<h2 style="text-align: center">Iranian designer <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/403448/info">AI / Kimia</a> discusses her journey on creating her entry for the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator’s Contest 2025 Vol.3</a>, titled <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">"Puppeteer: Tokyo Evolution,"</a> serving as a case study in blending cultural philosophy with technical precision and winning the Community Choice award. By applying the Japanese concept of Kintsugi—the art of finding beauty in repair—Kimia explores through tradition and imagination, strength, and rebirth within the creation of digital garment.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202510/7a79dd1cbfd54f7f84419883f7cd28f1/1/thumbnail/07-6-2.jpg?resize=1&amp;f=webp&amp;w=960&amp;h=1280&amp;fit=cover" alt="3D Creator's_Contest_AI_Fantasy_Avant_Garde Model" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">Puppeteer: Tokyo Evolution</a><hr><h1>Artist Introduction: please tell us about yourself.</h1>Hello world,My name is Kimia, and I am from Iran. I can’t say that I am fully a digital fashion designer yet—but I am a designer, and I am actively finding my path toward that point.My creative journey began in architecture, where I learned to think in terms of structure, balance, an. My creative journey began in architecture, a discipline that taught me how to think in terms of structure, balance, and spatial logic. Over time, I realized that alongside this structural approach, I am deeply drawn to storytelling, emotion, and meaning in design.Participating in the Marvelous Designer Creator’s Contest was both challenging and deeply rewarding. My main motivation for joining was to move beyond purely technical execution and focus on concept, symbolism, and personal expression. This contest gave me the freedom to experiment while still working within a professional framework.<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/b0f4a51652b249b0a7aef141d3c8c9c3%E7%94%BB%E5%83%8F1.jpg" alt="b0f4a51652b249b0a7aef141d3c8c9c3" class="custom-image original-size" data-id="b0f4a51652b249b0a7aef141d3c8c9c3" data-width="1399" data-height="1399"></a>Through this experience, I learned that digital fashion can function as a powerful narrative medium rather than simply a visual outcome. I also learned to trust the design process, embrace imperfections, and allow the garment to evolve organically—mirroring my own growth as a designer.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cb5b49af98634ef5bbe2ef5514caba06gandr-collage%20%2838%29.jpg" alt="cb5b49af98634ef5bbe2ef5514caba06" class="custom-image original-size" data-id="cb5b49af98634ef5bbe2ef5514caba06" data-width="1920" data-height="1080"><hr><h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?</h1>In Puppeteer: Tokyo Evolution, my goal was to create a visual language that exists between eras, cultures, and emotional states. The core inspiration comes from Kintsugi, the Japanese philosophy of embracing fracture and repair as part of an object’s beauty and strength.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/ea0100bafae5409d953f510cd1700cbfgandr-collage%20%2834%29.jpg" alt="ea0100bafae5409d953f510cd1700cbf" class="custom-image original-size" data-id="ea0100bafae5409d953f510cd1700cbf" data-width="1920" data-height="400">&nbsp;Visually, I wanted the garment to feel ceremonial yet rebellious. Traditional Japanese kimono elements were deconstructed and reinterpreted through an avant-garde lens, with subtle influences from Victorian silhouettes. Voluminous sleeves, a rigid sculptural collar, and layered fabrics create a tension between softness and control, while the lifted skirt symbolically suggests liberation.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c12881d4d1244b35aedab75b4f709a22gandr-collage%20%2840%29.jpg" alt="c12881d4d1244b35aedab75b4f709a22" class="custom-image original-size" data-id="c12881d4d1244b35aedab75b4f709a22" data-width="1920" data-height="400">&nbsp;The parasol-like hat adorned with delicate chains conveys a sense of balance between fragility and strength. The puppeteer and bird motifs represent the relationship between guidance and freedom. The divided white and blue background symbolizes sky and flight, transforming the scene into a poetic moment of transition and rebirth. <img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/65c40142ac194afd85068e64d43a5d74gandr-collage%20%2835%29.jpg" alt="65c40142ac194afd85068e64d43a5d74" class="custom-image original-size" data-id="65c40142ac194afd85068e64d43a5d74" data-width="1920" data-height="400"><hr><h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>Marvelous Designer played a central role in my workflow and served as the foundation of the entire project. I began by building the base silhouette and patterns directly in Marvelous Designer, with a strong focus on proportions, fabric behavior, weight, and layering.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/4c7e81930b0e491dbc48e6a45b1c0327Screenshot%20%283%29%20-%20Copy%20-%20Copy.png" alt="4c7e81930b0e491dbc48e6a45b1c0327" class="custom-image original-size" data-id="4c7e81930b0e491dbc48e6a45b1c0327" data-width="1920" data-height="971"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c25a61062213415686e74b0db2c3842agandr-collage%20%2842%29.jpg" alt="c25a61062213415686e74b0db2c3842a" class="custom-image original-size" data-id="c25a61062213415686e74b0db2c3842a" data-width="1920" data-height="400">The kimono structure, sleeves, and layered skirt were developed using traditional pattern logic, which I intentionally disrupted by adjusting tensions, shortening panels, and lifting sections of the garment to create a more expressive and unconventional form.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/6ef1c41789f343e5b9444cca05b1ac5fgandr-collage%20%2843%29.jpg" alt="6ef1c41789f343e5b9444cca05b1ac5f" class="custom-image original-size" data-id="6ef1c41789f343e5b9444cca05b1ac5f" data-width="1920" data-height="960">One of the main challenges was maintaining visual clarity while working with highly layered and voluminous elements. I addressed this by breaking the process into clear stages, refining each component individually, and continuously evaluating balance and cohesion so the final garment felt dynamic rather than static.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cd27b9ff46404a91a858f5c020677aecgandr-collage%20%2837%29.jpg" alt="cd27b9ff46404a91a858f5c020677aec" class="custom-image original-size" data-id="cd27b9ff46404a91a858f5c020677aec" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/f19997a5686b4b0790b5317e1efe5133gandr-collage%20%2839%29.jpg" alt="f19997a5686b4b0790b5317e1efe5133" class="custom-image original-size" data-id="f19997a5686b4b0790b5317e1efe5133" data-width="1920" data-height="1080"><hr><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>My main advice is to approach Marvelous Designer as a creative design space rather than only a simulation tool. Allow the fabric to guide you.&nbsp;Experiment with internal lines, tension, and early-stage imperfections—they often lead to the most interesting results. I also recommend reviewing the garment from multiple angles and considering movement early in the process, as these aspects often reveal possibilities that static views cannot.<hr><h1>See also</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community/post/1017be531c4349089eacb477f95400c0">Creator's Contest 2025 Vol. 3 Fantasy Archives: Puppeteer (Tokyo Evolution)</a> Project and Steps by AI / Kimia

