Here it's my entry for the #connectofficial #APTchallenge. As you can see, the outfit is the famous Rainbow Dress worn by Joy from @redvelvet.smtown I recreated it with the idea of presenting it to the Connect's Kpop Mirror contest, but later, I changed my mind and decided to use it just for this challenge.It's my first time rendering a video this long, I had my computer working for hours! I hope you enjoy it despite it's a bit out of frame. Thanks for watching! 🩵🩷<img src="https://storagefiles.clo-set.com/public/community/202503/243b94851f8b4e31ab26988af9552a28/images/be163dcce4c3473eaa14ca950cd93a011000154465.png" class="custom-image original-size" data-id="be163dcce4c3473eaa14ca950cd93a01" data-width="1080" data-height="1920">You can see it here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/DHBTX6YsInd/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==">https://www.instagram.com/reel/DHBTX6YsInd/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==</a>

APT Challenge

I have an old PC.What settings do you suggest for speeding the CLO3D App?My Laptop Specs (Asus N552VW):<ul><li>CPU: Intel Core i7-6700HQ (4 cores / 8 threads, 2.6 GHz base – 3.5 GHz turbo)</li><li>GPU: NVIDIA GeForce GTX 960M (2 GB GDDR5 VRAM)</li><li>RAM: 16 GB DDR4 (Upgradable to 32 GB)</li><li>Storage: 500 GB SSD + 1 TB HDD</li><li>OS: Windows 11 64-bit</li></ul>

Settings For Low Spec PC

Hi, sometimes the clo3d APP stops working and I have to delete the app and redownload it but then I am unable to access my old projects that I saved. Is there a way another way to save it so I can access it?

Can't access saved projects after redownloading CLO3D APP

<h2 style="text-align: center">Travis Davids, a famous content creator, introduces how he came up with making countless outfits with Marvelous Designer!</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/90c80d244736416391b3f81a2330145fff679c2334f64fc98cb57ebb23eef016.jpg" class="custom-image original-size" data-id="90c80d244736416391b3f81a2330145f" data-width="1079" data-height="959"><h1 style="text-align: center">Interview with Travis Davids | David's Suit | 3D Generalist</h1><hr><h1>1. Artist Introduction&nbsp;</h1>Hello, my name is Travis Davids, I'm from Johannesburg, South Africa and I'm a freelance digital artist and content creator.I primarily focus on creating 3D related content in the form of tutorials or resources for digital artists.My content is available on multiple websites like Youtube, Gumroad and Artstation.&nbsp;&nbsp;I’m a 3D generalist who loves experimenting with multiple workflows.I’ve been doing 3D full time since 2015 but my journey started in 2007 when i created mod items for a video game called The Sims.It sparked my interest to explore an expanding universe of endless possibilities.&nbsp;3D gave me a platform to bring my ideas and emotions to life.It’s something I'm very passionate about and I thoroughly enjoy the endless journey of self improvement. Love what you do and do what you love!&nbsp; <h1>2. What is Marvelous Designer's strong point?&nbsp;&nbsp;</h1>About 4 years ago I was looking for a really good solution for creating clothing.Time constraints and having to manually sculpt clothing just wasn’t a viable option for me.&nbsp;My only option at the time was sculpting clothing from scratch in ZBrush.Sculpting every single fold and crease was driving me insane. I have so much respect for artists that can sculpt clothing.