<hr><p>Flora Burst - Adidas Idea Concept </p><p><img src="https://storagefiles.clo-set.com/public/community/202508/344d160d3bfd4bf0a8e92eec5094764b/images/6faccbc5e69944ea8dae04066ddd05ecIMG_2914.jpeg" alt="6faccbc5e69944ea8dae04066ddd05ec" class="custom-image original-size" data-id="6faccbc5e69944ea8dae04066ddd05ec" data-width="3367" data-height="3312"><img src="https://storagefiles.clo-set.com/public/community/202508/344d160d3bfd4bf0a8e92eec5094764b/images/553b673d13644fcaa2dacf3713784ffaIMG_2909.jpeg" alt="553b673d13644fcaa2dacf3713784ffa" class="custom-image original-size" data-id="553b673d13644fcaa2dacf3713784ffa" data-width="1655" data-height="1079"><span>These past weeks I’ve been working on this design called Flora Burst, which is an idea concept for the Adidas brand. I’m really happy that I managed to create something in the sportswear industry because I wanted to explore different fields and show my creativity in more areas.</span></p><p><img src="https://storagefiles.clo-set.com/public/community/202508/344d160d3bfd4bf0a8e92eec5094764b/images/891678b76010471ab47479064f60edf3IMG_2776.jpeg" alt="891678b76010471ab47479064f60edf3" class="custom-image original-size" data-id="891678b76010471ab47479064f60edf3" data-width="2191" data-height="1246"></p>

Adidas Flora Burst Concept

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Step into the world of Shakespearean drama, King Lear. This piece meticulously recreates the intricate costumes and emotions of the iconic characters.</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/c3f7bf108e7746c4b07bb988f5fa23d764a345e18f6542b5b5531a19d6dbfa23.png" class="custom-image original-size" data-id="c3f7bf108e7746c4b07bb988f5fa23d7" data-width="1426" data-height="624"><h1 style="text-align: center"><strong>Interview with Chuying | King Lear | 3D Character Artist</strong></h1><hr><h1><strong>Artist Introduction</strong></h1><p>Hello everyone, my name is Chu Ying, and I am a 3D modeling hobbyist. I came into contact with 3D production by chance, and my mentor is YangGuang, who is an amazing character artist.</p><p></p><h1><strong>Tell us about the project: King Lear</strong></h1><p>This artwork is based on an oil painting by Edwin Austin Abbey. I was deeply attracted to it when I saw it for the first time. As I learned more, I found out that the painting depicted a scene from King Lear, which is one of my favorite stories, so based on that I decided to try to create it in 3D.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/a531c46d36fa4023ba79c19c954d337db2bb9810c60844e2af81cb62a53c8f95.png" class="custom-image original-size" data-id="a531c46d36fa4023ba79c19c954d337d" data-width="1430" data-height="714"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/db8fa0f1571e496ba65824606fadd8c3c11a10bd29eb4054814862e694359352.png" class="custom-image original-size" data-id="db8fa0f1571e496ba65824606fadd8c3" data-width="1430" data-height="714"><p></p><p>For this artwork, before starting it, I have spent a lot of time to understand the historical background and creation period of this work, as well as collecting more reference images that fit their background story, to ensure that I have a basic understanding of what kind of garments and textures I need to make.</p><p>I will gather those collected reference images in PureRef, including the garments, trims, hairstyles, armor or weapons, or any other that makes my inspiration sparks.