<hr><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/72d7f24642824a598db3bfa1249f2574%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="72d7f24642824a598db3bfa1249f2574" class="custom-image original-size" data-id="72d7f24642824a598db3bfa1249f2574" data-width="4000" data-height="1713">In character illustration, clothing is more than visual decoration. It affects a character's movement, material expression, visual depth, and the overall mood of the image.Illustrator <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/5af06707db2e600283b2ffd3?xsec_token=ABX4egR0ayT1owObWsVpTJhkUCcT_rOD4InRUFSxzXPxM%3D&amp;xsec_source=pc_search">Luobu</a> specializes in anime-style character illustration. Her work often features a semi-realistic atmosphere, strong lighting, dynamic poses, and elaborate costume design. In her workflow, 3D tools are not a replacement for drawing. They help her understand structure, space, and fabric behavior more accurately.In this interview, we spoke with Luobu about how she brings Marvelous Designer into her 2D illustration workflow, including real-world garment experience, 3D base models, garment patternmaking, animation simulation, and final 2D refinement.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/8b5f2f2dbabe4e0db3d8963cf29f0c78%E7%BB%86%E5%8C%961.jpg" alt="8b5f2f2dbabe4e0db3d8963cf29f0c78" class="custom-image original-size" data-id="8b5f2f2dbabe4e0db3d8963cf29f0c78" data-width="4000" data-height="1715"><hr><h1>To start, could you introduce yourself and the creative direction you usually focus on?</h1>Luobu: Hi everyone, I'm Luobu, an illustrator.I enjoy creating anime-style character illustrations. I am especially drawn to images with a semi-realistic atmosphere and strong lighting, as well as dynamic character poses and elaborate costume designs.In character design and illustration, I usually use 3D software to support my 2D painting process. It helps me handle space, garment structure, and lighting relationships with more stability.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/f0fd4b0cc99a4551bab0dfccd34f4567zl1.jpg" alt="f0fd4b0cc99a4551bab0dfccd34f4567" class="custom-image original-size" data-id="f0fd4b0cc99a4551bab0dfccd34f4567" data-width="3648" data-height="6000"><h1>You also have experience with cosplay. How has making or wearing clothing in real life helped you understand clothing in digital painting?</h1>Luobu: Making clothing in real life gives me a more intuitive understanding of garment styles, structure, and patternmaking.It also helps me understand the properties of different fabrics, such as weight, sheen, and elasticity. That experience supports me in two ways. On one hand, when I build clothing models in 3D software, I can judge the structure more quickly. On the other hand, when I paint in 2D, I have a clearer sense of why folds form, how they flow, and how different material textures should be rendered.<h1><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/27c07cf90a8e41ea9b1d1e18dcab6f43teres.jpg" alt="27c07cf90a8e41ea9b1d1e18dcab6f43" class="custom-image original-size" data-id="27c07cf90a8e41ea9b1d1e18dcab6f43" data-width="3000" data-height="6000"></h1><h1>Many 2D illustrators feel that 3D comes with a learning curve. What first made you decide to bring 3D tools into your illustration workflow?</h1>Luobu: When I was first learning to draw, I was not very confident with illustrations involving perspective or complex scenes.At the time, I learned that some illustrators were using 3D software to build more complex scene compositions before painting. That became the starting point for me. I began learning 3D software and gradually brought it into my own workflow.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/81dd02d7021d4fbfb5d2e24eab7d7fd4%E9%A2%86%E4%B8%BB.jpg" alt="81dd02d7021d4fbfb5d2e24eab7d7fd4" class="custom-image original-size" data-id="81dd02d7021d4fbfb5d2e24eab7d7fd4" data-width="1750" data-height="3500"><h2>What does your usual 2D + 3D workflow look like now?</h2>Luobu: My current workflow is roughly: sketch -&gt; 3D base human model -&gt; garment creation in Marvelous Designer -&gt; scene props and set pieces in 3D software -&gt; lighting and rendering -&gt; final 2D refinement.In this process, different software tools need to work together. Some tools can be connected through bridge plugins. When there is no bridge plugin available, I use common model formats such as OBJ or FBX files. I also keep the scale units consistent across programs, which makes it more stable to move between different tools.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/737e0714b00c401eb19e5cd22b0d61abmain11%20s.jpg" alt="737e0714b00c401eb19e5cd22b0d61ab" class="custom-image original-size" data-id="737e0714b00c401eb19e5cd22b0d61ab" data-width="5000" data-height="2143"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/961d325c9a8941cc9e92c6e4588771d3out%202.png" alt="961d325c9a8941cc9e92c6e4588771d3" class="custom-image original-size" data-id="961d325c9a8941cc9e92c6e4588771d3" data-width="3500" data-height="1500"><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Pnx76q2e1tE" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>You often share your process of building 3D garments by hand. What does Marvelous Designer help you with in garment creation?</h2>Luobu: I usually begin by sketching the full illustration and deciding the character's pose, clothing style, and the general motion of the garment.After that, I use Marvelous Designer to create the garment patterns and dress the clothing on the character model. With Marvelous Designer's animation simulation features, I can simulate the dynamic shape of the garment. This process can produce highly realistic garment folds and physical simulation effects.