Finding Beauty within Repair - AI / Kimia's work for MDCC Vol.3

Couple Cover-Man

bespokeatelier

Boys polo shirt 3d clothing. he model is optimized with a low polycount, making it suitable for real-time applications. Key Features: Low polycount 3d Clothing – Optimized for fast rendering and game engines Realistic wash-effect textures – Includes exotic surface details. Normal maps – For enhanced depth and realism 2D CAD Pattern included – Perfect for actual garment production. Printable sewing pattern – Based on production standards.Made with Clo Standalone.<img src="https://storagefiles.clo-set.com/public/community/202601/ce997b3e01604e9aae8c9330be46b30b/images/4bd436e9580847d28dede46da202e681boys%20denim%20shorts_Custom_View_3.jpg" alt="4bd436e9580847d28dede46da202e681" class="custom-image original-size" data-id="4bd436e9580847d28dede46da202e681" data-width="2000" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202601/ce997b3e01604e9aae8c9330be46b30b/images/dbb4fefd085040b3811aad67417d6144boys%20denim%20shorts_Custom_View_2.jpg" alt="dbb4fefd085040b3811aad67417d6144" class="custom-image original-size" data-id="dbb4fefd085040b3811aad67417d6144" data-width="2000" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202601/ce997b3e01604e9aae8c9330be46b30b/images/0d3aec96a93e4c65bf638ce3ac3c6eddboys%20denim%20shorts_Custom_View_1.jpg" alt="0d3aec96a93e4c65bf638ce3ac3c6edd" class="custom-image original-size" data-id="0d3aec96a93e4c65bf638ce3ac3c6edd" data-width="2000" data-height="2000">

