<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Georgian Avasilcutei, Senior Character Artist, praises Marvelous Designer's efficiency in creating detailed clothing, shares insights, and encourages new users</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/0db819c679734fd29604710ce156448fSORCERESS1.jpg" class="custom-image original-size" data-id="0db819c679734fd29604710ce156448f" data-width="3840" data-height="2160"><h1 style="text-align: center"><strong>Interview with&nbsp;</strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nimlot"><strong>Georgian Avasilcutei</strong></a><strong> | SORCERESS&nbsp;| Senior Character Artist / Mentor</strong></h1><hr><h1 style="text-align: left"><strong>Artist Introduction</strong>&nbsp;</h1><p style="text-align: left">Hi. My name is Georgian Avasilcutei. I’m a senior game character artist with more than 20 years of experience in the industry. I’ve worked on quite a lot of games during the years with the last one being Hogwarts Legacy. Nowadays I’m involved less in game production and more focused on my mentorship program, preparing the next generation of artists.</p><h1 style="text-align: left"><strong>When did you start learning Marvelous Designer?</strong></h1><p style="text-align: left">I have had a fascination for dynamic simulations since the very early days of my 3D career. I was dabbling back in the day with the default cloth simulation in 3ds Max and tried various clothing simulation plugins afterward.</p><p style="text-align: left">It was a hassle and very time-consuming back in the days but seeing cloth behaving relatively naturally it was so amazing. When CLO 3D evolved into a standalone software I moved instantly to using it. Over the years, even when I was working as a prop artist, I would always choose to simulate fabrics rather than sculpt them, even though at that point the processing power of my pc was not great it was still worth the effort. So I can say I was around Marvelous Designer since the beginning, obviously with more time spent in it once I became a character artist.</p><h1 style="text-align: left"><strong>What model do you want to present to us?</strong></h1><p style="text-align: left">I’m gonna talk a bit about the sorceress I did some time ago. It was an interesting project in terms of clothing design and I’ve tried to push the usage of Marvelous Designer on more than just the clothing and I think that would be beneficial for the people reading this to see.</p><p>For this project I’ve used Marvelous Designer to create obviously the clothing but I’ve also made the book and the scroll pouch on her waist and the boots with the help of Marvelous Designer. People very often disregard how easy it is to create some good leather boots in Marvelous Designer and they prefer to just sculpt the thing and end up with some very unnatural folding most of the time.&nbsp;</p><h1><strong>How do you start with your design in Marvelous Designer?</strong></h1><p>Before doing any actual work of course I need to gather some references. In general, for my personal projects, I went with more design and less following a concept/reference.&nbsp;</p><p>In this case, the base for the clothing was a Chinese&nbsp;traditional dress but to which I added quite a few extra elements to make it belong in a fantasy environment.&nbsp;</p><p>You can see I had in my PureRef quite a few different costumes, concepts and prop inspiration so that I can create something that is unified in design but also unique.&nbsp;</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/3a907efbfaf24206852020df17d9dc5dsorceress2.jpg" class="custom-image original-size" data-id="3a907efbfaf24206852020df17d9dc5d" data-width="624" data-height="428"><p>Once I’ve decided what kind of stuff I want to create is time to prepare the avatar. I know a lot of people who just use the default avatars in Marvelous Designer but I need more control over what I can do.