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<p>Did you try it,? It's awesome!</p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://aichat.clo-set.com/?brand=closet">CLO-SET AI Chatbot</a></p><img src="https://storagefiles.clo-set.com/public/community/202412/e5464fa74f844cd28a302bb4ebd76fc9/images/f36fd91d0ee945739ebf290abd93a186H%C4%B1zl%C4%B1%20render%20ayarlar%C4%B1.png" class="custom-image original-size" data-id="f36fd91d0ee945739ebf290abd93a186" data-width="1216" data-height="605"><p></p>

CLO-SET AI Chatbot

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>In this interview, we delve into the creative approach and workflow of </em></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/144049/collection/collections"><span style="font-family: &quot;Times new roman&quot;"><em>Dasom Yoon</em></span></a><span style="font-family: &quot;Times new roman&quot;"><em>, the winner of the Creator's contest 2025 Vol.1 - Seifuku Decoded. Explore the world of 3D fashion design through her work style and valuable tips!</em></span></h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/ruDNMXrXbdA?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p></p><h1><strong>Could you briefly introduce yourself and explain how you started working with 3D?</strong></h1><p>Hello, my name is Dasom Yoon, and I work as a 3D fashion and graphic designer. Before pursuing this career, I majored in clothing and worked in the overseas sales team for fabric import and export at a wholesale and retail clothing company. Due to the nature of the company, which frequently deals with vendors, I first learned about creating virtual garments when I saw vendors using the proposed fabrics to create virtual clothing for buyer presentations. This chance encounter introduced me to 3D garment simulation, and although I didn't know what kind of work I could do or what career I could pursue with it, I decided to learn it anyway.</p><p>Having majored in clothing and spent a considerable amount of time learning leathercraft as a hobby, I found it easy to understand patterns, sewing, and garment structures. Despite having no prior knowledge of 3D concepts, I found CLO and Marvelous Designer easy to learn because the process of creating garments is very similar to the actual clothing production process. At that time, I didn't even realize I was working in 3D because the process was so similar to real garment production.</p><p>As I gradually acquired knowledge related to 3D, such as texturing and animation, to improve the quality of my work, I began creating various fashion artworks primarily using CLO and Marvelous Designer. For a while, I focused on external projects, creating various garment mockups and videos, often working on projects that required realistic 3D models. This led to a desire for more creative and free work, and since last year, I have been frequently participating in competitions.</p><p>In this competition, I applied a new style to my personal work, aiming not just to create garments in 3D but to complete them as a single artwork, thereby establishing my own unique world.</p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/LXS2-R7M33I?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><strong>We'd like to hear more about the direction of your work in the Creator's contest 2025 Vol.1 - Seifuku Decoded contest. Did you aim for a specific style? If so, what was it?</strong></h1><p>The theme of this competition, uniforms, includes various occupations and allows for multiple styles. When I think of Japanese uniform styles, the first thing that comes to mind is 'school uniforms.' They are the most familiar to me, and I thought they would allow for various ideas. The image that comes to mind when thinking of school uniforms is clear, making it easy to introduce changes centered around that image. Traditional school uniform designs focus on uniformity and unity, resulting in a neat and simple silhouette. However, this often means they lack practicality and comfort, causing inconvenience for students.</p><p><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/27f2fa56cf54475caa263bffa344eb9e%E1%84%85%E1%85%A6%E1%84%91%E1%85%A5%E1%84%85%E1%85%A5%E1%86%AB%E1%84%89%E1%85%B3%20%E1%84%8B%E1%85%B5%E1%84%86%E1%85%B5%E1%84%8C%E1%85%B5%20%E1%84%89%E1%85%AE%E1%84%8C%E1%85%B5%E1%86%B8.png" alt="27f2fa56cf54475caa263bffa344eb9e" class="custom-image original-size" data-id="27f2fa56cf54475caa263bffa344eb9e" data-width="3086" data-height="1798"></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/WJO4yPjhY10?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/3Wgnx9JC-hY?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p>My initial idea stemmed from the fact that, unlike when I was in school, Korean students now wear comfortable, neat, and practical clothes called 'daily uniforms.' I imagined that in the near future, designs that prioritize practicality while maintaining the symbolic nature of school uniforms would become more common. I aimed to incorporate this imagination into my design. I referenced various futuristic clothing designs, trying to infuse the unique sci-fi aesthetic, colors, and shapes into my design.</p><p><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/7e687ae18493468aafcef09feaa3e3e7%E1%84%80%E1%85%B3%E1%84%85%E1%85%A2%E1%84%91%E1%85%B5%E1%86%A8%E1%84%8C%E1%85%A1%E1%86%A8%E1%84%8B%E1%85%A5%E1%86%B8.png" alt="7e687ae18493468aafcef09feaa3e3e7" class="custom-image original-size" data-id="7e687ae18493468aafcef09feaa3e3e7" data-width="3839" data-height="2097"></p><p>In this project, I included various graphics inspired by neo-futuristic architectural styles, converting organic and abstract curved graphics into halftones and matching them tone-on-tone to emphasize a futuristic feel. From a garment structure perspective, the jacket features a detachable hood liner, allowing it to be combined with a windbreaker for easy switching during outdoor activities, creating a two-way structure. The skirt pants, composed of two layers, were an attempt to make traditional school uniform designs trendy and practical. They can be worn as a skirt alone, as a skirt and pants together, or just as pants for outdoor activities, creating a three-way design.