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/8fdaefa00c684a00aa89d41ff430b5f84f62396f8d0a4ca580a6086c97ba6207.png" class="custom-image original-size" data-id="8fdaefa00c684a00aa89d41ff430b5f8" data-width="719" data-height="441"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/b2326ce06bc34f7b926fca2aac3c2a8497c5a8a0cb1d47998a7d41de20e13af3.png" class="custom-image medium-size" data-id="b2326ce06bc34f7b926fca2aac3c2a84" data-width="460" data-height="327"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/1efd60e20bec422bafa13b01e386c110c779e54d92294447a8c0f662c6283599.png" class="custom-image medium-size" data-id="1efd60e20bec422bafa13b01e386c110" data-width="560" data-height="293"><p>These are the mood boards that combine the reference images.</p><p></p><h1><strong>Why did you decide to use Marvelous Designer? How did it help you serve art direction?</strong></h1><p>Since I need to simulate a lot of fabrics in this artwork, I chose Marvelous Designer after trying a lot of software because it can quickly iterate to help me realize the required clothing and very realistic folds.</p><p>In Marvelous Designer workflow, first of all, I will quickly create a prototype of the clothing I need.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/35f852d2187d4876bbf8ed35534d57b73e0f0355db6c4974bfe602b0d1d70623.png" class="custom-image medium-size" data-id="35f852d2187d4876bbf8ed35534d57b7" data-width="522" data-height="676"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/c96fc510ec5442b288a408dc808d9cfdd2c8b086a2cc4575968976d76a0ef5d8.png" class="custom-image medium-size" data-id="c96fc510ec5442b288a408dc808d9cfd" data-width="465" data-height="677"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/49b28e885b0d41659e24b84aa1da88924039a716b39047a6af70bcc0355c77dc.png" class="custom-image medium-size" data-id="49b28e885b0d41659e24b84aa1da8892" data-width="608" data-height="912"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/cc57ef924a1d48fca614952508b2e25f1ec4721acb114baf9b2b8f1905fa4666.png" class="custom-image medium-size" data-id="cc57ef924a1d48fca614952508b2e25f" data-width="567" data-height="708"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/02e2918d68784eb3bbd6ab9ef284b3b4c0fd7e8a8a4845858e2cb12fa6a0d23f.png" class="custom-image medium-size" data-id="02e2918d68784eb3bbd6ab9ef284b3b4" data-width="597" data-height="539"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/eca5093e2e6b4f498c35e17fffeac490ed32abd618d8491e85497a6ebb1f9931.png" class="custom-image medium-size" data-id="eca5093e2e6b4f498c35e17fffeac490" data-width="511" data-height="625"><p></p><p>Then I will export the model in Marvelous Designer to Maya to make a simple .pos file, and then import it in Marvelous Designer to simulate the garment draping that follows the pose changing. I really like this function because it achieves very good results and does not require too many settings. It is very simple and easy to use.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/82eb49b1eb424f5f85504fee9886990e8c88f90faa10434f9eabf9105119be56.png" class="custom-image medium-size" data-id="82eb49b1eb424f5f85504fee9886990e" data-width="531" data-height="703"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/a1681bdc85754c3db407a3c2d5862839e7844e7af7e54492abb210a4c96676b6.png" class="custom-image medium-size" data-id="a1681bdc85754c3db407a3c2d5862839" data-width="520" data-height="570"><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/d784e3ad757943f2aff48dd4c532dfe7a6a5ad433c5b4c14a1d7fc84c6638248.png" class="custom-image medium-size" data-id="d784e3ad757943f2aff48dd4c532dfe7" data-width="665" data-height="687"><p></p><p>I’ve also used those powerful features in making the scene fabrics, Marvelous Designer brings me realistic and natural fabric effects. I highly recommend you to take a try. It will help you to enhance the realism of the garment and the efficiency of creating the artwork. It doesn't require knowing complex dynamics, it's really easy to use, just press the magic space bar, and it will help you achieve the effect you want.