<h2 style="text-align: center">INTERVIEW from Winners, the 1st Place in Professional Category - Hunt: Showdown 3D Apparel Creation Contest</h2><img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/a1d25a6feff641e58b990db198a2207b92dafd8388c24d6f808048eb5a3b8ab8.jpg" class="custom-image original-size" data-id="a1d25a6feff641e58b990db198a2207b" data-width="1699" data-height="956"><h1 style="text-align: center">By Andrzej Rać-1st Place in Professional Category</h1><hr><h1>Where did you get the inspiration of your hunter?</h1>The inspiration for me was the actual game. I've tried to find all of the hunters that were in the game.Luckily, I have the power of the internet at my disposal so it's super easy to do.This allowed me to break all characters into parts, compare them, look at what they have in common and what the differences are, and finally what I would like to see in game and it wasn't there.Then I have spent a considerable amount of time on Pinterest. I was browsing all sorts of clothing pictures from the time period and saved everything that caught my eye.I think at this point I've decided to do a huntress and not a hunter. I find that women's clothing is usually far more interesting and fun to recreate.After that I simply looked through everything I had and did a selection of what to throw away and finished with a few reference pictures to work with.I was trying to go for something that she could wear when going for example to the city.I imagined it would be a bit nicer and decorative but still suitable to work around the house everyday.Loose shirt detailed around the neck and high waist pants loose around thighs, held together by leather wraps around the shins.I've also added a leather loop to the belt and an axe for the times when You run out of ammo, and little red piece of cloth around the neck.Looking at my design now I can see that I really didn't go that far away from the in-game designs.I just mixed all the parts that I liked the most in different hunters.I took a long coat, cowboy like hat and shoulder holsters and put them on the clothing I've found on Pinterest.<h1>Could you explain in chronological order what process you went through for the garment creation of your winning work?</h1>First and the most important thing for me after gathering my reference pictures was to find good sewing patterns,because no matter how good Marvelous Designer is (and it's simply marvelous),to simulate good looking garments, You have to create them the proper way.Just like in real life where we have the best physical simulations, clothes won't look good if they were made the wrong way.For the shirt, pants and the coat I started with Pants and T-shirt garments from Marvelous Garment Library.Because there is no point to start from scratch.I then modified those patterns to achieve desired look and assigned different materials to all parts to get different colors and appropriate physical properties.For gloves I traced patterns from photo texture. I created a plane and assigned texture to its material and then edited the 2d texture to fill the plane.<img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/57d71b765309463397c977103bc8f58b%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20210046.png" class="custom-image original-size" data-id="57d71b765309463397c977103bc8f58b" data-width="932" data-height="712">From here you simply trace what you see on the texture with the "Internal Polygon/Line" tool under the "G" key.After you are done, you can select created edges, right click them and "CUT" out of the plane.I did that to all the parts and sew them together on my character. ﻿I think the hat and the cloth on the neck are the only things i did by hand and figured out how the patterns could look like without reference, because their shapes are simple enough to do that.I keep different garments on different layers so there is no problem with overlapping when I simulate them.For example, shirt is on layer 0 and pants on layer 1,Marvelous Designer automatically treats the shirt as tucked in because it is on the lower layer. It is very useful functionality.Most patterns had Particle Distance set to 15mm. This setting was a good balance between optimal mesh density and simulation results.I kept this until everything was in place and all parts of the garment had nice volume and shape.From here I added buttons and seam taping in places where usually clothes are being sewed together (sleeve connection to body, front and back part connection and outside borders).Seam taping reinforces those edges and makes the whole garment look more realistic. At least that's how I understand it's functionality.With everything in place it was time to pose my character.Until this moment, i worked with a simple mannequin shared by the Hunt Showdown team but it had no skeletal.So i could not use it anymore. I have imported the Female Hunter model into Blender, posed it and key framed everything, then exported the final mesh with its animation into FBX file.After switching avatars, you can go from Simulation to Animation tab. And, simply play your animation, and your avatar will change it's pose.<img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/9f0efe67bf02435b94a898ba8fe3e5db%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20210244.png" class="custom-image original-size" data-id="9f0efe67bf02435b94a898ba8fe3e5db" data-width="1127" data-height="612">The process of posing garments was pretty straight forward. Freezing everything except pants and animating them to a new pose,then freezing pants, going back to frame 0, unfreezing shirt and animating it to a new pose and so on.I did this until everything was in it's final place. This took some time but animating everything at once was waybeyond capabilities of my machine and I had to manage somehow.Now it was time to get my final meshes with proper density and best looking simulations.Like with animating, i worked with one piece at a time. I changed the particle distance to 5mm to get nice folds.I set Shrinkage weft and warp values to over 100% to "get more cloth" inside a single pattern without need to scale anything.I found this useful trick in one of the tutorials on YouTube.Then I changed mesh type from triangle to "Quad" and finally in simulation property I switched preset from Normal to "Complete (Nonlinear)" simulation type.It is much heavier to compute for your PC but gives better looking results.After all that you can simply export everything to OBJ files.Marvelous Designer can automatically add thickness to your garment and include all the buttons you create.For this kind of work it's extremely helpful because it saves time.From here I worked on my UV's in Blender and Textures in Substance Painter and that's it.<img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/6ac70455907045d588c91bc88a3d1ee35046926e376b4692bdc0ad4377d3a2a3.jpg" class="custom-image original-size" data-id="6ac70455907045d588c91bc88a3d1ee3" data-width="1682" data-height="1005"><h1>What was the most difficult part, and what part did you spend a lot of time on to complete this artwork?</h1>The Biggest headache was the posing of the coat and it was the most difficult part for me.Firstly because it lays on top of everything and in basic position it is strongly intersected with other parts that are already in final place.Secondly it's being pushed to the back by hands and it wasn't folding the way I wanted.For this I had to use the Pin tool. It helped me to move it and hold the coat in certain positions during simulation which allowed me to avoid errors while animating.I still had to move my pins to a new position every one or two frames but it did the work.There's probably a better way to do this, but I had no time to experiment with different solutions.Animating I think was the part that I spent most time on. Mostly because I never did it before.<h1>What are the strong points that Marvelous Designer has?</h1>One of the strongest points of Marvelous Designer is the fact that it can run even on slower machines.You can always change particle distance to higher values and speed things up this way.- Thanks to real fabric presets You will always achieve realistic effects.There is no guesswork if something looks off, You know that is Your fault and there's something wrong with the way You created Your patterns.- New manual retopology tool is also amazing.It's super easy to draw quads in 2D View. You instantly see how everything lays out in 3d and can create low res versions of garments for other softwares to reproject the high detail.I think those three are my absolute favorites but I am still learning this software so who knows what else I will find in the future.<img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/0ad263e3a23647fa9bb0c7fa6b1709832eb66075f3f84c4d81f0d1c777c3afaf.jpg" class="custom-image original-size" data-id="0ad263e3a23647fa9bb0c7fa6b170983" data-width="1693" data-height="953"><img src="https://storagefiles.clo-set.com/public/community/202501/303925096cd54ce58ec60e2f876bd3e6/images/c6320bfb105f412d92f9df05a8f38c25de95d94203354d20bc9530ad8042bcbe.jpg" class="custom-image original-size" data-id="c6320bfb105f412d92f9df05a8f38c25" data-width="1693" data-height="953">Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/andrzej_rac">Artstation</a>Link to<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/andrzej_rac_3d/"> Instagram</a>

