<h1>Had a lots fun with APT dance motion to create this clothing (^^) Here is instagram link: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/DHEqTo4s2_k/?igsh=MTdwZnN0YnNxcWloYw==">https://www.instagram.com/reel/DHEqTo4s2_k/?igsh=MTdwZnN0YnNxcWloYw==</a></h1><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/W4bP0zJ8KXw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><img src="https://storagefiles.clo-set.com/public/community/202503/375da261bd6d4fe1834c5e0281648261/images/49b10a309169477ba7cdde4f5afef845006.JPG" class="custom-image original-size" data-id="49b10a309169477ba7cdde4f5afef845" data-width="1423" data-height="1381"><img src="https://storagefiles.clo-set.com/public/community/202503/375da261bd6d4fe1834c5e0281648261/images/b175bdfd33fd488e8e6251e1f33ef6ad007.JPG" class="custom-image original-size" data-id="b175bdfd33fd488e8e6251e1f33ef6ad" data-width="1409" data-height="1352">

My APT Digital Closet Challenge !

Design For Your Weekend Getaway

The Handbag Edit

Freelancer

Creator's contest 2025 Vol.1 SEIFUKU DECODED

I've watched several YouTube videos, including CLO official ones, and I am still missing some key insight into how to use the Pleat Sewing tool.The Pleats tool does work - if I first do Free Sewing or Segment Sewing, and then use the Pleats tool, that goes fine:<img src="https://storagefiles.clo-set.com/public/community/202509/18aa59af53e84b3bb364b5e5f57627b2/images/f8777521af1e4d28bc2a0dc600dd7983Screenshot%202025-09-18%20at%202.11.05%E2%80%AFpm.png" alt="f8777521af1e4d28bc2a0dc600dd7983" class="custom-image original-size" data-id="f8777521af1e4d28bc2a0dc600dd7983" data-width="1840" data-height="648">However, if I do not do Free Sewing or Segment Sewing first, and try to do Free Sewing after using Pleats tool:<img src="https://storagefiles.clo-set.com/public/community/202509/18aa59af53e84b3bb364b5e5f57627b2/images/df02fbb4e1a84355b620ea787b91fc94Screenshot%202025-09-18%20at%202.12.19%E2%80%AFpm.png" alt="df02fbb4e1a84355b620ea787b91fc94" class="custom-image original-size" data-id="df02fbb4e1a84355b620ea787b91fc94" data-width="1840" data-height="648">I have also tried many times to use Internal lines (extended and added points) and then Pleats Fold, and then Pleats Sewing, but there I also do not understand how to use Pleats Sewing correctly. I've tried making Internal lines and points on the 'non pleated' pattern piece too, without success for Pleats Sewing.My question is:<ul><li>How to use Pleats Sewing?<ul><li>After using Pleats, if I had to remove the sewing and want to redo it; or</li><li>After making Internal lines and Pleat Folds</li></ul></li></ul>

How to use Pleat Sewing tool?