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/545b976ad46d4b6b85b79e499c597b77erk2.jpg" alt="545b976ad46d4b6b85b79e499c597b77" class="custom-image original-size" data-id="545b976ad46d4b6b85b79e499c597b77" data-width="1575" data-height="3500"><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/vmzqrNUL7Jo" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>In 2D painting, artists often rely on imagination to work through complex folds. After using Marvelous Designer, how has it influenced your 2D rendering?</h2>Luobu: Marvelous Designer's cloth simulation can create very realistic and delicate folds. It can also simulate physical collisions between fabric and objects such as the floor, tables, and chairs.For later 2D rendering, these results give me useful references for form and for separating light and shadow. I do not copy the simulation results directly. Instead, I organize and simplify them, then translate them into clothing details that suit the final image.In that sense, it helps me quickly establish the overall movement and shape of the garment, while also improving my efficiency during the final refinement stage.<img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/5b16ce6a84e644288b93e846c96b9826xingyuan1.jpg" alt="5b16ce6a84e644288b93e846c96b9826" class="custom-image original-size" data-id="5b16ce6a84e644288b93e846c96b9826" data-width="3000" data-height="1687"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/42fbbd0d10ff4c789bc9c8504a7635aareed.png" alt="42fbbd0d10ff4c789bc9c8504a7635aa" class="custom-image original-size" data-id="42fbbd0d10ff4c789bc9c8504a7635aa" data-width="3500" data-height="1499"><h1>Would you recommend 3D tools to artists who are still working in a traditional 2D workflow?</h1>Luobu: If an artist needs to paint more realistic clothing, environments, or atmospheric lighting, I would recommend bringing 3D tools into the workflow.For beginners, I suggest first building a simple workflow, such as base model -&gt; clothing model -&gt; scene render -&gt; painting. You do not need to learn many software tools at once. Start with one tool, understand its basic functions, and build from there.Taking it one step at a time makes the learning process more gradual, and makes it easier to truly integrate the tools into your own creative workflow.<hr>From real-world garment experience to garment patternmaking and cloth simulation in Marvelous Designer, and finally to 2D refinement, Luobu's workflow offers a useful approach for illustrators: use 3D tools to establish structure and physical logic, then return to 2D painting for the final artistic interpretation.In this workflow, 3D is not a replacement for drawing. It is a more stable and intuitive reference system. It helps artists see folds, gravity, material, and spatial relationships more clearly, making clothing in character illustration feel more believable, layered, and alive.<hr><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/82ab1cc7e6ea4eedb0a714e1c0bf8025bmx.jpg" alt="82ab1cc7e6ea4eedb0a714e1c0bf8025" class="custom-image original-size" data-id="82ab1cc7e6ea4eedb0a714e1c0bf8025" data-width="2000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/29943df72bab47cc97a219f351c73e87%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="29943df72bab47cc97a219f351c73e87" class="custom-image original-size" data-id="29943df72bab47cc97a219f351c73e87" data-width="4000" data-height="1713"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/3105d52a2d914aeb9676a8286e73c6aesaki%20%E7%BB%88%20%E6%8B%B7%E8%B4%9D.png" alt="3105d52a2d914aeb9676a8286e73c6ae" class="custom-image original-size" data-id="3105d52a2d914aeb9676a8286e73c6ae" data-width="1857" data-height="3300"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/421ea98f37bb4b77a459b5a2e9946b33mr1.png" alt="421ea98f37bb4b77a459b5a2e9946b33" class="custom-image original-size" data-id="421ea98f37bb4b77a459b5a2e9946b33" data-width="1625" data-height="2600"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/d88d0d622a5643d3b9fa4bf7be0eefd8mami2.png" alt="d88d0d622a5643d3b9fa4bf7be0eefd8" class="custom-image original-size" data-id="d88d0d622a5643d3b9fa4bf7be0eefd8" data-width="1900" data-height="2850"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/df63c165446341858480d78c59d80a4cange.jpg" alt="df63c165446341858480d78c59d80a4c" class="custom-image original-size" data-id="df63c165446341858480d78c59d80a4c" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/94b95f104a9b4d6a9fb07261f9df5050yasu.jpg" alt="94b95f104a9b4d6a9fb07261f9df5050" class="custom-image original-size" data-id="94b95f104a9b4d6a9fb07261f9df5050" data-width="2000" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/736c4a6ad70d488c80c4f72c408d153d%E5%9B%BE%E5%83%8F1%20%E6%8B%B7%E8%B4%9D.jpg" alt="736c4a6ad70d488c80c4f72c408d153d" class="custom-image original-size" data-id="736c4a6ad70d488c80c4f72c408d153d" data-width="1800" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/16dee19d8ed44deeb0ae47b91582b58f%E6%88%90%E5%9B%BE1.jpg" alt="16dee19d8ed44deeb0ae47b91582b58f" class="custom-image original-size" data-id="16dee19d8ed44deeb0ae47b91582b58f" data-width="3000" data-height="6000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/b7612bfd45004ed88e0489322ea98bea%E7%9D%A6%E8%8E%AB.jpg" alt="b7612bfd45004ed88e0489322ea98bea" class="custom-image original-size" data-id="b7612bfd45004ed88e0489322ea98bea" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/6f86e2360150409fbaa404cfcb7445c41.jpg" alt="6f86e2360150409fbaa404cfcb7445c4" class="custom-image original-size" data-id="6f86e2360150409fbaa404cfcb7445c4" data-width="3500" data-height="1969"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/4b2e89dcdfb345e0b44f7b88760a66f31%202.jpg" alt="4b2e89dcdfb345e0b44f7b88760a66f3" class="custom-image original-size" data-id="4b2e89dcdfb345e0b44f7b88760a66f3" data-width="3000" data-height="1286">