ONCE A WIFE

Casual Socks

Long Socks

ssafari259

用AI替换人脸，还不错吧<img src="https://storagefiles.clo-set.com/public/community/202510/94fa00271db247c395041e53c83bd0bd/images/67ac05fd77f2496cbc4526dc0fa9bb3d2104b38c_0.png" alt="67ac05fd77f2496cbc4526dc0fa9bb3d" class="custom-image original-size" data-id="67ac05fd77f2496cbc4526dc0fa9bb3d" data-width="2048" data-height="2048"><img src="https://storagefiles.clo-set.com/public/community/202510/94fa00271db247c395041e53c83bd0bd/images/85006fd2b3764477a9e7f6cab060d7b4f1ac5dd2_0.png" alt="85006fd2b3764477a9e7f6cab060d7b4" class="custom-image original-size" data-id="85006fd2b3764477a9e7f6cab060d7b4" data-width="1440" data-height="1920">

帅酷街头风

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

Freelancer

Cut, Slash & Corset

Championship Thread

<img src="https://storagefiles.clo-set.com/public/community/202511/bc462714126240ce9817aed6ad9d773b/images/a8916eee3d024aa5b7e56d1fc23cef89Social%20Media_Square_B.png" class="custom-image hidden-thumbnail" data-id="a8916eee3d024aa5b7e56d1fc23cef89" data-width="1080" data-height="1080">We’re excited to open the inZOI Gamewear Store! You now have&nbsp;access to upload inZOI Character Custom Content directly on CONNECT. Join the Gamewear Creator Benefit Event — an open event celebrating and supporting CONNECT’s most active creators. Take part in the opening event and earn exclusive&nbsp;creator rewards! ** Uploads must be submitted by December 31 to be eligible for the event.** Eligibility is based on the initial upload date. Items first uploaded by Dec. 31 remain eligible even if re-uploaded after review. Please note that reviews may take 2–3 weeks during the holiday period. In accordance with game policy, only free items are currently supported. Paid options are under review.<img src="https://storagefiles.clo-set.com/public/community/202511/bc462714126240ce9817aed6ad9d773b/images/a79749bb267c43be9463414150ceccfcSection%20%282%29.png" alt="a79749bb267c43be9463414150ceccfc" class="custom-image original-size" data-id="a79749bb267c43be9463414150ceccfc" data-width="1200" data-height="3146"><h1 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/sections/51484859987097-Upload-as-Game-Format">Learn More in the Creator Guide!</a> </h1>

🎮 CONNECT x inZOI Gamewear — Now Open to Creators!