&nbsp;I searched online and found a solution to my problem in the form of cloth simulation and that program was Marvelous Designer.It not only allowed me to work faster but the results it generated blew my mind the first time I used it.The ability to draft a pattern in a 3D program and see it drape on a digital human to generate realistic looking clothing with folds and creases was revolutionary!At the time, finding learning material online was extremely rare so I had to resort to watching YouTube&nbsp;videos of real fashion designers sewing clothing in order to understand how garments are created.I still follow this same approach to this day to understand how to draft 2D patterns and sew garments, it has helped me so much.I feel like the amount of learning material provided for Marvelous Designer today is growing steadily and I made it my duty a couple years ago to record tutorials for Marvelous Designer and put them on YouTube&nbsp;to show everyone how Marvelous Designer could save them so much time to create garments.I still upload Marvelous Designer tutorials on my channel and I have so much content in development.Marvelous Designer has become my go to solution for doing anything cloth related. I’ve used it to create a countless number of outfits.It’s perfect for fashion design but I’ve&nbsp;also used it for environmental props like curtains, bedsheets and pillows.&nbsp;Marvelous Designers strong point is speed, customization of garments, accuracy of folds/creases and the ability to iterate and change aspects of a garment with ease, it’s a completely non destructive process and it has become the industry standard.&nbsp;<h1>3. Artworks created with Marvelous Designer&nbsp;</h1>David’s Suit&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/368ad7da1ed743f489c6b3b7819a9945b6e7fee56bd6487d8b105fd8e12e2808.jpg" class="custom-image original-size" data-id="368ad7da1ed743f489c6b3b7819a9945" data-width="930" data-height="959">I also reimagined an iconic statue, Michael Angelo’s David and his entire outfit was created with Marvelous Designer.&nbsp;Cyberpunk Bomber Jacket<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/95f05641169540218782d0ba31469bdd8894fdb375fb4b3b9471c5247f887ae4.jpg" class="custom-image original-size" data-id="95f05641169540218782d0ba31469bdd" data-width="1600" data-height="1499">I created this Cyberpunk Bomber Jacket as an entire course showing you my entire 3D Fashion Design workflow.You’ll get to see exactly how I build garments like this with Marvelous Designer, ZBrush and Substance Painter on my channel.I showcase so many useful tools in Marvelous Designer to create the garment.&nbsp;Cyberpunk Leather Jacket<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/e20e157b964846158059712fc016a50cee5096d0768543bd93f4d02670d57f11.jpg" class="custom-image medium-size" data-id="e20e157b964846158059712fc016a50c" data-width="512" data-height="454">This was another Cyberpunk inspired outfit that I created.I used Marvelous Designer to generate a really good base for me to further detail in ZBrush.I added detailing to the garment using tileable patterns that I created to generate variations of the design.&nbsp;Rolled Up Fabric<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/1996d3ffa60a4b57be36cad676e32bad1e6dc36fe32f46f59f20cb643d6109d4.jpg" class="custom-image original-size" data-id="1996d3ffa60a4b57be36cad676e32bad" data-width="1600" data-height="1533">Simulating fabric that has been rolled up was very easy to create with Marvelous Designer,and it helped me achieve the final look for this artwork titled “You Give Me That Feeling”.&nbsp;by Travis DavidsLink to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/c/TravisDavids/videos">Youtube</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mrdavids">Artstation&nbsp;</a>Link to<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/travis.davids/"> Facebook</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/mrdavids2/">Instagram&nbsp;</a>