Making Fabric Folds Make Sense: Illustrator Luobu on Her 2D + 3D Workflow

MV2 Relaxed Overshirt

mia.luo9527

The Gentleman Fatal

<img src="https://storagefiles.clo-set.com/public/community/202601/3622089d22f94efea4b3e2a3d5199d0c/images/d5371c98e618409688dec36d791c4554Screenshot%202026-01-09%20at%2010.05.45.png" class="custom-image hidden-thumbnail" data-id="d5371c98e618409688dec36d791c4554" data-width="774" data-height="778">Your Mission • Build and grow a team of computational design experts, ensuring close collaboration with designers and cross-functional partners to deliver outstanding work - from early explorations and conceptual design all the way to production-ready 3D datasets. • Be an integral part of the design studio, continuously pushing the visual and technical boundaries of On’s products. • Inspire, coach, and upskill individuals and teams to develop the future-fit design capabilities needed to thrive in an ever-evolving digital landscape. • Use computational design skills to create pioneering product concepts that set new standards for performance and innovation - while pushing the future of digital manufacturing and automation in the industry. • Inspire and embed computational design capabilities across all product functions, driving creativity, efficiency, and innovation. • Stay up to date with the latest advancements in computational design tools and digital fabrication technologies to enhance the footwear design process. • Implement parametric and algorithmic design principles to build adaptable design systems, enabling customizable and easily adjustable solutions. Your Story • 7-10 years of experience in high-level design environments, with a strong portfolio of computational design and performance product solutions. • Proven experience leading teams and large-scale projects in agile environments. • Deep expertise in computational design as well as 2D and 3D tools - from early explorations to production-ready 3D datasets. • Good understanding of traditional manufacturing processes in high-performance footwear (a plus). • An innovative mindset with a strong drive to push the boundaries of footwear design. • Ability to work independently under deadlines on multiple projects simultaneously, combining creative thinking with engineering problem-solving skills. • Must be able to thrive in a fast-paced environment.<a target="_blank" rel="noopener noreferrer nofollow" href="https://culture.on.com/jobs/7120658/">https://culture.on.com/jobs/7120658/</a>

[Job] On - Senior Lead: Computational Designer(Zurich, Switzerland)