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/b3c2df28c6684195b58904da061700fe139d746b08ed4a048afb3d6f9a3e27f2.png" class="custom-image original-size" data-id="b3c2df28c6684195b58904da061700fe" data-width="778" data-height="696"><p></p><h1><strong>Can you give us a quick overview of the different tools used in your pipeline?</strong></h1><p>I’ve used Maya, Zbrush, Substance 3D Painter and some other 3D software.</p><p></p><h1><strong>Can you elaborate on the challenges while you’re working on the project: King Lear?</strong></h1><p>The biggest challenge is handling a huge amount of simulation of garment and fabric, and changing the pose of the avatar is another big challenge. But fortunately, Marvelous Designer helps me to solve those problems.</p><p></p><h1><strong>What tips do you have for other character artists using Marvelous Designer?</strong></h1><p>Importing the OBJ file that you make from other 3D software as Garment is very helpful for us to create the garment quickly.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/782849a9eef34836950acce73ddaf5464d851eeb6b0e4309a3dce8f96c8776d1.png" class="custom-image original-size" data-id="782849a9eef34836950acce73ddaf546" data-width="452" data-height="381"><p></p><p>And recording animation function is helpful for me to simulate the garments. I can load a pose file and have the garment transform according to the joints.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/1a48258d84b346419298f4d5e6ee1dee4dbb705ae03049418c9857cd0f51a786.png" class="custom-image medium-size" data-id="1a48258d84b346419298f4d5e6ee1dee" data-width="1024" data-height="1285"><p></p><p>When creating the bands or stripes, Pin tool helps me to fix those fabrics in the air. I highly recommend you to use the pin to do the knots or twist the bands.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/bf32429142914c66982af371e840024bb2555980393f4a13b399043cc711222b.png" class="custom-image original-size" data-id="bf32429142914c66982af371e840024b" data-width="1534" data-height="1004"><p></p><p>And if you have fabric simulation needs for making the environment, you can definitely try Marvelous Designer, build up a simple pattern and see how it goes.</p><img src="https://storagefiles.clo-set.com/public/community/202412/205ff9812f494f8eb8a1e46ee9196b61/images/324a1574deaf4be3bbcb5c33e190ae8e9e7b49d60172486eafae540f8b7f0406.png" class="custom-image original-size" data-id="324a1574deaf4be3bbcb5c33e190ae8e" data-width="778" data-height="696"><p></p><p>There are lots of tips and tricks when you are using Marvelous Designer, I cannot list them all with several sentences. You can follow up the Youtube or Bilibili official channel of Marvelous Designer, there are lots of good tutorials or nice videos about it. I’ve learned a lot since I followed up with these accounts.</p><p></p><h1><strong>How can you describe your overall experience of the use of the Marvelous Designer?</strong></h1><p>Using it makes me feel wonderful, Marvelous Designer is absolutely an outstanding 3D design tool, it’s easy to use. The workflow could be more efficient and I could adjust the garments quickly based on the effect. The UI is user-friendly and the fabric simulation is realistic. It is compatible with other 3D software and is an ideal tool for promoting digital clothing design. By using Marvelous Designer, the designer's creativity can be extended infinitely.</p><p></p><h1><span style="font-family: Arial"><strong><em>by&nbsp;Chuying</em></strong></span><br><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/chuyingzhang"><span style="font-family: Arial"><strong><em>ArtStation</em></strong></span></a></h1>