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The Labubu doll is a charming and lovable character that has recently gained significant popularity.<h1 style="text-align: center">I designed this doll in 3D, which allows you to see its details and features in 3D and have it in a digital format.</h1>I would be glad to hear your opinion.To download this trendy doll, you can visit the link <img src="https://storagefiles.clo-set.com/public/community/202506/3ec14e7bbe034e7293f01f7a326ea8d6/images/9439c040d6b54e2594616941c940067eMenik-Trendy%20toy.jpg" alt="9439c040d6b54e2594616941c940067e" class="custom-image original-size" data-id="9439c040d6b54e2594616941c940067e" data-width="1024" data-height="1536"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/514522/collection/collections?itemId=dab139e285fa436693a8a0fab93d1591">https://connect.clo-set.com/portfolio/514522/collection/collections?itemId=dab139e285fa436693a8a0fab93d1591</a>

Labubu

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Objective

inZOI

VRChat

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Fantasy Dress

<h2 style="text-align: center">Introducing our exclusive interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/19ad7f6438eb4c849a69b703ce0f8c3a">Kimia Bagherzadeh Homaei</a>, winner of TOKYO CONTINUUM! ✨</h2><h2 style="text-align: center">Her "Tokyo Continuum" collection tells the story of Japan's fox and deer spirits, brought to life through a beautiful collision of architecture, technology, and fashion.</h2><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/90eb738e85534984a259f65a80a062b079101535deb044a59920066919f4d02a51-2.jpg" alt="90eb738e85534984a259f65a80a062b0" class="custom-image large-size" data-id="90eb738e85534984a259f65a80a062b0" data-width="1200" data-height="1600"><h1>Artist Introduction: please tell us about yourself.&nbsp;</h1>Hello everyone! I'm Kimia, a digital fashion designer from Iran with an architect's eye for structure and a storyteller's heart. When I first discovered Marvelous Designer two years ago, it felt like finding the perfect creative partner - one that understood my need for both precision and poetry in design.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/07d02870ab0742f692eae207a1a3d861Introduction-Interior-Design-Collage.jpg" alt="07d02870ab0742f692eae207a1a3d861" class="custom-image large-size" data-id="07d02870ab0742f692eae207a1a3d861" data-width="1800" data-height="1200">My architectural background gives me a unique perspective. Where some see just fabric and seams, I see tension points and load-bearing curves. Marvelous Designer became my bridge between worlds, letting me apply architectural principles to flowing garments while still keeping that magical sense of movement and life. I've had particular fun connecting it to Rhino and Grasshopper - there's something thrilling about seeing parametric patterns transform into wearable art, then adding that final touch of personality through EveryWear's animations.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/9311e87518cc48c28f84815bc30a6f98Introduction-Computational-Design-Collage.jpg" alt="9311e87518cc48c28f84815bc30a6f98" class="custom-image large-size" data-id="9311e87518cc48c28f84815bc30a6f98" data-width="1800" data-height="1200">Why This Contest Called to Me &gt;&gt;&gt;I entered because I wanted to prove fashion could be more than clothing - it could be wearable mythology. My "Tokyo Continuum" collection tells the story of Japan's fox and deer spirits through every intentional wrinkle and fold. The origami-like structures? That's my architectural side speaking. The way the fabrics flow and interact? That's where Marvelous Designer's magic shines.What This Journey Taught Me &gt;&gt;&gt;<ol><li>The most compelling designs live in the tension between opposites - structure and fluidity, tradition and innovation</li><li>Technical tools (like my beloved Rhino integrations) work best when they serve the story, not the other way around</li><li>There's incredible power in garments that don't just cover bodies, but spark imaginations</li></ol>Winning has been humbling, but what excites me most is knowing this is just the beginning. I can't wait to keep exploring how many other stories might come to life through this beautiful collision of architecture, technology and fashion.