아카데믹 챌린지

Traditional Costumes 3D Restoration

Create Your Persona: 3D Character & Digital Fashion

<img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/366fb9bc4626458f90c96f15be45e2a7Header_EN%20%282%29.png" class="custom-image hidden-thumbnail" data-id="366fb9bc4626458f90c96f15be45e2a7" data-width="1240" data-height="652"><img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/53157150cf9a411784e7784baa7c8025Header_EN%20%281%29.png" class="custom-image hidden-thumbnail" data-id="53157150cf9a411784e7784baa7c8025" data-width="1240" data-height="540">Meet <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.linkedin.com/in/vaibhavnegi/">Vaibhav Negi</a>, a CGI industry veteran with 10+ years of experience and a member of Marvelous Designer. In this spotlight, Vaibhav shares how he brought a photoreal character inspired by India’s traditional ritual, Bhoota Kola, to life. Discover how he utilized Marvelous Designer for over 80% of the asset—from complex layered garments to a brilliant workaround for creating intricate flower garlands and straw skirts using lightweight, production-ready workflows.<hr> <img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/743e4fbec1164392aa187b0bf63763443%20%281%29.jpg" alt="743e4fbec1164392aa187b0bf6376344" class="custom-image original-size" data-id="743e4fbec1164392aa187b0bf6376344" data-width="1500" data-height="2000"><h1>Software Used</h1>Blender – lighting, texturing, Rendering Marvelous Designer – Cloth Simulation &amp; Animation<h1>Artist Introduction</h1>Hey, I’m Vaibhav. I feel like an imposter here because I’m part of Marvelous Designer’s internal design team. That said, long before I joined the company, I was already a strong believer in the software.I have over 10 years of experience in CGI, with more than six years of that spent using Marvelous Designer as a core part of my workflow. My background is in CGI advertising and automotive visualization, while my personal passion lies in creating animated short films and video games.Throughout my career, Marvelous Designer has consistently been one of the tools that has had the biggest impact on both the quality and speed of my work.<h1>Please introduce your project.</h1>The project I’ll be talking about today is a character inspired by Bhoota Kola, one of India’s many traditional ritual practices. The ritual also served as the central theme of the critically acclaimed Indian film Kantara.My goal was to create a photoreal digital replica of the performer that could be optimized for both film and game production. More than 80% of the asset was created using Marvelous Designer. <img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/a7395529dafb48e0b29e2e52b281d55cArtboard%201.jpg" alt="a7395529dafb48e0b29e2e52b281d55c" class="custom-image original-size" data-id="a7395529dafb48e0b29e2e52b281d55c" data-width="1498" data-height="1466"><img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/ab88e7776b2c4c86884460108bf9c3c9Screenshot%202026-05-28%20090507.png" alt="ab88e7776b2c4c86884460108bf9c3c9" class="custom-image original-size" data-id="ab88e7776b2c4c86884460108bf9c3c9" data-width="2559" data-height="1439">The project also gave me an opportunity to explore complex layered garments and traditional ornaments, including flower garlands, ceremonial necklaces, and the iconic straw skirt. Beyond recreating the visual appearance, I wanted to capture the richness and authenticity of the costume while maintaining production-ready efficiency.<h1>Tell us how Marvelous Designer creates value in this project.</h1>Character creation is a highly complex process. Sculpting every element by hand requires significant time, technical skill, and a deep understanding of form design. Realistic garments add another layer of complexity, and once the assets are created, they still need to be retopologized and UV-mapped before they become practical for film or game production.For me, Marvelous Designer replaces much of the highly skilled craftsmanship involved in creating dimensional forms with the more structured and intuitive principles of garment design. That shift alone dramatically accelerates the process.<img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/dddd4953699b4e42a4a602bf6b942e9fArtboard%202.jpg" alt="dddd4953699b4e42a4a602bf6b942e9f" class="custom-image original-size" data-id="dddd4953699b4e42a4a602bf6b942e9f" data-width="1857" data-height="839">This project involved a large number of layered garments, and Marvelous Designer handled them exceptionally well. It remains the most natural and lifelike way I know of creating digital clothing.The integrated retopology and UV workflow saved a tremendous amount of time and allowed me to add levels of detail that would have been difficult to achieve otherwise.I also wanted to experiment with creating traditional flower garlands inside Marvelous Designer. The solution I arrived at was surprisingly simple but extremely effective. I created a tileable 3D pattern and used it as a button asset without enabling button simulation. This produced a visually rich garland that remained lightweight and efficient.The straw skirt followed a similar philosophy. While it appears highly detailed, it was built from a single simulated strand setup that was duplicated and arranged repeatedly. The result was a complex-looking asset created through a very efficient workflow.<h1>Are there any other unique projects you worked on using Marvelous Designer that you would like to showcase to our community?</h1><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/3IYeUIfTwEs?si=yk9M6jO1SaG4_sCg" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Over the last few years, I’ve created several animated short films that relied heavily on Marvelous Designer, and I’m particularly proud of two projects.The first,<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=3IYeUIfTwEs"> A House of My Own</a>, is a personal tribute to one of my former rented apartments, the first place that truly felt like home.The second is an adaptation of a story by one of my favorite writers, Ruskin Bond. Called <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=j14YXtGmwbw">In the dark</a>, The film was well received at several film events and earned multiple screenings, which was incredibly rewarding as an independent creator. <div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/j14YXtGmwbw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Both projects reinforced how valuable Marvelous Designer can be, not only for character work but also for storytelling.<h1>What is your favorite feature or tool to use in Marvelous Designer?</h1>The Retopology and UV Mapping tools are an easy choice for me.They make the transition from high-resolution assets to production-ready meshes incredibly intuitive. Being able to handle retopology and UVs directly within the same workflow saves time, reduces friction, and makes transferring detail from high-poly meshes much more efficient.<h1>For other users considering Marvelous Designer, do you have any advice or experience to share?</h1>Two tips completely changed the way I work:Think in layers. Approach your garments the same way you would approach a traditional painting. Focus on the large forms first, then gradually build detail. As sections are completed, freeze them and continue refining the next layer. This keeps simulations stable and the workflow manageable.Use cloth simulation, even if it’s subtle. If you’re creating animated films, adding even a simple cloth simulation can bring a surprising amount of life and realism to a character. As a bonus, natural cloth movement can often help mask small imperfections in animation.

