<img src="https://storagefiles.clo-set.com/public/community/202509/8bd28463f1d048aeb7a78fedcceacfb3/images/0fb556ac3a744b6a84efecdd29fb97e8Capture%20d%27%C3%A9cran%202025-09-10%20020451.png" class="custom-image hidden-thumbnail" data-id="0fb556ac3a744b6a84efecdd29fb97e8" data-width="2785" data-height="2510">This avatar is an update of Luka by myself, one of the default characters in clo.<ul><li>New body texture</li><li>Hair slightly changed</li><li>3 face expression textures</li></ul>You can find this avatar that i create in my portfolio/collectionA and all the texture for free: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/995264/collection/collections">https://connect.clo-set.com/portfolio/995264/collection/collections</a><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/tadRsomgyvA" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><img src="https://storagefiles.clo-set.com/public/community/202509/8bd28463f1d048aeb7a78fedcceacfb3/images/a627f6f64df444239e33532d001ab968Capture%20d%27%C3%A9cran%202025-09-10%20020451.png" alt="a627f6f64df444239e33532d001ab968" class="custom-image original-size" data-id="a627f6f64df444239e33532d001ab968" data-width="2785" data-height="2510"><img src="https://storagefiles.clo-set.com/public/community/202509/8bd28463f1d048aeb7a78fedcceacfb3/images/ca93f27862124378b8f93eec75788fb7108.1.png" alt="ca93f27862124378b8f93eec75788fb7" class="custom-image original-size" data-id="ca93f27862124378b8f93eec75788fb7" data-width="1875" data-height="2500">

Luka avatar UPDATE by niamuh

<img src="https://storagefiles.clo-set.com/public/community/202508/373592b084e0465f8e31447405868b39/images/372db34af1fc4d3f8331013872b8efcdCapture%20d%27%C3%A9cran%202025-08-29%20233324.png" alt="372db34af1fc4d3f8331013872b8efcd" class="custom-image original-size" data-id="372db34af1fc4d3f8331013872b8efcd" data-width="1558" data-height="991">Hello, Since 2 days I have bugs with the Gizmo. While working on some files, at one given moment the gizmo stop showing when selecting a pattern piece or multiple ones. Closing the file and reoppening it won't do nothing. It shows and can be used properly with other files but I can't figure out how to fix this it is very annoying. Has someone experienced the same issue ? Thanks

Gizmo disappearing

CLO and Marevlous Designer are programs specializing in creating costumes.<img src="https://storagefiles.clo-set.com/public/community/202511/2125a68a5a314e2e9b3b6ad05a8a5ba3/images/58b4b5b12073489c921ae79b9022a5a6KakaoTalk_20251010_065743436.png" alt="58b4b5b12073489c921ae79b9022a5a6" class="custom-image original-size" data-id="58b4b5b12073489c921ae79b9022a5a6" data-width="1080" data-height="1920">Fabric simulation functions and sewing-related tools make it easy to create real clothes. However, there are quite a few cases when you make a costume or in the process of directing it later, you need something other than the costume. It can be a subsidiary material or a prop. It seems like there are quite a few people who make shoes and some subsidiary materials by spreading the method, but there are still quite a few people looking for other tools or platforms. Asset in the digital world is different from the real thing, whether it's a person, a building, or a garment, it's a bunch of mesh objects that have the right shape, the right size, the right color. It is not difficult to make something that is not clothes using CLO. Just like drawing a pattern, you draw the right shape, and you put the right material on it. And don't do random simulations If you're wondering if you should learn another tool for modeling, please think about it. I think it's more important how you make it, rather than what kind of tool it is. Maybe we should get used to thinking about it every time we design.<img src="https://storagefiles.clo-set.com/public/community/202511/2125a68a5a314e2e9b3b6ad05a8a5ba3/images/1131380e3edb4d18a9b403c85b31d8cdCap%202025-10-28%2000-30-54-232.jpg" alt="1131380e3edb4d18a9b403c85b31d8cd" class="custom-image original-size" data-id="1131380e3edb4d18a9b403c85b31d8cd" data-width="1307" data-height="731"><img src="https://storagefiles.clo-set.com/public/community/202511/2125a68a5a314e2e9b3b6ad05a8a5ba3/images/5bbb1cfb6f8b4741acf9d417eee0973aCap%202025-10-28%2000-31-27-906.jpg" alt="5bbb1cfb6f8b4741acf9d417eee0973a" class="custom-image original-size" data-id="5bbb1cfb6f8b4741acf9d417eee0973a" data-width="1307" data-height="731"><img src="https://storagefiles.clo-set.com/public/community/202511/2125a68a5a314e2e9b3b6ad05a8a5ba3/images/11d4fde0c92a472a90f742a535e1d6abCoffee_Chocolate_Set1.png" alt="11d4fde0c92a472a90f742a535e1d6ab" class="custom-image original-size" data-id="11d4fde0c92a472a90f742a535e1d6ab" data-width="2100" data-height="2800">