<h2 style="text-align: center">Artist Mendy BM reimagines Tuxingsun from Investiture of the Gods with Marvelous Designer, bringing every stitch and detail of the costume to life.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/94e2c64fffd44e43bae3e53e056e16e2Tx_mendy-bm-skin-color.jpg" class="custom-image original-size" data-id="94e2c64fffd44e43bae3e53e056e16e2" data-width="2048" data-height="2040"><h1 style="text-align: center">Interview with Mendy BM | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/V28Jk8">Tuxingsun</a>﻿ | Game Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>Hi everyone! I'm Mendy BM, game character artist from Brasil, based in Spain. I started my professional career creating modular digital humans for medical learning, and since 2022, I've been working in the game industry, creating fantasy characters and creatures for games.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/c150fb25bbe144929c0d906351c131fe1_mendy-bm-Dark-Elf.jpg" class="custom-image original-size" data-id="c150fb25bbe144929c0d906351c131fe" data-width="1730" data-height="1730"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/e3413a1a2205468aa386c517f4e6fad01_mendy-bm-mendybm-ecorche.jpg" class="custom-image original-size" data-id="e3413a1a2205468aa386c517f4e6fad0" data-width="1280" data-height="1707"><h1>Please tell us about the project. What inspired you to choose Tuxingsun from the Chinese literature Investiture of the Gods as your project?</h1>Since the beginning of my career, I've been following <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/tianhuaxu">Xu Tianhua</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/yangqi917">Yang Qi</a>. Their work is a great inspiration for me. "Tuxingsun" concept made by Xu Tianhua, always caught my attention with his little body and unique face features. At the research stage, to know more about the backstory of the character, I found John Zhu's Chinese Lore Podcast, where he retells classic Chinese literature in English, and I fell in love with it. China has a millenary culture, which has many of the biggest inventions in the humankind history, and I'm very interested to know more, especially about their art.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/2d3da966582b434784dd157086d20d2f1_mendy-bm-Tuxingsun.jpg" class="custom-image original-size" data-id="2d3da966582b434784dd157086d20d2f" data-width="2048" data-height="2048"><h1>How did Marvelous Designer assist you in realizing the vision for Tuxingsun's costume? Did you use any specific features or techniques that helped bring authenticity to the fabric and clothing design?</h1>I started the Tuxingsun project to familiarize myself with Marvelous Designer and I found incredible the possibility to work with sewing patterns, like is done in real-life cloth industry. Also, being able to work on the 2D pattern window and see the changes in real time, at the 3D window, is something extremely handy and powerful for recreating cloth designs. Additionally, there are a great number of fabric presets available, experimenting with it is so important to bring authenticity to the fabric, as well as finding the right pattern for it.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/152355aa363e4e66b69ef467e385827cTx_mendy-bm-camisa2.jpg" class="custom-image original-size" data-id="152355aa363e4e66b69ef467e385827c" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa8be76704134d2b83b764b1fa19a134Tx_mendy-bm-pano1.jpg" class="custom-image original-size" data-id="aa8be76704134d2b83b764b1fa19a134" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/8014037f03ee4f9db2e546bbb932a485Tx_mendy-bm-front.jpg" class="custom-image original-size" data-id="8014037f03ee4f9db2e546bbb932a485" data-width="1920" data-height="1920"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>When I start a project, I spend a good amount of time finding good references, then, I use PureRef to make the reference board, selecting just a few images on each topic.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa7777cfe41e41869d56b0a7041ec0a84_PureRef_Tuxingsun.jpg" class="custom-image original-size" data-id="aa7777cfe41e41869d56b0a7041ec0a8" data-width="1478" data-height="942">After that, I go to Zbrush, to sculpt the character's and prop's basic shapes, with all my attention on proportions and silhouette. On personal projects, at this stage, I make pauses every now and then, to rest the eyes and be able to see clearer the results I'm getting, furthermore I often use Krita to make "correction" drawings on screenshots of Zbrush.Once I got a result I'm happy with, I moved forward to create the garments at Marvelous Design, taking advantage of its incredible cloth simulation power. After that I returned to Zbrush, and created the high poly version of everything, refined some folds and added all the details.Following, I used 3D Max to create the low poly version of the character and then imported it on RizomUV to work on the UVs. Finally, on Adobe Substance Painter, imported the lowpoly, and did the bakes and textures for the whole character. For rendering and final testing, I tend to use Marmoset Toolbag and Unreal 5.<h1>What challenges did you face during the creation process, and how did you overcome them?</h1>For me it was the number of layers, making the garment without the pieces intersecting with each other was complicated and the "freeze" tool was very important to overcome this challenge. I had to freeze and unfreeze the cloth elements many times, going back and forward, activating the simulation to create the folds that I wanted, and simultaneously, trying to maintain the elements hierarchy.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/d2786d02057c4077b7888f4f1663f2d55_Tuxingsun_steps.jpg" class="custom-image original-size" data-id="d2786d02057c4077b7888f4f1663f2d5" data-width="1478" data-height="942"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/21c4cbc7118945b1919b48da2a28a50f5_marvelous_capture2.jpg" class="custom-image original-size" data-id="21c4cbc7118945b1919b48da2a28a50f" data-width="1920" data-height="960"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/fdd29bc8a6c1444983e819de713f3f625_marvelous_capture1.JPG" class="custom-image original-size" data-id="fdd29bc8a6c1444983e819de713f3f62" data-width="1920" data-height="960">Also, when I created the patterns, the cloth was small on Tuxingsun's body. Because of that, I had to "add more fabric" and this broke the hierarchy. So to avoid this, when I started over, I used a high particle distance to get the shapes, then I changed to a lower value and used many pins to simulate it and create the desired folds again.In summary, to maintain the hierarchy, the freeze and unfreeze features, in conjunction with the pins, were my best friends in this project. This was the most time-consuming part of the work.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>The first tip: take your time to find patterns, this will save you a lot of time. Even though it's difficult and frustrating to find patterns on the internet, humans have started to create garments since ancient times; take the time to find them. Second tip: don't forget to use symmetry. <img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/35f034d2d9f14fbbb097bc6ee02364be6_Tuxingsun%20process_translucent.jpg" class="custom-image original-size" data-id="35f034d2d9f14fbbb097bc6ee02364be" data-width="1920" data-height="960">Third: when you have as many pins as I had, the translucent mode is very useful. In addition, more a feature than a trick, use the soft body simulation, it's an incredible feature that considers the elastic aspect of the skin.<h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>It's amazing, the software is very intuitive, and the interface is truly user-friendly. Nowadays it is the best software option to create 3D garments in the industry.<h1>by&nbsp;Mendy BM <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mendybm">Artstation</a></h1>

Tuxingsun - A Fusion of Inspiration and Chinese Lore

You can easily place graphic patterns anywhere on the garment using the Graphic tool in Clo3D. Thank you for sharing your thoughts and feedback about this outfit! 💬✨<img src="https://storagefiles.clo-set.com/public/community/202510/0a6a15a3da6642859260f96510da2daa/images/58646be8d24b47c2a7d63fc3228d0cf6preview%2001.png" alt="58646be8d24b47c2a7d63fc3228d0cf6" class="custom-image original-size" data-id="58646be8d24b47c2a7d63fc3228d0cf6" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/0a6a15a3da6642859260f96510da2daa/images/587b058af79148168fb3d44dafccd5e3preview%2002.png" alt="587b058af79148168fb3d44dafccd5e3" class="custom-image original-size" data-id="587b058af79148168fb3d44dafccd5e3" data-width="3000" data-height="3000"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/286106/collection/collections/2510DDba633d2fc2fa424d8ba8f976cf7ccf1e">Imperial</a>3D Artist: Zeinab DahganiPortfolio: <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.cv.zeinabdahgani.com">www.cv.zeinabdahgani.com</a>Email: best3dmodeling@gmail.cominstagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/zeinab_dahgani/">https://www.instagram.com/zeinab_dahgani/</a>LinkedIn : <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.linkedin.com/in/zeinab-dahgani">https://www.linkedin.com/in/zeinab-dahgani</a>