Recreating the Richness of Traditional Indian Costume with Marvelous Designer

Aviation Pilot Officer Cap .zprj file in store 1$

Collection A

<h2 style="text-align: center">The Scent of Autumn – A warm and nostalgic tribute to fall! Inspired by the sweet fragrance of osmanthus blossoms, 3D artist Yao Chan transforms seasonal memories into whimsical, stylized art. Using Marvelous Designer, she crafts charming chibi-style outfits with delicate fabric details and dynamic draping, bringing her vision to life.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/lxzfrx_wrkw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/magicwand">Yao Chan</a> | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/rlO8kO">The Scent of Autumn</a> | 3D Artist</h1><hr><h1>Please introduce yourself to the Marvelous Designer community.</h1>Hi everyone! I'm Yao Chan, a 3D artist and UX designer based in Shanghai. I hold both a bachelor's and a master's degree in Digital Media from the Central Academy of Fine Arts. Over the past decade, I've worked as a UX designer at leading companies like TCL Alcatel, Lenovo, Motorola, and SAIC-GM. Since 2019, I’ve been increasingly incorporating 3D elements into my UX design work for automobiles and digital devices, which led me to develop a strong passion for 3D art. Now, I focus on creating 3D artwork inspired by my personal experiences and interests—3D art has become my way of expressing myself to the world.<h1>Your work The Scent of Autumn is full of warmth and childlike charm. Could you share the inspiration behind this character design and the story behind it?</h1>For me, the scent of osmanthus is the defining fragrance of autumn—it’s a memory deeply rooted in my mind. I created this piece last fall when the city was filled with the sweet aroma of blooming osmanthus trees. Walking down the streets, I would unexpectedly catch whiffs of their fragrance, instantly bringing me a sense of happiness. For those who love osmanthus, its scent is powerful—it engages the senses and transports you to a special seasonal moment. <img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/77c446ff3add45348225abd695e67868clay.jpg" class="custom-image original-size" data-id="77c446ff3add45348225abd695e67868" data-width="1600" data-height="1600">People often try to preserve this feeling by making osmanthus sugar, fragrance sachets, or perfumes. I wanted to do the same through my art, capturing and sharing the warmth of that moment, hoping to evoke a sense of nostalgia for autumn. In The Scent of Autumn, I illustrated myself wandering the streets with a bouquet of osmanthus in hand, fully immersed in the season’s charm. To convey such a simple yet heartwarming experience, I enjoy using stylized character and environment designs.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/f0de79d96ed346a9a6fa06a15cb465cfcloseup2.jpg" class="custom-image original-size" data-id="f0de79d96ed346a9a6fa06a15cb465cf" data-width="1600" data-height="1600"><h1>How did you create the outfit for the little girl character in your artwork? What role did Marvelous Designer play in the process?</h1>This character is a chibi version of myself, so I wanted her outfit to reflect my real-life autumn memories as accurately as possible. I based her clothing on one of my own fall outfits—a linen shirt, a denim short jacket, and casual cotton pants, finished off with a plaid newsboy cap. Having a real-world reference was incredibly helpful when working in Marvelous Designer, as it allowed me to focus on both the overall look and the finer details.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/9c9f4b8d9aff45ff8e1e18b65d70ee1acloseup1.jpg" class="custom-image original-size" data-id="9c9f4b8d9aff45ff8e1e18b65d70ee1a" data-width="1600" data-height="1600">I created the entire outfit using Marvelous Designer because I wanted the clothing to have a realistic fabric feel, and MD was the perfect tool for achieving that. To make sure the garments draped naturally in the final pose, I first created a transition animation in Blender, moving the character from an A-pose to the final stance. I then imported this animation into Marvelous Designer and used it as a virtual avatar, giving the fabric simulation room to settle properly. Compared to creating clothes directly in Blender, Marvelous Designer offers a more efficient workflow for designing patterns, achieving realistic fabric physics, and optimizing computational performance. Plus, since MD allows me to export 2D sewing patterns with UVs, the texturing process becomes much easier later on.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/f348b11e830d467da6f11439fe00ed12MD%E6%88%AA%E5%9B%BE2.JPG" class="custom-image original-size" data-id="f348b11e830d467da6f11439fe00ed12" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/2c994522ca53412ca6ce155fe7a77d1aMD%E6%88%AA%E5%9B%BE3.JPG" class="custom-image original-size" data-id="2c994522ca53412ca6ce155fe7a77d1a" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/1043edad7e1546f8954a11a0e3ecc986MD%E6%88%AA%E5%9B%BE1.JPG" class="custom-image original-size" data-id="1043edad7e1546f8954a11a0e3ecc986" data-width="2560" data-height="1399"><h1>Did you encounter any challenges while using Marvelous Designer? How did you overcome them?