<h2 style="text-align: center">A lived-in outfit and a character born of self-reflection—Basil Pop’s Misfit Stranger is more than a digital model; it’s a personal narrative woven through fabric, form, and feeling.</h2><hr><h1 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/6031bd5aa14946bd903147b75e8d7df0basil-pop-ms-character-084.jpg" alt="6031bd5aa14946bd903147b75e8d7df0" class="custom-image original-size" data-id="6031bd5aa14946bd903147b75e8d7df0" data-width="1404" data-height="1600">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/basilpop">Basil Pop</a> | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/RKVw3e">Misfit Stranger</a> | 3D Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>Hello there. My name is Basil Pop. I am a 3D character artist with a classical Fine Art education and about 9 years in the game industry. I live in Prague, Czech Republic. Whether I’m drawing with a pencil or sculpting with clay, 3D graphics for me is just another tool for self-expression and realizing my potential. In this interview, I want to share my approach to making clothing for the Misfit Stranger game character using Marvelous Designer.<h1>“Misfit Stranger” is a striking and personal piece. What inspired you to create this character, and what story are you trying to tell through him?</h1>This is an attempt to see myself from the outside as an artist, a kind of re-evaluation of values. For me, Misfit Stranger is the opposite side of creative growth, filled with fear. He chooses to go with the flow, not making an effort to change his situation, giving up on himself.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/e11ca515bdc64f2dac773c60f695e3f7MS_MD_03.jpg" alt="e11ca515bdc64f2dac773c60f695e3f7" class="custom-image original-size" data-id="e11ca515bdc64f2dac773c60f695e3f7" data-width="3840" data-height="1725">The foundation of the character is my own observations and analysis of this “dark side” inside myself. It is a kind of self-criticism, even within the framework of a game-ready model, creating this image based on my own sketches.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/599310dde2cc4c0481d52c035be6f6f0MS_MD_01.jpg" alt="599310dde2cc4c0481d52c035be6f6f0" class="custom-image original-size" data-id="599310dde2cc4c0481d52c035be6f6f0" data-width="3850" data-height="3850"><h1>What role did Marvelous Designer play in the creation of this character? Which parts of the outfit were designed using Marvelous Designer?</h1>I wanted to show the clothing on Misfit Stranger as something the character seems to live in all his life. It is his comfort zone, a “gray box” where he works or just spends his ordinary day. Marvelous Designer helped me create the main parts of the outfit: the jumpsuit, sweater, underpants, socks, and shoes, which seem almost “stuck” to him, serving as the basic placeholders.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/0cf7cac57a924b40b4237544ee35823fMS_MD_02.jpg" alt="0cf7cac57a924b40b4237544ee35823f" class="custom-image original-size" data-id="0cf7cac57a924b40b4237544ee35823f" data-width="4322" data-height="3840"><h1>The overalls and shirt in this piece show a high level of realism. What was your approach in Marvelous Designer to achieve this level of detail?</h1>Marvelous Designer seems complicated when you approach it like other modeling programs, such as Blender or Maya. It reminded me of my first driving experience - you focus on many small details and because of that, you don’t really feel the car itself. The same thing happens with Marvelous Designer. "Let the laws of physics do their job. Just set a few limitations." My first steps in Marvelous Designer are about setting up the scene, sewing the main shapes of the clothing, adjusting the size of the patterns and their proportions on the avatar. Using Instance or Symmetry on the objects, this allows me to easily change and deform the model when needed.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/10946174781b42d5a77e8fe230e56130MS_MD_05.jpg" alt="10946174781b42d5a77e8fe230e56130" class="custom-image original-size" data-id="10946174781b42d5a77e8fe230e56130" data-width="3693" data-height="2041"> When the foundation is ready, I add extra elements to the main shape: belts, pockets, and I separate them using Layers. At the same time, I set up the basic fabric material settings and lower the Particle Distance for a better look. As the main material, I often use Trim Hardware.At the final stage, I focus on the parts that need deeper adjustments. I use different tools, starting with the specific Physical Property parameters, as well as Shrinkage Weft and Warp, Pressure, Elastic, and so on, all the way to the final simulation.