<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/1f7f0a3eddcf49d0bf364a01d959c66e/images/36e6ab6a2bbc4720bc4f98b07c2a3e78Header_thumb%20%2812%29.png" class="custom-image hidden-thumbnail" data-id="36e6ab6a2bbc4720bc4f98b07c2a3e78" data-width="1240" data-height="652">Artist Mendy BM reimagines Tuxingsun from Investiture of the Gods with Marvelous Designer, bringing every stitch and detail of the costume to life.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/94e2c64fffd44e43bae3e53e056e16e2Tx_mendy-bm-skin-color.jpg" class="custom-image original-size" data-id="94e2c64fffd44e43bae3e53e056e16e2" data-width="2048" data-height="2040"><h1 style="text-align: center">Interview with Mendy BM | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/V28Jk8">Tuxingsun</a>﻿ | Game Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>Hi everyone! I'm Mendy BM, game character artist from Brasil, based in Spain. I started my professional career creating modular digital humans for medical learning, and since 2022, I've been working in the game industry, creating fantasy characters and creatures for games.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/c150fb25bbe144929c0d906351c131fe1_mendy-bm-Dark-Elf.jpg" class="custom-image original-size" data-id="c150fb25bbe144929c0d906351c131fe" data-width="1730" data-height="1730"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/e3413a1a2205468aa386c517f4e6fad01_mendy-bm-mendybm-ecorche.jpg" class="custom-image original-size" data-id="e3413a1a2205468aa386c517f4e6fad0" data-width="1280" data-height="1707"><h1>Please tell us about the project. What inspired you to choose Tuxingsun from the Chinese literature Investiture of the Gods as your project?</h1>Since the beginning of my career, I've been following <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/tianhuaxu">Xu Tianhua</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/yangqi917">Yang Qi</a>. Their work is a great inspiration for me. "Tuxingsun" concept made by Xu Tianhua, always caught my attention with his little body and unique face features. At the research stage, to know more about the backstory of the character, I found John Zhu's Chinese Lore Podcast, where he retells classic Chinese literature in English, and I fell in love with it. China has a millenary culture, which has many of the biggest inventions in the humankind history, and I'm very interested to know more, especially about their art.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/2d3da966582b434784dd157086d20d2f1_mendy-bm-Tuxingsun.jpg" class="custom-image original-size" data-id="2d3da966582b434784dd157086d20d2f" data-width="2048" data-height="2048"><h1>How did Marvelous Designer assist you in realizing the vision for Tuxingsun's costume? Did you use any specific features or techniques that helped bring authenticity to the fabric and clothing design?</h1>I started the Tuxingsun project to familiarize myself with Marvelous Designer and I found incredible the possibility to work with sewing patterns, like is done in real-life cloth industry. Also, being able to work on the 2D pattern window and see the changes in real time, at the 3D window, is something extremely handy and powerful for recreating cloth designs. Additionally, there are a great number of fabric presets available, experimenting with it is so important to bring authenticity to the fabric, as well as finding the right pattern for it.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/152355aa363e4e66b69ef467e385827cTx_mendy-bm-camisa2.jpg" class="custom-image original-size" data-id="152355aa363e4e66b69ef467e385827c" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa8be76704134d2b83b764b1fa19a134Tx_mendy-bm-pano1.jpg" class="custom-image original-size" data-id="aa8be76704134d2b83b764b1fa19a134" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/8014037f03ee4f9db2e546bbb932a485Tx_mendy-bm-front.jpg" class="custom-image original-size" data-id="8014037f03ee4f9db2e546bbb932a485" data-width="1920" data-height="1920"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>When I start a project, I spend a good amount of time finding good references, then, I use PureRef to make the reference board, selecting just a few images on each topic.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa7777cfe41e41869d56b0a7041ec0a84_PureRef_Tuxingsun.jpg" class="custom-image original-size" data-id="aa7777cfe41e41869d56b0a7041ec0a8" data-width="1478" data-height="942">After that, I go to Zbrush, to sculpt the character's and prop's basic shapes, with all my attention on proportions and silhouette. On personal projects, at this stage, I make pauses every now and then, to rest the eyes and be able to see clearer the results I'm getting, furthermore I often use Krita to make "correction" drawings on screenshots of Zbrush.Once I got a result I'm happy with, I moved forward to create the garments at Marvelous Design, taking advantage of its incredible cloth simulation power. After that I returned to Zbrush, and created the high poly version of everything, refined some folds and added all the details.Following, I used 3D Max to create the low poly version of the character and then imported it on RizomUV to work on the UVs. Finally, on Adobe Substance Painter, imported the lowpoly, and did the bakes and textures for the whole character.For rendering and final testing, I tend to use Marmoset Toolbag and Unreal 5.<h1>What challenges did you face during the creation process, and how did you overcome them?</h1>For me it was the number of layers, making the garment without the pieces intersecting with each other was complicated and the "freeze" tool was very important to overcome this challenge. I had to freeze and unfreeze the cloth elements many times, going back and forward, activating the simulation to create the folds that I wanted, and simultaneously, trying to maintain the elements hierarchy.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/d2786d02057c4077b7888f4f1663f2d55_Tuxingsun_steps.jpg" class="custom-image original-size" data-id="d2786d02057c4077b7888f4f1663f2d5" data-width="1478" data-height="942"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/21c4cbc7118945b1919b48da2a28a50f5_marvelous_capture2.jpg" class="custom-image original-size" data-id="21c4cbc7118945b1919b48da2a28a50f" data-width="1920" data-height="960"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/fdd29bc8a6c1444983e819de713f3f625_marvelous_capture1.JPG" class="custom-image original-size" data-id="fdd29bc8a6c1444983e819de713f3f62" data-width="1920" data-height="960">Also, when I created the patterns, the cloth was small on Tuxingsun's body. Because of that, I had to "add more fabric" and this broke the hierarchy. So to avoid this, when I started over, I used a high particle distance to get the shapes, then I changed to a lower value and used many pins to simulate it and create the desired folds again.In summary, to maintain the hierarchy, the freeze and unfreeze features, in conjunction with the pins, were my best friends in this project. This was the most time-consuming part of the work.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>The first tip: take your time to find patterns, this will save you a lot of time. Even though it's difficult and frustrating to find patterns on the internet, humans have started to create garments since ancient times; take the time to find them. Second tip: don't forget to use symmetry.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/35f034d2d9f14fbbb097bc6ee02364be6_Tuxingsun%20process_translucent.jpg" class="custom-image original-size" data-id="35f034d2d9f14fbbb097bc6ee02364be" data-width="1920" data-height="960">Third: when you have as many pins as I had, the translucent mode is very useful. In addition, more a feature than a trick, use the soft body simulation, it's an incredible feature that considers the elastic aspect of the skin.<h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>It's amazing, the software is very intuitive, and the interface is truly user-friendly. Nowadays it is the best software option to create 3D garments in the industry.<h1>by&nbsp;Mendy BM <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mendybm">Artstation</a></h1>