King Lear

<h2 style="text-align: center"><span style="font-family: Times new roman"><em>株式会社典樹が運営する3Dアバター服飾ブランド「</em></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/"><span style="font-family: Times new roman"><em>YOYOGI MORI</em></span></a><span style="font-family: Times new roman"><em>」。 「安心して長く付き合えるブランド」を掲げ、魅力的なバーチャルウェアの制作を行う制作集団です。</em></span></h2><h2 style="text-align: center"><span style="font-family: Times new roman"><em>今回は、YOYOGI MORIでMarvelous Designerを用いた3D縫製やアバターのセットアップを担当するデザイナーが、ファッションの制作における制作のこだわりやブランドの哲学を語ります。</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h2>アーティストとブランド紹介</h2><p>Q. まずはご自身と「YOYOGI MORI」について紹介をお願いします。どのような活動をされていますか？</p><p>A. 「YOYOGI MORI」は株式会社典樹が運営する、3Dアバター服飾ブランドで様々なクリエイターとのコラボレーションによって、魅力的なバーチャルウェアの制作を行うサークル活動です。 私は文化服装学院を卒業後、在学中から関りのあった株式会社典樹へと入社しました。</p><p>現在は主にMarvelous Designerを用いた3D縫製を主軸に、アバターのセットアップや製品の制作進行などを担当しております。また個人的に現実の衣装作成や音楽活動なども行っております。</p><hr><h2>ブランドテーマと美学</h2><p>Q. YOYOGI MORI の作品には独自の世界観やファッション性を感じます。<br>ブランドとして大切にしているテーマや美学を教えてください。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/383ad397357a405bb62a673e70b3738abca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="383ad397357a405bb62a673e70b3738a" class="custom-image original-size" data-id="383ad397357a405bb62a673e70b3738a" data-width="1024" data-height="1024"></p><p>A. YOYOGI MORIが目指すのは、ユーザーから「安心して長く付き合えるブランド」として認知されることです。その実現のために、単なる3Dアバターの販売にとどまらず、継続的なアップデートやサポートを通じて、購入後も価値が高まり続ける体験を提供しています。 また、作品単体で完結させるのではなく、ブランド全体の世界観を一貫して表現することにより、「YOYOGI MORIの製品であること自体がステータスであり、安心の証」となるような存在を目指しています。</p><p>ブランドの理念として掲げているのは、「3Dアバターを大切に扱う文化を育てること」です。アバターを単なるデータではなく、自分の身体の延長として捉え、適正な価格設定と明確な利用規約を設けることで、ユーザーに安心感を提供し、同時にクリエイターが健全に活動できる土台を築いてきました。 今後も、ユーザーとクリエイターの双方に対して価値を還元しながら、「祖父母が孫にアバターを贈ることができる未来」という理想のビジョンの実現に向けて、活動を続けていきます。</p><hr><h2>VRChatにおけるファッションの意義</h2><p>Q. VRChat上でファッションを作ることには、どんな魅力や意義を感じていますか？</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/dcf429aaea564fbca97c5e4f5af217c91d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="dcf429aaea564fbca97c5e4f5af217c9" class="custom-image original-size" data-id="dcf429aaea564fbca97c5e4f5af217c9" data-width="1024" data-height="1024"></p><p>A. 一服好きとしては、アパレルという長い歴史のある業界の中で、最先端でモノづくりを行っていると思えるところが好きです。バーチャルウェアという、今この時代だからこそ制作可能な服飾に可能性を感じています。</p><hr><h2>Marvelous Designerを用いた制作フローと工夫</h2><p>Q. 普段の制作フローの中で、Marvelous Designer はどのように活用されていますか？</p><p>A. 【型紙制作と縫製】 型紙を製作し、縫い合わせた後はレイヤー機能、強化等を使用してザックリ完成形に近づけます。 今回のデザインはプリーツが多様されていたので、プリーツ機能を使用しました。縫い合わせていない部分は浮くので、タックなどで押さえて綺麗に見せています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/66145305a5c94aa3827eb05b8fe5084e%E5%9E%8B%E7%B4%99.png" alt="66145305a5c94aa3827eb05b8fe5084e" class="custom-image original-size" data-id="66145305a5c94aa3827eb05b8fe5084e" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/8aa05ec417c24e2eb0821b1740f5d61e%E3%82%BF%E3%83%83%E3%82%AF.png" alt="8aa05ec417c24e2eb0821b1740f5d61e" class="custom-image original-size" data-id="8aa05ec417c24e2eb0821b1740f5d61e" data-width="1571" data-height="1001"></p><p style="text-align: center">プリーツ機能やタックを活用した型紙制作の様子</p><p style="text-align: center"></p><p>【シミュレーションとシワの作り込み】 欲しいシワを作るために、設定や型紙を少しずつ変えながらシミュレーションをかけなおしますが、この時に部分固定やピン等を使用しています。 