</h1>Since I don’t have a fashion design background, drafting 2D clothing patterns for my chibi-style character was a major challenge. The outfit was inspired by real clothing but didn’t follow traditional garment construction, and working with 2D layouts in MD felt quite different from thinking in 3D.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/4c95fa6fce4d4fbfa6d70f9bb2175e4eMD%E6%88%AA%E5%9B%BE4.JPG" class="custom-image original-size" data-id="4c95fa6fce4d4fbfa6d70f9bb2175e4e" data-width="2560" data-height="1399">To solve this, I researched real clothing structures and found similar pattern references online. The real-time 3D preview in Marvelous Designer was incredibly useful—it helped me fine-tune the fit through continuous adjustments until I achieved a satisfying final result.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/ccd003bdf05244789a5fd0b7afa61bb7Substance%E6%88%AA%E5%9B%BE5.JPG" class="custom-image original-size" data-id="ccd003bdf05244789a5fd0b7afa61bb7" data-width="2560" data-height="1400"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/fb9af770ca924ed0827c95548e68f827Substance%E6%88%AA%E5%9B%BE6.JPG" class="custom-image original-size" data-id="fb9af770ca924ed0827c95548e68f827" data-width="2560" data-height="1400"><h1>Can you walk us through the tools you used for this project? How well did Marvelous Designer fit into your workflow?</h1>For this project, I used Blender for modeling both the character and the environment. I also created an animation in Blender to transition the character from an A-pose to the final pose. Then, I imported this animation into Marvelous Designer, where I designed and simulated the hat, shirt, jacket, and pants. Once the clothing was complete, I exported the models to Substance Painter for texturing. Finally, everything was brought back into Blender for final touch-ups and scene composition.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/8b476c2ddb2d44b4b723d531cfe86b95wire.jpg" class="custom-image original-size" data-id="8b476c2ddb2d44b4b723d531cfe86b95" data-width="1600" data-height="1600"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/6674900f7744455db88604e90b9ec5eb%E6%88%AA%E5%9B%BE9.JPG" class="custom-image original-size" data-id="6674900f7744455db88604e90b9ec5eb" data-width="2560" data-height="1400">Marvelous Designer integrated seamlessly into the workflow. As long as the right file formats were used for importing and exporting, the process was smooth and stable, making it an essential tool for building an efficient and repeatable pipeline.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/lQtIcj3XLbk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Do you have any tips for using Marvelous Designer, especially for creating stylized cartoon outfits?</h1>When making cartoon-style clothing—especially for chibi characters—proportions play a crucial role. While the garments are inspired by real-world designs, they need to be stylized to suit the exaggerated features of the character. The size of shirts, pants, and hats should be carefully adjusted to match the character’s proportions.Fabric wrinkles can add realism, but too many can make the outfit feel overly detailed and lose its cartoon charm. To control this, I tweak fabric physical properties and particle distance to ensure the folds match the intended style. Additionally, fabric textures should be enlarged compared to real-world clothing to highlight the details. Just like doll clothes have more pronounced and simplified textures, scaling up fabric patterns helps maintain a clean and stylized look.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/c2d5162c423f4bcfb7c1682c48b67718Substance%E6%88%AA%E5%9B%BE8.JPG" class="custom-image original-size" data-id="c2d5162c423f4bcfb7c1682c48b67718" data-width="2560" data-height="1400"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/495eaf0587ff43d09d05f42888c338eaSubstance%E6%88%AA%E5%9B%BE7.JPG" class="custom-image original-size" data-id="495eaf0587ff43d09d05f42888c338ea" data-width="2560" data-height="1400"><h1>What’s your overall experience with Marvelous Designer?&nbsp;</h1>I’ve had a great experience with Marvelous Designer. It allows me to create clothing much like in real-life fashion design—cutting, sewing, and adjusting 2D patterns while seeing instant results in 3D. The real-time simulation and animation capabilities make it easy to refine garments dynamically. The software is also user-friendly, with smooth performance and efficient computation, making it my preferred tool for garment creation.<img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/19a0e6d916f3480e9745e4ebbb6c4008final1600.jpg" class="custom-image original-size" data-id="19a0e6d916f3480e9745e4ebbb6c4008" data-width="1600" data-height="1600"><hr><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/magicwand">Artstation</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/yaochanyc">Behance</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/54e6d7a44fac63791c29c643?xsec_token=ABlH0AWM9L9l144-pHUFXlyf3aFeEX4j4S916oAEd3328%3D&amp;xsec_source=pc_search">RedNote</a>Instagram: magicwandyc