&nbsp;</p><p>People often forget that clothing influences the flesh also so in general you need to make sure that you have sculpted any kind of influence. For example a belt on the waist will deform the flesh and will create some changes in volumes. Sculpting the influence is not only gonna give you a result where the clothing will not just float in place but also the information you need to get some really good folding and a good reference point for where you want a specific piece of clothing to rest.&nbsp;</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/c21d4108341d4474900e62a917e9d2a9sorceress3.jpg" class="custom-image original-size" data-id="c21d4108341d4474900e62a917e9d2a9" data-width="624" data-height="491"><p>You might wonder why I have that “skirt” looking volume on my avatar. The reason for it is that I wanted my skirt to flare but in a very uniform-looking&nbsp;way. Initially, I tried to simulate the skirt using stiff materials but the results would be too far from what I wanted so I decided to give it a helping hand. Especially for games you can use tricks like this because you’re not gonna use this avatar for any animation and you want your model to get as close as possible to the concept/reference without struggling too much. Doing this my skirt ended up quite nice and straight and all the layering fabrics that I have there didn’t prove to be a nightmare when it comes to simulation.&nbsp;</p><p>Due to the fact that most of my work is game art I know for a fact that a lot will be modified afterwards in ZBrush, but in general I try to push my Marvelous Designer work as far as I can in terms of detailing so that when I do corrections in ZBrush they’re all quite small and not require too much sculpting involved.&nbsp;</p><p>As you can see in this image there are still some differences between the final Marvelous Designer result for the clothing and the final high poly in ZBrush. A lot of ornaments, buttons and so on were left to be done outside Marvelous Designer and I haven’t bothered to import them in Marvelous Designer due to their limited influence.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/6961374fb8834f1097adc9c3baf3a776sorceress4.jpg" class="custom-image original-size" data-id="6961374fb8834f1097adc9c3baf3a776" data-width="624" data-height="563"><h1><strong>What are the most important things that people ignore when it comes to creating clothing?</strong></h1><p>In my opinion, people are not taking care enough about the avatar. From proportions to posture and pose everything counts in the way your cloth will fold. I’ve seen plenty of nice garments fit a very stiff or wrong posture avatar which created some very undesirable folds. When it comes to games it’s quite important to limit the folding in some areas that will deform in a very specific way. There is a reason why I’m always making my clothing in an A-pose even if the final model might end up being in a T-pose for rigging purposes. People also underestimate how much influence the avatar details have. For example, I’ve seen avatars with too low poly density and then the users asking why when they get all that polygon-shaped deformation on their tight-fit clothing. I’ve also seen people who completely disregard the way the cloth influences the flesh and the final result always looks like floating above and not really interacting with the body.&nbsp;</p><p>When it comes to the Marvelous Designer part of things, people have a tendency of ignoring especially the layering effect of clothing. I see people making winter jackets or suit jackets and completely ignore the fact that the clothing has linen.&nbsp;</p><p>If we look at my character at first glance the upper body clothing looks more like a 2 layer job. In reality, I have 4 overlapping layers and the last 2 are also doubled with fabric on the inside also.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/2648a26379fc4f338ccee98fc9d2aa56sorceress5.jpg" class="custom-image original-size" data-id="2648a26379fc4f338ccee98fc9d2aa56" data-width="624" data-height="351"><p>Another thing that I’ve seen often is that the users tend to go into detail very soon. It’s a general rule in 3D to gradually add details while making sure that the first pass is as close as possible to what you desire. If you go into details from the beginning you will end up with a nightmare if you want to change a major shape later. So take your time to make sure you have the right fitting for your clothing and that you are in a good place with the way the folds look before adding more poly density and any kind of detail.