<hr><img src="https://storagefiles.clo-set.com/public/community/202504/7a516aaddb724edb9d6aa6fdd6672773/images/67297d6b5713433a87473e63bd27c05822.png" alt="67297d6b5713433a87473e63bd27c058" class="custom-image original-size" data-id="67297d6b5713433a87473e63bd27c058" data-width="1440" data-height="1844">I’d love to share this look I designed for aespa’s Whiplash in the KPOP Mirror project.<img src="https://storagefiles.clo-set.com/public/community/202504/7a516aaddb724edb9d6aa6fdd6672773/images/ccf34b490e4a4fea9877dcec58d956a111.png" alt="ccf34b490e4a4fea9877dcec58d956a1" class="custom-image original-size" data-id="ccf34b490e4a4fea9877dcec58d956a1" data-width="1440" data-height="1844">The song itself is sexy, futuristic, and powerful — so I wanted the costume to reflect exactly that kind of energy.<img src="https://storagefiles.clo-set.com/public/marketplace/202504/1b6f8a2efc7247ce98ad16e0c61402a2/thumbnail/PixPin_2025-04-08_04-19-33.png?resize=1&amp;f=webp&amp;w=960&amp;fit=scale-down" alt="detail_additional" class="custom-image original-size">From the beginning, I knew I didn’t want this to be just a static design. I wanted it to move. That’s why animation and fabric simulation became such an essential part of the process. I captured the dance performance with motion capture, refined the animation in Cascadeur, and completed the hair and final render in Blender.<img src="https://storagefiles.clo-set.com/public/community/202504/7a516aaddb724edb9d6aa6fdd6672773/images/08e5f36c52c34c4094853c8d5ee2c601image.png" alt="08e5f36c52c34c4094853c8d5ee2c601" class="custom-image original-size" data-id="08e5f36c52c34c4094853c8d5ee2c601" data-width="1236" data-height="457"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1076237242?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>The outfit was created in Marvelous Designer. It made building large-scale garment structures incredibly fast and efficient, which really helped streamline my workflow. Later on, by tweaking the simulation timing and fabric properties, I was able to achieve the kind of dynamic cloth motion I had envisioned. Honestly, this animation couldn’t have worked without MD.<div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1076446515?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>The process was full of challenges and far from perfect — but I’m proud I pushed through and made it to the finish line.

▶︎ •၊၊||၊|။|||| |   ： Whiplash for KPOP-MIRROR

Gender & Age

Style

Genre & Mood

Objective

Garment

Indian dress

Hanbok and Kimono 

This outfit is compatible with the inZOI Mod. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\ For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Have thoughts or suggestions? Leave a comment below or DM us on IG @letsconnect3d ! We truly value your feedback and are always looking to improve. --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

▶︎ •၊၊||၊|။|||| | ： Whiplash for KPOP-MIRROR

Abiiabbbi

Abiiabbbi