The Scent of Autumn

<img src="https://storagefiles.clo-set.com/public/community/202606/165ba9822204439cbea4e80698f0aa7b/images/3117313aa4ef4414aaee95b91fed35a83%20veiw%20thumbnail.png" alt="3117313aa4ef4414aaee95b91fed35a8" class="custom-image original-size" data-id="3117313aa4ef4414aaee95b91fed35a8" data-width="1536" data-height="1024">This project presents a medieval-inspired costume design influenced by traditional European garments of the Middle Ages. The design emphasizes historical authenticity, practical garment construction, and period-inspired silhouettes. The combination of deep red, forest green, and earthy brown tones creates a visually rich and immersive historical aesthetic.The garment was fully modeled and simulated in CLO3D, textured and materialized in Substance Painter, and rendered using Marmoset Toolbag. This asset is suitable for historical visualization, game development, film production, animation, concept art, and fantasy-inspired projects.zahrakarimzadeh.zk@gmail.com<h3></h3>

Historical European Garment Design

<h2 style="text-align: center">Ever wondered how a highly detailed Lolita dress is made in 3D?</h2><h2 style="text-align: center">From layered frills to hand-crafted bows, 3D Character Artist Honghui Qiu shares how he brought "Mariée de Kumya" Lolita dress to life with Marvelous Designer — and the challenges that came with it.</h2><hr><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1046712379?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/qhhkkkk">Honghui Qiu</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/florencianespola1"> </a>| <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/q">Mariée de Kumya Lolita Dress</a> | 3D Character Artist</h1><hr><h1>Please introduce yourself to the Marvelous Designer community.</h1>Hello everyone! My name is Qiu Honghui, a 3D character artist from China. I've been working in the game industry for two and a half years.I was first introduced to 3D during a university course and found it incredibly fascinating. That initial spark led me to dive deeper into self-learning. However, I soon realized that 3D creation was far more complex than I had imagined. After graduating, I spent six months in a professional training program, which helped me gain the skills needed to enter the game industry.<h1>What inspired you to create this piece? Could you share the story behind it?</h1>The inspiration came from a Lolita fashion show I stumbled upon on Bilibili. I was struck by how exquisitely detailed each outfit was, which sparked my interest in learning more about Lolita fashion.This particular design is based on the 2023 “Mariée de Kumya” (Bear Bride) dress by Baby, The Stars Shine Bright. I was fascinated by its rich design elements — lace, embroidery, pearls, and satin, especially the intricate layering around the neckline, cuffs, and hem. I felt that recreating it in 3D could truly highlight its elegance and craftsmanship.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/c21e02d300f54369a28c86285d8a2696%E7%86%8A%E7%86%8A%E8%8A%B1%E5%AB%81%E8%8D%89%E8%8E%93%E5%9B%AD%20%E5%AE%9E%E7%89%A9.jpg" alt="c21e02d300f54369a28c86285d8a2696" class="custom-image original-size" data-id="c21e02d300f54369a28c86285d8a2696" data-width="480" data-height="720"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/471ec7e5defd440fa8d7944aaa3f1c7f%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA12.jpg" alt="471ec7e5defd440fa8d7944aaa3f1c7f" class="custom-image original-size" data-id="471ec7e5defd440fa8d7944aaa3f1c7f" data-width="3840" data-height="2160"><h1>This Lolita design includes many intricate details such as layered patterns, bows, and lace trims. How did Marvelous Designer help improve your workflow or enable unique design effects?</h1>When working with multiple layers in Marvelous Designer, I use the Layer feature to define the hierarchy of each pattern. I also rely on Deactivate and Freeze functions to adjust layers individually.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/eaa475663865471daf92400dd1591168MD%E6%88%AA%E5%9B%BE02.png" alt="eaa475663865471daf92400dd1591168" class="custom-image original-size" data-id="eaa475663865471daf92400dd1591168" data-width="2511" data-height="1911">Creating lace trims is also very efficient in Marvelous Designer. I typically adjust the pattern length or modify the weft/warp shrinkage ratio to achieve lace-like effects, and sometimes use the pleats and fold tools to create textures similar to pleated skirts.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/3fec3db6c7054d3389cbc9bfe34e7e76MD%E6%88%AA%E5%9B%BE01.png" alt="3fec3db6c7054d3389cbc9bfe34e7e76" class="custom-image original-size" data-id="3fec3db6c7054d3389cbc9bfe34e7e76" data-width="2515" data-height="1914"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/e76341eebdbd4bad8c3dcaa39ce22032%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA03.jpg" alt="e76341eebdbd4bad8c3dcaa39ce22032" class="custom-image original-size" data-id="e76341eebdbd4bad8c3dcaa39ce22032" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/b5f1aae341e34b93918128849a3db362%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA07.jpg" alt="b5f1aae341e34b93918128849a3db362" class="custom-image original-size" data-id="b5f1aae341e34b93918128849a3db362" data-width="3840" data-height="2160">The bows featured on the Lolita dress were all made using Marvelous Designer. One major advantage of using the software for bow creation is the flexibility to quickly model different styles based on your needs. I often use the Fold Arrangement tool and fine-tune details by adjusting the fold angle along internal lines.