David's Suit

<img src="https://storagefiles.clo-set.com/public/community/202504/b5fa508392bd4d1e970a08b41dfef3b7/images/3bf5173a62604d678a2324a6deaa5df4Screenshot%20%2810%29.png" alt="3bf5173a62604d678a2324a6deaa5df4" class="custom-image original-size" data-id="3bf5173a62604d678a2324a6deaa5df4" data-width="1463" data-height="326">Why does it happen very often that some parts of the fabric disappear in the render? However it doesn't happen all the time but happens often. For this project the render was working fine but suddenly it just disappeared so im not sure what changed

fabrics disappear in render

Freelancer

Seller

Pattern Maker

Hi! I urgently need to make feathers for an outfit I'm making, but don't know how to use Blender - so importing an OBJ in is out of the question. I've been trying to make feathers using fabric and the fur preset, but I can't achieve the right look at all... If anyone has any ideas or could give me a tutorial, please do! 😳 I've attached my failed feather attempts along with the type of feather I'm trying to create.<img src="https://storagefiles.clo-set.com/public/community/202505/933b4d9220d64894b28345ef3541a753/images/e2708e868f5f4842ae962be95f75355071b4cd30-44c6-4f35-b05a-a17d7734e772_600.jpg" alt="e2708e868f5f4842ae962be95f753550" class="custom-image original-size" data-id="e2708e868f5f4842ae962be95f753550" data-width="431" data-height="600"><img src="https://storagefiles.clo-set.com/public/community/202505/933b4d9220d64894b28345ef3541a753/images/6061d374baa741bbbc6559af64cca561failedfeathers.png" alt="6061d374baa741bbbc6559af64cca561" class="custom-image original-size" data-id="6061d374baa741bbbc6559af64cca561" data-width="480" data-height="640">

Making crane feathers in CLO3D!

