<h2 style="text-align: center">Iranian designer <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/403448/info">AI / Kimia</a> discusses her journey on creating her entry for the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator’s Contest 2025 Vol.3</a>, titled <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">"Puppeteer: Tokyo Evolution,"</a> serving as a case study in blending cultural philosophy with technical precision and winning the Community Choice award. By applying the Japanese concept of Kintsugi—the art of finding beauty in repair—Kimia explores through tradition and imagination, strength, and rebirth within the creation of digital garment.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202510/7a79dd1cbfd54f7f84419883f7cd28f1/1/thumbnail/07-6-2.jpg?resize=1&amp;f=webp&amp;w=960&amp;h=1280&amp;fit=cover" alt="3D Creator's_Contest_AI_Fantasy_Avant_Garde Model" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">Puppeteer: Tokyo Evolution</a><hr><h1>Artist Introduction: please tell us about yourself.</h1>Hello world,My name is Kimia, and I am from Iran. I can’t say that I am fully a digital fashion designer yet—but I am a designer, and I am actively finding my path toward that point.My creative journey began in architecture, where I learned to think in terms of structure, balance, an. My creative journey began in architecture, a discipline that taught me how to think in terms of structure, balance, and spatial logic. Over time, I realized that alongside this structural approach, I am deeply drawn to storytelling, emotion, and meaning in design.Participating in the Marvelous Designer Creator’s Contest was both challenging and deeply rewarding. My main motivation for joining was to move beyond purely technical execution and focus on concept, symbolism, and personal expression. This contest gave me the freedom to experiment while still working within a professional framework.<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/b0f4a51652b249b0a7aef141d3c8c9c3%E7%94%BB%E5%83%8F1.jpg" alt="b0f4a51652b249b0a7aef141d3c8c9c3" class="custom-image original-size" data-id="b0f4a51652b249b0a7aef141d3c8c9c3" data-width="1399" data-height="1399"></a>Through this experience, I learned that digital fashion can function as a powerful narrative medium rather than simply a visual outcome. I also learned to trust the design process, embrace imperfections, and allow the garment to evolve organically—mirroring my own growth as a designer.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cb5b49af98634ef5bbe2ef5514caba06gandr-collage%20%2838%29.jpg" alt="cb5b49af98634ef5bbe2ef5514caba06" class="custom-image original-size" data-id="cb5b49af98634ef5bbe2ef5514caba06" data-width="1920" data-height="1080"><hr><h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?</h1>In Puppeteer: Tokyo Evolution, my goal was to create a visual language that exists between eras, cultures, and emotional states. The core inspiration comes from Kintsugi, the Japanese philosophy of embracing fracture and repair as part of an object’s beauty and strength.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/ea0100bafae5409d953f510cd1700cbfgandr-collage%20%2834%29.jpg" alt="ea0100bafae5409d953f510cd1700cbf" class="custom-image original-size" data-id="ea0100bafae5409d953f510cd1700cbf" data-width="1920" data-height="400">&nbsp;Visually, I wanted the garment to feel ceremonial yet rebellious. Traditional Japanese kimono elements were deconstructed and reinterpreted through an avant-garde lens, with subtle influences from Victorian silhouettes. Voluminous sleeves, a rigid sculptural collar, and layered fabrics create a tension between softness and control, while the lifted skirt symbolically suggests liberation.