<h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.2. What was the visual style you were aiming for?</h1>For this contest, I envisioned a theatrical fashion moment where ancient Japanese folklore collides with contemporary street style - a visual dialogue between tradition and rebellion. At its heart lies the dance between two mythical spirits: the cunning Kitsune (fox) and graceful Shika (deer), reimagined through a modern fashion lens that celebrates their contradictions.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/33b56f79a7a743878854ff8d34ba3d98Concept-Elements-Collage.jpg" alt="33b56f79a7a743878854ff8d34ba3d98" class="custom-image large-size" data-id="33b56f79a7a743878854ff8d34ba3d98" data-width="1800" data-height="1200">The Fox Character (Kitsune) &gt;&gt;&gt; became a study in deceptive beauty:<ol><li>Sharp, defensive poses with angular body language</li><li>A fiery red-and-white ensemble featuring:</li></ol><ul><li>Razor-sharp stiletto heels with peony motifs carved into their surfaces</li><li>Nine trailing fabric strips representing the fox's mythical tails</li><li>Origami-like folded elements creating aggressive silhouettes</li></ul><ol start="3"><li>Metallic gold kintsugi seams highlighting intentional "flaws"<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/0a216f223fef4fce8fd0e9ebd02b0683Fox.png" alt="0a216f223fef4fce8fd0e9ebd02b0683" class="custom-image large-size" data-id="0a216f223fef4fce8fd0e9ebd02b0683" data-width="1570" data-height="1002"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/d6bc9dbb4f3b4d8eb139b0bfb1d4e415Fox-Character-collage.jpg" alt="d6bc9dbb4f3b4d8eb139b0bfb1d4e415" class="custom-image large-size" data-id="d6bc9dbb4f3b4d8eb139b0bfb1d4e415" data-width="1800" data-height="1200"></li></ol>The Deer Spirit (Shika) &gt;&gt;&gt; embodies vulnerable strength:<ol><li>Softer but assertive stances contrasting the fox's angles</li><li>An ethereal white-and-green palette with:</li></ol><ul><li>Delicate, translucent fabrics veiling the face</li><li>A single glowing tear emphasizing hidden purity</li><li>Hoof-like platform shoes with curved, organic shapes</li><li>Floral embroidery rooted in natural motifs</li></ul><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/1998ad2e237b4740bd47b46fc11b93a6Deer.png" alt="1998ad2e237b4740bd47b46fc11b93a6" class="custom-image large-size" data-id="1998ad2e237b4740bd47b46fc11b93a6" data-width="1571" data-height="1001"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/40fa0c593e1145858827b1b5dd596185Deer-Character-collage.jpg" alt="40fa0c593e1145858827b1b5dd596185" class="custom-image large-size" data-id="40fa0c593e1145858827b1b5dd596185" data-width="1800" data-height="1200">Their Shared Stage &gt;&gt;&gt; blends these opposing energies:<ol><li>The forest emerges through layered textures - bark-like pleats, petal-strewn fabrics</li><li>Harajuku influences appear in unexpected places: deconstructed obi sashes, streetwear-inspired layering</li><li>Every movement becomes part of their dance - the fox's sharp gestures meeting the deer's fluid motions</li></ol><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/8ae79c343bbb44a88cfa4b1978926925Both.png" alt="8ae79c343bbb44a88cfa4b1978926925" class="custom-image large-size" data-id="8ae79c343bbb44a88cfa4b1978926925" data-width="1569" data-height="1001"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/2d895a2445624123895ecbd4cb86aa5fBoth-Characters-collage%20%2812%29.jpg" alt="2d895a2445624123895ecbd4cb86aa5f" class="custom-image large-size" data-id="2d895a2445624123895ecbd4cb86aa5f" data-width="1920" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/735743fe3083485f88bfb23462f5c28cBoth-Shoes-Collage.jpg" alt="735743fe3083485f88bfb23462f5c28c" class="custom-image large-size" data-id="735743fe3083485f88bfb23462f5c28c" data-width="1800" data-height="1200">This isn't just clothing; it's wearable theater where:Cultural symbols become contemporary fashion statements, Every design choice reveals character psychology, Traditional crafts (kintsugi/origami) dialogue with digital techniques and Nature and urban aesthetics perform together.The ultimate visual paradox? Creating harmony from opposition - where the fox's calculated seduction and the deer's quiet strength find balance in motion, proving that the most compelling beauty often lives in tension between opposites.