<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/5a9501ca0bd4403eae3b50f17597f371/images/0f33433184cd4526829ec30c26b7b534lee-sieun-06-pose1-1-5.jpg" class="custom-image hidden-thumbnail" data-id="0f33433184cd4526829ec30c26b7b534" data-width="2060" data-height="1288">Sieun Lee, an aspiring 3D character modeler, uses Marvelous Designer to bring realistic fabric details to life. Inspired by concept art, she focused on creating a charming monolid character with dynamic jacket folds. Marvelous Designer's real-time simulation and intuitive workflow have become essential in her creative process.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/d2bf1746ad3a46658b3cce806a299a3f11.%20Pose4_7_1%2B3%283%29.png" class="custom-image original-size" data-id="d2bf1746ad3a46658b3cce806a299a3f" data-width="3137" data-height="2195"><h1 style="text-align: center">Interview with Sieun Lee | 3D Character Modeler</h1><hr><h1>Please provide a brief introduction of yourself as an artist and share what inspired your interest in the field of 3D design.</h1>Hello, my name is Sieun Lee, and I aspire to become a 3D character modeler. During high school, I was introduced to CAD, which sparked my fascination with 3D modeling. This naturally led me to explore 3D character modeling, and I have been passionate about it ever since.<h1>Where did the idea for the “Pink Pucca Haired Girl” project originate? What aspects did you focus on during the design process?</h1>I wanted to create a monolid character with a bun hairstyle, so I searched for concept art and came across the work of 毒瘤 (<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/d8ZneA">https://www.artstation.com/artwork/d8ZneA</a>) on ArtStation, which inspired me to bring this project to life. I focused on two key aspects during the design process:A cute bob hairstyle that enhances the character's charm &amp; Dynamic jacket folds that change naturally with the character’s movements, adding a sense of realism and fluidity.<img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/5481f1e6ea3e4586bbefb322c8e7738401%20%281%29.jpg" class="custom-image original-size" data-id="5481f1e6ea3e4586bbefb322c8e77384" data-width="897" data-height="1055">Reference<h1>Why did you decide to use Marvelous Designer? How did it help in your workflow?</h1>I believe Marvelous Designer is unmatched when it comes to realistically simulating fabric textures. What intrigued me the most was its real-time simulation feature, which looked incredibly fun to work with.The ability to create, dress, and instantly modify garments, almost like playing with dolls, was especially appealing. It made the design process more intuitive and efficient, allowing for quick adjustments and achieving natural-looking fabric dynamics with ease.<h1>Can you briefly explain the overall production pipeline, including the use of Marvelous Designer?</h1>Since I wanted the jacket's folds to naturally adapt to different poses, I initially created a minimally wrinkled base jacket and applied animations afterward.<img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/b06fa0e5b2444896882a80d345521d7301.jpg" class="custom-image original-size" data-id="b06fa0e5b2444896882a80d345521d73" data-width="960" data-height="579"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/d1086d4004084d098939ce05e6a6fc2902.jpg" class="custom-image original-size" data-id="d1086d4004084d098939ce05e6a6fc29" data-width="1920" data-height="1157"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/68a89f49439c4fdebc6d62d4d79a669403.jpg" class="custom-image original-size" data-id="68a89f49439c4fdebc6d62d4d79a6694" data-width="1920" data-height="1157">Once the baking and texturing process was completed, I imported the mesh into Marvelous Designer and applied simulation over the animated pose. I then exported the simulation as an Alembic file, which I brought into 3ds Max. There, I used Morpher to blend the simulated results with the original mesh, finalizing the project.