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c12881d4d1244b35aedab75b4f709a22gandr-collage%20%2840%29.jpg" alt="c12881d4d1244b35aedab75b4f709a22" class="custom-image original-size" data-id="c12881d4d1244b35aedab75b4f709a22" data-width="1920" data-height="400">&nbsp;The parasol-like hat adorned with delicate chains conveys a sense of balance between fragility and strength. The puppeteer and bird motifs represent the relationship between guidance and freedom. The divided white and blue background symbolizes sky and flight, transforming the scene into a poetic moment of transition and rebirth. <img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/65c40142ac194afd85068e64d43a5d74gandr-collage%20%2835%29.jpg" alt="65c40142ac194afd85068e64d43a5d74" class="custom-image original-size" data-id="65c40142ac194afd85068e64d43a5d74" data-width="1920" data-height="400"><hr><h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>Marvelous Designer played a central role in my workflow and served as the foundation of the entire project. I began by building the base silhouette and patterns directly in Marvelous Designer, with a strong focus on proportions, fabric behavior, weight, and layering.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/4c7e81930b0e491dbc48e6a45b1c0327Screenshot%20%283%29%20-%20Copy%20-%20Copy.png" alt="4c7e81930b0e491dbc48e6a45b1c0327" class="custom-image original-size" data-id="4c7e81930b0e491dbc48e6a45b1c0327" data-width="1920" data-height="971"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c25a61062213415686e74b0db2c3842agandr-collage%20%2842%29.jpg" alt="c25a61062213415686e74b0db2c3842a" class="custom-image original-size" data-id="c25a61062213415686e74b0db2c3842a" data-width="1920" data-height="400">The kimono structure, sleeves, and layered skirt were developed using traditional pattern logic, which I intentionally disrupted by adjusting tensions, shortening panels, and lifting sections of the garment to create a more expressive and unconventional form.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/6ef1c41789f343e5b9444cca05b1ac5fgandr-collage%20%2843%29.jpg" alt="6ef1c41789f343e5b9444cca05b1ac5f" class="custom-image original-size" data-id="6ef1c41789f343e5b9444cca05b1ac5f" data-width="1920" data-height="960">One of the main challenges was maintaining visual clarity while working with highly layered and voluminous elements. I addressed this by breaking the process into clear stages, refining each component individually, and continuously evaluating balance and cohesion so the final garment felt dynamic rather than static.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cd27b9ff46404a91a858f5c020677aecgandr-collage%20%2837%29.jpg" alt="cd27b9ff46404a91a858f5c020677aec" class="custom-image original-size" data-id="cd27b9ff46404a91a858f5c020677aec" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/f19997a5686b4b0790b5317e1efe5133gandr-collage%20%2839%29.jpg" alt="f19997a5686b4b0790b5317e1efe5133" class="custom-image original-size" data-id="f19997a5686b4b0790b5317e1efe5133" data-width="1920" data-height="1080"><hr><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>My main advice is to approach Marvelous Designer as a creative design space rather than only a simulation tool. Allow the fabric to guide you.&nbsp;Experiment with internal lines, tension, and early-stage imperfections—they often lead to the most interesting results. I also recommend reviewing the garment from multiple angles and considering movement early in the process, as these aspects often reveal possibilities that static views cannot.<hr><h1>See also</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community/post/1017be531c4349089eacb477f95400c0">Creator's Contest 2025 Vol. 3 Fantasy Archives: Puppeteer (Tokyo Evolution)</a> Project and Steps by AI / Kimia

