<h1>Had a lots fun with APT dance motion to create this clothing (^^) Here is instagram link: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/DHEqTo4s2_k/?igsh=MTdwZnN0YnNxcWloYw==">https://www.instagram.com/reel/DHEqTo4s2_k/?igsh=MTdwZnN0YnNxcWloYw==</a></h1><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/W4bP0zJ8KXw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><img src="https://storagefiles.clo-set.com/public/community/202503/375da261bd6d4fe1834c5e0281648261/images/49b10a309169477ba7cdde4f5afef845006.JPG" class="custom-image original-size" data-id="49b10a309169477ba7cdde4f5afef845" data-width="1423" data-height="1381"><img src="https://storagefiles.clo-set.com/public/community/202503/375da261bd6d4fe1834c5e0281648261/images/b175bdfd33fd488e8e6251e1f33ef6ad007.JPG" class="custom-image original-size" data-id="b175bdfd33fd488e8e6251e1f33ef6ad" data-width="1409" data-height="1352">

My APT Digital Closet Challenge !

Hello everyone, I just downloaded the new Clo3D version (2025) and I noticed that the Ai Studio got some improvements, but unfortunately is not working properly with faces anymore. Am I the only one with this issue?Sara

AI Studio not working properly (Clo 2025 release)

Freelancer

Designer

Hobbyist

123456<img src="https://storagefiles.clo-set.com/public/community/202503/1335a21b1c4a4a45b27adb1692397a96/images/f35b919a5f4d4234a547ad02e6163219KakaoTalk_20250213_134045898_15.gif" alt="f35b919a5f4d4234a547ad02e6163219" class="custom-image original-size" data-id="f35b919a5f4d4234a547ad02e6163219" data-width="480" data-height="360"><h1>추가추가 create</h1><h1></h1>

add add

<img src="https://storagefiles.clo-set.com/public/community/202508/a6e52b274ae24431a83b2414e1f28769/images/04c956ace7f545dc84672cb2033ff89fwebinar25_1_scoop_en.png" alt="04c956ace7f545dc84672cb2033ff89f" class="custom-image original-size" data-id="04c956ace7f545dc84672cb2033ff89f" data-width="1200" data-height="882">CLO 2025.1 has officially arrived!Join us for the New Features Webinar, where our expert designers will discuss the latest updates and share tips to enhance your workflow. Plus, get your questions answered live!<ul><li>Available in 11 languages across 12 sessions 🌍</li></ul>: English (US), 한국어, 日本語, 廣東話, Bangla, Français, Türkçe, Português, Español, 中文, Tiếng Việt, Indonesia.<ul><li>Live Chat available in select sessions 💬</li></ul>* Note: For sessions with Live Chat, please log into YouTube beforehand to ask questions during the webinar via the chat window.<ul><li>Webinar links coming soon—stay tuned and check 🔗 <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/@CLO3D">CLO’s Official YouTube channel</a> for updates.</li><li>After the webinar, all videos will be uploaded to CLO’s YouTube channel.</li></ul> CLO 2025.1 New Feature Highlights Schedule:<ol><li>English (US)<ul><li>Date: Aug 20 ,2025</li><li>Release Video on YouTube (No Live Chat)</li></ul></li><li>中文<ul><li>Date: Sep 3, 2025</li><li>Time: 15:00 CST (GMT +8)</li><li>Release Video on BILIBILI (No Live Chat)</li></ul></li><li>Español<ul><li>Date: Aug 5, 2025</li><li>Release Video on CLO Spanish YouTube (No Live Chat)</li></ul></li></ol> CLO 2025.1 New Features Webinar Schedule: <ol><li>English (US)<ul><li>Date: Aug 28, 2025</li><li>Release on YouTube via Playlist</li></ul></li><li>한국어<ul><li>Date: Sep 4, 2025</li><li>Time: 10:00 KST (GMT +9)</li><li>Premiere Video Release on YouTube (+ Live Chat)</li></ul></li><li>日本語<ul><li>Date: Sep 10, 2025</li><li>Time: 15:00 JST (GMT +9)</li><li>Premiere Video Release on YouTube (+ Live Chat)</li></ul></li><li>Français<ul><li>Date: Sep 10, 2025</li><li>Time: 11:00 CET (GMT +2)</li><li>Release Video on YouTube</li></ul></li><li>廣東話<ul><li>Date:&nbsp; Sep 12, 2025</li><li>Time: 11:00 HKT (GMT +8)</li><li>Release Video on YouTube</li></ul></li><li>中文<ul><li>Date: Sep 12, 2025</li><li>Time: 15:00 CST (GMT +8)</li><li>&nbsp;Release Video on BILIBILI&nbsp;</li></ul></li><li>Türkçe<ul><li>Date:&nbsp; Sep 15, 2025</li><li>Time:&nbsp;</li><li>Release Video on YouTube (No Live Chat)</li></ul></li><li>Português<ul><li>Date: Sep 18, 2025</li><li>Time: 11:00 BRT (GMT -3)</li><li>Premiere Video Release on CLO Brasil YouTube&nbsp; (+ Live Chat)</li></ul></li><li>Indonesia (Bahasa)<ul><li>Date: Sep 26, 2025</li><li>Time: 10:00 WIB (GMT +7)</li><li>Release Video on YouTube&nbsp;</li></ul></li><li>Tiếng Việt<ul><li>Date: Sep 26, 2025</li><li>Time: 10:00 VNT (GMT +7)</li><li>Release Video on YouTube (No Live Chat)</li></ul></li><li>Español<ul><li>Date: Oct 3, 2025</li><li>Release on CLO Spanish YouTube via Playlist</li></ul></li></ol>

