<p>This outfit is compatible with the inZOI Mod.<br/><br/>[File Contents]<br/>Mod Package File<br/><br/>[How to use]<br/>Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\<br/>For a detailed guide, please refer to the link below.<br/><a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a><br/><br/>---<br/><br/>Have thoughts or suggestions?<br/>Leave a comment below or DM us on IG @letsconnect3d !<br/>We truly value your feedback and are always looking to improve.<br/><br/>---<br/><br/>Use of Gamewear Items is permitted solely for your personal gameplay within inZOI.<br/>Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.</p>

F Street Bomber Trousers Set

Garment

Gender & Age

Women

Style

Outfits

Jumper / Jacket

Pants

Genre & Mood

Daily Casual

Streetwear

F Turtleneck Trousers Set

F Red One-Shoulder Swimsuit

Tie-dye Bikini Set

M Classic Police Uniform

M Retro Polo Jorts Set

F Peplum Tube Top Skirt Set

F Striped Turtleneck Dress

M Casual Hoodie Bermuda Set

M Sleeveless Baggy Jeans Set

F Futuristic Sci-Fi Dress

Polka Dot Bikini Set

TECHNICAL MIX

Objective

<p>안녕하세요,</p><p>7월 3일까지 사용 가능이라 생각하고 취소처리를 못했는데,</p><p> 7월2일 오후 9시 13분 결제가 이루어졌습니다.</p><p>7월 3일 구독 해지 하였는데 환불받을 수 있을까요?</p><p>xpewpew0106@gmail.com 로 답변 부탁드립니다.</p>