</p><p>The most important aspect I considered during this process was creating a design that anyone would want to wear.</p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/SsyAErxUF1M?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p></p><h1><strong>Could you briefly explain the various tools you use in your pipeline? I'm curious about the challenges you faced and how you overcame them.</strong></h1><p>My basic workflow is as follows: CLO or Marvelous Designer (clothes modeling) &gt; Substance 3D Painter (texturing) &gt; Blender (avatar &amp; background scene) &gt; Blender (render) &gt; After Effects (2D graphic &amp; video).</p><p>When creating images or videos that include custom avatars and backgrounds, I often use external 3D tools. However, when working solely on garments, I render them in CLO. While external 3D tools are more convenient for arranging multiple objects and setting up cameras and lighting, I believe no tool can match CLO for realistically rendering garments. For the same reason, when rendering only garments, there is no need to texture them in Substance 3D Painter; the internal texturing system of CLO is sufficient.</p><p><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/5f280873271543b69d7cba0cb17c82f8%E1%84%8C%E1%85%A1%E1%86%A8%E1%84%8B%E1%85%A5%E1%86%B8%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%281%29.png" alt="5f280873271543b69d7cba0cb17c82f8" class="custom-image original-size" data-id="5f280873271543b69d7cba0cb17c82f8" data-width="3838" data-height="2096"><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/22874c0e71234115bad2fc35541d9141%E1%84%8C%E1%85%A1%E1%86%A8%E1%84%8B%E1%85%A5%E1%86%B8%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%282%29.png" alt="22874c0e71234115bad2fc35541d9141" class="custom-image original-size" data-id="22874c0e71234115bad2fc35541d9141" data-width="3835" data-height="2091"><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/615371f5043f406582f1a01fc6a4a3ce%E1%84%8C%E1%85%A1%E1%86%A8%E1%84%8B%E1%85%A5%E1%86%B8%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%283%29.png" alt="615371f5043f406582f1a01fc6a4a3ce" class="custom-image original-size" data-id="615371f5043f406582f1a01fc6a4a3ce" data-width="3839" data-height="2096"></p><p>Due to the nature of sewing and simulating 2D patterns, UV unwrapping is unnecessary, and creating UDIM tiles is easy, making it convenient to import/export to other programs. The process of creating garments in CLO and Marvelous Designer is overwhelmingly convenient and user-friendly compared to other tools, so I haven't faced significant difficulties. Recently, I have felt the benefits of the updated GPU simulation and trim simulation features.</p><p>The GPU simulation in Marvelous Designer and CLO is much faster than the previous simulation, which greatly helped speed up the process of layering multiple garments in this project. The skirt belt and hood string have trims attached, and with trim simulation, they can be accurately placed and remain attached like real trims even after multiple simulations, saving the effort of repositioning trims after each simulation.</p><p></p><h1><strong>Do you have any tips and tricks to share with the community regarding Marvelous Designer?</strong></h1><p>A question I often receive regarding my work is how I learned Marvelous Designer. I self-taught using tutorials created by their official YouTube channel, and I believe these tutorials are more useful than any other courses. While there are many courses showcasing stylish artworks, I think learning the basics properly is the most important. When learning something new, it can be tedious and frustrating when your skills don't improve quickly, but I believe that repeatedly practicing the basic tutorials until you fully understand them is better than taking shortcuts by learning someone else's style. Eventually, you'll be able to create various styles you want.</p><p>For those who want to create garments with Marvelous Designer but don't know how to start, using the various free and paid assets available on CLO-SET CONNECT can be helpful. Initially, you can start by adding and removing details from these patterns, gradually learning the structure of garments and creating your own designs. Even now, when I see a garment that I can't immediately visualize as a 2D pattern, I download the file to study its structure and texture direction, comparing which parts differ from my style. I believe this kind of study helps a lot in building your own style and improving quality.</p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/mVh72Msn1R4?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/7b686426f8cc47538ec225a0b559748c%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%E1%84%89%E1%85%A3%E1%86%BA%202025-05-09%20%E1%84%8B%E1%85%A9%E1%84%92%E1%85%AE%203.10.02.png" class="custom-image hidden-thumbnail" data-id="7b686426f8cc47538ec225a0b559748c" data-width="1102" data-height="1500"><img src="https://storagefiles.clo-set.com/public/community/202505/406cca652c9a49eda3b0753900294f85/images/ad30e267e9a442c0ae7e710b322f7416%E1%84%89%E1%85%B3%E1%84%8F%E1%85%B3%E1%84%85%E1%85%B5%E1%86%AB%E1%84%89%E1%85%A3%E1%86%BA%202025-05-09%20%E1%84%8B%E1%85%A9%E1%84%92%E1%85%AE%203.11.38.png" class="custom-image hidden-thumbnail" data-id="ad30e267e9a442c0ae7e710b322f7416" data-width="1102" data-height="1338"></p>

