell in love with dress modelling, especially historical. It probably comes from my passion for history and sewing.<h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>For this project, I wanted to make a beautiful dress, worthy of a throne room. with embroidery and above all lots of ribbons to make it as realistic as possible.&nbsp;Like all historical clothing, I started with the petticoat and the chemise. They are important so I added details in several places.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/2effd6bc63a14256a0477d2740845d77/images/f6a671886f3042db838dc355198f0acbdress2.png" class="custom-image original-size" data-id="f6a671886f3042db838dc355198f0acb" data-width="1222" data-height="817">I started with a simple pattern (like Mérida in Brave) but added a lot of details: ribbon, gilding, belt, rope, pleated blouse, lace petticoat, etc... The most complicated thing was to play with the layers to that the different linings overlap correctly, especially with the skirt pulled up in one place with a pin.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/2effd6bc63a14256a0477d2740845d77/images/ae8cd15065b041eab705f859f9a642c3dress3.png" class="custom-image original-size" data-id="ae8cd15065b041eab705f859f9a642c3" data-width="1215" data-height="820">I love long sleeves! It was an obligation for me to do so. But the length of the fabrics and especially the linings was difficult to set up. I had to play with layers and fabrics.&nbsp;I used the standard software avatar. I knew it would only be a "support" for the dress, so I didn't take the time to deal with it. I edited and animated it with Mixamo and Cinema 4D.It was a great challenge with all those ribbons and carnations! especially the direction of the ribbon (one below one above). I had to play with the fabric, its rigidity and its length (which adapts to the morphology of the character) but I'm happy with the result!&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/2effd6bc63a14256a0477d2740845d77/images/422f6bfce9fb4bb5985de5ea0516bcc3dress4.png" class="custom-image original-size" data-id="422f6bfce9fb4bb5985de5ea0516bcc3" data-width="1163" data-height="769">Above all, in this kind of dress, you must never forget the shirring. They are very important, especially with a slightly transparent fabric like voile. It is the detail that makes the dress more realistic.<h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>I use this software every day for my work, as well as my personal use and I am very proud of it! Marvelous Designer has enormous potential. I'm sure there are still tools that I don't know about, despite my extensive research online. I like the different types of fabrics and their different animation! it makes our creations really realistic.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/LeV1ZK">Artstation</a>