<h2 style="text-align: center">From Hobby to Mastery: Juhee Kim, a game character modeler, shares her journey into 3D art and the challenges of creating dynamic characters.</h2><img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/7f6dd77b25544ad698eac16e2337ecee1-.jpg" class="custom-image original-size" data-id="7f6dd77b25544ad698eac16e2337ecee" data-width="2100" data-height="1540"><h1 style="text-align: center">Interview with Juhee Kim | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/L4kLLv">Bone whip woman</a> | Game character modeler</h1><h1>We would like to know more about you, Juhee. Please briefly introduce yourself and explain how you started working in 3D.</h1>Hello, I am Juhee Kim, a game character modeler. Since childhood, I have been fascinated by unique character art and have developed a deep interest in art by appreciating various works. I had a hobby of making things by folding, cutting, and pasting by hand, and through this process, I naturally became interested in creating 3D characters.Currently, I enjoy bringing captivating concept art to life in 3D. I focus on enhancing the individuality and details of each character to increase immersion.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/a3497e0d6b054cc6b3e8cab72556032a2.jpg" class="custom-image original-size" data-id="a3497e0d6b054cc6b3e8cab72556032a" data-width="3000" data-height="4000"><h1>Could you please explain in detail about your recent project, 'Bone Whip Woman'?</h1>This character is a strong and weighty warrior, contrasting with the cute and pretty images I have previously created. This project focused on battle and wandering, emphasizing the delicate depiction of the character's torn and tattered cape, clothing, and equipment.A lot of leather material was used, requiring the expression of various textures, and working with bone details, which are not commonly seen, was challenging but very enjoyable.Lastly, I concentrated on conveying a sense of loneliness while emphasizing the dynamic movement of the hair and cape.<h1>Your work using Marvelous Designer is impressive. Do you have any advice or tips for Marvelous Designer users based on your experience with this project?</h1>I believe Marvelous Designer is a very useful tool for shaping the basic form of clothing. It allows for much more efficient and realistic creation compared to imagining and manually creating folds. Instead of obsessing over detailed folds, I recommend shaping the basic form of the folds first and then gradually sculpting them in ZBrush.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/5c2fbce56a854755b7380e1f734afcd93.jpg" class="custom-image original-size" data-id="5c2fbce56a854755b7380e1f734afcd9" data-width="2553" data-height="1385"><img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/70af7ca5ae1b4314b1db85b7fb63d0344.jpg" class="custom-image original-size" data-id="70af7ca5ae1b4314b1db85b7fb63d034" data-width="2796" data-height="2576">For the cape around the neck, I divided it into several parts, used pins to shape it, and managed each part individually using the freeze function. If I had made it as a single long piece of fabric, it would have been much harder to control.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/6f8e7a87c44045eebdf489e1170171d15.jpg" class="custom-image original-size" data-id="6f8e7a87c44045eebdf489e1170171d1" data-width="2553" data-height="1391">Additionally, the cape needed to appear as if it was blowing in the wind. Using Marvelous Designer's wind simulation feature, I could easily create the desired shape. The most challenging part was adjusting the values of various options until I achieved the desired look. It requires patience and persistence to keep adjusting until a natural form is achieved, so it's important not to give up.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/686ca98f36ea447496f556e4963e4be66.jpg" class="custom-image original-size" data-id="686ca98f36ea447496f556e4963e4be6" data-width="2547" data-height="1383"><img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/b0d9282de3fb407d977b9d0db43055ae7.jpg" class="custom-image original-size" data-id="b0d9282de3fb407d977b9d0db43055ae" data-width="2640" data-height="3000"><h1>Could you provide a brief overview of the various tools used in the pipeline?</h1>Using Marvelous Designer, I created the basic forms of not only the clothing but also detailed elements like gloves. For necessary parts, I utilized the retopology feature built into Marvelous Designer to create UVs in advance.After that, I performed basic modeling and hair/fur work in 3ds Max, and high-polygon work in ZBrush. The baking process was done using Marmoset Toolbag, and texture painting was completed in Substance Painter.Finally, I set up the background and lighting in Marmoset Toolbag to complete the final rendering.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/fba7cd1550694012a9d5963f4ab8489f8%285%EB%B2%88%EC%A7%88%EB%AC%B8%EC%9D%98%20%EC%96%BC%EA%B5%B4%203%EA%B0%9C%20%EC%9D%B4%EB%AF%B8%EC%A7%80%EC%97%90%EC%84%9C%20%EB%8C%80%EC%B2%B4%ED%95%A9%EB%8B%88%EB%8B%A4%29.jpg" class="custom-image original-size" data-id="fba7cd1550694012a9d5963f4ab8489f" data-width="3000" data-height="1887"><h1>When working on a project, there must be parts you enjoy the most and parts that are challenging. What was the most enjoyable part of the process for you?</h1>I enjoy refining the base mesh created in Marvelous Designer in ZBrush. I find great satisfaction in cleaning up unclear boundaries and considering cross-sections and seams while sculpting details.Creating the face was also interesting. Although it was the most challenging task, I enjoyed both the sculpting and texturing processes. I particularly remember trying to depict realistic makeup in Substance Painter.<h1>What was the biggest challenge you faced while working on the project?</h1>There were many unique considerations, such as creating fur and simulating wind-blown effects, which made it difficult to get a feel for each stage of the process. Among these, creating the hair was particularly challenging because it needed to have a dynamic, wind-blown shape rather than a static one. I went through a lot of trial and error to get the silhouette right.However, once I started to get a feel for it and the silhouette began to match my envisioned image, things started to fall into place. At that moment, my mindset shifted to one of enjoyment. It seems like this is a process I have to go through every time.<h1>Lastly, do you have any advice for those starting in 3D art? This could be career advice or tips on mindset when creating artwork.</h1>I believe it is very important to seek help and advice from others. As I am still learning, I constantly question my work and strive to improve it.Additionally, I think it is crucial to view as many works as possible and collect references. Referring to various materials is essential for enhancing the quality of your work.I also find it meaningful to take screenshots or keep simple records at each process stage. This not only helps track the progress of your work but also serves as useful reference material for future projects.Lastly, don't strive for perfection too much. I encourage you, as a fellow artist, to enjoy the process and see it through to the end. Thank you.<img src="https://storagefiles.clo-set.com/public/community/202501/9f47dfa8ed1040fea555e997e62d9869/images/34378290f2ab47e288a351fcb7f49ce59.jpg" class="custom-image original-size" data-id="34378290f2ab47e288a351fcb7f49ce5" data-width="3000" data-height="3000"><h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/juheehee">Link to Artstation</a></h1>