Join us for the CLO 2025.1 New Features Webinar!

<h2 style="text-align: center">"Eagerness to experiment, willingness to fail (A LOT) in the process, and resilience” — this is how Joyce shapes her creativity.</h2><img src="https://storagefiles.clo-set.com/public/community/202508/00e2aa36ac654381a3ac188608828a7e/images/400ab30edd2e44e3be489a695217f43f01.png" alt="400ab30edd2e44e3be489a695217f43f" class="custom-image medium-size" data-id="400ab30edd2e44e3be489a695217f43f" data-width="1080" data-height="1350"> We interviewed <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/364032/collection/collections">Joyce</a>, who is <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/k-popmirror">the winner of the K-pop Mirror contest</a>, and through the process, we gained many insights into the challenges and creative approaches involved in contest work, useful workflow tips, and smart ways to utilize CONNECT. We’re excited to share her experiences and know-how with you—enjoy the read and watch!✨ Watch Joyce’s interview video <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/DN3pHv0vZAc/?utm_source=ig_web_copy_link&amp;igsh=ZHViNWxscjNwNmRj">[Link]</a><hr><h1>[Part 1. Introduction &amp; Participation]</h1>Q1. Please briefly introduce yourself.I’m Joyce @ Miu Vermillion Studio, a freelance 3D artist with a non-creative day job. 3D art used to be no more than a creative outlet, but it all changed during the COVID lockdown in early 2020. Several independent designers noticed my photorealistic 3D renders and asked me to collaborate with them to create advertising campaigns and lookbooks for their brand because organizing fully styled professional photo shoots during lockdown was not the easiest thing to do, and some of the brands wanted to create surreal-looking imagery. Also, 3D virtual humans were kind of on the rise back then before AI influencers changed the scene merely 3 years later.&nbsp;Since then, I’ve decided to explore the usage of 3D art for storytelling and video game development. Currently, I’m working on independently created Fortnite Islands that will hopefully be playable on all Fortnite-supported platforms. I’m also in the early process of creating a short film, music video, and an Unreal Engine based adventure game. <img src="https://storagefiles.clo-set.com/public/community/202508/00e2aa36ac654381a3ac188608828a7e/images/9c4755c35fdd4f858ebe0b049af37bf9%EC%8B%9C%ED%80%80%EC%8A%A4%2001.00_00_11_16.%EC%8A%A4%ED%8B%B8%20016.png" alt="9c4755c35fdd4f858ebe0b049af37bf9" class="custom-image original-size" data-id="9c4755c35fdd4f858ebe0b049af37bf9" data-width="802" data-height="374"><img src="https://storagefiles.clo-set.com/public/community/202508/00e2aa36ac654381a3ac188608828a7e/images/edc4489146994ef1adee13594a16f1bf%EC%8B%9C%ED%80%80%EC%8A%A4%2001.00_00_15_25.%EC%8A%A4%ED%8B%B8%20017.png" alt="edc4489146994ef1adee13594a16f1bf" class="custom-image original-size" data-id="edc4489146994ef1adee13594a16f1bf" data-width="1080" data-height="1920"> Q2. How did you come to participate in this contest?I found out about this contest on CLO’s Instagram story. This contest is different from other contests I’ve seen on the CONNECT website in the past. The contest’s brief is to recreate and not to design something. Though I’ve worked with designers to create digital representations of their works in the past, the level of complexity and style of KOWGI’s design is unlike any piece I’ve made in the past. So, from the get-go, I knew that this contest was going to challenge, help, and push me to expand my skills; and these are always my primary reasons for joining a competition.<h1>[Part 2. Creative Process &amp; Production Insights]</h1>Q3. What made you choose this particular look?&nbsp;The moment I saw the contest announcement, I knew I had to recreate this particular look from the Nxde music video by (G)I-DLE (now known as i-dle), the first K-POP music video that leaves a lasting impression on me beyond the production value and visual quality. Soyeon, the group’s leader, wrote and produced the song. She had to convince her record label to allow her to produce this unconventional/daring song and music video. It amuses me to know that the song's title pushes down inappropriate keywords and makes them harder to find online in Korea (details available on Wikipedia). I find the way she directed the members in the recording room and showed them how to achieve specific sounds impressive as well.