결제취소

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><strong><em>3D motion graphic designer </em></strong></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/3d_znyng/"><span style="font-family: &quot;Times new roman&quot;"><strong><em>Junyoung Park</em></strong></span></a><span style="font-family: &quot;Times new roman&quot;"><strong><em> shares his deep passion for fashion, his design philosophy that bridges photorealistic and casual styles, and his creative workflow using Marvelous Designer.</em></strong></span></h2><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1060798876?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p></p><h1><strong>Could you briefly introduce yourself and share what led you to start working in 3D design?</strong></h1><p>Hello, my name is Junyoung Park, and I work as a 3D motion graphic designer.</p><p>I studied Visual Design in university, and I actually entered the field of motion graphics and 3D design relatively late compared to others. Around the time I was transitioning from my third to fourth year in college, I saw a 3D graphic project created by a friend I had grown close to while preparing for art school entrance exams. I was so impressed by the work that I felt a strong desire to learn 3D graphics myself. That moment sparked my journey—I immediately began studying through YouTube and online classes, which led me to take my first steps into the world of 3D motion graphics.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/78193e3467794808aff696458fa9868c%E1%84%8C%E1%85%B5%E1%86%AB%E1%84%80%E1%85%A9%E1%86%BC%E1%84%91%E1%85%A9%E1%84%8C%E1%85%A1%E1%86%BC8.png" alt="78193e3467794808aff696458fa9868c" class="custom-image original-size" data-id="78193e3467794808aff696458fa9868c" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/fd83f82906204c2c8e7049d865f5e2a1%E1%84%87%E1%85%A9%E1%84%8C%E1%85%A5%E1%86%BC_4.jpg" alt="fd83f82906204c2c8e7049d865f5e2a1" class="custom-image original-size" data-id="fd83f82906204c2c8e7049d865f5e2a1" data-width="1441" data-height="755"></p><p>Initially, I was deeply drawn to photorealistic work. I believed that truly impressive 3D projects had to look as real as possible, as if they existed in the physical world. For about one to two years, I worked professionally on product-focused 3D projects with a photorealistic approach. Then, by chance, I joined a company that specialized in interactions for a financial app, and that experience completely changed my perspective on 3D design.</p><p>At that company, the work leaned more toward a casual mood rather than photorealism. Through those projects, I realized that 3D graphics don’t always need to mimic reality—casual-style designs have their own unique charm and appeal. Since then, I’ve embraced both photorealistic and casual styles, and I currently work as a designer who appreciates and incorporates the strengths of both approaches.</p><p></p><h1><strong>How does your interest in fashion influence your 3D work? If you've ever incorporated your favorite brands or styles into your projects, please share an example.</strong></h1><p>Fashion is one of the areas I’m most passionate about outside of my design work.</p><p>To be honest, motion graphics often involve creating videos that are around a minute long, which can be quite exhausting as the project progresses—even if you start with excitement. That’s why, when working on personal projects rather than commercial ones, choosing a theme you genuinely enjoy helps reduce that fatigue and makes the process much more enjoyable. For me, selecting “fashion” as the theme for this project felt like a natural choice.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/1edf42139a7b4a00b7347c03c5e02e7a4_1.png" alt="1edf42139a7b4a00b7347c03c5e02e7a" class="custom-image original-size" data-id="1edf42139a7b4a00b7347c03c5e02e7a" data-width="1920" data-height="1080">When I was creating the promotional video for Musinsa, I went through a lot of trial and error and development in every stage—from planning the storyboard, to styling the looks, to designing the characters. But when it came to choosing the theme of fashion, I didn’t hesitate for a moment. It was the most instinctive and effortless part of the process.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/5e37af9472784d57886d42d9c7ed1372ezgif-62a073fe231aec.gif" alt="5e37af9472784d57886d42d9c7ed1372" class="custom-image original-size" data-id="5e37af9472784d57886d42d9c7ed1372" data-width="960" data-height="540">In fact, I often bring imagined clothing—pieces that don’t exist in real life but live in my mind—into my work, which gives me a strong sense of catharsis. When designing characters, I enjoy experimenting with bold and daring outfits that might be too much for everyday wear, but under the umbrella of “design” and “virtuality,” I feel free to explore and try many things. A good example is my current profile character, which I’ve styled mainly with clothing from one of my favorite brands, Tommy Hilfiger.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/7df00c41283e42919ce9793148c10187%E1%84%8C%E1%85%AE%E1%86%AB%E1%84%8B%E1%85%A7%E1%86%BC_016.png" alt="7df00c41283e42919ce9793148c10187" class="custom-image original-size" data-id="7df00c41283e42919ce9793148c10187" data-width="1920" data-height="1920"></p><h1><strong>You work across both photorealistic and casual styles. What do you consider most important when balancing these two approaches?</strong></h1><p>If I were to highlight one key point for each style:</p><p>For <strong>photorealistic work</strong>, I believe <em>real-world scale</em> is the most crucial element—and also one of the details that beginners often overlook. Since photorealistic design aims to replicate what we see in the real world, even slight discrepancies in texture tiling, material pattern sizes, or the relative scale between objects can create a strong sense of visual inconsistency.</p><p>On the other hand, for <strong>casual-style work</strong>, I think <em>aesthetic appeal</em> is the most important factor. Unlike photorealistic design, casual graphics aren’t based on real-world colors or patterns. Instead, they aim to create visually pleasing and beautiful objects in a more stylized way. If the audience doesn’t immediately perceive aesthetic value when encountering a casual-style piece, they’re unlikely to feel curious or engaged with the work at all.</p><p>Although photorealistic and casual styles may seem like completely different fields with opposite characteristics, I believe the process of achieving high-quality results in both is fundamentally similar. The most important thing is to begin with thorough reference research and solid planning. Whether you're working in a realistic or casual mood, a well-grounded creative process leads to consistent execution and excellent outcomes.