左右対称なシワ感で良い場合は、片方を作りこんでから、縫い代付近以外を部分形状保持して対称パターンを作ると便利だなと思っています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/30ad5ac744ea45c1880ab252bc31502d%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="30ad5ac744ea45c1880ab252bc31502d" class="custom-image original-size" data-id="30ad5ac744ea45c1880ab252bc31502d" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/47122999ac604a9e9096959d511e1919%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="47122999ac604a9e9096959d511e1919" class="custom-image original-size" data-id="47122999ac604a9e9096959d511e1919" data-width="742" data-height="741"></p><p style="text-align: center">ピンや部分固定を使用してシワを調整している様子</p><p>【完成形のディテール】 3Dの場合如何に「かっこいいシワ」が出来るかで、情報量や出来上がりの印象が変わってくるので、良く動きそうな部分などはしっかりと作りこんでいます。 個人的にMarvelous Designerのいいところは細かく素材感の伝わるシワが作れる部分だと思っていますし、いらないシワが出来てしまっても後から消せるので、一旦とにかくシワ感がかっこいい状態を完成形として作りこむことを意識しています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/b3af2f3509f34519bb9b28db0f5b491a%E5%AE%8C%E6%88%90.png" alt="b3af2f3509f34519bb9b28db0f5b491a" class="custom-image original-size" data-id="b3af2f3509f34519bb9b28db0f5b491a" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/80d7c982953f41a0bec2a45a82789259%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="80d7c982953f41a0bec2a45a82789259" class="custom-image original-size" data-id="80d7c982953f41a0bec2a45a82789259" data-width="1175" data-height="677"></p><p style="text-align: center">完成した衣装のシワ感とディテール</p><hr><h2>チーム制作での役割とメリット</h2><p>Q. YOYOGI MORIは少人数のチーム制作と伺っています。</p><p>プロセスのなかでMarvelous Designer が役立っている場面はありますか？</p><p>A. 小人数チームならではということであれば、それぞれの専門分野が活かしやすい点ですね。3Dモデラーがより服らしい良いシワを作ろうとするより、服が好きな人間がその部分を担当した方が良いものに出来ると考えています。 既存の3Dツールにあるスカルプト機能では表現するのが難しいような、生地感の差異やパターンによるシワ感を得られる点がかなり大きな利点ですね。 また、概念的な話ですが、実際の服の型紙を引くようにモデルの製作が出来るので、出来上がった製品に服としての説得力を持たせることができるのも素晴らしい点かと思います。</p><hr><h2>制作上の課題と解決策</h2><p>Q. VRChat向けの服制作で、Marvelous Designer を使う際に難しかった点や、</p><p>それをどのように解決されたか教えてください。</p><p>A. VRChatに限った話であれば、慣習的にTポーズでの衣装作成を余儀なくされることが多いかと思いますが、その場合に袖山の高さが確保できずに、ジャケットやシャツなど肩のシルエットが大事な服飾の制作が難しかったです。YOYOGI MORIでは基準のポーズをAポーズにすることである程度見た目の美しさを解決しています。</p><p>また、実際の人間とアバターの体型を比較すると、アバターの方が極端にメリハリのある体型をしていることがあり、現実の感覚でパターンを作成すると不格好になってしまうことも往々にしてありました。その場合は、より細かくダーツをとってみたり、一部分だけに固定や強化を使用することで目的とする造形に近づけるようにしています。</p><hr><h2>今後の展望</h2><p>Q. Marvelous Designer を使った今後の制作で挑戦してみたいテーマや方向性はありますか？</p><p>A. 現実のアパレルでは表現できないような製品に取り組んでみたいですね。現状だとまだ実際に制作できるものばかりなので、バーチャルだからこそ出来ることを追求したうえで、そこにMarvelous Designerだから製作可能なリアリティを上乗せして、現実には存在できないのに存在感のあるモノを作れたら最高だなと考えています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/e5aae88180764fcf8624dbfdc5e0dd4e9d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="e5aae88180764fcf8624dbfdc5e0dd4e" class="custom-image original-size" data-id="e5aae88180764fcf8624dbfdc5e0dd4e" data-width="1024" data-height="1024"></p><h2>VRChatにおけるアバター・衣装制作者へのメッセージ</h2><p>Q. Marvelous Designer をこれから使ってみたいVRChat制作者に向けて、アドバイスやメッセージをお願いします。</p><p>A. 実際の服飾に触れたことが無いという理由で敬遠される方もいらっしゃるかと思いますが、Tシャツ等であれば前身頃、後ろ身頃、袖の三つの型紙だけで製作することができますし、Marvelous Designerの機能も作図と縫い合わせだけで完結できますので、一度触ってみてリアリティのあるシワ感を体験してみていただきたいです。 一つ作ってみてシミュレーションの生地を変更してみるだけでも楽しいと思います。</p><hr><h2>クレジット</h2><p>アバター・衣装画像および動画：YOYOGI MORI BOOTHページ 「<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">【VRC / VRM 対応3Dモデル】Haysblanks ver1.03</a>」より</p><p>Marvelous Designer内アバター衣装制作画像：株式会社典樹</p>

[JP] YOYOGI MORI: バーチャルリアリティーにおけるアバター服飾デザイン

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>As an Environment Artist at OVFX Studios, Raghav brought breathtaking dome tents to life in his mentorship project at Think Tank Training Center.