Finding Beauty within Repair - AI / Kimia's work for MDCC Vol.3

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<h2 style="text-align: center">Introducing our exclusive interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/19ad7f6438eb4c849a69b703ce0f8c3a">Kimia Bagherzadeh Homaei</a>, winner of TOKYO CONTINUUM! ✨</h2><h2 style="text-align: center">Her "Tokyo Continuum" collection tells the story of Japan's fox and deer spirits, brought to life through a beautiful collision of architecture, technology, and fashion.</h2><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/90eb738e85534984a259f65a80a062b079101535deb044a59920066919f4d02a51-2.jpg" alt="90eb738e85534984a259f65a80a062b0" class="custom-image large-size" data-id="90eb738e85534984a259f65a80a062b0" data-width="1200" data-height="1600"><h1>Artist Introduction: please tell us about yourself.&nbsp;</h1>Hello everyone! I'm Kimia, a digital fashion designer from Iran with an architect's eye for structure and a storyteller's heart. When I first discovered Marvelous Designer two years ago, it felt like finding the perfect creative partner - one that understood my need for both precision and poetry in design.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/07d02870ab0742f692eae207a1a3d861Introduction-Interior-Design-Collage.jpg" alt="07d02870ab0742f692eae207a1a3d861" class="custom-image large-size" data-id="07d02870ab0742f692eae207a1a3d861" data-width="1800" data-height="1200">My architectural background gives me a unique perspective. Where some see just fabric and seams, I see tension points and load-bearing curves. Marvelous Designer became my bridge between worlds, letting me apply architectural principles to flowing garments while still keeping that magical sense of movement and life. I've had particular fun connecting it to Rhino and Grasshopper - there's something thrilling about seeing parametric patterns transform into wearable art, then adding that final touch of personality through EveryWear's animations.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/9311e87518cc48c28f84815bc30a6f98Introduction-Computational-Design-Collage.jpg" alt="9311e87518cc48c28f84815bc30a6f98" class="custom-image large-size" data-id="9311e87518cc48c28f84815bc30a6f98" data-width="1800" data-height="1200">Why This Contest Called to Me &gt;&gt;&gt;I entered because I wanted to prove fashion could be more than clothing - it could be wearable mythology. My "Tokyo Continuum" collection tells the story of Japan's fox and deer spirits through every intentional wrinkle and fold. The origami-like structures? That's my architectural side speaking. The way the fabrics flow and interact? That's where Marvelous Designer's magic shines.What This Journey Taught Me &gt;&gt;&gt;<ol><li>The most compelling designs live in the tension between opposites - structure and fluidity, tradition and innovation</li><li>Technical tools (like my beloved Rhino integrations) work best when they serve the story, not the other way around</li><li>There's incredible power in garments that don't just cover bodies, but spark imaginations</li></ol>Winning has been humbling, but what excites me most is knowing this is just the beginning. I can't wait to keep exploring how many other stories might come to life through this beautiful collision of architecture, technology and fashion.<h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.2. What was the visual style you were aiming for?</h1>For this contest, I envisioned a theatrical fashion moment where ancient Japanese folklore collides with contemporary street style - a visual dialogue between tradition and rebellion. At its heart lies the dance between two mythical spirits: the cunning Kitsune (fox) and graceful Shika (deer), reimagined through a modern fashion lens that celebrates their contradictions.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/33b56f79a7a743878854ff8d34ba3d98Concept-Elements-Collage.jpg" alt="33b56f79a7a743878854ff8d34ba3d98" class="custom-image large-size" data-id="33b56f79a7a743878854ff8d34ba3d98" data-width="1800" data-height="1200">The Fox Character (Kitsune) &gt;&gt;&gt; became a study in deceptive beauty:<ol><li>Sharp, defensive poses with angular body language</li><li>A fiery red-and-white ensemble featuring:</li></ol><ul><li>Razor-sharp stiletto heels with peony motifs carved into their surfaces</li><li>Nine trailing fabric strips representing the fox's mythical tails</li><li>Origami-like folded elements creating aggressive silhouettes</li></ul><ol start="3"><li>Metallic gold kintsugi seams highlighting intentional "flaws"<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/0a216f223fef4fce8fd0e9ebd02b0683Fox.png" alt="0a216f223fef4fce8fd0e9ebd02b0683" class="custom-image large-size" data-id="0a216f223fef4fce8fd0e9ebd02b0683" data-width="1570" data-height="1002"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/d6bc9dbb4f3b4d8eb139b0bfb1d4e415Fox-Character-collage.jpg" alt="d6bc9dbb4f3b4d8eb139b0bfb1d4e415" class="custom-image large-size" data-id="d6bc9dbb4f3b4d8eb139b0bfb1d4e415" data-width="1800" data-height="1200"></li></ol>The Deer Spirit (Shika) &gt;&gt;&gt; embodies vulnerable strength:<ol><li>Softer but assertive stances contrasting the fox's angles</li><li>An ethereal white-and-green palette with:</li></ol><ul><li>Delicate, translucent fabrics veiling the face</li><li>A single glowing tear emphasizing hidden purity</li><li>Hoof-like platform shoes with curved, organic shapes</li><li>Floral embroidery rooted in natural motifs</li></ul><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/1998ad2e237b4740bd47b46fc11b93a6Deer.png" alt="1998ad2e237b4740bd47b46fc11b93a6" class="custom-image large-size" data-id="1998ad2e237b4740bd47b46fc11b93a6" data-width="1571" data-height="1001"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/40fa0c593e1145858827b1b5dd596185Deer-Character-collage.jpg" alt="40fa0c593e1145858827b1b5dd596185" class="custom-image