&nbsp;Aside from that, I’ve also been a huge fan of the outfit ever since I saw it on KOWGI’s social media feed many months before I saw it in the music video. It’s one of the most extraordinary graduate collections I’ve seen so far.&nbsp;As I was recreating the design in a digital format , I discovered more and more details I didn’t notice when I casually glanced at it on social media, and this has made me appreciate this outfit even more. <img src="https://storagefiles.clo-set.com/public/community/202508/00e2aa36ac654381a3ac188608828a7e/images/28c693664cfe4efdbaea1aa1c69319d2image.png" alt="28c693664cfe4efdbaea1aa1c69319d2" class="custom-image original-size" data-id="28c693664cfe4efdbaea1aa1c69319d2" data-width="983" data-height="869"> Q4. What was the very first thing you did when starting this project?I started the project by gathering as many photos and videos of the outfit as possible so I could figure out how it looks from every angle. Then, I enlarged the clearest photos and marked the locations of all the beads and other details to make it easier to get their placement right on the digital version. The outfit has more details than it seems at first, and some of these details look a bit blurry in the photographs and videos. So, there was a little bit of guessworking involved as well.Q5. When designing the idol outfit, what did you focus on the most?I always start by getting the overall silhouette correctly, then fill in the details.Q6. How did you approach the overall creation process?&nbsp;I created most of the elements of the look (not just the clothes but also the nail art, front hair, metal trims, face gems, and necklace) in Marvelous Designer; and what I couldn’t do in Marvelous Designer, I did in Blender. I still use an older version of Photoshop to create the texture maps because it still does the trick (and very well at that).<img src="https://storagefiles.clo-set.com/public/community/202508/00e2aa36ac654381a3ac188608828a7e/images/86ae491f6c864b81b03c0a3cd83ebd26image.png" alt="86ae491f6c864b81b03c0a3cd83ebd26" class="custom-image original-size" data-id="86ae491f6c864b81b03c0a3cd83ebd26" data-width="1289" data-height="804"> Q7. Which part of your final piece are you most proud of?The fact that I could push myself to find new ways to use Marvelous Designer and optimize my workflow. Q8. Do you have any tips you think other creators should know?Adjusting the camera settings (especially the field of view) can help a lot when we are working on the small details. It was especially helpful when I was working on the nail art.It’s a good idea to register some trims as buttons because they follow the garments and we can turn off the collision during simulation then turn it back on later to speed the process up and make sure the garment doesn’t break apart during simulation.Also, I didn’t know that we can hide the freeze, solidify, strengthen, and layer colors by right-clicking an empty space in the 3D window.&nbsp;<h1>[Part 3. Experience with CONNECT]</h1>Q9. What impressed you the most during your experience with this contest?I am impressed by other participants’ works. There are so many great entries. As always, I had a great time trying to predict which pieces might win which prizes.Q10. Did you gain any insights or inspiration from seeing other creators’ works on CONNECT?Seeing high-quality works by other creators always pushes me to hone my skills further. When I was a newbie, I used to download free 3D garments from CONNECT to study the pattern pieces and fabric settings.Q11. What features or aspects of CONNECT did you find most useful?&nbsp;The abundance of resources we can use to jumpstart our projects and the opportunities to collaborate with companies/brands through contest participation.<h1>[Part 4. Award Reflections &amp; What’s Next]</h1>Q12. How did you feel when you found out you had won?It was a surreal moment. It took me a few seconds to take it in.Q13. Lastly, is there a value or mindset that’s especially important to you these days as a creator?Eagerness to experiment, willingness to fail (A LOT) in the process, and resilience.<hr>✨ Watch Joyce’s interview video <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/DN3pHv0vZAc/?utm_source=ig_web_copy_link&amp;igsh=ZHViNWxscjNwNmRj">[Link]</a>See? CONNECT gives anyone the stage to turn ideas into reality. And the next spotlight could be yours!✨<h1 style="text-align: center">👉 Join the ongoing contest now <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest?pageNo=1">[Link]</a></h1>