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/b67e7d5f0a344609a2df82b8fde9485eMS_MD_04.jpg" alt="b67e7d5f0a344609a2df82b8fde9485e" class="custom-image original-size" data-id="b67e7d5f0a344609a2df82b8fde9485e" data-width="2750" data-height="2025"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>In my pipeline, I use Marvelous Designer to create the main clothing placeholder. Then I export it to Maya for additional adjustments and organizing the retopology for further work with clean topology in ZBrush, where I work on the high-poly model. Then I decimate this high-poly as an extra version to comfortably do the retopology in TopoGun or Blender. After that, I go back to Maya, where I work with the final low-poly, set up the main material, adjust Hard and Soft Edges, and do the layout. After baking in Marmoset Toolbag, I work on the clothing texture in Substance Painter. The Misfit Stranger model was fully rendered in Blender Cycles.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/acca092ab2d44ceeabf3d00dad706b0aMS_MD_08.jpg" alt="acca092ab2d44ceeabf3d00dad706b0a" class="custom-image original-size" data-id="acca092ab2d44ceeabf3d00dad706b0a" data-width="4388" data-height="3398"><img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/21908f7bc2c944b7a0e852c119f0606aMS_MD_07.jpg" alt="21908f7bc2c944b7a0e852c119f0606a" class="custom-image original-size" data-id="21908f7bc2c944b7a0e852c119f0606a" data-width="3840" data-height="3840"><h1>Which part of the creation process did you enjoy the most, and which part was the most challenging?</h1>The part I enjoyed the most was working on the jumpsuit. I really liked creating this kind of clothing because it’s a big, flat form, and I enjoyed handling a unique shape and the final look of this asset. The most challenging part in Marvelous Designer was working on the sneakers. That was a crazy idea. At first, I tried to plan everything in theory, looking for a UV pattern on the internet and trying to cut all the pieces in Marvelous Designer. But in the end, I totally messed up trying to figure out how to connect all the pieces together. So I decided to use a different approach: I just used one shape, solved the shape of the sole, and cut what I needed there, following the reference. This made the workflow much easier and allowed me to finish the shoes in Marvelous Designer.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/346740ca585546bca86c743c77e9ec47MS_MD_09.jpg" alt="346740ca585546bca86c743c77e9ec47" class="custom-image original-size" data-id="346740ca585546bca86c743c77e9ec47" data-width="4764" data-height="2031"><img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/d4e5fc01ed254cf091c7d76cc6fa8157MS_MD_10.jpg" alt="d4e5fc01ed254cf091c7d76cc6fa8157" class="custom-image original-size" data-id="d4e5fc01ed254cf091c7d76cc6fa8157" data-width="3840" data-height="3840"><h1>For artists who are comfortable with Marvelous Designer but want to push their work further, what would you recommend they explore—either technically or creatively?</h1>In my opinion, it’s important to study the basic principles of how sewing patterns are made. It’s especially important to pay attention to curved seams on patterns; these are the areas where the sleeve joins the body or the pant leg joins the waistband. If these curves are done correctly, the clothing fits better on the avatar. Different sizes like S, M, L, XL, XXL are not always about proportional scaling of the garment, but more often about widening the main parts of the sweater or pants. That’s why it’s great when you know the basic sewing principles and don’t waste time looking for a specific UV model on the internet. You can just cut it right on the base model of the avatar, and this approach speeds you up even more, giving you almost unlimited freedom. This way, you can work on historical clothing or modern pieces, modifying them as you see them in your references.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/1c580ee6afd645f5abd570154301cf0bMS_MD_08.jpg" alt="1c580ee6afd645f5abd570154301cf0b" class="custom-image original-size" data-id="1c580ee6afd645f5abd570154301cf0b" data-width="4388" data-height="3398"><h1>How would you describe your overall experience using Marvelous Designer?</h1>Overall, I enjoy working in Marvelous Designer, even though it took me quite a while to get comfortable with the program.<img src="https://storagefiles.clo-set.com/public/community/202508/246a6951f08142738951f20ce1c9c079/images/89fce67de59348ffaf1de4cc30d65975MS_MD_11.jpg" alt="89fce67de59348ffaf1de4cc30d65975" class="custom-image original-size" data-id="89fce67de59348ffaf1de4cc30d65975" data-width="3840" data-height="2459">