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/d64ddf40ec07408ba0f284dcc5a16a4fezgif-666b32868f9ab0.gif" alt="d64ddf40ec07408ba0f284dcc5a16a4f" class="custom-image original-size" data-id="d64ddf40ec07408ba0f284dcc5a16a4f" data-width="672" data-height="378"></p><h1><strong>What was the most impressive feature or experience when you first encountered Marvelous Designer?</strong></h1><p>The most impressive aspect for me was its relatively lightweight simulation capabilities that still produce high-quality, realistic clothing movement. As a 3D designer who works with characters, there are generally two main approaches depending on the mood of the project: creating clothing with mesh modeling, or using Marvelous Designer to achieve more lifelike simulated garment movement.</p><p>Before I learned how to use Marvelous Designer, I had no choice but to create all clothing through mesh modeling, which limited my workflow and creative options. But once I became proficient with Marvelous Designer, the spectrum of designs I could express expanded significantly. Of course, even now, there are times when I still choose to model clothing with mesh, but I believe there's a clear difference between having no choice and making a deliberate choice between two methods you fully understand.</p><p>Being able to choose between mesh and simulation-based workflows depending on the project’s needs has fundamentally changed how I approach character design and garment creation.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/9e8f635525114ff2a3f2c91c60886b192025-06-23%2018%2032%2018.png" alt="9e8f635525114ff2a3f2c91c60886b19" class="custom-image original-size" data-id="9e8f635525114ff2a3f2c91c60886b19" data-width="1916" data-height="1035"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/3603906e72ef4261b2e46f01c3b49a242025-06-23%2018%2051%2044.png" alt="3603906e72ef4261b2e46f01c3b49a24" class="custom-image original-size" data-id="3603906e72ef4261b2e46f01c3b49a24" data-width="723" data-height="415"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/94978f78219642a5800f15bf9c2009c7ezgif-6309d236c0de32.gif" alt="94978f78219642a5800f15bf9c2009c7" class="custom-image original-size" data-id="94978f78219642a5800f15bf9c2009c7" data-width="857" data-height="463"></p><h1><strong>You mentioned that you voluntarily studied tutorials after work. What learning resources or methods were most helpful to you?</strong></h1><p>I’ve heard that senior designers from earlier generations had a hard time studying due to the scarcity of resources. In contrast, I believe our generation is incredibly fortunate when it comes to learning. There are countless high-quality tutorials available for free on YouTube, and we also have access to paid classes from highly skilled senior designers. On top of that, with the emergence of ChatGPT, even minor errors that used to require extensive searching can now be resolved quickly and easily.</p><p>For me, the most helpful learning method has been not being afraid to upload my work and receive feedback. I understand that it’s difficult for anyone to completely let go of the fear—“What if someone criticizes my work or leaves a negative comment?” Even as I say this, I still feel that fear myself. But I believe that even the most accomplished creators started out the same way, and there’s no faster or more effective way to improve than by listening to others’ opinions and refining your work accordingly.</p><p></p><h1><strong>What has been the biggest synergy effect you've experienced from working in both motion graphics and 3D design?</strong></h1><p>Motion graphics include both 2D and 3D elements, but by working alongside 3D graphics, I feel that I’ve significantly expanded my expressive range. While 2D has its own charm and is a wonderful field, I found that 3D allowed me to satisfy my creative cravings in both photorealistic and casual styles.</p><p>In the beginning, I was fixated on photorealism in 3D work, stubbornly believing that “it only looks cool if it looks real!”—a narrow mindset that I held onto with a sense of pride. However, through various projects and professional experiences, I came to realize that casual moods, 2D work, and all forms of design have their own demand and purpose. I also learned that my perspective isn’t the only correct one.</p><p>Though I’m still a developing designer with a long way to go, I’ve been fortunate to experience many different areas in my relatively short career. One of those areas was Marvelous Designer, which reignited my passion for 3D graphics by allowing me to integrate my personal interests—like fashion and clothing—into high-quality professional projects.</p><p>The ability to visualize and create clothing that exists only in my imagination, or to see a 3D character I designed wearing the same clothes I enjoy in real life, brings a kind of emotional impact that deepens my attachment to both 3D graphics and motion graphics. That visual connection between imagination and reality is what continues to inspire me in this field.</p><p><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/798c6275ffab4a1d9a471d41cffb65349.png" alt="798c6275ffab4a1d9a471d41cffb6534" class="custom-image original-size" data-id="798c6275ffab4a1d9a471d41cffb6534" data-width="1920" data-height="1080"></p><h1><strong>Lastly, if you're planning a future project that combines fashion and 3D, what kind of theme would you like to explore?</strong></h1><p>Since I’ve already created a casual, kitschy-style video, I’d love to explore a project that focuses on highly detailed, photorealistic clothing in the future. I’ve always been inspired by senior designers who collaborate with K-pop artists to create CG elements for music videos and teaser content, featuring a wide range of stage outfits. It’s something I’ve long admired from afar, and now I’m determined to work toward that goal by continuing to study and improve my skills in every way I can.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/e864efef95a541a3afd9b95032ae1d4eScreenshot%20July%2010%202025%2011%3A11%3A20.png" class="custom-image hidden-thumbnail" data-id="e864efef95a541a3afd9b95032ae1d4e" data-width="910" data-height="915"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/fe8e1e5148c849b2820af364755d5723Screenshot%20July%2010%202025%2011-11-20.jpg" class="custom-image hidden-thumbnail" data-id="fe8e1e5148c849b2820af364755d5723" data-width="910" data-height="915"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/cd6fd157b30f42ac97ff504e11c230c5ezgif-5d216c94324f12.gif" alt="cd6fd157b30f42ac97ff504e11c230c5" class="custom-image original-size" data-id="cd6fd157b30f42ac97ff504e11c230c5" data-width="800" data-height="450"></p>