<img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/596c218ae2cd42f18719ea6bfa2e716827.%20Wire1%2B%E1%84%8C%E1%85%B5%E1%84%87%E1%85%B3%E1%86%AF%E1%84%89%E1%85%A3%E1%86%BA1.png" class="custom-image original-size" data-id="596c218ae2cd42f18719ea6bfa2e7168" data-width="5012" data-height="2066"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/40834de70e5d48c29cba084ad5c55a3a26.%20%E1%84%91%E1%85%A1%E1%84%8E%E1%85%B3%E1%84%8C%E1%85%B5%E1%84%87%E1%85%B3%E1%86%AF%E1%84%89%E1%85%A3%E1%86%BA1.png" class="custom-image original-size" data-id="40834de70e5d48c29cba084ad5c55a3a" data-width="2919" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/16f878dffc0a421bb227cc38253423d625.%20Pose6%283%29.png" class="custom-image original-size" data-id="16f878dffc0a421bb227cc38253423d6" data-width="2359" data-height="2108"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/46276609638240aa89beecfb5a8a1fad29.%20ADS4.png" class="custom-image original-size" data-id="46276609638240aa89beecfb5a8a1fad" data-width="1891" data-height="1040"><img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/69c26cffc96b41e5861aecaa489749cf30.%20ASD.png" class="custom-image original-size" data-id="69c26cffc96b41e5861aecaa489749cf" data-width="1909" data-height="1145"><h1>Were there any unexpected challenges during the production process? How did you overcome them?</h1>The jacket's complex structure made the process more challenging compared to previous fabric projects. When I imported a low-polygon mesh with reconstructed topology into Marvelous Designer as a single pattern, I encountered an issue where the sleeve boundaries became blurry, unlike when using the sewing tool.After multiple attempts, I found a solution by utilizing the Pin feature. By first securing the sleeve shape, I was able to stabilize its structure before refining the rest of the garment, ultimately resolving the issue.<img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/ef5945fc04134c34acd26f8d209a338504.jpg" class="custom-image original-size" data-id="ef5945fc04134c34acd26f8d209a3385" data-width="1161" data-height="723"><h1>Do you have any tips or insights on effectively using Marvelous Designer for character design?</h1>I still have a lot to learn, but when it comes to fabric and clothing design, I truly believe there is no better tool than Marvelous Designer. Its wrinkle simulation is incredibly powerful, allowing me to create exactly what I envision with ease.For better control over fabric details, I recommend using the Freeze and Pin features during simulation to refine wrinkles more precisely. Additionally, when working on complex garments, it's best to progress step by step and save frequently to avoid any setbacks.<h1>Are there any new styles or areas you would like to explore using Marvelous Designer in the future?</h1>In the future, I would love to create dresses and ballet costumes. With Marvelous Designer, I believe I can achieve the elegant and voluminous drapes that are essential to these designs quickly and beautifully.<h1>How has your overall experience been with Marvelous Designer? How has it influenced your workflow, and are there any features you particularly like or areas for improvement?</h1>Using Marvelous Designer has significantly improved my workflow efficiency. The fabric simulation feature, in particular, has saved me a tremendous amount of time compared to manually creating folds and wrinkles.My favorite features are Strengthen and Solidify, which I use frequently. They allow me to precisely control fabric wrinkles in specific areas, making it much easier to achieve the desired look.<img src="https://storagefiles.clo-set.com/public/community/202502/5a9501ca0bd4403eae3b50f17597f371/images/10285b5b3cea4a22af0b5786b401219315.%20Pose4_13%282%29.png" class="custom-image original-size" data-id="10285b5b3cea4a22af0b5786b4012193" data-width="1842" data-height="2582"><h1>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/leesieun1">ArtStation</a></h1>