Bone Whip Woman

Collection A

This outfit was created by <a href="https://connect.clo-set.com/portfolio/957570/collection/collections" target="_blank">[Rizky Pratama]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/60081e00f221450c8f6e85b959dda927" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Leather Vest &  Hotpant  InZoi Edition

Garment

Gender & Age

Women

Style

Outfits

Pants

Shirt / Blouse

Vest / Cardigan

Genre & Mood

Party / Special Day

Streetwear

F Red One-Shoulder Swimsuit

F Red Ruffle Dress

Gingham Bikni Set

F Police Uniform

M Classic Police Uniform

F Turtleneck Trousers Set

M Retro Polo Jorts Set

Patched Denim Ensemble

F Pink Dress

F Idolstyle Bustier Denim Set

F Futuristic Sci-Fi Dress

F Street Bomber Trousers Set

Designer

Hi,im using 5.5.1 with the 2024.2.139 version of MD, and regardless of theclothing every re import to unreal via live sync is crashing unreal with the same error: Assertion failed: MipView.GammaSpace == LayerData.SourceGammaSpace [File:D:\build\++UE5\Sync\Engine\Source\Runtime\Engine\Private\TextureDerivedDataTask.cpp]any workaround?Kind regardsBjörn

Unreal 5.5.1 LiveSync annoying mipmaps Error

Dresses

Bags

<h2 style="text-align: center">Anastasia Kukosh, a student at Think Tank Training Center, showcases her talent and passion for AAA game development with her impressive project, Rasheeda.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/ff2ac3427155486dab31d13d00c4dd216f00ab710c084076afef8f57aadc93eb.png" class="custom-image original-size" data-id="ff2ac3427155486dab31d13d00c4dd21" data-width="1019" data-height="720"><h1 style="text-align: center">Interview with Anastasia Kukosh | Rasheeda | Character Artist</h1><h1>Artist introduction</h1>My name is Anastasia Kukosh, I am a student at Think Tank Training Center. My passion for the arts started in my childhood, then I joined the Master's degree in Fine Art. After this formation, I began my journey in 3D modeling less than a Year ago. My goal is to join the future industries of the new generation of AAA Games. I used different softwares in my workflow, one of them is Marvelous Designer.<h1>When did you start using Marvelous Designer and how did that affect your workflow process?</h1>I started using Marvelous Designer at Think Tank about three months ago when we were given an exercise to make a leather jacket. During the exercise, we learned about insert offset lines, layers, pressure levels, and more.For my final project in the second term, I decided to choose a character with clothing to gain a better understanding of the workflow. It turned out to be a great and successful experience where Marvelous Designer helped me solve half of the problems that I was worrying about.<h1>As a student, how much time did you find sufficient to gain confidence in using Marvelous Designer?</h1>I was pleasantly surprised by how easy it was to start using Marvelous Designer, and within a month, I was able to achieve some results. However, to produce high-quality work, you must invest more time in learning shortcuts, selecting the appropriate tool for each situation, and researching information for the tools you are unfamiliar with. If you take a break from using Marvelous Designer for some time, it can feel like starting from scratch again.<h1>Explain the project's creation aspects, including intentions, goals, cloth design approach, and references.</h1>After studying at Think Tank for 7 months, I decided to use the concept of Maisie Mei's "Rasheeda - Holy Maiden". As I only had a month to complete it, I had to work fast and determine which parts would be the most time-consuming. Since I had no prior experience in character creation, I assumed that designing clothing and retopology would be the most challenging aspects.The main goals were to use the right workflow, mastering fabric texturing,rendering in Marmoset Toolbag, achieving a lifelike facial representation, and to try working with hair cards.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/1dc4493728b6413c87905a877f801d4c3215c992df88473abf40cca2e08ab566.jpg" class="custom-image original-size" data-id="1dc4493728b6413c87905a877f801d4c" data-width="1920" data-height="1120"><h1>Share your approach to working with Marvelous Designer. What tricks have you discovered to boost efficiency while building the hat?</h1>I think that using Marvelous Designer is a good way to quickly and accurately block out the character's shape and simulate it in 3D space. If I like how it looks, I can then proceed to add more detailed features or move to other programs, like ZBrush.1. When I start a project, I begin by creating a mood board. This board contains a lot of visual information about the project, and I conduct my research using various platforms such as Google, Pinterest, and Artstation. I have a dedicated section on the board for clothing, where I gather patterns, textures, and information on how the clothes move, among other things.2. In Marvelous Designer, I begin by importing my custom model onto the canvas. Then, I create the garment by crafting simple shapes while referring to real clothing garments for inspiration. This helps me avoid making errors and ensures folds are accurate. Sometimes, I use frozen parts of the mesh to achieve specific shapes. My workflow in Marvelous Designer involves importing a custom model onto the canvas and creating basic patterns to form the foundation of the garment.