large-size" data-id="40fa0c593e1145858827b1b5dd596185" data-width="1800" data-height="1200">Their Shared Stage &gt;&gt;&gt; blends these opposing energies:<ol><li>The forest emerges through layered textures - bark-like pleats, petal-strewn fabrics</li><li>Harajuku influences appear in unexpected places: deconstructed obi sashes, streetwear-inspired layering</li><li>Every movement becomes part of their dance - the fox's sharp gestures meeting the deer's fluid motions</li></ol><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/8ae79c343bbb44a88cfa4b1978926925Both.png" alt="8ae79c343bbb44a88cfa4b1978926925" class="custom-image large-size" data-id="8ae79c343bbb44a88cfa4b1978926925" data-width="1569" data-height="1001"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/2d895a2445624123895ecbd4cb86aa5fBoth-Characters-collage%20%2812%29.jpg" alt="2d895a2445624123895ecbd4cb86aa5f" class="custom-image large-size" data-id="2d895a2445624123895ecbd4cb86aa5f" data-width="1920" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/735743fe3083485f88bfb23462f5c28cBoth-Shoes-Collage.jpg" alt="735743fe3083485f88bfb23462f5c28c" class="custom-image large-size" data-id="735743fe3083485f88bfb23462f5c28c" data-width="1800" data-height="1200">This isn't just clothing; it's wearable theater where:Cultural symbols become contemporary fashion statements, Every design choice reveals character psychology, Traditional crafts (kintsugi/origami) dialogue with digital techniques and Nature and urban aesthetics perform together.The ultimate visual paradox? Creating harmony from opposition - where the fox's calculated seduction and the deer's quiet strength find balance in motion, proving that the most compelling beauty often lives in tension between opposites.<h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>You know, when I first started this project, I had this vivid image in my mind of how these mythical characters should move and interact through fashion. Bringing that vision to life became this fascinating journey between traditional craftsmanship and digital innovation.It all began with my sketchbook - there's something irreplaceable about putting pencil to paper when working out initial concepts. Those rough drawings of the fox and deer spirits were my North Star throughout the process. But to really visualize the designs, I turned to AI tools, feeding detailed descriptions into Copilot to generate concept art that captured the mystical quality I was after. <a target="_blank" rel="noopener noreferrer nofollow" href="http://Krea.ai">Krea.ai</a> then helped transform those static images into moving references, which was incredibly helpful for understanding how fabrics might flow.<img src="https://storagefiles.clo-set.com/public/community/202509/9d909f48e90245078561b791b74571ed/images/18329ed97e61441b8d0ca9f74a794e9eCopilot-Ai-Concept-Collage.jpg" alt="18329ed97e61441b8d0ca9f74a794e9e" class="custom-image large-size" data-id="18329ed97e61441b8d0ca9f74a794e9e" data-width="1800" data-height="1200">Now, the real magic happened in Marvelous Designer. I remember spending days perfecting the patterns - the fox's angular, origami-inspired elements needed such precise measurements, while the deer's flowing layers required a completely different approach.The biggest "aha" moment came when working with EveryWear. We had these dramatic pose changes where normally the clothing would go completely wild, but by carefully mapping the bone attachments and creating flexible zones, I managed to keep everything looking natural. It was like teaching the garments how to move with the characters.For materials and rendering, I lived in CLO3D - must have created about twenty different fabric variations before landing on the perfect ones. Those kintsugi gold seams on the fox's outfit? Each one needed special attention to catch the light just right. And the deer's translucent veil went through so many iterations to get that balance between coverage and delicacy.The final animations through KLING AI were actually the easiest part, which surprised me! After all that technical work, seeing the characters come to life with their fabrics moving naturally felt like magic. It's funny - what started as separate elements (the sharp fox, the soft deer) ended up feeling like one cohesive dance when everything came together.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>One of Marvelous Designer's greatest strengths is how beautifully it plays with other software. Here's what I've discovered through experimentation:Seamless Parametric Workflow &gt;&gt;&gt;Many designers don't realize how well MD integrates with parametric tools. My favorite pipeline:<ol><li>Generate base patterns in Rhino/Grasshopper</li><li>Apply parametric adjustments (like graded sizing or organic curves)</li><li>Export as 2D PDF files</li><li>Import directly into Marvelous Designer as editable patterns</li></ol>Yes, there's some cleanup needed (I always check stitch lines and pivot points), but the ability to create algorithmically-generated patterns that still work with MD's physics engine is game-changing. I used this exact method for the origami elements in my contest piece - the precision from Grasshopper combined with MD's natural drape created perfect structured-yet-organic folds.EveryWear Pro Tip &gt;&gt;&gt;Most people use EveryWear just for stabilization, but it's also fantastic for:<ul><li>Creating "memory" in fabrics (like wrinkled areas that persist through movements)</li><li>Setting up custom flex zones for mixed-material garments</li></ul>Unexpected Uses &gt;&gt;&gt;Beyond fashion, I've had success with:<ul><li>Architectural tensile structures</li><li>Furniture upholstery simulations</li><li>Even abstract art installations with floating fabrics</li></ul>