Interview with K-POP Mirror Contest Winner, Joyce

How create a round bag's handle

Collection A

Jupiter Project since 2018

Hi everyone, this is megane.Since early July, I’ve been offering a free Eyewear Accessories Set (6 items) for a limited time 👓I’m very grateful that many of you have downloaded it — thank you so much!If you’ve tried using it, I’d really appreciate your feedback:	• How did it feel to use?	• Did you incorporate it into your styling?Any comments, images, or thoughts would be super helpful!Your input will help improve future items and inspire upcoming updates. 👉 You can find the free set here: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/2a1ec2d2e18a4a29b2f24b369abe6a98">https://connect.clo-set.com/detail/2a1ec2d2e18a4a29b2f24b369abe6a98</a>Looking forward to seeing how you’ve used it!Thanks.<img src="https://storagefiles.clo-set.com/public/community/202507/831fdded056e4529b7b05459fc3edf9a/images/12f4bdf81944413a8614d7aaee4049fbThumbnail.png" alt="12f4bdf81944413a8614d7aaee4049fb" class="custom-image original-size" data-id="12f4bdf81944413a8614d7aaee4049fb" data-width="3000" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202507/831fdded056e4529b7b05459fc3edf9a/images/32db0b299be14d7c997b21db92c2ac27PNG%E7%94%BB%E5%83%8F.png" alt="32db0b299be14d7c997b21db92c2ac27" class="custom-image original-size" data-id="32db0b299be14d7c997b21db92c2ac27" data-width="1693" data-height="979">