Designing Identity: Marvelous Designer in the Making of Misfit Stranger

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

Create Your Persona: 3D Character & Digital Fashion

Dresses

아카데믹 챌린지

Traditional Costumes 3D Restoration

Championship Thread

Cut, Slash & Corset

YKK Plastic Hardware

Kids Avatar

Do I have to click beginning mid and end of the curve points like we do in Basic Tape Measure Tool.or do I just click beginning of the distance, hold shift and double click the end of the distance.Like this?

Surface Measure Tool

soonmin0523

<img src="https://storagefiles.clo-set.com/public/community/202607/0c224dc5ea144c0a893ff4a81ce6a37e/images/774c142bb0a54ab8b0b53774f4165b7aCopy%20of%20CN_1080%20x%201080_Student%20Pricing.png" alt="774c142bb0a54ab8b0b53774f4165b7a" class="custom-image original-size" data-id="774c142bb0a54ab8b0b53774f4165b7a" data-width="2250" data-height="2250">对于正在打磨作品集的 3D 艺术生而言，熟练掌握像 Marvelous Designer 这样的行业标准软件是极具竞争力的核心优势。学生群体一直是我们创意社区的核心。为了更好地陪伴大家成长，我们决定对学生专属计划进行全方位升级——不仅将权益有效期翻倍，还引入了更具弹性的月度体验模式。为庆祝这一重要调整，我们在限时内为所有新加入的学生用户送上 3 个月的正版体验福利。以下是您需要了解的核心升级内容：学生身份有效期翻倍（延长至 4 年）以往学生计划仅限 2 年，我们深知这无法完全覆盖同学们从入学到毕业的设计需求。现在，从您通过认证的当天起，您将享有长达 4 年 的学生专属福利，完美陪伴您的学生创作生涯。更灵活、低负担的月度选择我们理解一次性支付全额年费对学生党来说是一笔不小的负担。为此，我们全新推出了按月加入模式。现在，您每月只需 60.5 元，即可无压力解锁 Marvelous Designer 的全部强大功能。 前 3 个月，体验费用全免！现在加入全新学生计划，您的前 3 个月可直接减免——这几乎相当于大半个学期都可以免费使用！在此期间，您可以使用功能完整的全资产正版软件，无任何功能阉割或门槛拦截。(此项限时福利截止至 2026 年 10 月 31 日) 为了让大家把时间留给创意，我们还大大简化了学生身份认证和加入流程，几分钟即可无缝开启。是时候把脑海中的天马行空变成现实、精进技术，去渲染出高品质的优秀作品了。👉 立即开启您的 3 个月正版体验，即刻开始创作：<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/pricing?type=academic">https://www.marvelousdesigner.com/pricing?type=academic</a>

按月使用更灵活 + 限时解锁 3 个月专属权益

Like she did at 3:00<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=6nKllTXUtP0">https://www.youtube.com/watch?v=6nKllTXUtP0</a>You can not leave the 3D Pen Tool on and go to the Select / Move Tool and back to the 3D Pen Tool either.Then your incomplete line gets lost.So how to rotate the avatar?