MUSINSA Promotion: Fashion Meets Motion Graphics

<p><img src="https://storagefiles.clo-set.com/public/community/202508/2f8bf95e548e440ca902f2e392f9fe79/images/cab41469bda7410891832c9c8a2e2819Photoroom-20250130_101611.png" alt="cab41469bda7410891832c9c8a2e2819" class="custom-image original-size" data-id="cab41469bda7410891832c9c8a2e2819" data-width="900" data-height="2000"></p><hr><h2 style="text-align: center">Cano Brunoh Collections<img src="https://storagefiles.clo-set.com/public/community/202508/2f8bf95e548e440ca902f2e392f9fe79/images/3dfc0ee1e67041aa9c485815718de8a6Photoroom-20250130_102259.png" class="custom-image hidden-thumbnail" data-id="3dfc0ee1e67041aa9c485815718de8a6" data-width="2000" data-height="1800"></h2>

Red Maroon Black setup outfit 

유튭공유용(Tictok AR Filter)

<p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.dropbox.com/scl/fi/q765n90ssbqo9s7ld2bys/Falls-off-July-1st.zprj?rlkey=y85psaqw2sommxe9cytq0mvdz&amp;st=yab9rse8&amp;dl=0">https://www.dropbox.com/scl/fi/q765n90ssbqo9s7ld2bys/Falls-off-July-1st.zprj?rlkey=y85psaqw2sommxe9cytq0mvdz&amp;st=yab9rse8&amp;dl=0</a></p><p></p><p>During simulation the garment falls off.</p><p></p><p>Where is the problem?</p><p></p><p></p>

During Simulation The Garment Falls Off - Where Is the Problem?

<p>Whenever I try to use <strong>Layer Clone (Over)</strong>, the application crashes and closes.<br>I already tried restarting, but the issue keeps happening.</p><p>Does anyone know how to fix this or what might be causing it?</p>

Layer Clone (Over)

<h1 style="text-align: center"><strong>Official Community Rules</strong></h1><hr><h2 style="text-align: center"><span style="font-family: Times new roman"><em>Welcome!</em></span></h2><h1 style="text-align: center"><span style="font-family: Times new roman"><em>We are a global community, so if you don’t receive an immediate response to your question, please be patient as members may be in different time zones.</em></span></h1><hr><p></p><p>1. Be Respectful: Treat others with respect and professionalism. Avoid insults or negative comments about others' work, and appreciate each other's contributions.</p><p>2. No Inappropriate Content: Posting NSFW (Not Safe For Work), sexually explicit, or extremely inappropriate language is not allowed and will be removed. Vulgar content is also prohibited.</p><p>3. Post in the Right Channels: Please ensure that you post content in the appropriate channels.</p><p>4. No Spamming: Do not post the same message in multiple channels. Spam will be deleted without notice, and accounts may be suspended.</p><p>5. No Plagiarism: Do not steal software or claim someone else's work as your own. Plagiarism is not tolerated.</p><p>6. No Religion or Politics: Discussions about religion and politics are not allowed.</p><p>7. No Advertising: You cannot advertise your products or competitions without permission from an Admin. If permission is granted, please post in the designated channel.</p><p>If you see someone breaking the rules, please report them using the <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/requests/new?ticket_form_id=11368605427343">Contact Us page</a>. Note that you need a verified account to post.</p><p></p><p><strong>❗Important</strong>: If a comment is deleted, it may be due to rule violations, such as using profanity or all capital letters. Posting multiple comments at once may be flagged as spam or identified as a bot 🤖 and could result in deletion.</p><p></p><p><strong>All staff members have the right to kick or ban anyone at any time for violating these rules and licensing agreements.</strong></p><img src="https://storagefiles.clo-set.com/public/community/202412/7471715b4e944bcea75e07e8813b8899/images/dc59957b3d8d40b59e73c931a72c33e6%ED%99%94%EB%A9%B4%20%EC%BA%A1%EC%B2%98%202024-12-16%20154801.png" class="custom-image hidden-thumbnail" data-id="dc59957b3d8d40b59e73c931a72c33e6" data-width="1177" data-height="902"><img src="https://storagefiles.clo-set.com/public/community/202412/7471715b4e944bcea75e07e8813b8899/images/a6c3e234af694ad783ee29d4b737623b%ED%99%94%EB%A9%B4%20%EC%BA%A1%EC%B2%98%202024-12-16%20154801.png" class="custom-image hidden-thumbnail" data-id="a6c3e234af694ad783ee29d4b737623b" data-width="1056" data-height="902">