&nbsp;</p><h1><strong>Can you do a quick breakdown of the Marvelous Designer work for this character?</strong></h1><p>Sure. My character was split into 4 different scenes.</p><p>The one you’ve seen in most of the images so far is the main one where I did the dress and scroll pouch.&nbsp;</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/bc016d448b4c464696c65ffe59dbde86sorceress6.jpg" class="custom-image original-size" data-id="bc016d448b4c464696c65ffe59dbde86" data-width="624" data-height="385"><p>The second one is the scene with the boots.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/6b1218f9467344cf878bcab80e17438esorceress7.jpg" class="custom-image original-size" data-id="6b1218f9467344cf878bcab80e17438e" data-width="624" data-height="385"><p><strong>“Why not just model those boots?”</strong></p><p>I’ve got this question during the streams very often and I cannot state how much time I save doing any kind of work in Marvelous Designer. Sculpting good folds requires a lot of experience and precision and even then most of the time you will get it a bit off. Marvelous Designer can help you make leather boots in a matter of minutes.&nbsp;</p><p>I have made a more in-depth explanation about how to approach making boots in Marvelous Designer during one of my <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=Rl-WtZxESLU&amp;feature=youtu.be">streams.</a></p><p>For the boots, I just wanted some over-the-knee soft leather design that is not too complicated but that brings some interest through nice folding.&nbsp;</p><p>Again the avatar is very important so for the boots I go and sculpt a very simple shape from the leg I have where I collapse the toes into a volume that is very similar to a footwear last.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/514bfa943d9747cbbd3cdfd5679872f6sorceress8.jpg" class="custom-image original-size" data-id="514bfa943d9747cbbd3cdfd5679872f6" data-width="1092" data-height="1232"><p>I draw a quick 3D line on the avatar and flatten it to a shape similar to a sole. This piece will be frozen and used to sew the rest of the boot while getting the nice round shape the leather gets when it’s twisted to connect with the sole. The actual sole was modelled in 3ds Max for these boots.</p><p>The third one is the scene for the bracers.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/b18452c7e8a2419f853ee7c65652f8bbsorceress9.jpg" class="custom-image original-size" data-id="b18452c7e8a2419f853ee7c65652f8bb" data-width="624" data-height="385"><p>The bracers were a pretty complex shape and I wanted to keep them separated so that I don’t struggle simulating. As you can see I have a lot of rivets and straps that I completely disregard while working in Marvelous Designer. I tend to just put a circle inner line where a rivet would be and just simulate the interaction with the other layers.&nbsp;</p><p>Even though most of the materials on the bracer are very stiff, the slight folding is way easier to achieve here rather than modelling.&nbsp;</p><p>The last one is the scene for the book cover.</p><img src="https://storagefiles.clo-set.com/public/community/202501/0e34d69e5b2b4190bbb981dbb2843b94/images/f9ccafae84b34cc4807367fbb0020c6csorceress10.jpg" class="custom-image original-size" data-id="f9ccafae84b34cc4807367fbb0020c6c" data-width="624" data-height="384"><p>I wanted to make this book cover and the belts holding it in Marvelous Designer with the intention of making my viewers aware of how easy it is to do stuff like this rather than modelling it.&nbsp;</p><p>As you can see the white patterns are there just to simulate the pages of the book and constrain the cover to a nice shape. As for the rest of the work I did for this character I do not create any kind of buttons or details in Marvelous Designer. My focus is only on making good shapes and having the right folding and interaction.