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/2efef112278b48c097d4a88bf59d1317c8607c91a6e9408daf3a1853eb70dadf.png" class="custom-image original-size" data-id="2efef112278b48c097d4a88bf59d1317" data-width="602" data-height="343">I conduct research and draw inspiration from existing designs to enhance the authenticity of my garment's construction. Emulating natural folds and drapes often yields more realistic results compared to attempting to replicate them from your head.Additionally, I occasionally leverage frozen parts of the mesh to manipulate and achieve unique shapes.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/0a27537be9be4ce98b39b642e7ac8bf8c559b84df0d94c52a7b8b76bb775fff7.png" class="custom-image original-size" data-id="0a27537be9be4ce98b39b642e7ac8bf8" data-width="258" data-height="232">Hat ModelingFor faster results, I created a low poly hat and achieved a fabric look through texturing alone, without using HighPoly. The process was significantly faster and produced satisfactory results.I used Marvelous Designer to create folds on a piece of fabric. Then, in ZBrush, I used RMGBZGrabber to create an alpha. I used this alpha as a height mask in Substance Painter.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/f4f65f0d364b4e0ebd678261cc6f483d2522472b486946de80e4b9a9ad52d1fc.png" class="custom-image original-size" data-id="f4f65f0d364b4e0ebd678261cc6f483d" data-width="451" data-height="131"><img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/3b7d84ffc6ac4289b510f6cb5737416bd3c0a2a5caf94afda54095472375eed4.png" class="custom-image original-size" data-id="3b7d84ffc6ac4289b510f6cb5737416b" data-width="902" data-height="544"><img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/c14b13335b8241b0b185a6e363b7998e520df7c9cc684988835e0b7e0f5cb0b6.png" class="custom-image original-size" data-id="c14b13335b8241b0b185a6e363b7998e" data-width="598" data-height="161"><h1>Explain your process of moving between Marvelous Designer and other software. How do you prepare your project for a smooth transition?</h1>For me, the quickest method was to export garments with UVs from Marvelous and reconstruct them in Maya before working on them in Zbrush. This way, I can preserve the UVs for baking. Additionally, I created most of the fine details such as seams, fabric structure, and microfolds in Substance.Here are the steps:Organize UVs for export and ensure no overlap for retopology.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/4a0f4fa1366b495e880111f3cc035ee7757714d261104bc0b61274f99f2569df.png" class="custom-image original-size" data-id="4a0f4fa1366b495e880111f3cc035ee7" data-width="902" data-height="524">Export simulated dress with UVs with particles distance 5.0.or lessSelect the all garment, right click →“Quadrangulate” with particle distance 20.0<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/2db4d293e69d4344aef33bf93e4e74ac304b95be7bc841edba5b10964a69c7be.png" class="custom-image original-size" data-id="2db4d293e69d4344aef33bf93e4e74ac" data-width="606" data-height="644">Make All mesh flatten and export it→ (Reset 2D arrangement all)<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/78d9951d2f2445b3a7e0b5a216d2a447f9cb5aebdd9a44a9ac776cadcb41f015.png" class="custom-image original-size" data-id="78d9951d2f2445b3a7e0b5a216d2a447" data-width="902" data-height="556">Import to Maya both versions from Marvelous Designer and the Avatar character.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/0b6f863113e34d108332cae5b754ba2112cdabe9711c470bba28f3efe4addd69.png" class="custom-image original-size" data-id="0b6f863113e34d108332cae5b754ba21" data-width="902" data-height="510">Prepare the Flatten Version to Retopology (Tip: Duplicate your flatten version and make live surface).<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/3d5d5f9a214f4197af38913253552ff7d44c446506194b2b96d533a128f248ca.png" class="custom-image original-size" data-id="3d5d5f9a214f4197af38913253552ff7" data-width="602" data-height="101">Transfer your Uvs from the old flatten version to the retopology one. (Tip: Use Transfer Attributes)<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/b5cd90430d7340ccbf1bec90b340360e2912162b551c487ab9dac56548d435b6.png" class="custom-image original-size" data-id="b5cd90430d7340ccbf1bec90b340360e" data-width="744" data-height="520">Transfer the vertices position of the simulated one on the flatten retopology to finally have a lower clothes resolution simulated.Smooth this low version and transfer vertices again (step 8) to have a defined Hight poly.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/dbf2a4d5bcdf47539c5963aea8155d3133f2688f2c9f426e98bde3d2f815336d.png" class="custom-image original-size" data-id="dbf2a4d5bcdf47539c5963aea8155d31" data-width="902" data-height="520">Import Into Zbrush and Reconstruct SunbD and Autogroup it. So here we have ready Mesh to work on with High poly and Low poly.<img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/659b5fad114b4c97b0c1620a9224f84891d66b95371642f580f887156fb17590.png" class="custom-image original-size" data-id="659b5fad114b4c97b0c1620a9224f848" data-width="407" data-height="158"><img src="https://storagefiles.clo-set.com/public/community/202412/8bb8603c02bc490e91a507c98bbe0310/images/2493078363a1497ab5e26fd6fb3a6916efc9f7811786476bb4ac4c8ed0e2f191.png" class="custom-image original-size" data-id="2493078363a1497ab5e26fd6fb3a6916" data-width="602" data-height="308"><h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>I am very happy about using Marvelous Designer! Without it, it would’ve been difficult for me to achieve this result in just one month. The more I use it, the better it gets. Work speed is faster and provides a solid foundation for sculpting. Definitely Marvelous Designer must be in use in my work.<h1>by&nbsp;Anastasia Kukosh <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nastyakukosh">ArtStation</a></h1>

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