Emperor's clothes

<img src="https://storagefiles.clo-set.com/public/community/202501/27b092d44c7d4725b1a90995946f80db/images/6f723d1acd734e5481be24ca201a873fUntitled-2.png" class="custom-image original-size" data-id="6f723d1acd734e5481be24ca201a873f" data-width="1890" data-height="1063">do u like my coat lapel?

 collection of coat 

<h2 style="text-align: center">Jaegil Lim shares his character creating workflow, from garment making in Marvelous Designer and final lighting and rendering.</h2><img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/408dcf4a5a6948e6a7692b0d93f94bc161d7a56ed2bc43eda401517c53ff89ea.png" class="custom-image original-size" data-id="408dcf4a5a6948e6a7692b0d93f94bc1" data-width="1601" data-height="738"><h1 style="text-align: center">Interview with Jaegil Lim | Swan | Freelancer Character Artist</h1><hr><h1>The Process of Collecting References For Swan</h1>﻿This artwork is inspired by Jun, Swan which comes from the 3rd hero character from the animation called “GATCHAMAN”I chose to envision Swan wearing a casual outfit rather than reproducing the original hero costume from the animation.The overall concept style is an image of a Korean woman in her early-mid 20s. The style is also inspired by the current trends of Jean Jacket, juicy makeup and bob hair.<h1>A Workflow For Swan</h1>1) Face Modelling in ZbrushFirstly, the model’s face was made in ZBrush. The aim of the model was to reflect a woman during her early-mid 20s.I used a multi-channel face purchased from Texturing XYZ to work on the finer details of her face.2) Garment Making in Marvelous DesignerThe next step was to model the body.I used Marvelous Designer to create a well fitting garment for Swans’ body shape.I purchased a base denim jacket &amp; Skirt set on Marvelous Designer Store and imported the patterns into Marvelous Designer to edit.Some patterns were merged for convenience for further editing.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/e0182a0616c74cd4bb81ce435a435bd9%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175458.png" class="custom-image original-size" data-id="e0182a0616c74cd4bb81ce435a435bd9" data-width="1132" data-height="600">For the next step, I edited the pose in 3Ds Max and converted it to an Alembic file then imported it to Marvelous Designer to apply the changed pose.The picture below indicates that the costume was simulated in the pose shown.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/043eb0819c3f4e9e9442203f222915e28bf71628e31f42f5936b655f14b30289.png" class="custom-image original-size" data-id="043eb0819c3f4e9e9442203f222915e2" data-width="602" data-height="317">After remeshing the patterns, each of Pose Mesh and Pattern Mesh were converted to OBJ files then imported into 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/67dee29ffa19488492955c1fa9b948f4%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175603.png" class="custom-image original-size" data-id="67dee29ffa19488492955c1fa9b948f4" data-width="1317" data-height="692">Substance Painter was used for the texturing process to express finer texture and fading of the denim jacket.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8d0aea0e7f5e4ab5946fd8e28679a233%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175749.png" class="custom-image original-size" data-id="8d0aea0e7f5e4ab5946fd8e28679a233" data-width="1129" data-height="595">3) Hair ModellingOrnatrix was used in Hair modelling.Based on the Guide Mesh I made in Zbrush, I made Cardmesh in Ornatrix. I used the same method for her eyebrows as well.4) Final Lighting and RenderingPastel pink was chosen for the background to express a joyful and lively Swan.Marmoset Toolbag was used for final lighting and rendering.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8925e77ffbdf44c3b65a7a1e8ab32224%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175922.png" class="custom-image original-size" data-id="8925e77ffbdf44c3b65a7a1e8ab32224" data-width="1110" data-height="600"><h1>Experiences in Marvelous Designer and Marvelous Designer Store</h1>I absolutely enjoy using Marvelous Designer Store to save time on pattern making.It takes less time when I modify the purchased patterns to fit into the character than making patterns from scratch.The cloth simulation in Marvelous Designer also enables me to have intuitive and efficient workflow.Any changes made in the 2D window are directly reflected in the 3D window.Another advantage of Marvelous Designer is the compatibility with a variety of 3D software such as Maya, ZBrush, and 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/5231bff209634cceb2427fb0efca5a9d%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20180039.png" class="custom-image original-size" data-id="5231bff209634cceb2427fb0efca5a9d" data-width="1125" data-height="592">Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/channel/UCVoQTOFddiTlz4pI_MuW0hw">Youtube&nbsp;</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://softbeast.artstation.com/">Artstation</a>

Swan

This outfit is compatible with the inZOI Mod. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\ For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Have thoughts or suggestions? Leave a comment below or DM us on IG @letsconnect3d ! We truly value your feedback and are always looking to improve. --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