Interview with Kimia Bagherzadeh Homaei, Winner of Creator's Contest 2025 Vol. 2 TOKYO CONTINUUM

<h2 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/ja/portfolio/385843/collection/collections">Marita</a>, a fashion student from Germany describes her work and challenges in the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator’s Contest 2025 Vol.3</a> "Fantasy Archives," achieving the 3rd place award throughout the creative journey. By applying classic draping methodologies, balanced with the experimental freedom of digital simulation: Marita explores the intersection of romantic elegance and complex digital layering within the creation of her award winning work.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202509/70d356bef9f94388a84760b93a41df86/1/thumbnail/CLO3D%20%20MARVELOUS%20DESIGNER%20-%20CONTESTS.png?resize=1&amp;f=webp&amp;w=960&amp;h=1280&amp;fit=cover" alt="3D FANTASY-ARCHIVES_CONTEST_LOOK-01 Model" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/70d356bef9f94388a84760b93a41df86">FANTASY-ARCHIVES_CONTEST_LOOK-01</a><hr><h1>Artist Introduction: please tell us about yourself.</h1>My Name is Marita, I am a certified Fashion Designer and currently pursuing studies in Fashion Management. I have been using CLO3D since fashion school and continued to learn to design with Marvelous Designer.With my participation in the Creator’s contest 2025 Vol.3, I wanted to create a design that combines elegance and movement while also experimenting with fabrics. Through the contest, I learned a lot about visualizing textures, the effect of draping and also how to simulate complex layers.<hr><h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?</h1><img src="https://storagefiles.clo-set.com/public/marketplace/202509/70d356bef9f94388a84760b93a41df86/thumbnail/FANTASY-ARCHIVES_CONTEST_LOOK-01%20-%20Kopie1_10.png?resize=1&amp;f=webp&amp;w=1200&amp;fit=scale-down" alt="3D FANTASY-ARCHIVES_CONTEST_LOOK-01 Model" class="custom-image medium-size">My goal was to create a classic, elegant look with a modern twist, featuring dramatic details such as ruffles, layering, and flowing transparency. The layered textures and flowing details evoke the romantic opulence of Victorian and Edwardian fashion, while reinterpreting it in a contemporary and sculptural way.I wanted to create a balance between heavy, structured fabric and light, almost floating material. I deliberately kept the color palette muted so that the textures and draping would take center stage.I also wanted the movement of the fabric to emphasize the character's free spirit and playful personality.<img src="https://storagefiles.clo-set.com/public/marketplace/202509/70d356bef9f94388a84760b93a41df86/thumbnail/FANTASY-ARCHIVES_CONTEST_LOOK-01%20-%20Kopie1_21.png?resize=1&amp;f=webp&amp;w=1200&amp;fit=scale-down" alt="3D FANTASY-ARCHIVES_CONTEST_LOOK-01 Model" class="custom-image original-size"><hr><h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>After visualizing my first ideas onto paper, I use Marvelous Designer to translate my first ideas into 3D. For looks with several pieces like here I usually start with the very bottom layer, which in that case was the floor-long lace skirt and the easiest piece to create in this look. By using the Polygon tool I could easily create the front and back pieces of the garment.<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/53bcb3e9bab0487a8ddc94e5447c505901.png" alt="53bcb3e9bab0487a8ddc94e5447c5059" class="custom-image original-size" data-id="53bcb3e9bab0487a8ddc94e5447c5059" data-width="1381" data-height="1891">Continuing with the dress I had to use a different method for the bodice in order to make it look tailor-made. I used the 3D pen to draw on the avatar and then use the flatten tool to transfer the lines on the avatar into an actual 2D pattern. After a few adjustments the dress was only missing its skirt.