【Questionnaire】

HAZZYS FOOTBALL CLUB

안녕하세요!<ol><li>지니 프로그램에서 모자를 입히고 싶은데 " 드레이핑은 시뮬레이션된 의상에서만 작동합니다 " 라는 문구가 나오고 모자가 그냥 바닥에 떨어져서요. 혹시 모자를 어떻게 쉽게 입힐 수 있나요?</li></ol><ol start="2"><li>이미 제작되어있는 모자를 스토어에서 구매했는데 지니 프로그램에서 입히려고 하니까 자꾸 머리를 통과한다거나 그냥 바닥에 떨어진다거나 하는데..</li></ol><img src="https://storagefiles.clo-set.com/public/community/202506/a1fd738aec1b4530811f8ba632d6a9b7/images/3ca86ca739e14a25bea3170f8c84a63eimage.png" alt="3ca86ca739e14a25bea3170f8c84a63e" class="custom-image original-size" data-id="3ca86ca739e14a25bea3170f8c84a63e" data-width="371" data-height="459">지니 프로그램 활용해서 중학생 대상으로 수업을 진행하고 있는데 딱 모자에서 막힙니다.ㅠㅠ혹시 모자를 쉽게 착용할 수 있는 방법이 있나요?<img src="https://storagefiles.clo-set.com/public/community/202506/a1fd738aec1b4530811f8ba632d6a9b7/images/052231531a4044dab4d2ac0932ca5cceimage.png" alt="052231531a4044dab4d2ac0932ca5cce" class="custom-image original-size" data-id="052231531a4044dab4d2ac0932ca5cce" data-width="661" data-height="408">부자재에 딱 하나 있는 무료 모자를 어떻게 활용하면 이렇게는 됩니다만.. 다른 다양한 모자를 활용하고 싶습니다. 감사합니다.ㅠㅠ

지니 모자 관련 질문 있습니다!