F OffShoulder Denim Set

Garment

Gender & Age

Women

Style

Outfits

Pants

T-shirt

Genre & Mood

Daily Casual

Streetwear

M Sleeveless Baggy Jeans Set

M Tshirt Denim Pant Set

M Panelled Street Tracksuit Set

M Workwear Casual Outfit

F Camo Bomber Denim Set

M Karate Kimono Set

F Ribbon Cami Jeans Set

M Layered Activewear Set

M Bomber Denim Set

M Casual Hoodie Bermuda Set

F Striped Turtleneck Dress

F Turtleneck Trousers Set

<h2 style="text-align: center">From Pixels to Polygons – Explore the journey of a graphic designer who transitioned to 3D design, achieving remarkable results with her first project using Marvelous Designer.</h2><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1028073137?#t=0" frameborder="0" allowfullscreen="" width="640" height="480" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h1 style="text-align: center">Interview with Yuri Choi | Copic Brand Promotion | 3D Artist</h1><h1> We would like to know about you, Yuri. Could you please give a brief introduction and explain how you started working in 3D?</h1>Hello, I am Yuri Choi, working in 3D in South Korea. Since childhood, I have enjoyed looking at illustrations and drawing, which naturally led me to major in design. After graduation, I got a job at a 3D media art exhibition company as a graphic designer, where I was offered the opportunity to try 3D work as well. This prompted me to start studying 3D in earnest and challenge myself in a new field.<h1>Could you please explain in detail about your recent project, "Copic Brand Promotion"?</h1>The "Copic Brand Promotion" is the first portfolio video I created at the academy where I studied 3D. The theme of this video is "A Parade of Vibrant Colors by Copic Markers that Brighten Up the City." It emphasizes the ease and speed of coloring with Copic markers, depicting shapes representing various marker tips starting from a small space and joyfully spreading color throughout the city. To highlight the advantage of quick coloring, I focused on dynamic and fast-paced scenes. Additionally, I aimed to make the scenes more exciting and lively by synchronizing them with the rhythm of the music.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/c5a16e3a1d0e43d68b783b41d5ec4dd9Marker_Detail_04.png" class="custom-image original-size" data-id="c5a16e3a1d0e43d68b783b41d5ec4dd9" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/a3e2f9bce4c244ee9f98728dfac8dc5aMarker_Detail_02.png" class="custom-image original-size" data-id="a3e2f9bce4c244ee9f98728dfac8dc5a" data-width="1080" data-height="1080"><h1>Your work using Marvelous Designer is impressive. Do you have any advice or tips for Marvelous Designer users based on your recent project?</h1>I used Marvelous Designer to express vibrant colored clothes. First, I modeled a mannequin in C4D to dress it, set the desired rotation speed and direction, and then imported it into Marvelous Designer. Since the design of the clothes I envisioned was relatively simple, I could create it quickly. Through animation, I adjusted the fabric's stretch, weight, and movement during rotation to achieve the desired texture. Once I was satisfied with the clothing motion, I transferred it back to C4D to complete the texturing work.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/eaf49f3d4d4745349f5ec09f2a2a83f9Dress%20%282%29.gif" class="custom-image original-size" data-id="eaf49f3d4d4745349f5ec09f2a2a83f9" data-width="742" data-height="417">The biggest issue during this process was the structure of the clothing pattern. The fabric around the waist and neck was supposed to hold the top in place, but the pulling forces caused the clothes to keep slipping off the mannequin's neck. To solve this, I first elongated the mannequin's neck and created a band to secure the shape. I figured that lengthening the neck would reduce the chance of the clothes slipping off. Then, I added a band around the waist to secure it similarly and connected the top to the waist and neck bands.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/a0f531e4673e4d339b6c08bfa3805f08Marvelous_02.png" class="custom-image original-size" data-id="a0f531e4673e4d339b6c08bfa3805f08" data-width="1231" data-height="1849"><img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/7f07163b7d654af3b9295165b62ce9baMarvelous_01.png" class="custom-image original-size" data-id="7f07163b7d654af3b9295165b62ce9ba" data-width="3652" data-height="1910">Instead of trying various attempts on the existing mannequin, I quickly modified the modeling to address the root cause of the problem. By applying the results from the modified mannequin to the existing work, I could solve the issue simply and efficiently. Would this method be considered a tip?😊<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/afe22d71d915453aae4c54b072605fd1ezgif-2ce3a67752f3a.gif" class="custom-image original-size" data-id="afe22d71d915453aae4c54b072605fd1" data-width="800" data-height="450"><h1>Could you provide a brief overview of the various tools used in your pipeline?</h1>In addition to Marvelous Designer, I mainly used Cinema4D, Octane Render, After Effects, Photoshop, and Illustrator. Photoshop and Illustrator were used to create the necessary source images. The overall layout composition and rendering work were done in Cinema4D and Octane. The rendered images were then brought into After Effects for final post-processing to complete the final video.<h1>When working on a project, there must be parts you enjoy the most and parts that are challenging. What was the most enjoyable part of the process for you?</h1>I found the most enjoyment in the process of setting up style frames for each scene. Moving from the storyboard stage to actually setting up the lighting and post-processing to beautifully complete the scenes felt like a special experience of bringing imagination to reality.I particularly remember the initial concept for the scene featuring a vibrant-colored dress. I was unsure about what kind of dress to create and which colors to choose, but then I had the idea to use AI. I first created a simple reference image and then used AI to add details and refine the image. After that, I found a similar clothing pattern and created the dress in Marvelous Designer.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/0b9a80dccb274b57b778a0172e7d9d6dDress_ref.png" class="custom-image original-size" data-id="0b9a80dccb274b57b778a0172e7d9d6d" data-width="2611" data-height="1322"><img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/eb3379ba3e9246f986c3279fb73b185aAI_01.png" class="custom-image original-size" data-id="eb3379ba3e9246f986c3279fb73b185a" data-width="2912" data-height="1632"> This was my first time using Marvelous Designer, and I remember trying various things and going through trial and error without watching any guide tutorials. Looking back, I wonder why I didn't look up resources from the start, but I clearly remember how much fun I had and how focused I was on the work. The process of using AI to refine my ideas and boldly trying out Marvelous Designer was the most interesting and enjoyable part of the project.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/bc7f165a2f7e4c7cbb14336327338ac8Dress_Before.png" class="custom-image original-size" data-id="bc7f165a2f7e4c7cbb14336327338ac8" data-width="1920" data-height="1080"><h1>What was the biggest challenge you faced while working on the project?</h1>The biggest challenge was having to control all aspects of the work by myself. As a beginner, handling everything from modeling, lighting, sound editing, sound effects, and post-processing alone was very complex and overwhelming.Another major difficulty was figuring out effective ways to express my ideas. For example, when creating the scene where a blue store appears after the marker shape passes through an alley, I spent a long time staring at the monitor, unsure of how to make it look natural. Initially, I tried to show ink droplets seeping into the wall to create the store, but the result didn't feel right, so I changed direction. I then came up with the idea to layer colors gradually, similar to how markers are used, to reveal the store's vibrant texture. Ultimately, I created a scene where 2-3 layers with the marker's transparent and vivid texture overlapped to form the store, which received positive feedback for being impressive.The process of figuring out how to effectively portray the desired look was always challenging but also very rewarding.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/40e4b2ce826245aeb636b282922d6478Store.gif" class="custom-image original-size" data-id="40e4b2ce826245aeb636b282922d6478" data-width="737" data-height="415"><img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/2de31df6657f4cee9c3ad3b48b0105faStreet.gif" class="custom-image original-size" data-id="2de31df6657f4cee9c3ad3b48b0105fa" data-width="916" data-height="515"><h1>Lastly, do you have any advice for those starting out in 3D art? It could be career advice or mindset tips for creating artwork.</h1>Don't doubt yourself, and if you do, shake it off quickly!I often doubted myself or questioned my talent. But recently, I recalled my early days in 3D. I remembered the excitement of holding the mouse and working enthusiastically on a simple model with a basic texture. I have grown a lot since then, and I continued working with the belief that I could improve even more.There are times when I get stuck or struggle to come up with ideas, but the sense of accomplishment and rapid progress when the results turn out better than expected are truly precious. If you can recall these positive experiences more vividly and for longer than any negative thoughts about yourself, I believe you can work much more healthily.Of course, it's important to identify and address your shortcomings, but sometimes taking the time to reflect on your strengths and progress so far can give you the motivation to create even more beautiful artwork.<img src="https://storagefiles.clo-set.com/public/community/202502/392cd325444e4a6cbef2ebc6f2e50c53/images/8a05b56b388a4159b9ee7eb9544398cdDress_Final.png" class="custom-image hidden-thumbnail" data-id="8a05b56b388a4159b9ee7eb9544398cd" data-width="1920" data-height="1080">