Middle Age Dress

<h2 style="text-align: center">INTERVIEW from Winners, 2nd Place in Amateur Category - Hunt: Showdown 3D Apparel Creation Contest.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/51e65cf892d04e6da515f64d8984d6c30ee512a5e8874bd6ac85b8c702f84ecd.jpg" class="custom-image original-size" data-id="51e65cf892d04e6da515f64d8984d6c3" data-width="1920" data-height="1625"><h1 style="text-align: center">By Ana Zlatkovic - 2nd Place in Amateur Category</h1><hr><h1>1. Where did you get the inspiration of your hunter?&nbsp;</h1>A few months prior to the contest, I had access to a book with beautiful illustrations of the Victorian era fashion depicting lavish dresses of this era. When the contest started, I remembered all those crinolines, corsets, folds and ruffles, and I knew I wanted Victorian elements in my design. With that in mind, I started my research mainly relying on online resources.&nbsp; <h1>2. Could you explain in chronological order what process you went through for the garment creation of your winning work?</h1>I first focused on general research of the Victorian era. My first goal was to learn as much as possible about life in the 19th century, not just the way people dressed, but also what their everyday activities were, how social structure affected their activities and how it defined fashion characteristics of that time. &nbsp;Then I compiled a collection of reference photos to help me organize and remember all the specific Victorian fashion details.<img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/6c01a50299a84f758236249ed3369fa250ff363b2c3c49e1a13e3467bdba9e0d.jpg" class="custom-image medium-size" data-id="6c01a50299a84f758236249ed3369fa2" data-width="1369" data-height="928">Victorian dresses had multiple layers and a lot of lacy, ruffled details, especially the dresses worn by the upper class members. That is why at this point I needed to decide what fashion elements my garments should include. &nbsp;The next step was to find a way to simplify and modernize the design to make it practical. I always kept in mind the fact that my outfit was meant for a hunter who should be able to move easily, to hunt efficiently. That is why I chose to leave out crinoline, long train and heavy draping. &nbsp;I printed out some of the reference photos and created a collage to help me see what kind of clothing pieces can be nicely combined. &nbsp;Then I started testing potential parts of my design in Marvelous Designer. I created a few variations of each garment (a blouse with more ruffles, a blouse with less ruffles, wider pants, narrow leg pants, a couple of collar options...) and I started dressing the mannequin and combining different variations of my garments. This is how I filtered garment variations that I liked the most.<img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/3314c63ff95e48119cf7fb728f90ffb68724ca312e844e8b84088ce356e279c5.jpg" class="custom-image medium-size" data-id="3314c63ff95e48119cf7fb728f90ffb6" data-width="1817" data-height="1776">My final design was the product of the elimination process followed by some additional detailing and polishing.&nbsp;<h1>3. What was the most difficult part, and what part did you spend a lot of time on to complete this artwork?</h1>Intricate and luxurious Victorian dresses are pretty and fascinating, but I thought that a clean and simple design was more suitable for a hunter. Deciding which fashion details specific to the Victorian era to exclude from my final design was the most difficult part of the process.In terms of actual creation of the design, the most difficult and the most time consuming part was to make certain stubborn parts of my garments to simulate properly.&nbsp;For example, the blouse I made had many small pleats, and all that fabric bunched up in contact with the corset, which made the simulation more difficult.&nbsp;It required patience and a lot of careful tweaking to get it right. Layering settings and particle distance adjustments definitely helped with that.<img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/8bb733ecec71412b9d248db23ceb4c139d42ae30c8c74112b40fc6ce12468f3d.png" class="custom-image medium-size" data-id="8bb733ecec71412b9d248db23ceb4c13" data-width="648" data-height="653">The corset train, which had two layers and a pleat along the center back line, also required a few attempts to simulate well.<img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/221c6d1b160d4001b5a6c530ce6e478381647f84e5b44cffbe3886715c0fca1f.png" class="custom-image medium-size" data-id="221c6d1b160d4001b5a6c530ce6e4783" data-width="616" data-height="576"><h1>4. What are the strong points that Marvelous Designer has?</h1>Marvelous Designer enables easy and fast design testing. Even when I am working with a pattern that is not completely accurate, fast simulation shows me right away whether I am on the right track, and I can quickly spot the parts of the design I want to improve or eliminate.Also, thanks to its numerous functionalities and settings it is possible to achieve a very detailed result without help from any other software.<img src="https://storagefiles.clo-set.com/public/community/202501/a5a198322a924793a7a827cddcd4f1fe/images/f554c7224d484c2da91ecc03f1f35da467827f09e3074b39bb35138cad3961f7.jpg" class="custom-image original-size" data-id="f554c7224d484c2da91ecc03f1f35da4" data-width="1920" data-height="1625">Thanks for the interview and your amazing work, Ana Zlatkovic!&nbsp;Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/vaida">Artstation</a>