<h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>You know, when I first started this project, I had this vivid image in my mind of how these mythical characters should move and interact through fashion. Bringing that vision to life became this fascinating journey between traditional craftsmanship and digital innovation.It all began with my sketchbook - there's something irreplaceable about putting pencil to paper when working out initial concepts. Those rough drawings of the fox and deer spirits were my North Star throughout the process. But to really visualize the designs, I turned to AI tools, feeding detailed descriptions into Copilot to generate concept art that captured the mystical quality I was after. <a target="_blank" rel="noopener noreferrer nofollow" href="http://Krea.ai">Krea.ai</a> then helped transform those static images into moving references, which was incredibly helpful for understanding how fabrics might flow.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/18329ed97e61441b8d0ca9f74a794e9eCopilot-Ai-Concept-Collage.jpg" alt="18329ed97e61441b8d0ca9f74a794e9e" class="custom-image large-size" data-id="18329ed97e61441b8d0ca9f74a794e9e" data-width="1800" data-height="1200">Now, the real magic happened in Marvelous Designer. I remember spending days perfecting the patterns - the fox's angular, origami-inspired elements needed such precise measurements, while the deer's flowing layers required a completely different approach.The biggest "aha" moment came when working with EveryWear. We had these dramatic pose changes where normally the clothing would go completely wild, but by carefully mapping the bone attachments and creating flexible zones, I managed to keep everything looking natural. It was like teaching the garments how to move with the characters.For materials and rendering, I lived in CLO3D - must have created about twenty different fabric variations before landing on the perfect ones. Those kintsugi gold seams on the fox's outfit? Each one needed special attention to catch the light just right. And the deer's translucent veil went through so many iterations to get that balance between coverage and delicacy.The final animations through KLING AI were actually the easiest part, which surprised me! After all that technical work, seeing the characters come to life with their fabrics moving naturally felt like magic. It's funny - what started as separate elements (the sharp fox, the soft deer) ended up feeling like one cohesive dance when everything came together.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>One of Marvelous Designer's greatest strengths is how beautifully it plays with other software. Here's what I've discovered through experimentation:Seamless Parametric Workflow &gt;&gt;&gt;Many designers don't realize how well MD integrates with parametric tools. My favorite pipeline:<ol><li>Generate base patterns in Rhino/Grasshopper</li><li>Apply parametric adjustments (like graded sizing or organic curves)</li><li>Export as 2D PDF files</li><li>Import directly into Marvelous Designer as editable patterns</li></ol>Yes, there's some cleanup needed (I always check stitch lines and pivot points), but the ability to create algorithmically-generated patterns that still work with MD's physics engine is game-changing. I used this exact method for the origami elements in my contest piece - the precision from Grasshopper combined with MD's natural drape created perfect structured-yet-organic folds.EveryWear Pro Tip &gt;&gt;&gt;Most people use EveryWear just for stabilization, but it's also fantastic for:<ul><li>Creating "memory" in fabrics (like wrinkled areas that persist through movements)</li><li>Setting up custom flex zones for mixed-material garments</li></ul>Unexpected Uses &gt;&gt;&gt;Beyond fashion, I've had success with:<ul><li>Architectural tensile structures</li><li>Furniture upholstery simulations</li><li>Even abstract art installations with floating fabrics</li></ul>