</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube-nocookie.com/embed/eK58ZuOVrwg" frameborder="0" allowfullscreen="" width="640" height="480" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center"><span style="font-family: &quot;Avenir Next LT Pro&quot;, pretendard, source-han-sans-cjk-sc, &quot;BIZ UDGothic&quot;, sans-serif, sans-serif"><strong>Interview with Raghav Verma | </strong></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/n0R1g6"><span style="font-family: &quot;Avenir Next LT Pro&quot;, pretendard, source-han-sans-cjk-sc, &quot;BIZ UDGothic&quot;, sans-serif, sans-serif"><strong>Swamp Haven</strong></span></a><span style="font-family: &quot;Avenir Next LT Pro&quot;, pretendard, source-han-sans-cjk-sc, &quot;BIZ UDGothic&quot;, sans-serif, sans-serif"><strong> | 3D Artist</strong></span></h1><hr><h1><span style="font-family: Arial"><strong>Artist Introduction</strong></span></h1><p><span style="font-family: Arial">Hey! My name is Raghav Verma, I’m currently working as an Environment Artist at the OVFX Studios for an unannounced Netflix and Hulu title. What can I say, I love to create things! Be it environment, props, or procedural systems for environments! My focus remains on game art which uses real-time rendering pipeline using game engines like Unreal Engine to create beautiful environments. I'm also a ThinkTankTraining Centre Alumni, and I’m known for my popular game environment project named </span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/n0R1g6"><span style="font-family: Arial"><strong><em>Swamp Haven</em></strong></span></a><span style="font-family: Arial"> which is my latest environment project.</span></p><p></p><h1><span style="font-family: Arial"><strong>Tell us about the project - Swamp Haven</strong></span></h1><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/n0R1g6"><span style="font-family: Arial"><strong><em>Swamp Haven</em></strong></span></a><span style="font-family: Arial"> is my mentorship project which was made as a part of my final term at my art school, i.e. Think Tank Training Centre. It was an ambitious project that I took the responsibility of to finish in 4 months of time. It focused on pushing my technical skills to make high quality game assets.</span></p><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/83edc4f47c514b1eb442e678ab2db557%E6%B2%BC%E6%B3%BD%E5%9C%A3%E5%9C%B01.png" class="custom-image original-size" data-id="83edc4f47c514b1eb442e678ab2db557" data-width="4096" data-height="1716"><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/a719e6e00f204852be5be8df2cf44ef5MainShot.jpg" class="custom-image original-size" data-id="a719e6e00f204852be5be8df2cf44ef5" data-width="4096" data-height="1716"><p></p><h1><span style="font-family: Arial"><strong>You used Marvelous Designer for cloth simulation of the tents. Why did you decide to use Marvelous Designer?</strong>&nbsp;</span></h1><p><span style="font-family: Arial">Marvelous Designer is the best go to software for making real-time cloth simulations, especially ones that require a lot of manual art direction. The availability of GPU driven simulation is a big help when it comes to creating cloth simulations in a tight schedule. However it also features CPU simulations for more accurate sims. SwampHaven had to be completed in 4 months, and I had tasks every single day which needed to be done quickly, especially the Dome Tents. The Tents were a reimagined version of the concept art that I followed. They had to make physical sense for which I designed some ideas with my mentor Declan Hart. Finally a dome tent with modular cloth parts was the idea we landed up on. Marvelous Designer helped a ton while making the cloth sims because of its wide variety of tools that helped in making the sims quick and simple.