<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/4bf4618f9ca347dca0c70ac1859b212c02.png" alt="4bf4618f9ca347dca0c70ac1859b212c" class="custom-image original-size" data-id="4bf4618f9ca347dca0c70ac1859b212c" data-width="1396" data-height="1894"><img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/d4658ee5cf01416baab52d1bc149745703.png" alt="d4658ee5cf01416baab52d1bc1497457" class="custom-image original-size" data-id="d4658ee5cf01416baab52d1bc1497457" data-width="1390" data-height="1897">The skirt consists of two oval layers of fabric in different sizes. For this I used the ellipse tool to create the outlines and the internal ellipse tool to create the hole where the bodice is later being attached.<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/9c71437ca9dc43ef906f6ec999de6db204.png" alt="9c71437ca9dc43ef906f6ec999de6db2" class="custom-image original-size" data-id="9c71437ca9dc43ef906f6ec999de6db2" data-width="2785" data-height="1888">For the lace details at the hem I simply created long panels of fabric to sew them around the hem.<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/507ec2f2d73d457987fba2baca45366405.png" alt="507ec2f2d73d457987fba2baca453664" class="custom-image original-size" data-id="507ec2f2d73d457987fba2baca453664" data-width="2779" data-height="1893">The Blouse was my favourite thing to create in this look. I started by creating almost Kimono-like sleeves by using the Polygon tool. After adjusting the size and length through testing and fitting in the 3D window, I could finally start experimenting with the ruffles along the sleeves. The look was supposed to feel playful and free. Therefore I wanted to create a garment that flows with the avatars movements naturally. I tried to achieve that by creating large circles for the ruffles. Their circumference reaches from one sleeve hem to the other and even beyond.<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/9c9fdc393761459687d8224c216fa2aa06.png" alt="9c9fdc393761459687d8224c216fa2aa" class="custom-image original-size" data-id="9c9fdc393761459687d8224c216fa2aa" data-width="2778" data-height="1888">The biggest challenge I encountered with this look was harmonizing the many layers and their very different properties. The way I worked around that was to try and focus on only one garment at a time. In order to make the different garments harmonize with each other it was very important to give each of them the chance to properly simulate before putting it all together. The freeze function was my best friend for that specific case. And also never forget to give the garments different layers!<img src="https://storagefiles.clo-set.com/public/community/202602/d40b0d05aaa34aa2b2eb3b0b6199b440/images/fe09fb9ef80e4ec397fc51b36d0442f107.png" alt="fe09fb9ef80e4ec397fc51b36d0442f1" class="custom-image original-size" data-id="fe09fb9ef80e4ec397fc51b36d0442f1" data-width="2770" data-height="1888">After finishing the whole look in Marvelous Designer I moved on with CLO3D to choose and render the perfect fabrics. It was a lot about exploring and experimenting to see what fits the vibe and character the best. I experimented with transparency, thickness, texture and other properties until I finally found the perfect fit for each garment.I truly loved how spontaneous and experimental I could be with this contest. Although I already had a specific look in mind, the outcome is always different from the first idea because you get to explore all the possibilities along the way.<img src="https://storagefiles.clo-set.com/public/marketplace/202509/70d356bef9f94388a84760b93a41df86/thumbnail/FANTASY-ARCHIVES_CONTEST_LOOK-01%20-%20Kopie1_5.png?resize=1&amp;f=webp&amp;w=1200&amp;fit=scale-down" alt="3D FANTASY-ARCHIVES_CONTEST_LOOK-01 Model" class="custom-image original-size"><hr><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>Don't simulate everything at once. Start with the base, then add the ruffles. It can take time and a lot of patience when you have to readjust single areas to make the movement look natural.But most importantly: have fun! Experiment with fabrics, explore different draping techniques and don’t be afraid to ‘ruin’ anything! Every look or piece of art you see is the outcome of experimenting and finding out along the way.<hr>