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/b16c7780fc0f416caddd4a95f5df96f9/images/bb50e44c127b49aba155ce3c18ac3f5fHeader_thumb%20%282%29.png" class="custom-image hidden-thumbnail" data-id="bb50e44c127b49aba155ce3c18ac3f5f" data-width="1240" data-height="652">"<a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</h2><h2 style="text-align: center">In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>Artist and Brand Introduction</h2>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.<hr><h2>Brand Theme and Aesthetics</h2>Q. YOYOGI MORI's works have a unique worldview and fashion sense. Please tell us about the themes and aesthetics the brand cherishes.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024">A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.<hr><h2>Significance of Fashion in VRChat</h2>Q. What appeal or significance do you feel in creating fashion for VRChat?<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024">A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.<hr><h2>Production Flow with Marvelous Designer</h2>Q. How is Marvelous Designer utilized in your usual production workflow?A. [Pattern Making and Sewing] After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001">Pattern making using the Pleats function and Tacks[Simulation and Wrinkle Creation] To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741">Adjusting wrinkles using pins and partial freezing[Final Details] In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677">Wrinkle details on the finished outfit<hr><h2>Role and Benefits in Team Production</h2>Q. I understand YOYOGI MORI is a small team production. Are there any moments in the process where Marvelous Designer proves particularly useful?A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power as clothing, which is a wonderful point.<hr><h2>Production Challenges and Solutions</h2>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.<hr><h2>Future Outlook</h2>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that can actually be produced, so I want to pursue what is possible because it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"><h2>Message to VRChat Avatar/Clothing Creators</h2>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.<hr><h2>Credits</h2>Avatar &amp; Costume Images/Video: From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>"Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

This elegant royal robe was designed with inspiration from ancient noble attire — featuring deep navy fabric, intricate golden ornaments, and a luxurious silhouette. I aimed to create a balance between fantasy and historical fashion. What do you think about the combination of dark tones with gold details? 💫 Your feedback means a lot — feel free to share your thoughts!<img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/44c5fbb8f28b4cbe806357108024c5fdpreview%2001.png" alt="44c5fbb8f28b4cbe806357108024c5fd" class="custom-image original-size" data-id="44c5fbb8f28b4cbe806357108024c5fd" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/40755d8e881b45e1a32ab27c2b1251d6preview%2002.png" alt="40755d8e881b45e1a32ab27c2b1251d6" class="custom-image original-size" data-id="40755d8e881b45e1a32ab27c2b1251d6" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/313ec1e352b54945b9feddc64672b335preview%2004.png" alt="313ec1e352b54945b9feddc64672b335" class="custom-image original-size" data-id="313ec1e352b54945b9feddc64672b335" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/bcd1b8363b6d41378eed099cdc05b55cpreview%2003.png" alt="bcd1b8363b6d41378eed099cdc05b55c" class="custom-image original-size" data-id="bcd1b8363b6d41378eed099cdc05b55c" data-width="3000" data-height="3000">3D Artist: Zeinab DahganiPortfolio: <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.cv.zeinabdahgani.com">www.cv.zeinabdahgani.com</a>Email: best3dmodeling@gmail.cominstagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/zeinab_dahgani/">https://www.instagram.com/zeinab_dahgani/</a>LinkedIn : <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.linkedin.com/in/zeinab-dahgani">https://www.linkedin.com/in/zeinab-dahgani</a>

Emperors clothes

Traditional Costumes 3D Restoration

<img src="https://storagefiles.clo-set.com/public/community/202607/0c224dc5ea144c0a893ff4a81ce6a37e/images/5b6b3fecfcd9413ead92431f5d31e2eaCopy%20of%20KR_1080%20x%201080_Student%20Pricing.png" alt="5b6b3fecfcd9413ead92431f5d31e2ea" class="custom-image original-size" data-id="5b6b3fecfcd9413ead92431f5d31e2ea" data-width="2250" data-height="2250">3D 아티스트 취업을 지망하는 학생들에게 마블러스 디자이너와 같은 업계 표준 소프트웨어를 마스터하는 것은 매우 강력한 무기가 됩니다. 학생 여러분이 저희 커뮤니티의 가장 핵심인 만큼, 이용 기간을 2배로 늘리고, 유연한 월 단위 결제 구조로 전환하여 학생 플랜을 대폭 개편하였습니다.이번 개편을 기념하여, 한정 기간 동안 학생 가입자분들께 마블러스 디자이너 3개월 무료 이용 혜택을 제공합니다.알아두셔야 할 핵심 내용:두 배로 늘어난 학생 플랜 혜택 기간 기존 학생 플랜은 2년이라는 제한이 있어 학생분들의 실제 학업 기간과 니즈를 온전히 충족하기에 아쉬웠습니다. 이제 가입한 날로부터 최대 4년 동안 새로운 학생 플랜의 혜택을 넉넉하게 누리실 수 있습니다.더욱 유연해진 결제 방식 연간 구독의 결제 비용이 가끔은 부담스럽게 느껴질 수 있습니다. 이를 보완하기 위해 새로운 월간 구독 방식을 도입했습니다. 이제 한 달에 단 $8.25로 마블러스 디자이너가 제공하는 모든 기능을 마음껏 즐기세요.첫 3개월 무료 혜택 학생 플랜에 가입하시면 첫 3개월은 무료로 제공됩니다. 이는 한 학기에 가까운 기간 동안 마블러스 디자이너를 무료로 쓸 수 있는 엄청난 기회입니다. 기능 제한이나 유료 결제 유도 없이 소프트웨어의 모든 기능을 완벽하게 사용하실 수 있습니다. (3개월 무료 프로모션은 10월 31일까지 유효합니다.)마지막으로, 더 쉽고 빠르게 시작하실 수 있도록 학생 인증 및 가입 절차를 매우 간소화했습니다. 이제 여러분의 창의적인 아이디어를 펼치고, 기술력을 다듬어, 포트폴리오의 퀄리티를 한 단계 끌어올릴 때입니다.지금 첫 3개월 무료 혜택을 신청하고 창작의 첫걸음을 내딛어 보세요! <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/pricing?type=academic">https://www.marvelousdesigner.com/pricing?type=academic</a>