Community Rules: Dec 17 2024

<p>if you have any project you can email me</p><p>zanfarbrand@gmail.com</p>

project

<p>Hello, I have made some clothes in Marvelous designer. I want to make textures in other software like Substance painter or Photoshop. So is it possible to import those textures back in Marvelous designer to apply on clothes and export it as zprj format? If yes pls explain the procedure. Thank you.</p>

Making textures  

<p>Alt + 마우스 왼쪽을 누르면 줌 인이 되는데, 반대인 줌 아웃은 안 되고 있습니다. 왜 그런 것인지 모르겠습니다.</p>

줌 아웃이 안 되고 있습니다.

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>"Marvelous Designer is simply amazing. Everything you need is there, you just need to pick the right tool you need."</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/bea2671a1bf1417da5c797eaf85333f3/images/ad85ce1b61424a8fb9c16603d2f732c4ninja1.jpg" class="custom-image original-size" data-id="ad85ce1b61424a8fb9c16603d2f732c4" data-width="1920" data-height="1080"><h1 style="text-align: center"><strong>Interview with </strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/xY6grR"><strong>Gunes Caliskan</strong></a><strong> | Luminous Ninja Figure | 3D Artist</strong></h1><hr><h1><strong>Artist Introduction</strong></h1><p>I’m Gunes Caliskan. I graduated from the faculty of fine arts 7 years ago as a graphic designer. I didn’t keep that title for so long, I jumped into the 3D world. I found out about Marvelous Designer while improving myself. I’m working in the game/animation industry as a freelancer right now.</p><img src="https://storagefiles.clo-set.com/public/community/202501/bea2671a1bf1417da5c797eaf85333f3/images/fa8d7c5b9b574b1eb52331ef89080112ninja2.png" class="custom-image original-size" data-id="fa8d7c5b9b574b1eb52331ef89080112" data-width="1930" data-height="1086"><h1><strong>Can you give us a quick overview of the different tools used in your pipeline?</strong></h1><p>I used Marvelous Designer for the mesh (even for the sharp blades and the platform). I’m using Marvelous Designer for many different kinds of models. I can create many things with it such as hard surface models, plush toys, bags. I textured the prop in Substance 3D Painter and rendered it in Marmoset Toolbag.</p><img src="https://storagefiles.clo-set.com/public/community/202501/bea2671a1bf1417da5c797eaf85333f3/images/ee7f802b9b044971a39223ebd1d1f64bninja3.png" class="custom-image original-size" data-id="ee7f802b9b044971a39223ebd1d1f64b" data-width="1486" data-height="882"><img src="https://storagefiles.clo-set.com/public/community/202501/bea2671a1bf1417da5c797eaf85333f3/images/b46cd2c2cece4eaeb6eaae1d7962e15fninja4.png" class="custom-image original-size" data-id="b46cd2c2cece4eaeb6eaae1d7962e15f" data-width="1483" data-height="885"><h1><strong>How can you describe your overall experience of the use of the Marvelous Designer?</strong></h1><p>Marvelous Designer is simply amazing. Everything you need is there, you just need to pick the right tool you need. You don’t need to get lost in the menus. You can easily learn this software and this is the best thing about Marvelous Designer. Such a powerful tool with a clean UI, sounds like a dream!</p><img src="https://storagefiles.clo-set.com/public/community/202501/bea2671a1bf1417da5c797eaf85333f3/images/38691d93cda0435ea14b8a5e2c15db44ninja5.png" class="custom-image original-size" data-id="38691d93cda0435ea14b8a5e2c15db44" data-width="682" data-height="384"><p></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/xY6grR"><strong>Artstation</strong></a></p>