Copic Brand Promotion

Hi,In this old Pintucks video it says there is a much easier way to do pintucks in the newer versions - but how do you do that? Thanks!<img src="https://storagefiles.clo-set.com/public/community/202504/54c3425f46f740cbadf46a01d2f4e3fe/images/014df58851e84d2c8237fdeac554e260pin%20tucks%20new.png" alt="014df58851e84d2c8237fdeac554e260" class="custom-image original-size" data-id="014df58851e84d2c8237fdeac554e260" data-width="1828" data-height="1287">

Pin Tucks

<img src="https://storagefiles.clo-set.com/public/community/202508/373592b084e0465f8e31447405868b39/images/372db34af1fc4d3f8331013872b8efcdCapture%20d%27%C3%A9cran%202025-08-29%20233324.png" alt="372db34af1fc4d3f8331013872b8efcd" class="custom-image original-size" data-id="372db34af1fc4d3f8331013872b8efcd" data-width="1558" data-height="991">Hello, Since 2 days I have bugs with the Gizmo. While working on some files, at one given moment the gizmo stop showing when selecting a pattern piece or multiple ones. Closing the file and reoppening it won't do nothing. It shows and can be used properly with other files but I can't figure out how to fix this it is very annoying. Has someone experienced the same issue ? Thanks

Gizmo disappearing

If you are using custom avatars and have made a fit suit but you are getting "It only works for a simulated garment" message make sure GPU sim is turned off.I haven't seen this mentioned before in regard to resolving the issue so I'm leaving it here.