Tuxingsun - A Fusion of Inspiration and Chinese Lore

INDIVID

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/b16c7780fc0f416caddd4a95f5df96f9/images/bb50e44c127b49aba155ce3c18ac3f5fHeader_thumb%20%282%29.png" class="custom-image hidden-thumbnail" data-id="bb50e44c127b49aba155ce3c18ac3f5f" data-width="1240" data-height="652">"<a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</h2><h2 style="text-align: center">In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>Artist and Brand Introduction</h2>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.<hr><h2>Brand Theme and Aesthetics</h2>Q. YOYOGI MORI's works have a unique worldview and fashion sense. Please tell us about the themes and aesthetics the brand cherishes.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024">A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.<hr><h2>Significance of Fashion in VRChat</h2>Q. What appeal or significance do you feel in creating fashion for VRChat?<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024">A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.<hr><h2>Production Flow with Marvelous Designer</h2>Q. How is Marvelous Designer utilized in your usual production workflow?A. [Pattern Making and Sewing] After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001">Pattern making using the Pleats function and Tacks[Simulation and Wrinkle Creation] To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741">Adjusting wrinkles using pins and partial freezing[Final Details] In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677">Wrinkle details on the finished outfit<hr><h2>Role and Benefits in Team Production</h2>Q. I understand YOYOGI MORI is a small team production. Are there any moments in the process where Marvelous Designer proves particularly useful?A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power as clothing, which is a wonderful point.<hr><h2>Production Challenges and Solutions</h2>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.<hr><h2>Future Outlook</h2>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that can actually be produced, so I want to pursue what is possible because it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"><h2>Message to VRChat Avatar/Clothing Creators</h2>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.<hr><h2>Credits</h2>Avatar &amp; Costume Images/Video: From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>"Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