Luminous Ninja Figure

<p>Hi guys,</p><p>I wanted to use AI generator but the feature is greyed out. I have the most updated version of Clo3D.</p><p>Does anyone know what is happening, is this feature no longer available?<img src="https://storagefiles.clo-set.com/public/community/202509/34db5153cd1941caa86c61763c326c4a/images/ba8ac970cc0c4c52ab6f657a76cb092bScreenshot%202025-09-11%20160053.png" alt="ba8ac970cc0c4c52ab6f657a76cb092b" class="custom-image original-size" data-id="ba8ac970cc0c4c52ab6f657a76cb092b" data-width="769" data-height="500"></p>

AI pose generator is greyed out

<p>Exporting GLB file makes the back of the material have a strange pattern. Is there a way to stop this happening? It is fine when exporting OBJ though I need my files to be in GLB.</p><p></p><img src="https://storagefiles.clo-set.com/public/community/202503/dfda0357966848f7afa3d28400ffd101/images/9e9a549d3e29488c8b8e452994f5bb84image.png" class="custom-image medium-size" data-id="9e9a549d3e29488c8b8e452994f5bb84" data-width="1918" data-height="1283">

GLB Exporting - Material Back has odd pattern.

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Masato Ohata, active since 2013, discusses digital sculpting, his creative process, and insights from his new book STRING, blending art and entertainment.</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/0a1bc98b210744cf803dc1b0ad38787c002.jpg" class="custom-image original-size" data-id="0a1bc98b210744cf803dc1b0ad38787c" data-width="2011" data-height="853"><p></p><h1><strong>Interview with Masato Ohata | Pioneer of Marvelous Designer for Digital Sculpting | Figure Sculptor</strong></h1><p>Masato Ohata has been active as a sculptor since 2013, engaging in various forms of entertainment production, including commercial prototypes and original figure production, as well as character design both domestically and internationally in Japan. In this interview, we delve into his insights on digital sculpting and explore the behind-the-scenes stories of his works featured in his newly released book, "STRING".</p><h1><strong>Could you please briefly introduce yourself?</strong></h1><p>I am a figure sculptor, Masato Ohata. I started producing original figures three years after becoming a prototype sculptor, and since then, I have been active in both commercial prototypes and original works. I've also had the opportunity to do character design work, and recently, I was in charge of character design for the puppet show "Fantarne!" broadcasted on NHK.</p><h1></h1><h1><strong>Please tell us about your recently released book, "STRING Masato Ohata Artworks &amp; Sculpting Techniques".</strong></h1><p>It is my second art book. It features original sculptural works I have produced over the past six years since the release of my first art book. I also created a new piece titled "BREAKING FREE" for the cover of the book.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/b765a58547e34028a3580f25ccd17f23001.jpg" class="custom-image original-size" data-id="b765a58547e34028a3580f25ccd17f23" data-width="2300" data-height="1040"><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/d99f7b6d352b42eeb321e865363bb582002.jpg" class="custom-image original-size" data-id="d99f7b6d352b42eeb321e865363bb582" data-width="2011" data-height="853"><h1><strong>How did you use Marvelous Designer in your sculpting process?</strong></h1><p>Since I started producing original sculptures, I have been using Marvelous Designer mainly for simulating clothing and fabric for figures. It allows me to express wrinkles, textures, and thicknesses of clothing that match the poses of the figures. Specifically, I create the figure's body first, then design the clothing, and use Marvelous Designer's basic avatar to drape the clothing. After that, I adjust the clothing data in ZBrush by exporting it as an OBJ file.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/0933f7b1e7d34c1390dcdbf7c87402ab003.jpg" class="custom-image original-size" data-id="0933f7b1e7d34c1390dcdbf7c87402ab" data-width="2048" data-height="1385"><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/2249aa8de7e144d0a10c81269b2dafe7004.jpg" class="custom-image original-size" data-id="2249aa8de7e144d0a10c81269b2dafe7" data-width="2048" data-height="1385"><h1><strong>Do you have any tips or precautions for digital sculpting with the intention of 3D printing?</strong></h1><p>One of the most important considerations for 3D printing is managing the thickness of the model. I use the thickness option in ZBrush's dynamic sub-division, but before that, I need to convert the clothing objects created in Marvelous Designer into quadrilateral polygons. I used a plugin to convert triangular polygons to quadrilateral polygons in ZBrush, which I purchased from ArtStation. However, I heard that the latest version of Marvelous Designer allows for topology editing, which is very convenient.