&nbsp;</p><p>You can see in the image that I’ve collapsed all my clothing into a simplified avatar to use as a base for this whole prop.&nbsp;</p><h1><strong>Do you have anything to say to the new Marvelous Designer users?</strong></h1><p>I think the new users need to understand that while Marvelous Designer is a very easy-to-learn software, mastering it requires a lot of experience. Understanding how the patterns behave, learning how to use the internal lines to your benefit, figuring out the fabrics and all the other tools this amazing software provides is gonna take some time and practice. Also, you need to understand that if you want to build some very complex clothing you will need a quite powerful PC.</p><p>What I can tell you is that no matter what kind of work you do, you will need to learn how to use Marvelous Designer. At this point there is no better solution to simulate fabrics and the tools in Marvelous Designer are unmatched. Marvelous Designer was and will be one of the most important software in my pipeline.</p><p>In the end, I want to thank you for the opportunity to write this and I want to thank the Marvelous Designer team who have been very helpful and supportive in the past years.&nbsp;</p><p>For those interested in the whole process of making this character, the saved videos with the streams while working on this can be found on my <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.patreon.com/nimlot">Patreon</a>, alongside many other characters that we’ve made during the last years of streaming.&nbsp;</p><p></p><p>by GEORGIAN AVASILCUTEI</p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nimlot">Artstation</a></p>

SORCERESS

<h2 style="text-align: center"><span style="font-family: Times new roman"><em>株式会社典樹が運営する3Dアバター服飾ブランド「</em></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/"><span style="font-family: Times new roman"><em>YOYOGI MORI</em></span></a><span style="font-family: Times new roman"><em>」。 「安心して長く付き合えるブランド」を掲げ、魅力的なバーチャルウェアの制作を行う制作集団です。</em></span></h2><h2 style="text-align: center"><span style="font-family: Times new roman"><em>今回は、YOYOGI MORIでMarvelous Designerを用いた3D縫製やアバターのセットアップを担当するデザイナーが、ファッションの制作における制作のこだわりやブランドの哲学を語ります。</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h2>アーティストとブランド紹介</h2><p>Q. まずはご自身と「YOYOGI MORI」について紹介をお願いします。どのような活動をされていますか？</p><p>A. 「YOYOGI MORI」は株式会社典樹が運営する、3Dアバター服飾ブランドで様々なクリエイターとのコラボレーションによって、魅力的なバーチャルウェアの制作を行うサークル活動です。 私は文化服装学院を卒業後、在学中から関りのあった株式会社典樹へと入社しました。</p><p>現在は主にMarvelous Designerを用いた3D縫製を主軸に、アバターのセットアップや製品の制作進行などを担当しております。また個人的に現実の衣装作成や音楽活動なども行っております。</p><hr><h2>ブランドテーマと美学</h2><p>Q. YOYOGI MORI の作品には独自の世界観やファッション性を感じます。<br>ブランドとして大切にしているテーマや美学を教えてください。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/383ad397357a405bb62a673e70b3738abca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="383ad397357a405bb62a673e70b3738a" class="custom-image original-size" data-id="383ad397357a405bb62a673e70b3738a" data-width="1024" data-height="1024"></p><p>A. YOYOGI MORIが目指すのは、ユーザーから「安心して長く付き合えるブランド」として認知されることです。その実現のために、単なる3Dアバターの販売にとどまらず、継続的なアップデートやサポートを通じて、購入後も価値が高まり続ける体験を提供しています。 また、作品単体で完結させるのではなく、ブランド全体の世界観を一貫して表現することにより、「YOYOGI MORIの製品であること自体がステータスであり、安心の証」となるような存在を目指しています。</p><p>ブランドの理念として掲げているのは、「3Dアバターを大切に扱う文化を育てること」です。アバターを単なるデータではなく、自分の身体の延長として捉え、適正な価格設定と明確な利用規約を設けることで、ユーザーに安心感を提供し、同時にクリエイターが健全に活動できる土台を築いてきました。 今後も、ユーザーとクリエイターの双方に対して価値を還元しながら、「祖父母が孫にアバターを贈ることができる未来」という理想のビジョンの実現に向けて、活動を続けていきます。</p><hr><h2>VRChatにおけるファッションの意義</h2><p>Q. VRChat上でファッションを作ることには、どんな魅力や意義を感じていますか？</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/dcf429aaea564fbca97c5e4f5af217c91d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="dcf429aaea564fbca97c5e4f5af217c9" class="custom-image original-size" data-id="dcf429aaea564fbca97c5e4f5af217c9" data-width="1024" data-height="1024"></p><p>A. 一服好きとしては、アパレルという長い歴史のある業界の中で、最先端でモノづくりを行っていると思えるところが好きです。バーチャルウェアという、今この時代だからこそ制作可能な服飾に可能性を感じています。</p><hr><h2>Marvelous Designerを用いた制作フローと工夫</h2><p>Q. 普段の制作フローの中で、Marvelous Designer はどのように活用されていますか？</p><p>A. 【型紙制作と縫製】 型紙を製作し、縫い合わせた後はレイヤー機能、強化等を使用してザックリ完成形に近づけます。 今回のデザインはプリーツが多様されていたので、プリーツ機能を使用しました。