Championship Thread

Designed HANBOK

<h2 style="text-align: center">Do you need work on CLO pattern making, render, VR, etc?</h2>Hello, I'm Fadyboo, a creator in Korea. I've been working on my personal work, but I've always dreamed of collaborating with people in different areas of work.I focused on trying until I felt I had enough, and now I think I'm personally satisfied. It's time.CLO Portfolio: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/ko/portfolio/108694/collection/collections">https://connect.closet.com/ko/portfolio/108694/collection/collections</a> User Spotlight: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/ko/community/post/d96edbf27767493daca714ae0bf750eb">https://connect.closet.com/ko/community/post/d96edbf27767493daca714ae0bf750eb</a> Winning the MCM Contest: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/ko/detail/0800f3ba04944dfa862ace4847f89111">https://connect.closet.com/ko/detail/0800f3ba04944dfa862ace4847f89111</a>The skills and brief Career I can provide are as follows. If you are interested in collaboration, outsourcing, part-time work, tutoring, and getting a job, please contact me by email or DM.<h1>E-Mail: kdband12@naver.com</h1><h1>Instagram: Fadyboo</h1><hr><h2 style="text-align: center">Skill</h2><h1 style="text-align: left">CLO</h1>- Pattern Making- 3D Modeling- Render- Avatar Posing- Trim Making- AI<h1>Photoshop &amp; Illustrator</h1>- Graphic- Material- 3D Modeling- AI<h1>Lightroom</h1>- Photo Calibration<h1>Premiere Pro</h1>- Edit Video<h1>Unreal Engine</h1>- Live Sync- Material with Blue Print- Background Design- Environment Design- Render- VR Node- VR Packaging- Metahuman(Include Metahuman Identity)- Metahuman LiveLink and Facial Capture- Metahuman Poses and Motions- Keyframe Motion &amp; Animation<h1>Twinmotion</h1>- Background Design- Environment Design- Render- Presentation (Include Cloud, VR)<h1>3D Vista</h1>- Configuring VR Environments- Connecting Cloud Server<h1>Daz</h1>- Creating Avatar Using Face Transfer AI and Asset- Posing- Render<h1>Blender</h1>- 3D Modeling (Include Sculpting)- Rigging*Blenders are limited in use<h1>Suno</h1>- AI Music<hr><h2 style="text-align: center">Brief Career</h2>Graduated from the Department of Fashion DesignCompletion of Ph.D. in Fashion DesignTraditional Fashion Brand Designer - 7 monthsKid's Fashion Brand Designer - 1 yearFounder of a Fashion Brand - 2 yearsOffice Secretary of Society - 2 yearsGeneral Director - 3 yearsUniversity Lecturer(Department of Fashion) - 3 yearsFounder of a VR &amp; Virtual Fashion Company - 5 yearsIn addition, there are a number of special lectures, VR projects, and Virtual Fashion Show projects.Special lectures and projects are usually related to fashion exhibitions, fashion shows, and graduation exhibitions of fashion students.<hr><h2 style="text-align: center">Portfolio not in Connect Portfolio</h2><img src="https://storagefiles.clo-set.com/public/community/202511/3e8ac369c26442eea4d66e5119463498/images/1dd02df8202c469186c77aee24f36338%EC%8D%B8%EB%84%A4%EC%9D%BC.jpg" alt="1dd02df8202c469186c77aee24f36338" class="custom-image original-size" data-id="1dd02df8202c469186c77aee24f36338" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202511/3e8ac369c26442eea4d66e5119463498/images/945083cbd4de4da380e60f132dadf6d72.png" alt="945083cbd4de4da380e60f132dadf6d7" class="custom-image original-size" data-id="945083cbd4de4da380e60f132dadf6d7" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202511/3e8ac369c26442eea4d66e5119463498/images/761753739caf418d96d8bf47a0cc94b5%EC%9D%B4%EB%AF%B8%EC%A7%803.png" alt="761753739caf418d96d8bf47a0cc94b5" class="custom-image original-size" data-id="761753739caf418d96d8bf47a0cc94b5" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202511/3e8ac369c26442eea4d66e5119463498/images/fd11d46ba27340b7a070abb1eef70c9bYukata_9.jpg" alt="fd11d46ba27340b7a070abb1eef70c9b" class="custom-image original-size" data-id="fd11d46ba27340b7a070abb1eef70c9b" data-width="2160" data-height="3840">If you contact me, I have much more portfolios.

Do you need work on CLO pattern making, render, VR, etc?

Cut, Slash & Corset

Men's Wear collection

Shoes_FV2

🎨 Street Style meets Digital Design! 🔥 Watch this CLO3D model rock the color-blocked utility jumpsuit while creating epic urban art.

Designer

Seller

Pattern Maker

I’m trying to draft sleeve pattern.<img src="https://storagefiles.clo-set.com/public/community/202607/bf885f05d46443759b7115b4b3764952/images/0ac2b27ec8c246a1a2ac5c6488c45486Screenshot%202026-07-08%20at%2017.34.28.png" alt="0ac2b27ec8c246a1a2ac5c6488c45486" class="custom-image original-size" data-id="0ac2b27ec8c246a1a2ac5c6488c45486" data-width="1056" data-height="850">I’m trying to move the segment including A and B lines higher. (A + B is the triangle base)A = BBut while doing this I want both sides of the triangle (C and D) adapt themselves to the movement of the triangle base dynamically.So the A + B measurement increases. (I want to set It to the specific bicep line measurement.)Also C + D measurements increases.It will be still A = B.Is there a fetaure for It?

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Marvelous Designer Official

Marvelous Designer Official