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/14f125bf835b490290623c56a906957e%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA09.jpg" alt="14f125bf835b490290623c56a906957e" class="custom-image original-size" data-id="14f125bf835b490290623c56a906957e" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/06538a62d14646b0b3221f9a87b649d8%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA11.jpg" alt="06538a62d14646b0b3221f9a87b649d8" class="custom-image original-size" data-id="06538a62d14646b0b3221f9a87b649d8" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/16e16f7698d648d19916443025e6c80c%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA10.jpg" alt="16e16f7698d648d19916443025e6c80c" class="custom-image original-size" data-id="16e16f7698d648d19916443025e6c80c" data-width="3840" data-height="2160"><h1>Did you encounter any challenges during the creation process? How did you overcome them?</h1>The main challenge I faced was with the skirt. Due to its large surface area and the layering of multiple pattern pieces, the CPU simulation became quite laggy. Additionally, it was difficult to achieve the exact volume and shape I had envisioned for the skirt.To resolve this, I worked on the skirt separately in a dedicated project file, and went through multiple iterations adjusting the structure of the petticoat. I also fine-tuned the fabric properties for each layered piece individually. These steps eventually helped me reach a satisfying result.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/d0f30adc247d4eee8d4ca45c24d7848d%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA01.jpg" alt="d0f30adc247d4eee8d4ca45c24d7848d" class="custom-image original-size" data-id="d0f30adc247d4eee8d4ca45c24d7848d" data-width="3840" data-height="2160"><h1>Could you briefly walk us through the tools and software you used during this project? Was Marvelous Designer well integrated into your workflow?</h1>I began with Marvelous Designer to create the garments during the modeling phase. The assets were then imported into Blender, where I performed retopology, added edge bindings, and created accessories.For the texturing process, I used Substance Designer to craft the fabric patterns and materials. Final rendering was done in Blender.Overall, the workflow between Marvelous Designer and Blender was very smooth and efficient.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/ef14418d53db452cac24563c97a54f23%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA13.jpg" alt="ef14418d53db452cac24563c97a54f23" class="custom-image original-size" data-id="ef14418d53db452cac24563c97a54f23" data-width="3840" data-height="2090"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/3c3f6403046e49508b51cab8dff65573%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA17.jpg" alt="3c3f6403046e49508b51cab8dff65573" class="custom-image original-size" data-id="3c3f6403046e49508b51cab8dff65573" data-width="3840" data-height="2090"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/63f5e08df7a94c6192087e05d0fe6160%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA14.jpg" alt="63f5e08df7a94c6192087e05d0fe6160" class="custom-image original-size" data-id="63f5e08df7a94c6192087e05d0fe6160" data-width="3840" data-height="2090"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/074d8dd9ebd8403697a84b59b61c0a9c%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA15.jpg" alt="074d8dd9ebd8403697a84b59b61c0a9c" class="custom-image original-size" data-id="074d8dd9ebd8403697a84b59b61c0a9c" data-width="3840" data-height="2090"><img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/b05303d935dc4714b822857f9c9583f5%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA16.jpg" alt="b05303d935dc4714b822857f9c9583f5" class="custom-image original-size" data-id="b05303d935dc4714b822857f9c9583f5" data-width="3840" data-height="2090"><h1>Do you have any advice for beginners who want to create a Lolita-style outfit using Marvelous Designer?</h1>My first piece of advice would be to use a higher-spec computer, as creating detailed Lolita garments can be quite demanding on system performance, especially when dealing with multiple layers and heavy simulations.Also, it’s very helpful to collect high-quality references of Lolita designs. I’d like to recommend my mentor, JueFei Kay20000 — you can check out his ArtStation portfolio here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://kay20000.artstation.com">https://kay20000.artstation.com</a><h1>How has your overall experience with Marvelous Designer been? Are there any improvements or new features you’d like to see in the future?</h1>This piece was created in 2023, when GPU simulation optimization hadn’t been introduced yet — so the process was relatively slow.However, with continuous updates, Marvelous Designer has made significant improvements in performance. I recently saw the feature highlights for Marvelous Designer 2025.0, and I’m especially looking forward to the redesigned UI and the quick-access asset store, both of which I believe will greatly enhance workflow efficiency.<img src="https://storagefiles.clo-set.com/public/community/202506/fc8a1ec901504001bda74fd0f890409b/images/8f6558a981fe405691b3dc24aa1f9122%E4%BD%9C%E5%93%81%E5%B1%95%E7%A4%BA04.jpg" alt="8f6558a981fe405691b3dc24aa1f9122" class="custom-image original-size" data-id="8f6558a981fe405691b3dc24aa1f9122" data-width="3840" data-height="2160"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/qhhkkkk">Artstation</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://space.bilibili.com/19462987">Bilibili</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/5db3019f0000000001006cba?xsec_token=ABNyM9g_1t4qNIZ7P48FA3UICMa9L426P9VlDHeQffIdI=&amp;xsec_source=pc_note">RedNote</a>