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/eee48c2deb9c4d60884103b8185d79ea005.jpg" class="custom-image original-size" data-id="eee48c2deb9c4d60884103b8185d79ea" data-width="1680" data-height="1200"><h1><strong>If there is a favorite moment during your digital sculpting process, please share.</strong></h1><p>The moment when the envisioned image is materialized into a sculpture is the most enjoyable for me. By using tools such as 3D scanning, Marvelous Designer, and various simulation software, I can create sculptures that exceed my abilities and imagination. However, the most important thing is not "what tools to use" but "how to express." I aim to experience and refine my sculpting skills by trying out various tools and software and opening up new horizons as an artist. The most enjoyable moment is when I feel that I have achieved that goal, even if only slightly.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/fa15a7e9fca64e16b161db4d733df532006.jpg" class="custom-image original-size" data-id="fa15a7e9fca64e16b161db4d733df532" data-width="1680" data-height="1200"><h1><strong>If there is a favorite moment during your digital sculpting process, please share.</strong></h1><p>The moment when the envisioned image is materialized into a sculpture is the most enjoyable for me. By using tools such as 3D scanning, Marvelous Designer, and various simulation software, I can create sculptures that exceed my abilities and imagination. However, the most important thing is not "what tools to use" but "how to express." I aim to experience and refine my sculpting skills by trying out various tools and software and opening up new horizons as an artist. The most enjoyable moment is when I feel that I have achieved that goal, even if only slightly.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/fa15a7e9fca64e16b161db4d733df532006.jpg" class="custom-image original-size" data-id="fa15a7e9fca64e16b161db4d733df532" data-width="1680" data-height="1200"><h1><strong>If there is a memorable piece or expression that you created using Marvelous Designer, please introduce it.</strong></h1><p>The cover artwork "GAME" from my art book released six years ago was a memorable piece for me because it introduced Marvelous Designer's clothing-making technique to many people in the sculpting field at a time when it was not widely known among figure sculptors. Also, the sculpting of the veil in my recent work "言霊" would not have been possible without Marvelous Designer.</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/81aa342d35fe4652b456c4802e5e37bb007.jpg" class="custom-image original-size" data-id="81aa342d35fe4652b456c4802e5e37bb" data-width="2266" data-height="1000"><h1><strong>Are there any new features you would like to see implemented in Marvelous Designer?</strong></h1><p>Since I have been using the perpetual version of Marvelous Designer for several years, I am constantly amazed by the features of the latest version. One feature I think would be great is the ability to import models created in external DCC tools and convert them into Marvelous Designer avatars (including automatic rigging). This would be very useful for figure production. Although there are some limitations in the simulation, such as wrinkles generated due to particle spacing, I think it would be interesting to have variation presets for directions in which wrinkles are more likely to occur. Since I am not yet proficient in utilizing all the features of the latest version of Marvelous Designer, I plan to study and enjoy exploring the various functions!</p><img src="https://storagefiles.clo-set.com/public/community/202412/e465e14215594dd188fe10f7d6b29529/images/b9248a20d35c41da858dd5b44a48f6ac6a7ad82c55e14bd18eaa3a0364f56dbb.jpg" class="custom-image hidden-thumbnail" data-id="b9248a20d35c41da858dd5b44a48f6ac" data-width="1024" data-height="683">

Pioneer of Marvelous Designer for Digital Sculpting

<p>I was always wondering why there wasn't such a community chat room on the page. Finally. I'm so glad.</p><img src="https://storagefiles.clo-set.com/public/community/202412/eb1738a3fd4a4de0b6b5ccf6ce65dbd3/images/294fce46f1d24b598a6cece99069ea9a%C3%9Clk%C3%BC%20Covid.JPG" class="custom-image hidden-thumbnail" data-id="294fce46f1d24b598a6cece99069ea9a" data-width="861" data-height="836">

Hello, CLO Lovers

<p>Hi! After 2025 last update there is no connection between UE 5.5 and MD and vice versa. There was one before:) Please check it.</p>

Sandy

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