Pink Pucca Haired Girl

FV2 Standing 15

kmfatemeh1

<img src="https://storagefiles.clo-set.com/public/community/202607/0c224dc5ea144c0a893ff4a81ce6a37e/images/f134549d1be04bbfb45ab38f976ccf93Student%20Pricing%20Newsroom%20AND%20Social%20Media%20JP.png" alt="f134549d1be04bbfb45ab38f976ccf93" class="custom-image original-size" data-id="f134549d1be04bbfb45ab38f976ccf93" data-width="2250" data-height="2250">3Dアートのポートフォリオ制作に取り組む学生の皆様にとって、業界標準ソフトウェアの一つであるMarvelous Designerの習得は、アーティストとしての第一歩を踏み出すにあたって大きな強みとなると考えております。同時に、学生の皆さまは私たちにとってはMarvelous Designerにおけるクリエイティブコミュニティの中核を担う存在です。 学生の皆様の制作活動をより支援するために、このたび、学生プランの利用資格期間を2倍に延長し、柔軟な月額制へと移行するアップデートを実施させていただきます。この変更を記念し、期間限定で学生プランへご登録いただいた学生の皆さまに、Marvelous Designer を3ヶ月間無料でご提供いたします。新しい学生プランの詳細は以下の通りです。学生プランの利用期間を2倍にこれまでの学生プランの利用期間は2年間に限定されており、ユーザーの皆さまのニーズを十分に満たせていませんでした。 新しい学生プランでは、登録日から4年間ご利用いただけます。より柔軟な支払い方法年間サブスクリプションの一括払いは、時に負担に感じられることがあります。 新しい学生プランでは、月額サブスクリプションを導入します。月額 8.25ドルで、Marvelous Designer のすべての機能をお使いいただけます。最初の3ヶ月間を無料に期間限定で、学生プランの最初の3ヶ月間を無料で提供します。 ほぼ1学期分の Marvelous Designer を無料でご利用いただける計算です。 もちろん、利用中の機能制限やペイウォールは一切なく、ソフトウェアの全機能にアクセスできます。 ※3ヶ月無料オファーは10月31日まで有効です。学生プランの変更に加えて、学生資格の登録と認証のプロセスもよりシンプルになり、これまで以上にスムーズにMarvelous Designerを始められるようになりました。 クリエイティブなビジョンを形にし、技術を磨き、ポートフォリオにふさわしい高品質な作品をともに制作しましょう。今すぐ最初の3ヶ月無料ライセンスを受け取り、あなたの制作活動を始めましょう。<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/pricing?type=academic">https://www.marvelousdesigner.com/pricing?type=academic</a>

新しいフレキシブルな学生プラン + 3ヶ月間無料

Dresses

YKK Plastic Hardware

Hi,my simulation is getting very slow after new updation of CLO. Earlier it is good. All the technical requirements are perfect.please help on this.