Mariée de Kumya — Recreating Lolita Dress in Marvelous Designer 🎀

Hello CLO Team,I am currently working on a high-fidelity 3D garment and need to implement a specific custom zipper element shaped like a "baseball home plate" to match a live-action reference. I have s the high-detail tooth in an external 3D software and exported it as a clean .OBJ file.The Problem: Despite multiple attempts to register this OBJ as a custom zipper element, the software is not allowing me to use the custom geometry for the zipper teeth.Steps I have already taken:<ol><li>OBJ Preparation: Exported a single tooth at the correct scale (mm) and ensured the normals are facing correctly.</li><li>Registration Attempt: I accessed the "Register OBJ" window. However, the "Type" dropdown only provides options for Slider, Puller, and Stopper.</li><li>Library Limitation: When I register the file as a "Stopper," it saves as a .zst file. Because it is a .zst, it does not appear in the Property Editor &gt; Teeth &gt; Type dropdown menu when the zipper is selected.</li><li>Menu Search: I have searched for a specific "Register Zipper Element" or "Register Teeth" option in the Material &gt; Zipper menus but cannot find a dedicated tab for it.</li></ol>My Goal: I need to know if it is possible in this version of CLO3D to register a custom zipper tape teeth as OBJ and replace it with the current obj zipper teeth so it can be populated along the entire length of the zipper path.<img src="https://storagefiles.clo-set.com/public/community/202602/117a9d3bdc764c3582274e0b9712981e/images/fb104e63bc604259914ff1835e47ba9cimage.png" alt="fb104e63bc604259914ff1835e47ba9c" class="custom-image original-size" data-id="fb104e63bc604259914ff1835e47ba9c" data-width="1045" data-height="172">this is the custom obj teeth i want (i have a single teeth OBJ file which i even imported but it isnt working) <img src="https://storagefiles.clo-set.com/public/community/202602/117a9d3bdc764c3582274e0b9712981e/images/139863ddc0384b3c8de484b4627fd1c7image.png" alt="139863ddc0384b3c8de484b4627fd1c7" class="custom-image original-size" data-id="139863ddc0384b3c8de484b4627fd1c7" data-width="264" data-height="843">Please help me with this i am not able to replace it i tried everything

ONCE A WIFE

Marvelous Designer Official

Marvelous Designer Official