Custom Avatars Auto Grading not working

Can't miss a fun challenge like this! I wonder if anyone else is like me! Office is just too boring to have nothing on the desk! If you know even half of these on my desk, we will definitely vibe well! <img src="https://storagefiles.clo-set.com/public/community/202501/a501ed6b7d664fe9839d5baff0b73656/images/43e4a4773fab4d5997251923a58b1c77IMG_5422.jpeg" class="custom-image original-size" data-id="43e4a4773fab4d5997251923a58b1c77" data-width="4032" data-height="3024">Not to miss my laptop also have some Pokemon stickers :) <img src="https://storagefiles.clo-set.com/public/community/202501/a501ed6b7d664fe9839d5baff0b73656/images/68985ff53e6240c2bb10f708c6238945IMG_5424.jpeg" class="custom-image original-size" data-id="68985ff53e6240c2bb10f708c6238945" data-width="4032" data-height="3024">And the exciting part is I still have a packaged Chopa truck ready to be unboxed! <img src="https://storagefiles.clo-set.com/public/community/202501/a501ed6b7d664fe9839d5baff0b73656/images/466dffd9577f4da881b9948411819ddeIMG_5423.jpeg" class="custom-image original-size" data-id="466dffd9577f4da881b9948411819dde" data-width="4032" data-height="3024">

#whatsonmydesk Pokemon and Shinchan! 

<div data-youtube-video=""><iframe width="640" height="480" allowfullscreen="true" autoplay="false" disablekbcontrols="false" enableiframeapi="false" endtime="0" ivloadpolicy="0" loop="false" modestbranding="false" origin="" playlist="" src="https://www.youtube-nocookie.com/embed/qPrbqN5NmkU?feature=shared" start="0"></iframe></div>Come with us behind the scenes of the Swedish fashion brand Lindex, and learn how they use CLO to shorten lead times in design &amp; development and reduce their reliance on physical samples. CLO is especially key for prints and patternmaking in the kids' department at Lindex."I like to experiment with different technical solutions when I create my patterns. CLO enables me to do this without wasting any resources, and I can see the results of my patterns straight away. I can now make sure that the fit and size is exactly like my designer has envisioned before I send out any final patterns."<img src="https://storagefiles.clo-set.com/public/community/202412/bb8d554c10c54a298dd639cb8e988560/images/7acbe32686f54814a1cfc3b15e70d0e0maxresdefault.jpg" class="custom-image hidden-thumbnail" data-id="7acbe32686f54814a1cfc3b15e70d0e0" data-width="1280" data-height="720">

The Future is 3D: How Lindex uses CLO for Fashion Design & Patternmaking

A collection born from twilight and built for the untamed. Each piece blends couture precision with fantasy instinct—draped silks, sculpted armor, and silhouettes that float, strike, or reign in stillness. Set in surreal landscapes ruled by nightfall, this series moves between mysticism and power, with nature as its stage: burning skies, dark waters, silent forests. These aren’t just garments. They’re invocations.A collection born from twilight and built for the untamed. Each piece blends couture precision with fantasy instinct—draped silks, sculpted armor, and silhouettes that float, strike, or reign in stillness. Set in surreal landscapes ruled by nightfall, this series moves between mysticism and power, with nature as its stage: burning skies, dark waters, silent forests. These aren’t just garments. They’re invocations.<img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/dc46f7d3ea4a49948c2b38b7332f2b66frontsl0428.png" alt="dc46f7d3ea4a49948c2b38b7332f2b66" class="custom-image medium-size" data-id="dc46f7d3ea4a49948c2b38b7332f2b66" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/00f337b304184dd5b2f33627aa189bdezoom0988.png" alt="00f337b304184dd5b2f33627aa189bde" class="custom-image original-size" data-id="00f337b304184dd5b2f33627aa189bde" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/c9121a06e40643f38f4f8ca4cd04b86afrontsl0004.png" alt="c9121a06e40643f38f4f8ca4cd04b86a" class="custom-image original-size" data-id="c9121a06e40643f38f4f8ca4cd04b86a" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/191e86478495477b8b770b8df9efcd89rotation0706.png" alt="191e86478495477b8b770b8df9efcd89" class="custom-image original-size" data-id="191e86478495477b8b770b8df9efcd89" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/0ecd58e9849d45b0a91ec336bc7b25ccrotation0498.png" alt="0ecd58e9849d45b0a91ec336bc7b25cc" class="custom-image original-size" data-id="0ecd58e9849d45b0a91ec336bc7b25cc" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/4b6127fbd1c54cf5b47a50fa7a146f09Frontal0066.png" alt="4b6127fbd1c54cf5b47a50fa7a146f09" class="custom-image original-size" data-id="4b6127fbd1c54cf5b47a50fa7a146f09" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/19dd967d6c7145e6af78de100b1f0122Frontal0550.png" alt="19dd967d6c7145e6af78de100b1f0122" class="custom-image original-size" data-id="19dd967d6c7145e6af78de100b1f0122" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/773cd1c2af68426282c4d00306b44071laretal0179.png" alt="773cd1c2af68426282c4d00306b44071" class="custom-image original-size" data-id="773cd1c2af68426282c4d00306b44071" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/71ad965618904d4da04ff1dfe3c2a335zoom0043.png" alt="71ad965618904d4da04ff1dfe3c2a335" class="custom-image original-size" data-id="71ad965618904d4da04ff1dfe3c2a335" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/077ac88536a74e888aa7decc6f86a8bf0010.png" alt="077ac88536a74e888aa7decc6f86a8bf" class="custom-image original-size" data-id="077ac88536a74e888aa7decc6f86a8bf" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/488f68518b5c474595fd46f6cada6996frontal20298.png" alt="488f68518b5c474595fd46f6cada6996" class="custom-image original-size" data-id="488f68518b5c474595fd46f6cada6996" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/6bbdf5672a66402d947a7427bf2176d0lateral0276.png" alt="6bbdf5672a66402d947a7427bf2176d0" class="custom-image original-size" data-id="6bbdf5672a66402d947a7427bf2176d0" data-width="1440" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202506/dfe2358f169c4deab99b9a0589ddcea9/images/22f32aa02a994428866ed024254b8c5aROTATION0187.png" alt="22f32aa02a994428866ed024254b8c5a" class="custom-image original-size" data-id="22f32aa02a994428866ed024254b8c5a" data-width="1440" data-height="2560"><hr>