Simulation is very slow

Mannequin

Cut, Slash & Corset

<h2 style="text-align: center">A Self-taught Indie game director Syahmi, founder of <a target="_blank" rel="noopener noreferrer nofollow" href="https://cryorbisstudio.artstation.com/">Cryorbis Studio</a>, achieves AAA-quality character design for his dark fantasy RPG, Lirai: Heir of Darkness. Discover how he leveraged Marvelous Designer to accelerate his production speed by 14x, using layered simulation and precise fabric settings to bring professional-grade realism and emotional depth to his custom indie characters.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/RReCRKN3xNk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h1>Artist Introduction</h1>Hi! Thank you so much for having me today. I'm really excited to talk about our experience with Marvelous Designer and share how it's impacted our work on Lirai: Heir of Darkness. my name is Syahmi and I'm the Founder and Game Director at Cryorbis Studio. I'm a self-taught game developer and artist who's been deeply passionate about game creation for years. My journey started with a vision to tell stories through interactive experiences or I would like to call it games, and over time I've developed skills across multiple areas, from 3D character design, sound design, game development, environment art, narrative writing and game design. What drives me as an artist is creating worlds and characters that feel emotionally engaged together with people and players. I'm particularly drawn to horror dark aesthetics where every details contributes to the atmosphere and storytelling. I believe in pushing myself to learn constantly, which is why I'm always exploring new tools and techniques to elevate my craft.<h1>Tell us about the project.</h1>So, Lirai: Heir of Darkness is the project I've been focusing, it's a dark horror fantasy action RPG we're building in Unreal Engine 5. The core concept is, you play as a warrior, Brian who uses incredible demonic power. It's essentially asking the question, can you save a world that fears yourself while fighting against becoming a monster they think you are?What really gets me excited as an artist is how we're visualizing that the whole game concept and the story. The apocalyptic world isn't just a game design mechanic, it's this living, ability transformation that affects everything. The protagonist's evolves throughout the game.But where I really get to go wild creatively is with the boss designs. Each boss is a former human who's been completely consumed by their regrets—and in our world, regret literally transforms you into a demon. Every one of them requires unique strategy to deal with and it’s not something you can just head in and spam the attack key button. The player have to learn the boss’s pattern before they can defeat them.The technical challenge is insane for an indie team, honestly. We're talking about stories, multiple material states, intricate layered costumes, and all of it needs to run smoothly in real-time. But that's exactly why I'm so focused on finding the right tools and workflows, because I refuse to let our team size limit our artistic vision.<h1>We’d like to hear more about the art direction of each character in costume. What was the visual style you were aiming for?</h1>To answer that, I need to start with story, because that's where every design decision begins. Each character in our game has their own background, their own pain, their own identity. My approach is making sure the silhouette, the accessories, the color choices, everything tells that same story cohesively. When all those visual elements are synchronized and working together, the character doesn't just look good, they feel authentic. And that authenticity is what creates genuine connection with players.For instance let’s take a look at Brian's design (the main character of the game), because honestly, I'm really proud of how it all came together. He wears this layered outfit with a unique blazer on top, and that was a choice to show he's not just some generic warrior. There's this elegance to him mixed with practicality. He's refined but he's also been through hell, you know? The layered design also just makes him visually more interesting and hints that there's complexity to his character.<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/a14907268ac645dea0546d8ddc0c8503OutfitOverviewBrian.png" alt="a14907268ac645dea0546d8ddc0c8503" class="custom-image original-size" data-id="a14907268ac645dea0546d8ddc0c8503" data-width="1920" data-height="1080">Now, the red scarf around his neck, that's probably my favorite part. Red is courage, passion, strength. In a game where everything's being consumed by darkness and the dead, that bright red is like this defiant statement. It shows he's still fighting, still holding onto who he is. It immediately draws your eye and tells you something about his spirit before he even does anything.For his pants, we didn't want to just slap on some boring black trousers and call it a day. We added these extra fabric brown patterns and details that give the lower half some life. It prevents everything below the waist from just being this flat, uninteresting mass. Those details matter, they add depth and make the whole design feel more complete.