Recreating a Victorian Opulence - Marita, MDCC Vol.3 3rd Place Winner

COLLECTION A

<h2 style="text-align: center">Concept artist Rui Li shares how 3D tool like Marvelous Designer enhances 2D illustration, shaping the intricate world of his concept art - The Scent. From hyper-realistic fabrics to immersive storytelling, discover how 3D-assisted costume design improves efficiency, detail, and creative flexibility.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0214c9e458e4433a8cae6fb57638f2fa%E6%9D%8E%E7%9D%BF-%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="0214c9e458e4433a8cae6fb57638f2fa" class="custom-image original-size" data-id="0214c9e458e4433a8cae6fb57638f2fa" data-width="960" data-height="640"><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost">Rui Li</a> | The Scent | Concept Artist &amp; Illustrator</h1><hr><h1>Please introduce yourself to the Marvelous Designer community.</h1>Hello everyone, my name is Rui. I am a concept artist and illustrator from China. My primary work involves creating concept designs and promotional illustrations for games. I have been in this industry for 15 years and started incorporating 3D software into my workflow about 5-6 years ago to enhance my creative process.<h1>What led you to concept art and character design? Were there any artists or works that inspired you?</h1>After graduating, I went straight into the game industry as a concept artist. I’ve drawn inspiration from many different artists over the years, but there isn’t one particular artist who had a defining influence on me. Since I’ve worked on a variety of projects with different styles, I’ve found new inspirations at every stage of my career. Early on, I was greatly influenced by Craig Mullins while working on realistic projects. Growing up, I played a lot of Japanese games and watched anime and manga, which also left a deep impression on me. Artists like Katsuya Terada, Yoshitaka Amano, and manga creators like Takehiko Inoue and Rumiko Takahashi have all influenced my artistic style. My taste is quite eclectic.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/5d482a5942694df688af72b5aa16cb78CM%20%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="5d482a5942694df688af72b5aa16cb78" class="custom-image original-size" data-id="5d482a5942694df688af72b5aa16cb78" data-width="640" data-height="852">Artist: Craig Mullins<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/106aa07a17e94d84a2283f8feab0dbd0%E5%AF%BA%E7%94%B0%E5%85%8B%E4%B9%9F1.jpg" alt="106aa07a17e94d84a2283f8feab0dbd0" class="custom-image original-size" data-id="106aa07a17e94d84a2283f8feab0dbd0" data-width="844" data-height="844">Artist: Katsuya Terada<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/69eb7e606698484d9524936f2981fd8b%E5%A4%A9%E9%87%8E%E5%96%9C%E5%AD%9D1.jpg" alt="69eb7e606698484d9524936f2981fd8b" class="custom-image original-size" data-id="69eb7e606698484d9524936f2981fd8b" data-width="770" data-height="380">Artist: Yoshitaka Amano<h1 style="text-align: left">Your worldbuilding for The Scent is fascinating! What inspired it, and how would you describe its setting and artistic vision?</h1>A few years ago, I became passionate about collecting perfumes and exploring different scents. Last year, I finally had some free time and decided to build a world around the theme of “fragrance.” Over time, as I continued creating, the story naturally evolved and became more refined.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/118da70db2364902a28ac039b74f76a3final-22%20%281%29.jpg" alt="118da70db2364902a28ac039b74f76a3" class="custom-image original-size" data-id="118da70db2364902a28ac039b74f76a3" data-width="3840" data-height="5760">The story revolves around a perfumer who uses scents to heal emotional wounds. Each character embodies a unique fragrance, representing a particular emotion. Visually, I wanted to create a sense of vintage opulence. The aesthetic is inspired by the late 19th century, a period that blends the elegance of Art Nouveau with the structured forms of Art Deco. Since different fragrances originate from various places, the design incorporates diverse cultural influences, making for a richly layered visual experience.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0725a55152a44170bb18cacdbad06a11final.jpg" alt="0725a55152a44170bb18cacdbad06a11" class="custom-image original-size" data-id="0725a55152a44170bb18cacdbad06a11" data-width="3840" data-height="2560"><h1 style="text-align: left">What software and tools do you mainly use in your workflow?</h1>I primarily work with Blender, Daz Studio, Marvelous Designer, and Photoshop.<h1>Your creative process is based on 3D modeling before bringing the work into Photoshop for painting. What led you to adopt this workflow?</h1>&nbsp;I initially adopted this workflow to improve efficiency and image quality. Over time, I’ve realized that 3D-assisted illustration brings several key benefits:<ol><li>Faster workflow – In commercial projects, recurring characters and props can be reused across different scenes, making the process much more efficient.