Where Shadows Reign  

<h2 style="text-align: center">Neon lights, high-tech fashion, and a bold cyberpunk attitude—Zhihao's "Cyber Cat" is the perfect blend of style and sci-fi. In this interview, he takes us behind the scenes, sharing his experience with Marvelous Designer and how he tackled the challenges of bringing a futuristic character to life. Whether you’re a seasoned artist or just getting started, his insights are sure to spark inspiration!</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/1d5d0c7d6bc84892987c15ac05155438cybercatwebp-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="1d5d0c7d6bc84892987c15ac05155438" data-width="800" data-height="450"><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/zhihaowang927">Zhihao</a> | Cyber Cat (赛博猫猫) | 3D Character Artist</h1><hr><h1>Please introduce yourself to the Marvelous Designer community.</h1>Hello, everyone! My name is Zhihao, and I am a 3D character artist from China. My journey into the world of 3D began with my lifelong passion for gaming and my love for creating whatever I envision.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/fc6491eab6374b40851db9b073ac3fa3JZ_Half01_LV.0000.jpg" class="custom-image original-size" data-id="fc6491eab6374b40851db9b073ac3fa3" data-width="3840" data-height="2160"><h1>Cyber Cat has a strong cyberpunk vibe and a futuristic look. What inspired this character design, and is there a story behind it?</h1>I got the idea for Cyber Cat after playing Cyberpunk 2077. The game’s cyberpunk world really captivated me, especially the way it blends humans with technology—it was unforgettable. Later, while browsing Pinterest, I stumbled upon an illustration by 박재우 that I absolutely loved. I thought it would look amazing if I brought it to life in 3D!<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/91fdd164b68b4441a179f5cf5d7545a8%E1%84%87%E1%85%A1%E1%86%A8%E1%84%8C%E1%85%A2%E1%84%8B%E1%85%AE%20cyberpunk.jpg" class="custom-image original-size" data-id="91fdd164b68b4441a179f5cf5d7545a8" data-width="1920" data-height="2800">Artwork by 박재우<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/ed0dba72181342b49ebdd3ca2362e207JZ_Full.0001.jpg" class="custom-image original-size" data-id="ed0dba72181342b49ebdd3ca2362e207" data-width="5848" data-height="4096"><h1>Your characters always leave a strong impression! With Cyber Cat, for example, the pink hair and futuristic cat ears really stand out. How do you think costume design helps express a character’s personality?</h1>Clothing is a powerful tool for shaping a character’s identity. First, colors play a big role—they can communicate emotions and personality traits. Choosing the right colors helps bring out the essence of the character.Next, the style of the outfit matters. It should complement the character’s body type and personality, enhancing their best features while balancing the overall look.Finally, incorporating cultural elements makes the design more meaningful and unique. Just like Cyber Cat’s jacket—adding sci-fi details like LED strips strengthens the futuristic vibe and makes the outfit feel more immersive.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/fdfe76df5a7a42918addb3d0c7dfc741HDR2_Half_LV.0000.jpg" class="custom-image original-size" data-id="fdfe76df5a7a42918addb3d0c7dfc741" data-width="3840" data-height="2160"><h1>How does Marvelous Designer fit into your workflow? What makes it such a valuable tool for improving efficiency or achieving creative designs?</h1>I usually start by creating the base garment patterns in ZBrush and then bring them into Marvelous Designer. For lapel-style clothing, I first select the collar pattern’s edges and use the Offset Pattern Outline function to generate an extra piece that helps hold the collar in place. I freeze this piece to keep the garment from falling apart while I work on other sections.For sleeves, I make both an outer and inner layer. Adding an inner sleeve layer helps Marvelous Designer calculate thicker, more realistic fabric folds.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/17c024142d874df6b9e0382a59ff753fQQ20250108-144431.png" class="custom-image original-size" data-id="17c024142d874df6b9e0382a59ff753f" data-width="1794" data-height="1223">When designing sci-fi outfits, I often use Marvelous Designer’s Nylon Matte material because it creates a more rigid, structured look that works great for futuristic clothing.One of the biggest advantages of Marvelous Designer is its ability to simulate different fabric types, making it easier to compare how different materials behave. Adjusting fold angles on internal lines also adds extra texture and depth, making the final design feel even more detailed and realistic.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/3e5f9224384a47c5a240b87d10bfd0eeHDR3_Face01_LV.0000.jpg" class="custom-image original-size" data-id="3e5f9224384a47c5a240b87d10bfd0ee" data-width="3840" data-height="2160"><h1>What challenges did you encounter while using Marvelous Designer, and how did you solve them?</h1>The hardest part of using Marvelous Designer was making sure the outfit looked as close as possible to the original design. To overcome this, I spent a lot of time researching cyberpunk fashion—analyzing references from movies, games, and concept art. I kept tweaking and refining the details and layering until I got the look just right. It took a lot of careful adjustments, but in the end, I was able to bring the design to life.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/a78ec19c2f00483a8fe87574240a92c5JZ_Face.0000%20%E6%8B%B7%E8%B4%9D.jpg" class="custom-image original-size" data-id="a78ec19c2f00483a8fe87574240a92c5" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/86ea40110cdf454ba29414fa46ec5463HDR_Half.jpg" class="custom-image original-size" data-id="86ea40110cdf454ba29414fa46ec5463" data-width="3840" data-height="2160"><h1>Could you briefly introduce the tools and software you used in this project? How well does Marvelous Designer integrate into your workflow?</h1>At the start, I mainly used ZBrush and Marvelous Designer to create the base models and patterns. Then, I moved to Maya for retopology. For texturing, I worked with Substance Painter for the clothing and equipment, and Mari for detailed skin textures. Finally, I rendered everything in Unreal Engine 5.Marvelous Designer works really well within the workflow—it’s quick and easy to export assets to other software, and I didn’t run into any issues when transferring files between different programs. Everything fits together pretty smoothly.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/30a57400f3af4666813c0f2a4fcd912eHDR_Face1.jpg" class="custom-image original-size" data-id="30a57400f3af4666813c0f2a4fcd912e" data-width="3240" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/23d9dab818e2412ea45331cca1b329f5HDR_Face2.jpg" class="custom-image original-size" data-id="23d9dab818e2412ea45331cca1b329f5" data-width="3240" data-height="2160"><h1>What advice or insights would you share with other artists looking to create cyberpunk-style designs using Marvelous Designer?</h1>Since this was my first time working on a cyberpunk project, I know how tricky it can be to find good references. If you're struggling with that, I highly recommend browsing Huifeng Huang’s ArtStation page <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/wilsonhuang">(https://www.artstation.com/wilsonhuang)</a>. His work is a fantastic source of inspiration and a great reference for capturing that cyberpunk aesthetic.<img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/82f6eb05dca549648d66eca8b0269183BG1_Half_LV.0000.jpg" class="custom-image original-size" data-id="82f6eb05dca549648d66eca8b0269183" data-width="3840" data-height="2160"><h1>What’s your overall experience with Marvelous Designer?</h1>Marvelous Designer keeps getting better with each update! The UI has become more intuitive and beginner-friendly, so whether you're new to Marvelous Designer or an experienced user, it's easy to pick up and work efficiently. The latest updates have also boosted GPU simulation and added improved quad remeshing, which makes the workflow much smoother. I think these improvements will make the software even more enjoyable for character artists in the future.<hr><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/zhihaowang927">Artstation</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/664c1b6e0000000007006999?xsec_token=ABCoeGZWxrJT0ocsq4pbEGspWGU74G3UdCXaBeQ064dXk=&amp;xsec_source=pc_search">RedNote</a>