<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/a3059cc123ac469aad3decb37aa703c3OutfitLowerBrian.png" alt="a3059cc123ac469aad3decb37aa703c3" class="custom-image original-size" data-id="a3059cc123ac469aad3decb37aa703c3" data-width="1920" data-height="1080">The color scheme overall is super intentional. Black is the dominant color and that represents the darkness he's dealing with, the curse, all the heavy stuff. But then the red comes in as this pop of energy and visual contrast. It makes him instantly recognizable. And here's where it gets fun! We threw in blue for his hair and those brown accents on the pants. It creates what I like to call 'controlled chaos', just enough variety to keep things interesting without making it look like a rainbow exploded on him. It breaks up the monotony while still feeling cohesive.Oh, and the necklace! We added this accessory specifically to draw attention to his upper body. In combat, that's where most of the action is happening, so we wanted to create a natural focal point there. Plus it just gives him that extra bit of personality. It's those little touches that make a character feel real!Everything about Brian's design is thought out. The blazer, the red scarf, the detailed pants, the necklace. It all works together to make someone who's visually striking and tells you who he is just by looking at him. That's what I'm always chasing as a designer.And that's just Brian! Every other character in the game follows their own design based on who they are and what they represent. Like, the bosses have completely different visual languages. The hair design and the armor to show their supernatural nature. Each one gets the same level of thought and intentionality, but the approach changes completely depending on their story and role. That's what keeps the design work exciting for me. I'm not just copying and pasting a formula, I'm genuinely creating unique identities for each character.<h1>Why did you decide to use Marvelous Designer? How did it help you serve art direction?</h1>I've been experimenting with multiple alternative software options to create realistic clothing for years now. Mixing free tools with cheaper paid options, whatever I could afford. The results were pretty decent, but they were never quite what I’m looking for. I always knew they were falling short of that professional quality I was chasing.I've actually known about Marvelous Designer for many years. In my mind, it was always this top-tier, AAA studio software, something completely out of reach for someone like me. The pricing, combined with my country's currency conversion rate, just made it feel impossible. I genuinely thought I'd never be able to use it in my lifetime. It just wasn't realistic for an indie developer working with limited resources.I remember watching YouTube tutorials showcasing Marvelous Designer years ago, and I was absolutely floored. People were creating simple garments with incredibly realistic physics and natural fabric folds in literally seconds. Things that were taking me weeks to achieve with the free software I had access to. And don't even get me started on texturing. The workflow in MD looked so clean and intuitive compared to what I was struggling with. It was honestly frustrating to watch, knowing I couldn't access those tools.I started learning garment creation functions back in 2019 using whatever tools I had available. They were nowhere near what Marvelous Designer (MD) could do, but it was what I had, so I pushed forward. I needed to build my skills somehow, and I treated those limitations as learning opportunities, even though it was a much slower, more painful process.Then about a year ago, something incredible happened, I was able to partner with CLO3D, and honestly, it's been an absolute game changer for our studio. The partnership came at a critical time because I was getting consistent feedback that our main character's clothing looked flat and lacked depth. People could tell something was off. I knew I needed to completely redesign it, but here's the problem: I didn't have the luxury of time to spend weeks or months solely focused on modeling cloth from scratch. Our production schedule just couldn't accommodate that.So I made it a priority to reach out to the Marvelous Designer team and make that partnership happen. And I cannot overstate how much it's accelerated our workflow. What used to take me roughly 14 weeks to design and model, just one character's complete outfit. I can now accomplish in one to two weeks maximum. That's not an exaggeration. We're talking about a 7x to 14x speed increase in production time.<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/dd1a0f3649d7437cbbf681207ffb893bWIP_BrianOutfitMD.png" alt="dd1a0f3649d7437cbbf681207ffb893b" class="custom-image original-size" data-id="dd1a0f3649d7437cbbf681207ffb893b" data-width="1540" data-height="1080">Now, I'll be honest, my team and I weren't familiar with advanced garment tools when we started. We had basic knowledge, but MD's full feature set was new territory for us. But with consistent practice, following tutorials, and just diving in hands-on, we were able to master the fundamentals in about a week. Having some prior experience with basic garment functions definitely helped. MD's approach isn't completely alien if you understand the principles of fabric and draping. But even starting fresh, the learning curve is manageable because the software is designed so intuitively.The return on investment, both in time and quality, has been incredible. It's completely worth the effort to learn Marvelous Designer if you're serious about character design and want to speed up your production pipeline without sacrificing quality. For us, it's become an essential part of our workflow that I honestly can't imagine going back from.