縫い合わせていない部分は浮くので、タックなどで押さえて綺麗に見せています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/66145305a5c94aa3827eb05b8fe5084e%E5%9E%8B%E7%B4%99.png" alt="66145305a5c94aa3827eb05b8fe5084e" class="custom-image original-size" data-id="66145305a5c94aa3827eb05b8fe5084e" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/8aa05ec417c24e2eb0821b1740f5d61e%E3%82%BF%E3%83%83%E3%82%AF.png" alt="8aa05ec417c24e2eb0821b1740f5d61e" class="custom-image original-size" data-id="8aa05ec417c24e2eb0821b1740f5d61e" data-width="1571" data-height="1001"></p><p style="text-align: center">プリーツ機能やタックを活用した型紙制作の様子</p><p style="text-align: center"></p><p>【シミュレーションとシワの作り込み】 欲しいシワを作るために、設定や型紙を少しずつ変えながらシミュレーションをかけなおしますが、この時に部分固定やピン等を使用しています。 左右対称なシワ感で良い場合は、片方を作りこんでから、縫い代付近以外を部分形状保持して対称パターンを作ると便利だなと思っています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/30ad5ac744ea45c1880ab252bc31502d%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="30ad5ac744ea45c1880ab252bc31502d" class="custom-image original-size" data-id="30ad5ac744ea45c1880ab252bc31502d" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/47122999ac604a9e9096959d511e1919%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="47122999ac604a9e9096959d511e1919" class="custom-image original-size" data-id="47122999ac604a9e9096959d511e1919" data-width="742" data-height="741"></p><p style="text-align: center">ピンや部分固定を使用してシワを調整している様子</p><p>【完成形のディテール】 3Dの場合如何に「かっこいいシワ」が出来るかで、情報量や出来上がりの印象が変わってくるので、良く動きそうな部分などはしっかりと作りこんでいます。 個人的にMarvelous Designerのいいところは細かく素材感の伝わるシワが作れる部分だと思っていますし、いらないシワが出来てしまっても後から消せるので、一旦とにかくシワ感がかっこいい状態を完成形として作りこむことを意識しています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/b3af2f3509f34519bb9b28db0f5b491a%E5%AE%8C%E6%88%90.png" alt="b3af2f3509f34519bb9b28db0f5b491a" class="custom-image original-size" data-id="b3af2f3509f34519bb9b28db0f5b491a" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/80d7c982953f41a0bec2a45a82789259%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="80d7c982953f41a0bec2a45a82789259" class="custom-image original-size" data-id="80d7c982953f41a0bec2a45a82789259" data-width="1175" data-height="677"></p><p style="text-align: center">完成した衣装のシワ感とディテール</p><hr><h2>チーム制作での役割とメリット</h2><p>Q. YOYOGI MORIは少人数のチーム制作と伺っています。</p><p>プロセスのなかでMarvelous Designer が役立っている場面はありますか？</p><p>A. 小人数チームならではということであれば、それぞれの専門分野が活かしやすい点ですね。3Dモデラーがより服らしい良いシワを作ろうとするより、服が好きな人間がその部分を担当した方が良いものに出来ると考えています。 既存の3Dツールにあるスカルプト機能では表現するのが難しいような、生地感の差異やパターンによるシワ感を得られる点がかなり大きな利点ですね。 また、概念的な話ですが、実際の服の型紙を引くようにモデルの製作が出来るので、出来上がった製品に服としての説得力を持たせることができるのも素晴らしい点かと思います。</p><hr><h2>制作上の課題と解決策</h2><p>Q. VRChat向けの服制作で、Marvelous Designer を使う際に難しかった点や、</p><p>それをどのように解決されたか教えてください。</p><p>A. VRChatに限った話であれば、慣習的にTポーズでの衣装作成を余儀なくされることが多いかと思いますが、その場合に袖山の高さが確保できずに、ジャケットやシャツなど肩のシルエットが大事な服飾の制作が難しかったです。YOYOGI MORIでは基準のポーズをAポーズにすることである程度見た目の美しさを解決しています。</p><p>また、実際の人間とアバターの体型を比較すると、アバターの方が極端にメリハリのある体型をしていることがあり、現実の感覚でパターンを作成すると不格好になってしまうことも往々にしてありました。その場合は、より細かくダーツをとってみたり、一部分だけに固定や強化を使用することで目的とする造形に近づけるようにしています。</p><hr><h2>今後の展望</h2><p>Q. Marvelous Designer を使った今後の制作で挑戦してみたいテーマや方向性はありますか？</p><p>A. 現実のアパレルでは表現できないような製品に取り組んでみたいですね。現状だとまだ実際に制作できるものばかりなので、バーチャルだからこそ出来ることを追求したうえで、そこにMarvelous Designerだから製作可能なリアリティを上乗せして、現実には存在できないのに存在感のあるモノを作れたら最高だなと考えています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/e5aae88180764fcf8624dbfdc5e0dd4e9d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="e5aae88180764fcf8624dbfdc5e0dd4e" class="custom-image original-size" data-id="e5aae88180764fcf8624dbfdc5e0dd4e" data-width="1024" data-height="1024"></p><h2>VRChatにおけるアバター・衣装制作者へのメッセージ</h2><p>Q. Marvelous Designer をこれから使ってみたいVRChat制作者に向けて、アドバイスやメッセージをお願いします。</p><p>A. 実際の服飾に触れたことが無いという理由で敬遠される方もいらっしゃるかと思いますが、Tシャツ等であれば前身頃、後ろ身頃、袖の三つの型紙だけで製作することができますし、Marvelous Designerの機能も作図と縫い合わせだけで完結できますので、一度触ってみてリアリティのあるシワ感を体験してみていただきたいです。 一つ作ってみてシミュレーションの生地を変更してみるだけでも楽しいと思います。</p><hr><h2>クレジット</h2><p>アバター・衣装画像および動画：YOYOGI MORI BOOTHページ 「<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">【VRC / VRM 対応3Dモデル】Haysblanks ver1.03</a>」より</p><p>Marvelous Designer内アバター衣装制作画像：株式会社典樹</p>

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Marvelous Designer Official

Marvelous Designer Official