Meet the Winner: Creator's contest 2025 Vol.1 - Seifuku Decoded (1st place, Yoon)

<p>Hi CLO team!</p><p></p><p>When will we be able to render animation in CLO-SET? </p><p></p><p>It's a dreamy question 😅</p><p></p><p>Sandrine </p>

Animation in CLO-SET

<h2 style="text-align: center"><span style="font-family: Times new roman"><em>"</em></span><a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/"><span style="font-family: Times new roman"><em>YOYOGI MORI</em></span></a><span style="font-family: Times new roman"><em>" is a 3D avatar clothing brand operated by </em></span><span style="font-family: &quot;Times new roman&quot;"><em>Tenju Co., Ltd. </em></span><span style="font-family: Times new roman"><em>It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</em></span></h2><h2 style="text-align: center"><span style="font-family: Times new roman"><em>In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><p></p><h2>Artist and Brand Introduction</h2><p><strong>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?</strong></p><p>A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.</p><p>Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.</p><hr><h2>Brand Theme and Aesthetics</h2><p><strong>Q. YOYOGI MORI's works have a unique worldview and fashion sense.</strong> <strong>Please tell us about the themes and aesthetics the brand cherishes.</strong></p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024"></p><p>A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."</p><p>Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.</p><hr><h2>Significance of Fashion in VRChat</h2><p><strong>Q. What appeal or significance do you feel in creating fashion for VRChat?</strong></p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024"></p><p>A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.</p><hr><h2>Production Flow with Marvelous Designer</h2><p><strong>Q. How is Marvelous Designer utilized in your usual production workflow?</strong></p><p>A. <strong>[Pattern Making and Sewing]</strong> After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001"></p><p style="text-align: center"><em>Pattern making using the Pleats function and Tacks</em></p><p><strong>[Simulation and Wrinkle Creation]</strong> To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741"></p><p style="text-align: center"><em>Adjusting wrinkles using pins and partial freezing</em></p><p><strong>[Final Details]</strong> In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677"></p><p style="text-align: center"><em>Wrinkle details on the finished outfit</em></p><hr><h2>Role and Benefits in Team Production</h2><p><strong>Q. I understand YOYOGI MORI is a small team production.</strong> <strong>Are there any moments in the process where Marvelous Designer proves particularly useful?</strong></p><p>A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power <em>as clothing</em>, which is a wonderful point.</p><hr><h2>Production Challenges and Solutions</h2><p><strong>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?</strong></p><p>A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.</p><p>Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.</p><hr><h2>Future Outlook</h2><p><strong>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?</strong></p><p>A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that <em>can</em> actually be produced, so I want to pursue what is possible <em>because</em> it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"></p><h2>Message to VRChat Avatar/Clothing Creators</h2><p><strong>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.</strong></p><p>A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.</p><hr><h2>Credits</h2><p>Avatar &amp; Costume Images/Video: <br>From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>" </p><p>Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.</p>

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Robin Kim

Robin Kim