<h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>Absolutely! So our main content creation tool is Blender. That's where we do all our 3D modeling, sculpting, re-topology, UV mapping, and a good chunk of our texturing work. It's incredibly versatile and honestly perfect for an indie team because it's powerful enough to handle everything we throw at it.From there, everything goes into Unreal Engine 5, which is our game engine. That's where all the magic happens, implementation, real-time lighting, material creation with the shader system, animation blueprints, gameplay mechanics, basically bringing everything to life in the actual game environment.Now with Marvelous Designer in the mix, our character clothing workflow has completely transformed. We design and simulate the garments in MD first, export them to Blender for any tweaks or optimization, and then bring the final assets into Unreal. So the flow is basically: MD for cloth creation → Blender for modeling and adjustments → Unreal Engine 5 for final implementation and rendering. It's a really smooth pipeline once you get the export/import workflows dialed in.<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/036ef0154d3e4d7cab11f329f703a475Demon1_CloseupCloth.png" alt="036ef0154d3e4d7cab11f329f703a475" class="custom-image original-size" data-id="036ef0154d3e4d7cab11f329f703a475" data-width="1299" data-height="853"><h1>Could you give examples of some of the iconic scenes and characters Marvelous Designer has been used for?</h1>Yes! Using Marvelous Designer, we were able to create Brian’s layered blazer with realistic fabric draping, that signature red scarf with natural folds and movement, and all the intricate details on his trousers that just weren't possible with our previous workflow. The difference was night and day, suddenly he felt like a real character wearing actual clothes instead of painted on textures. It applies the same to the other characters too!<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/539b4ed0a909454c962380258a9b1913Screenshot9.jpg" alt="539b4ed0a909454c962380258a9b1913" class="custom-image original-size" data-id="539b4ed0a909454c962380258a9b1913" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/786bb4dbdf874f97aa09f1c9ea5befccScreenshot10.jpg" alt="786bb4dbdf874f97aa09f1c9ea5befcc" class="custom-image original-size" data-id="786bb4dbdf874f97aa09f1c9ea5befcc" data-width="1920" data-height="1080"><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>Sure! Two things that I think really can help:First: Particle distance settings. This one's technical, but adjusting your particle distance based on what you're creating, fine fabric versus heavy leather, drastically changes how realistic your simulation looks. Lower particle distance for detailed, flowing fabrics and higher for stiffer materials. It took us a while to figure out how much this matters. Also, since we create this for games, do pay attention to the number of polygons.Second: Simulate in layers, the way you'd actually dress someone. Undergarments first, then mid-layers, then outer layers. Don't try to simulate everything at once. This approach gives you way more realistic draping and drastically reduces collision issues between cloth pieces. It seems obvious in hindsight, but it made a huge difference once we started doing it consistently.<img src="https://storagefiles.clo-set.com/public/community/202601/ccbb2104056b4e48be27efe61c3578a3/images/700ccdbe2fd4430ea2de46faef3dfb88IslaWIP.png" alt="700ccdbe2fd4430ea2de46faef3dfb88" class="custom-image original-size" data-id="700ccdbe2fd4430ea2de46faef3dfb88" data-width="1920" data-height="1080"><h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>Honestly? It's been transformative for our studio. I'm not exaggerating when I say Marvelous Designer has fundamentally changed how we approach character creation.Before MD, creating realistic clothing was this massive time sink. Weeks of manual modeling, sculpting folds that never quite looked natural, fighting with topology to get fabric to drape correctly. It was exhausting and the results were always just... okay at best. With Marvelous Designer, I can achieve in a week what used to take me 14 weeks, and the quality is exponentially better. That's not a minor improvement, that's the difference between a project being feasible or not.The learning curve was surprisingly manageable too. My team and I weren't experts in garment creation, but within a week of consistent practice and following tutorials, we were producing usable results. Within a month, we were genuinely comfortable with the workflow. Having some prior experience with basic garment tools helped, but even starting fresh, MD is intuitive enough that you're not completely lost.What I appreciate most is how it lets me focus on design rather than technical struggle. I can experiment with different looks, try variations, see how fabric moves in real-time. It's creative freedom I simply didn't have before. The simulation does the heavy lifting, so I can spend my energy on making design decisions instead of manually pushing vertices around for hours.If I had to sum it up, Marvelous Designer took something that was a bottleneck in our production pipeline and turned it into one of our strengths. It's become an essential tool I genuinely can't imagine working without now.I just want to say thank you so much for this opportunity to share our story and experience with Marvelous Designer. It's been really great talking with you about the project and how MD has impacted our workflow. The partnership with CLO3D has genuinely been a game-changer for our studio, and I'm excited to continue pushing what we can achieve with these tools. I really appreciate you taking the time to hear about our journey, and I'm looking forward to seeing where we can take Lirai with Marvelous Designer as part of our pipeline. Thanks again!