How To Rotate The Avatar While Using 3D Pen

<h2 style="text-align: center">Meet <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/fiwer">Dinar Sirazetdinov</a>, a talented 3D Character Artist who bridges the gap between digital tailoring and character storytelling. We dive into the creation of Agnes, a striking character from the horror game "Shatterlight".</h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/W2J6V0_xtbc?si=GXZ0pzvBB4L1VWbp" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: left"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/6b2981a23b274228a0732defa27c61a1%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B710.jpg" alt="6b2981a23b274228a0732defa27c61a1" class="custom-image original-size" data-id="6b2981a23b274228a0732defa27c61a1" data-width="647" data-height="1156"></h1><h1 style="text-align: left">Artist Introduction</h1>Hello! My name is Dinar Sirazetdinov, and I am a 3D Character Artist specializing in creating characters for games and cinematics.The main focus of my work is character modeling and texturing, with a strong emphasis on realistic clothing and materials. In my projects, I actively use Marvelous Designer to create complex fabric shapes, and the final integration is done in other 3D software packages.<h1>How did you use Marvelous Designer in the artwork?&nbsp;</h1>Before starting the clothing creation, I exported the basemesh from ZBrush and checked its scale and proportions in Maya. After making sure the basemesh had correct dimensions, I imported it into Marvelous Designer.In Marvelous Designer, I began by creating basic 2D patterns for each clothing layer while simultaneously running fabric simulations in the 3D window to achieve proper fitting on the character. After finishing the main dress base, I moved on to adding the corset, lace elements, and additional visual details.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/8d9b3b0d57b0407483f230cb744ddc67%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B71.jpg" alt="8d9b3b0d57b0407483f230cb744ddc67" class="custom-image original-size" data-id="8d9b3b0d57b0407483f230cb744ddc67" data-width="882" data-height="656"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/52de6883dc2342b68d5919c3072d7c0f%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B72.jpg" alt="52de6883dc2342b68d5919c3072d7c0f" class="custom-image original-size" data-id="52de6883dc2342b68d5919c3072d7c0f" data-width="894" data-height="664">Then I adjusted the fabric physical properties such as density, stretch, and stiffness to achieve the desired visual effect.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/eb5d7ed2ac7447f99661edeab8959d3c%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B73.jpg" alt="eb5d7ed2ac7447f99661edeab8959d3c" class="custom-image original-size" data-id="eb5d7ed2ac7447f99661edeab8959d3c" data-width="896" data-height="682">Once the final shape was completed, the clothing was exported to ZBrush and Maya for further refinement and optimization for real-time use.Marvelous Designer allowed me to quickly achieve realistic folds and natural fabric behavior, which significantly accelerated the workflow.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/df19071baf024e7986b5c7228061c8db%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B74.jpg" alt="df19071baf024e7986b5c7228061c8db" class="custom-image original-size" data-id="df19071baf024e7986b5c7228061c8db" data-width="894" data-height="606">For the final presentation, I used Unreal Engine 5 with additional image post-processing in Photoshop.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/41f3fd77c7f24ab0bf6f8189d4cd1104%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B75.jpg" alt="41f3fd77c7f24ab0bf6f8189d4cd1104" class="custom-image original-size" data-id="41f3fd77c7f24ab0bf6f8189d4cd1104" data-width="916" data-height="516"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/92b9826515114f22ac5e2559b1f43866%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B77.jpg" alt="92b9826515114f22ac5e2559b1f43866" class="custom-image original-size" data-id="92b9826515114f22ac5e2559b1f43866" data-width="905" data-height="327"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1167408910?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Why did you decide to use Marvelous Designer? How did it help you serve art direction?&nbsp;</h1>I chose Marvelous Designer as my main tool for creating realistic character clothing.Previously, I mostly worked with stylized characters and created folds manually in ZBrush. However, when I started working on realistic characters, I began researching realistic cloth workflows and came across tutorial videos about Marvelous Designer on YouTube, which inspired me to start learning and using this software.Unlike traditional modeling techniques, cloth simulation in MD allows for fast creation of natural folds and volume. This significantly improves visual quality and helps better match the project’s art direction.I have been using Marvelous Designer for approximately 2 years in both professional and personal projects.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/aa0552f3d872419492e9814a7a1e1624dinar-sirazetdinov-props-01.webp" alt="aa0552f3d872419492e9814a7a1e1624" class="custom-image original-size" data-id="aa0552f3d872419492e9814a7a1e1624" data-width="1920" data-height="700"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/68dfee70f5ff4e3589efa17f19d5615ddinar-sirazetdinov-props-02.webp" alt="68dfee70f5ff4e3589efa17f19d5615d" class="custom-image original-size" data-id="68dfee70f5ff4e3589efa17f19d5615d" data-width="1920" data-height="700"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/31f2a26a12c94ab7b63ca857b80c589bdinar-sirazetdinov-render-agnes-uv.webp" alt="31f2a26a12c94ab7b63ca857b80c589b" class="custom-image original-size" data-id="31f2a26a12c94ab7b63ca857b80c589b" data-width="1920" data-height="1080"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>My typical pipeline includes:Zbrush - sculpting the character base and further refinement Marvelous Designer - clothing creation Maya - modeling, retopology, and UV mapping Marmoset Toolbag - texture baking Substance Painter - texturing Unreal Engine - final rendering and presentation Photoshop - image post-processing<h1>Do you have any other projects that you have worked on using Marvelous Designer that you can share with us?</h1>In addition to the current project, I have used Marvelous Designer in several other works, including cinematic characters and game scenes.One of these projects was a Steampunk girl character. In this project, MD helped create various clothing and accessory elements such as velvet pants, a t-shirt, shoes, leather belts, a holster, and other fabric-based details with a high level of realism.<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/00e66bb3e88146568180d5b752b8173c%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B79.jpg" alt="00e66bb3e88146568180d5b752b8173c" class="custom-image original-size" data-id="00e66bb3e88146568180d5b752b8173c" data-width="901" data-height="902"><img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/2fc908d4f2934c19a58a29b0a032116f%E1%84%80%E1%85%B3%E1%84%85%E1%85%B5%E1%86%B78.jpg" alt="2fc908d4f2934c19a58a29b0a032116f" class="custom-image original-size" data-id="2fc908d4f2934c19a58a29b0a032116f" data-width="901" data-height="329"><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>Here are a few techniques that greatly improved my workflow in Marvelous Designer:<ul><li>Start with simple base patterns before adding complex details</li><li>Zoom out in the 3D window to evaluate the overall silhouette and shapes. Even if it is not the final version, the base should read clearly</li><li>Work with low mesh resolution during early simulations to form large folds, then increase the resolution for final refinement. At the end, you can apply the default fabric preset to all patterns and let the simulation run for a few seconds to slightly smooth the folds</li><li>Always adjust fabric physical properties based on the material type to achieve realistic results. These values can be slightly exaggerated for better visual impact</li></ul>Wishing you creative success and great pattern making. Thank you for your attention!<img src="https://storagefiles.clo-set.com/public/community/202602/895bb10f143b4b9ab5d596907e1251fe/images/9337b1f5a5aa42fbba4a01ced691570adinar-sirazetdinov-render-agnes-levelseq-04.webp" alt="9337b1f5a5aa42fbba4a01ced691570a" class="custom-image original-size" data-id="9337b1f5a5aa42fbba4a01ced691570a" data-width="1920" data-height="1080">

Agnes | Shatterlight

Designing Identity: Marvelous Designer in the Making of Misfit Stranger

Marvelous Designer Official

Marvelous Designer Official