Interview with Kimia Bagherzadeh Homaei, Winner of Creator's Contest 2025 Vol. 2 TOKYO CONTINUUM

HelloI've got a graded pattern that I want to print as a nested set, but the seam allowance is only showing up on the selected base size when I export to pdf. <img src="https://storagefiles.clo-set.com/public/community/202510/a4a65dab902c401785931f65c3bb52b4/images/99da258afade4905a57b726ab31fc32eScreenshot%202025-10-29%20at%2014.35.47.png" alt="99da258afade4905a57b726ab31fc32e" class="custom-image original-size" data-id="99da258afade4905a57b726ab31fc32e" data-width="1028" data-height="1082">Not much use when (I thought obviously) I'd like to include a seam allowance whatever size I'm cutting the pattern for. Is there a way to include seam allowance on every size?

Seam allowance on every size in printed graded pattern

This outfit was created by <a href="https://connect.clo-set.com/portfolio/947923/collection/collections" target="_blank">[Chiie7]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/224002b4fa454367a763dd97641e16cc" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Pierrot - Nostalgia

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Hope ★ Aquarium

F Pink Dress

Vintage Pilot Set

Cameron ★ Sagittarius

Scarlett ★ Scorpio

M Retro Polo Jorts Set

NYX ( DOWON STYLE )

Structured Bodysuit

This outfit was created by <a href="https://connect.clo-set.com/portfolio/271693/collection/collections" target="_blank">[Javad Hashemi]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/06b97f744d484b35bd386c4ea9dc6f08" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Overall Short Denim

Women

Shirt / Blouse

Daily Casual

Streetwear

Idolstyle Bustier Skirt Set

French Work Set

M_Baggy_Jaquard_Jeans_S_F2A238F8

F OffShoulder Denim Set

F Street Bomber Trousers Set

M Warrior Armor Costume

M Workwear Casual Outfit

Hey all I'm running into an issue when grading where I can't switch between sizes because I'm receiving the error message, "Lines or points are too close together. Please move the points further away from each other." The problem is that there is no instruction as to which points are too close. I've deleted a number of points but deleting more would change the characteristics of curves etc. Any advice how to solve? Thanks<img src="https://storagefiles.clo-set.com/public/community/202504/b125020a8cee42ad902c21fd7ce258f3/images/8109e1ee76a045948a48071def92955aPoints%20too%20close%20-%20Combats.png" alt="8109e1ee76a045948a48071def92955a" class="custom-image original-size" data-id="8109e1ee76a045948a48071def92955a" data-width="972" data-height="1796">

Lines or points are too close together

This outfit was created by <a href="https://connect.clo-set.com/portfolio/843678/collection/collections" target="_blank">[Fariba Maleki]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/ce44a09460aa438b9c72d61ffcf4f768" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Magician

Coat / Blazer

Pants

Anime / Costume

M Tshirt Denim Pant Set

Helena ★ Pisces

Field Lounge Jacket Set

Kaira ★ Capricorn

Dotted Top Jeans Set

Sleeveless Hoodie Layered Skirt 

Footwear Collection 2026.0

Hi everyone, After the latest update, I'm no longer able to view the 3D and 2D windows at the same time in CLO3D. Also, the toolbar in the 3D window has completely disappeared.I've tried resetting the workspace and restarting the software, but nothing seems to fix it. Is anyone else experiencing the same issue? Any suggestions on how to solve this would be much appreciated!Thanks in advance 🙏

Can't View 3D and 2D Windows Simultaneously + Missing 3D Toolbar After Update

Shoes

Finding Beauty within Repair - AI / Kimia's work for MDCC Vol.3

Marvelous Designer Official

Marvelous Designer Official