Accelerating Dark Fantasy: A Workflow Deep Dive into Lirai: Heir of Darkness with Syahmi of Cryorbis Studio

<img src="https://storagefiles.clo-set.com/public/community/202607/0c224dc5ea144c0a893ff4a81ce6a37e/images/5b6b3fecfcd9413ead92431f5d31e2eaCopy%20of%20KR_1080%20x%201080_Student%20Pricing.png" alt="5b6b3fecfcd9413ead92431f5d31e2ea" class="custom-image original-size" data-id="5b6b3fecfcd9413ead92431f5d31e2ea" data-width="2250" data-height="2250">3D 아티스트 취업을 지망하는 학생들에게 마블러스 디자이너와 같은 업계 표준 소프트웨어를 마스터하는 것은 매우 강력한 무기가 됩니다. 학생 여러분이 저희 커뮤니티의 가장 핵심인 만큼, 이용 기간을 2배로 늘리고, 유연한 월 단위 결제 구조로 전환하여 학생 플랜을 대폭 개편하였습니다.이번 개편을 기념하여, 한정 기간 동안 학생 가입자분들께 마블러스 디자이너 3개월 무료 이용 혜택을 제공합니다.알아두셔야 할 핵심 내용:두 배로 늘어난 학생 플랜 혜택 기간 기존 학생 플랜은 2년이라는 제한이 있어 학생분들의 실제 학업 기간과 니즈를 온전히 충족하기에 아쉬웠습니다. 이제 가입한 날로부터 최대 4년 동안 새로운 학생 플랜의 혜택을 넉넉하게 누리실 수 있습니다.더욱 유연해진 결제 방식 연간 구독의 결제 비용이 가끔은 부담스럽게 느껴질 수 있습니다. 이를 보완하기 위해 새로운 월간 구독 방식을 도입했습니다. 이제 한 달에 단 $8.25로 마블러스 디자이너가 제공하는 모든 기능을 마음껏 즐기세요.첫 3개월 무료 혜택 학생 플랜에 가입하시면 첫 3개월은 무료로 제공됩니다. 이는 한 학기에 가까운 기간 동안 마블러스 디자이너를 무료로 쓸 수 있는 엄청난 기회입니다. 기능 제한이나 유료 결제 유도 없이 소프트웨어의 모든 기능을 완벽하게 사용하실 수 있습니다. (3개월 무료 프로모션은 10월 31일까지 유효합니다.)마지막으로, 더 쉽고 빠르게 시작하실 수 있도록 학생 인증 및 가입 절차를 매우 간소화했습니다. 이제 여러분의 창의적인 아이디어를 펼치고, 기술력을 다듬어, 포트폴리오의 퀄리티를 한 단계 끌어올릴 때입니다.지금 첫 3개월 무료 혜택을 신청하고 창작의 첫걸음을 내딛어 보세요! <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/pricing?type=academic">https://www.marvelousdesigner.com/pricing?type=academic</a>

더욱 유연해진 학생 플랜 + 3개월 무료 혜택

Collection A

Create Your Persona: 3D Character & Digital Fashion

This outfit is compatible with the inZOI Mod. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\ For a detailed guide, please refer to the link below. <a target="_blank" rel="noopener noreferrer nofollow" href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1">https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Have thoughts or suggestions? Leave a comment below or DM us on IG @letsconnect3d ! We truly value your feedback and are always looking to improve. --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Frilled Ribbon Bikini Set

Garment

Gender & Age

Women

Style

Outfits

Intimates / Swimwear

Genre & Mood

Daily Casual

Sports

Anastasia ★ Libra

Leonora ★ Leo

Hope ★ Aquarium

Feminine Blouse Skirt Set

M Bomber Denim Set

Valerie ★ Geminis

Sage Layered Set

M Classic Police Uniform

This outfit was created by <a href="https://connect.clo-set.com/portfolio/130523/collection/collections" target="_blank">[RAION]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/82d6cce37b2e40ea9a71883c2aa93387" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Pink Pucca Haired Girl

Marvelous Designer Official

Marvelous Designer Official