Cyber Cat

Question 1) Gizmo Disappeared After Simulation. Why? How can I bring I tback?<img src="https://storagefiles.clo-set.com/public/community/202507/f031c204fad248b7a5f1fa6344e49462/images/cee1f0aca1484d2281f73f50a51e03f7Gizmo%20Is%20Lost.png" alt="cee1f0aca1484d2281f73f50a51e03f7" class="custom-image original-size" data-id="cee1f0aca1484d2281f73f50a51e03f7" data-width="2388" data-height="1668">Question 2) Also right sleeve does not fit in simulation. Why? How can I make It right?I know firstly I reset the arrangement of the sleeve pattern.

Gizmo Disappeared After Simulation 

Hi everyone, I'm using the CLO 3D tutorial "How to create an exploding garment animation in CLO" – it's worked perfectly for me in the past. However, now I'm getting an error at the final step:warning Incompatible with the current Avatar.I've tried restarting CLO, reloading the project, and even switching avatars, but the error keeps popping up. I'm not sure what changed or how to fix it. Has anyone else encountered this issue or know how to solve it?Any help would be greatly appreciated! Thanks in advance 🙏

Need help with "Exploding Garment Animation" in CLO 3D – Avatar Compatibility Error

Do I have to click beginning mid and end of the curve points like we do in Basic Tape Measure Tool.or do I just click beginning of the distance, hold shift and double click the end of the distance.Like this?

Surface Measure Tool

hey folks! like the title says, i have a pattern made of multiple pieces (specifically, a "corset belt"). i want to sew a knife pleated pattern (3 internal lines per pleat) to these pieces, but it doesn't seem to me like the pleats sewing tool knows what to do when sewing many-to-one.what's the best method for accomplishing this sewing?<img src="https://storagefiles.clo-set.com/public/community/202508/edae016f646841a183c3e95efa885832/images/c8061398a57143e59acecbd6c61a09daScreenshot%202025-08-31%20145620.png" alt="c8061398a57143e59acecbd6c61a09da" class="custom-image original-size" data-id="c8061398a57143e59acecbd6c61a09da" data-width="3839" data-height="1849">

Elio

Elio

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