Victoria

test

<h2 style="text-align: center">株式会社典樹が運営する3Dアバター服飾ブランド「<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>」。 「安心して長く付き合えるブランド」を掲げ、魅力的なバーチャルウェアの制作を行う制作集団です。</h2><h2 style="text-align: center">今回は、YOYOGI MORIでMarvelous Designerを用いた3D縫製やアバターのセットアップを担当するデザイナーが、ファッションの制作における制作のこだわりやブランドの哲学を語ります。</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h2>アーティストとブランド紹介</h2>Q. まずはご自身と「YOYOGI MORI」について紹介をお願いします。どのような活動をされていますか？A. 「YOYOGI MORI」は株式会社典樹が運営する、3Dアバター服飾ブランドで様々なクリエイターとのコラボレーションによって、魅力的なバーチャルウェアの制作を行うサークル活動です。 私は文化服装学院を卒業後、在学中から関りのあった株式会社典樹へと入社しました。現在は主にMarvelous Designerを用いた3D縫製を主軸に、アバターのセットアップや製品の制作進行などを担当しております。また個人的に現実の衣装作成や音楽活動なども行っております。<hr><h2>ブランドテーマと美学</h2>Q. YOYOGI MORI の作品には独自の世界観やファッション性を感じます。 ブランドとして大切にしているテーマや美学を教えてください。<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/383ad397357a405bb62a673e70b3738abca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="383ad397357a405bb62a673e70b3738a" class="custom-image original-size" data-id="383ad397357a405bb62a673e70b3738a" data-width="1024" data-height="1024">A. YOYOGI MORIが目指すのは、ユーザーから「安心して長く付き合えるブランド」として認知されることです。その実現のために、単なる3Dアバターの販売にとどまらず、継続的なアップデートやサポートを通じて、購入後も価値が高まり続ける体験を提供しています。 また、作品単体で完結させるのではなく、ブランド全体の世界観を一貫して表現することにより、「YOYOGI MORIの製品であること自体がステータスであり、安心の証」となるような存在を目指しています。ブランドの理念として掲げているのは、「3Dアバターを大切に扱う文化を育てること」です。アバターを単なるデータではなく、自分の身体の延長として捉え、適正な価格設定と明確な利用規約を設けることで、ユーザーに安心感を提供し、同時にクリエイターが健全に活動できる土台を築いてきました。 今後も、ユーザーとクリエイターの双方に対して価値を還元しながら、「祖父母が孫にアバターを贈ることができる未来」という理想のビジョンの実現に向けて、活動を続けていきます。<hr><h2>VRChatにおけるファッションの意義</h2>Q. VRChat上でファッションを作ることには、どんな魅力や意義を感じていますか？<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/dcf429aaea564fbca97c5e4f5af217c91d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="dcf429aaea564fbca97c5e4f5af217c9" class="custom-image original-size" data-id="dcf429aaea564fbca97c5e4f5af217c9" data-width="1024" data-height="1024">A. 一服好きとしては、アパレルという長い歴史のある業界の中で、最先端でモノづくりを行っていると思えるところが好きです。バーチャルウェアという、今この時代だからこそ制作可能な服飾に可能性を感じています。<hr><h2>Marvelous Designerを用いた制作フローと工夫</h2>Q. 普段の制作フローの中で、Marvelous Designer はどのように活用されていますか？A. 【型紙制作と縫製】 型紙を製作し、縫い合わせた後はレイヤー機能、強化等を使用してザックリ完成形に近づけます。 今回のデザインはプリーツが多様されていたので、プリーツ機能を使用しました。縫い合わせていない部分は浮くので、タックなどで押さえて綺麗に見せています。<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/66145305a5c94aa3827eb05b8fe5084e%E5%9E%8B%E7%B4%99.png" alt="66145305a5c94aa3827eb05b8fe5084e" class="custom-image original-size" data-id="66145305a5c94aa3827eb05b8fe5084e" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/8aa05ec417c24e2eb0821b1740f5d61e%E3%82%BF%E3%83%83%E3%82%AF.png" alt="8aa05ec417c24e2eb0821b1740f5d61e" class="custom-image original-size" data-id="8aa05ec417c24e2eb0821b1740f5d61e" data-width="1571" data-height="1001">プリーツ機能やタックを活用した型紙制作の様子【シミュレーションとシワの作り込み】 欲しいシワを作るために、設定や型紙を少しずつ変えながらシミュレーションをかけなおしますが、この時に部分固定やピン等を使用しています。 左右対称なシワ感で良い場合は、片方を作りこんでから、縫い代付近以外を部分形状保持して対称パターンを作ると便利だなと思っています。