</li><li>Better realism – 3D rendering provides accurate lighting, depth, material reflections, and textures that would be difficult to replicate with pure hand-drawing.</li><li>More flexibility – With 3D, I can adjust camera angles and lighting at any stage. In contrast, 2D workflows tend to be more linear—once the composition, lighting, and colors are set, making big changes later is often impractical.</li></ol><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/04c0bb2494164f55b72d2b0936b8f1dfimg_v3_02k1_df28d569-496c-4603-8f07-7251f105c8cg.jpg" alt="04c0bb2494164f55b72d2b0936b8f1df" class="custom-image original-size" data-id="04c0bb2494164f55b72d2b0936b8f1df" data-width="3837" data-height="2060"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/2ef8a55081fd42bd968205172726b3d1img_v3_02k1_599edcff-2748-4e3d-afec-761d9888479g.jpg" alt="2ef8a55081fd42bd968205172726b3d1" class="custom-image original-size" data-id="2ef8a55081fd42bd968205172726b3d1" data-width="3839" data-height="2062"><h1>When designing character garments in Marvelous Designer, which aspects or features do you focus on the most?</h1>I primarily focus on accurate fabric simulation, which is why I mainly use the 2D pattern-making tools and basic animation features to refine my designs.<h1>Could you share a specific example of how Marvelous Designer played a key role in your creative process?</h1>In The Mastic, about one-quarter of the scene is dedicated to fabric details, which play a crucial role in enhancing the composition. The folds and drapery not only complement the character but also help fill the scene naturally, creating a richer and more immersive atmosphere.Marvelous Designer’s ability to generate realistic fabric textures and movement brings an added level of authenticity to my work. It also softens the stiffness that can sometimes come with 3D-assisted creations. I see it as a visual and compositional mediator, seamlessly blending characters with their surroundings. The way fabric interacts with objects in the scene further enhances the character’s presence, making the world feel more alive.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/e4670ac912164810af9ab1ca607aef7fRuxiang3.jpg" alt="e4670ac912164810af9ab1ca607aef7f" class="custom-image original-size" data-id="e4670ac912164810af9ab1ca607aef7f" data-width="4500" data-height="6660"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/85f534f6839b44728e97cbdde0d20039img_v3_02k1_835cfbe5-e3ad-4760-982d-27b073a2aaeg.jpg" alt="85f534f6839b44728e97cbdde0d20039" class="custom-image original-size" data-id="85f534f6839b44728e97cbdde0d20039" data-width="3839" data-height="2065"><h1>&nbsp;Any practical tips for artists looking to use Marvelous Designer for concept character costume design?</h1>The best advice? Start using it right away. Marvelous Designer’s pattern-based approach helps artists understand how clothing actually fits and moves, which is essential for making designs more believable.That said, don’t rely entirely on raw 3D outputs—while simulations provide a strong foundation, they often need additional refinement. Shapes may lack structural clarity, so post-processing is key to achieving a polished final design.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/76a524a2ed044fb798d14a7d5acab3b1%E8%95%BE%E5%A7%86.png" alt="76a524a2ed044fb798d14a7d5acab3b1" class="custom-image original-size" data-id="76a524a2ed044fb798d14a7d5acab3b1" data-width="2048" data-height="1365"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost">Artstation</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://space.bilibili.com/10178650">Bilibili</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/61ca6e6100000000100065e4?xsec_token=ABvR5H1BwoNPsdmxYAAEhaoLj5ZZMSkmdaDhnxa12hJQc%3D&amp;xsec_source=pc_search">RedNote</a>

Blending 3D into 2D: Unveiling the Concept Art of “The Scent”

Street Series 

Create Your Persona: 3D Character & Digital Fashion

<img src="https://storagefiles.clo-set.com/public/community/202511/c54f82abac964292bb3e6ed94aebe5a0/images/192be51913c5452c8446ade6ceffab2dScreenshot%202025-11-10%20180239.png" class="custom-image hidden-thumbnail" data-id="192be51913c5452c8446ade6ceffab2d" data-width="1340" data-height="834">How can I customize the kid's avatar measurement?

Customize Kid's avatar

The outsole design currently exists only for the left side. Kindly provide the correct procedure or method to mirror it for the right side

Out Sole - Connect stores

Hi, Refer <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/articles/115000307168-CLO-system-requirements-July-2025">CLO system requirements (July 2025) – How can we help you?, </a>it need internet connection required, what does it mean? Do it access which website? Thanks.

Finding Beauty within Repair - AI / Kimia's work for MDCC Vol.3

Marvelous Designer Official

Marvelous Designer Official