<h2 style="text-align: center">Alex Savelev's Ranchero (Bounty Hunter) project showcases his mastery in creating hyper-realistic fabric folds using Marvelous Designer. From intricate poncho folds to seamless fabric simulation, every detail brings the character to life.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/77df16324d97477a9c9ff5422b12e545random%200.jpg" class="custom-image original-size" data-id="77df16324d97477a9c9ff5422b12e545" data-width="3818" data-height="2160"><h1 style="text-align: center">Interview with Alex Savelev | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/x3DExE">Ranchero (Bounty Hunter)﻿</a> | 3D Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>My name is Alex. I spent most of my career working in graphic design and advertising. My journey as a 3D artist began when I watched the cinematics of Death Stranding in 2018. I was so impressed that when the pandemic hit, I quit my job and moved to my country house. There, working alone for 12 hours a day, I managed to get a job as a character 3D artist after two years.<h1>Tell us about the project. What inspired you? Is there a particular story or setting behind it?</h1>The robot creation project inspired me with the opportunity to combine soft, flexible materials like fabric and ropes with hard elements — rusty metal and plastic, which the robot itself is made of. This blend of textures, along with the fusion of Mexican Western and sci-fi themes, brought a unique vibe to the concept.<img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/a9db09dc7ab045298214f2e196b887baquestion_2.jpg" class="custom-image original-size" data-id="a9db09dc7ab045298214f2e196b887ba" data-width="3772" data-height="2160"><h1>How did Marvelous Designer contribute to your creative process? Are there any particular processes you'd like to highlight for our community members?</h1>One of the key elements of the concept was the Mexican poncho. To make it realistic, I needed to create believable folds that would reflect the weight and density of the fabric, along with its worn look. Usually, I use Marvelous Designer for creating complex clothing patterns, but here the pattern was quite simple, so I focused on the folds. During the process, I used pins, adjusted gravity settings (which is very useful for simulating heavy fabrics), changed the fabric's friction settings, and tried out the sculpting tools for the first time, which were introduced relatively recently. After setting all the necessary parameters, I was able to achieve the desired result quickly. My advice is to set up all the parameters initially before starting the simulation.<img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/6603e55fe03e4c3ca1696f81ca7b3bfeUV.png" class="custom-image original-size" data-id="6603e55fe03e4c3ca1696f81ca7b3bfe" data-width="3838" data-height="2077"><img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/ec26dbf798814cc0b86dfc3c90b52792cool_folds.png" class="custom-image original-size" data-id="ec26dbf798814cc0b86dfc3c90b52792" data-width="3838" data-height="2078"><img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/6127c22ec3184473bbe680e37228f272marvv_gravity.png" class="custom-image original-size" data-id="6127c22ec3184473bbe680e37228f272" data-width="3831" data-height="2072"><h1>The textures and details on the shawl are very intricate. How did you use Marvelous Designer to achieve such a worn, realistic look?</h1>To achieve the worn effect, I created three fabric bases in Marvelous: one exported as a quad (grid) and the other as a triangle (which I then retopologized). I often use Quad (grid) if I plan to apply special effects in ZBrush, as the even polygons, aligned with the fabric, allow for creating stunning textures using the MicroPoly tool. This is how I created the thick threads that are clearly visible on the neck. Combined with compression folds, they look very realistic. I used the other fabric layer to create worn, damaged areas. This gave me three fabric layers with different textures, which I alternated to create the look of worn-out fabric or leave it intact.<img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/4457526bb47740b5be5ac67997fa4e65question_4_1.jpg" class="custom-image original-size" data-id="4457526bb47740b5be5ac67997fa4e65" data-width="2141" data-height="1652"><img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/a2f0299c417949048b603a75fc31fbc5question_4.jpg" class="custom-image original-size" data-id="a2f0299c417949048b603a75fc31fbc5" data-width="2294" data-height="1487"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>In my work, I use the standard tools in Marvelous Designer and recently started using sculpting, which has been very satisfying. I often work with the "steamer" tool to get the exact folds I need. Additionally, I frequently use pins, manually crafting custom folds. Before running the simulation, I increase the mesh density and remove all the pins to avoid leaving any marks on the fabric. Although high-density mesh simulation runs slowly, this helps retain the original shape of my pinned folds.<img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/4f01f8c11a7a4ac39109033c9fc481edquestion_5.jpg" class="custom-image original-size" data-id="4f01f8c11a7a4ac39109033c9fc481ed" data-width="3815" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/207b6d7781f34584bff54ae7d412f94asculpting.png" class="custom-image original-size" data-id="207b6d7781f34584bff54ae7d412f94a" data-width="3837" data-height="2067"><h1>What challenges did you face during the creation process, and how did you overcome them?</h1>Sometimes, it's hard to stop when working on clothing simulation. I can spend hours on this process, creating increasingly expressive folds. The process is incredibly captivating, and it's essential to know when to stop. 😊<h1>Are there any tips and tricks with Marvelous Designer that you want to share with the community?</h1>As a 3D character artist, I appreciate Marvelous not only for its ability to create incredibly realistic fabrics but also for its help with retopology. I often use Mesh (Grid) to create a base for retopologizing objects, which saves a lot of time. This mesh type is also perfect for creating items like cloaks, where there are hardly any seams, eliminating the need to triangulate the mesh.<img src="https://storagefiles.clo-set.com/public/community/202412/b26dbf262d5d4373bf4f381331582eaa/images/1b3e5b897e4044978c32a7d55d3ffadequestion_7.jpg" class="custom-image original-size" data-id="1b3e5b897e4044978c32a7d55d3ffade" data-width="2493" data-height="1652"><h1>How would you describe your overall experience of the use of the Marvelous Designer?</h1>I've been using Marvelous for four years now, and in that time, I've completed numerous personal and commercial projects. I've created a vast array of clothing models and love this tool for helping my characters look truly alive. Moreover, I've become a genuine fan of creating different types of folds — something I never imagined was possible!<h1>by&nbsp;Alex Savelev <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/alexsavelev">Artstation</a></h1>

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