<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/30ad5ac744ea45c1880ab252bc31502d%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="30ad5ac744ea45c1880ab252bc31502d" class="custom-image original-size" data-id="30ad5ac744ea45c1880ab252bc31502d" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/47122999ac604a9e9096959d511e1919%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="47122999ac604a9e9096959d511e1919" class="custom-image original-size" data-id="47122999ac604a9e9096959d511e1919" data-width="742" data-height="741">ピンや部分固定を使用してシワを調整している様子【完成形のディテール】 3Dの場合如何に「かっこいいシワ」が出来るかで、情報量や出来上がりの印象が変わってくるので、良く動きそうな部分などはしっかりと作りこんでいます。 個人的にMarvelous Designerのいいところは細かく素材感の伝わるシワが作れる部分だと思っていますし、いらないシワが出来てしまっても後から消せるので、一旦とにかくシワ感がかっこいい状態を完成形として作りこむことを意識しています。<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/b3af2f3509f34519bb9b28db0f5b491a%E5%AE%8C%E6%88%90.png" alt="b3af2f3509f34519bb9b28db0f5b491a" class="custom-image original-size" data-id="b3af2f3509f34519bb9b28db0f5b491a" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/80d7c982953f41a0bec2a45a82789259%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="80d7c982953f41a0bec2a45a82789259" class="custom-image original-size" data-id="80d7c982953f41a0bec2a45a82789259" data-width="1175" data-height="677">完成した衣装のシワ感とディテール<hr><h2>チーム制作での役割とメリット</h2>Q. YOYOGI MORIは少人数のチーム制作と伺っています。プロセスのなかでMarvelous Designer が役立っている場面はありますか？A. 小人数チームならではということであれば、それぞれの専門分野が活かしやすい点ですね。3Dモデラーがより服らしい良いシワを作ろうとするより、服が好きな人間がその部分を担当した方が良いものに出来ると考えています。 既存の3Dツールにあるスカルプト機能では表現するのが難しいような、生地感の差異やパターンによるシワ感を得られる点がかなり大きな利点ですね。 また、概念的な話ですが、実際の服の型紙を引くようにモデルの製作が出来るので、出来上がった製品に服としての説得力を持たせることができるのも素晴らしい点かと思います。<hr><h2>制作上の課題と解決策</h2>Q. VRChat向けの服制作で、Marvelous Designer を使う際に難しかった点や、それをどのように解決されたか教えてください。A. VRChatに限った話であれば、慣習的にTポーズでの衣装作成を余儀なくされることが多いかと思いますが、その場合に袖山の高さが確保できずに、ジャケットやシャツなど肩のシルエットが大事な服飾の制作が難しかったです。YOYOGI MORIでは基準のポーズをAポーズにすることである程度見た目の美しさを解決しています。また、実際の人間とアバターの体型を比較すると、アバターの方が極端にメリハリのある体型をしていることがあり、現実の感覚でパターンを作成すると不格好になってしまうことも往々にしてありました。その場合は、より細かくダーツをとってみたり、一部分だけに固定や強化を使用することで目的とする造形に近づけるようにしています。<hr><h2>今後の展望</h2>Q. Marvelous Designer を使った今後の制作で挑戦してみたいテーマや方向性はありますか？A. 現実のアパレルでは表現できないような製品に取り組んでみたいですね。現状だとまだ実際に制作できるものばかりなので、バーチャルだからこそ出来ることを追求したうえで、そこにMarvelous Designerだから製作可能なリアリティを上乗せして、現実には存在できないのに存在感のあるモノを作れたら最高だなと考えています。<img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/e5aae88180764fcf8624dbfdc5e0dd4e9d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="e5aae88180764fcf8624dbfdc5e0dd4e" class="custom-image original-size" data-id="e5aae88180764fcf8624dbfdc5e0dd4e" data-width="1024" data-height="1024"><h2>VRChatにおけるアバター・衣装制作者へのメッセージ</h2>Q. Marvelous Designer をこれから使ってみたいVRChat制作者に向けて、アドバイスやメッセージをお願いします。A. 実際の服飾に触れたことが無いという理由で敬遠される方もいらっしゃるかと思いますが、Tシャツ等であれば前身頃、後ろ身頃、袖の三つの型紙だけで製作することができますし、Marvelous Designerの機能も作図と縫い合わせだけで完結できますので、一度触ってみてリアリティのあるシワ感を体験してみていただきたいです。 一つ作ってみてシミュレーションの生地を変更してみるだけでも楽しいと思います。<hr><h2>クレジット</h2>アバター・衣装画像および動画：YOYOGI MORI BOOTHページ 「<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">【VRC / VRM 対応3Dモデル】Haysblanks ver1.03</a>」よりMarvelous Designer内アバター衣装制作画像：株式会社典樹

Oolaboola Blue Zzang

Oolaboola Blue Zzang

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