</span></p><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/d3c53579e564440f80183d7e36b86666%E6%B2%BC%E6%B3%BD%E5%9C%A3%E5%9C%B01.png" class="custom-image original-size" data-id="d3c53579e564440f80183d7e36b86666" data-width="4096" data-height="1716"><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/4f16e0d47a844633a1ea8fd20cad7d172_C.jpg" class="custom-image original-size" data-id="4f16e0d47a844633a1ea8fd20cad7d17" data-width="4096" data-height="1716"><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/0bd48bb1f0a34691add95ab23ada7663Tents_Unreal.jpg" class="custom-image original-size" data-id="0bd48bb1f0a34691add95ab23ada7663" data-width="4306" data-height="2422"><img src="https://storagefiles.clo-set.com/public/community/202412/ce5a9c494bfd4670a43f35622293c0f3/images/6cb0cbef9d4e4d589f94321fa6fec7b0%E6%B2%BC%E6%B3%BD%E5%9C%A3%E5%9C%B03.png" class="custom-image original-size" data-id="6cb0cbef9d4e4d589f94321fa6fec7b0" data-width="3604" data-height="1723"><p></p><h1><span style="font-family: Arial"><strong>Can you give us a quick overview of the different tools used in your pipeline to complete the tent creation?</strong>&nbsp;</span></h1><p><span style="font-family: Arial">For the most part, Pinning tools and Measure tools were the most important tools which were used for my Dme Tents. The ability to create attachment curves at a collision mesh using ‘Attach to Measure’ and ‘Surface Measure’ helped the cloth to stick to my meshes properly. Furthermore, the ability to add ‘Pressure’ to the geometry paired with availability of different types of cloth types also helped a ton in art directing the look of the cloth simulation.</span></p><p><span style="font-family: Arial">Furthermore these tools used my Unreal Engine shader system which allowed me to control different types of control on the texture, like the color, dirt spread etc. as shown below.&nbsp;</span></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube-nocookie.com/embed/IaWau0jAKjY?controls=0" frameborder="0" allowfullscreen="" width="640" height="480" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><span style="font-family: Arial"><strong>What tips do you have for other artists using Marvelous Designer for environment art for games?</strong></span></h1><p><span style="font-family: Arial">For the limited time that I have used Marvelous Designer, I’d say it’s a great tool for making quick static meshes that require drapery or any type of cloth sim. Compared to other softwares, the UI is easy enough to grasp and the ability to play around with the cloth while it’s simulating in real time allows for greater control in art directing any cloth mesh. I’d recommend artists to check out Marvelous Designer for generating quick and detailed cloth sims for their project because of its easy to learn pipeline.</span></p><p></p><h1><span style="font-family: Arial"><strong>Are there any areas/ideas you would like to utilize Marvelous Designer in your future project?</strong></span></h1><p><span style="font-family: Arial">For future I’d like to explore Marvelous Designer for animated cloth sims on an animated actor/avatar. I’ve seen some cool showcases of cloth sims on characters which look amazing. I’d love to try that out.</span></p><p></p><h1><span style="font-family: Arial"><strong>How can you describe your overall experience of the use of the Marvelous Designer?</strong></span></h1><p><span style="font-family: Arial">Overall, Marvelous Designer offers a robust set of tools for doing cloth simulation quickly and efficiently. It helps in art directing cloth in many ways that helps both environment and character artists and is an amazing go to tool for simulations!</span></p><p></p><h1><span style="font-family: Arial"><strong><em>by&nbsp;Raghav Verma</em></strong></span><br><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/ragv"><span style="font-family: Arial"><strong><em>Artstation</em></strong></span></a></h1>

Adidas Flora Burst Concept

Anastasia Marena

Anastasia Marena