더욱 유연해진 학생 플랜 + 3개월 무료 혜택

<img src="https://storagefiles.clo-set.com/public/community/202607/3100ad3d2c1d4b7e970c8a4cc101d79a/images/09f08d6126d34e43a20274edf7a8ab3bScreenshot%202026-07-08%20at%2013.40.36.png" class="custom-image hidden-thumbnail" data-id="09f08d6126d34e43a20274edf7a8ab3b" data-width="944" data-height="842">Vivienne Westwood is one of the most iconic British fashion brands, renowned for its heritage, innovative design, and commitment to culture and activism. We care deeply about our people and the environment, and our core values - Gaia, Quality not Quantity, Activism, Culture &amp; Heritage - guide us daily. If you share our passion for creativity, sustainability, and innovation, we’d love to hear from you.ABOUT THE ROLEVivienne Westwood is currently looking for a Digital Pattern Cutter to support the Design team in our Studio located in Milan Office.KEY REPSONSIBILITIES<ul><li>Development of sampling and production pattern as well as Showpieces.</li><li>Liaising with designers during fittings and providing input for experimental garment ideas.</li><li>Developing new pattern:<ul><li>Digital pattern cutting using Lectra (Modaris and Diamino) and Clo3D</li><li>Creating new patterns, working on already existing patterns, alterations, etc. Digitising paper pattern</li><li>Suggesting finishing solutions</li><li>Finalising production pattern, including technical information and measurement sheets for production company</li><li>Preparing toiles (cutting and sewing toiles, doing alterations if necessary)</li><li>Suggesting finishing solutions</li><li>Pattern Grading, when necessary</li></ul></li><li>Communication with vendors (exchanging pattern, problem solving, etc.)</li><li>Communication with Lectra in regards to hard- and software maintenance</li><li>Maintaining the pattern archive (paper and digital)</li><li>Working collaboratively with other pattern cutters, machinists, and designers, including those based in the London office (communicating in both Italian and English)</li><li>Demonstrate strong problem-solving skills in collaboration with the machinists to establish the best methods of construction for experimental garments</li><li>Maintaining a high level of quality control for the pattern and garments within the Studio and at a production level (vendors).</li><li>Work effectively under pressure and adapt to extended hours during peak periods, such as pre-show deadlines.</li><li>Attend fittings when needed, providing technical insight and support during adjustments.</li><li>Any other ad hoc task.</li></ul>PROFILE &amp; KEY SKILLS<ul><li>Strong experience in pattern cutting within a fashion or luxury Studio</li><li>Confident using Lectra Modaris and Clo3D for digital pattern development</li><li>Solid understanding of garment construction, fit, and finishing techniques</li><li>Ability to develop, amend and finalise patterns for sampling and production</li><li>Experience preparing toiles, handling alterations, and supporting fittings</li><li>Working proficiency both in English and Italian</li><li>Highly organised with strong attention to detail across digital and paper pattern management</li><li>Collaborative approach with the ability to problem-solve alongside designers, machinists, and production partners</li><li>Able to work under pressure and manage peak workload periods effectively</li></ul><a target="_blank" rel="noopener noreferrer nofollow" href="https://viviennewestwood.factorial.it/job_posting/digital-pattern-cutter-290908">https://viviennewestwood.factorial.it/job_posting/digital-pattern-cutter-290908</a>

Making Fabric Folds Make Sense: Illustrator Luobu on Her 2D + 3D Workflow

Marvelous Designer Official

Marvelous Designer Official