I make almost all 3D modeling into CLO. Even if it's not clothes

I’m a total beginner! I’ve been trying for two days to get rid of these strange wiggles in the simulation. I imported the animation from UE5 and now I want to export it back as an Alembic, but as you can see, the simulation has this issue. <div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/PXbgmy49xyA" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><img src="https://storagefiles.clo-set.com/public/community/202508/3e6f037994ff4548a4ae6c123348bafa/images/586dc9d8f9cd4204a9cbd2f2ff286b07Screenshot%202025-08-10%20113555.jpg" class="custom-image hidden-thumbnail" data-id="586dc9d8f9cd4204a9cbd2f2ff286b07" data-width="769" data-height="590">

simulation wiggle

<h2 style="text-align: center">Ilya Zakharovskiy, In Wanderer: The Fragments of Fate, created realistic tents and fabric structures with Marvelous Designer. It enabled high-density cloth simulations with natural folds, eliminating the need for manual sculpting. The clean, UV-ready meshes streamlined the workflow, saving time in Maya and enhancing texture detailing in Substance Painter.</h2><h1 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/7b58ff7056eb49eaaa88186fcb30a539ilya-zakharovskiy-spanishtentlarge.jpg" alt="7b58ff7056eb49eaaa88186fcb30a539" class="custom-image medium-size" data-id="7b58ff7056eb49eaaa88186fcb30a539" data-width="3820" data-height="2160"> Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/zumwolt">Ilya Zakharovskiy</a> | 3D Environment &amp; Vehicle Artist</h1><h1>Artist Introduction &amp; Project Insights</h1>Hello! My name is Ilya, I'm a 3D Environment and vehicle artist from Auckland, New Zealand. I also love the Concept design of vehicles, props, weapons, and futuristic environments. Recently, I've been working on the project Wanderer: The Fragments of Fate, a VR quest adventure game released on multiple platforms. In this article, I'm going to talk about the workflow of using Marvelous Designer in Environment art for games.<h1>Pipeline Overview</h1>A little bit of story first. In Wanderer: The Fragments of Fate, the ability to travel in time sends the player to ancient Mayan Civilization when the Spanish Empire was continuing its conquest of the Americas. Spanish conquistadors used a large variety of tents and movable shelters in their camps. In order to create them, I used Marvelous Designer in my pipeline, along with my other tools such as Maya, Marmoset Toolbag, Substance Painter, and Photoshop.At the beginning, we started with a simple blockout to get shapes and sizes right for the player in VR. When it was done, I made a fabric layout for future tents and canopies in Maya, keeping the proper UV layout to use as a pattern in Marvelous Designer. At this stage, it is important to already know how many texture sets you will be able to use; in my case, it was 2 texture sets for an entire camp, including large fabric parts and little dressing details. I've made a kit of future tents by making unique parts only, they will be duplicated later.<img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/1be98c256ffd45628f05bf57053b0499Screenshot_2.jpg" alt="1be98c256ffd45628f05bf57053b0499" class="custom-image large-size" data-id="1be98c256ffd45628f05bf57053b0499" data-width="2147" data-height="1245"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/393d981a0ad146ffbbaea83dccaf4fb0Screenshot_3.jpg" alt="393d981a0ad146ffbbaea83dccaf4fb0" class="custom-image large-size" data-id="393d981a0ad146ffbbaea83dccaf4fb0" data-width="2147" data-height="1242">In Marvelous Designer, I've made cloth simulation with high mesh density, to keep all of those fabric foldings natural, without sculpting anything later. In a result I've got two sets of meshes, low and high poly. The next step was creating a UV layout and adding details such as ropes, cones, and wood poles in Maya. Because on the output from Marvelous Designer, you got clean meshes with already unwrapped UV's, we can skip the geometry cleaning and UV unwrapping in Maya, which saves us some time.Now it's is baking and texturing stage. I've added patterns, seams and stitches, alongside with fabric micro details in Substance Painter. I love this stage, it's like a rendering, you already see the final result.The final stage is the assembly of a variety of tents and canopies in Maya, using premade parts. Here, I need to create collision models and lightmaps to use them in the Engine. And then, everything is imported and set up in Unreal Engine, and it's ready to be placed across the map.<img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/bfc7ff3608df41edaf92d4d981dc8bd8Canopy_wireframe_01_FullQuality_002.jpg" alt="bfc7ff3608df41edaf92d4d981dc8bd8" class="custom-image original-size" data-id="bfc7ff3608df41edaf92d4d981dc8bd8" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/4fe5954bcde54a82bbc531571e180883Select%20a%20file%20name%20for%20output%20files.jpg" alt="4fe5954bcde54a82bbc531571e180883" class="custom-image large-size" data-id="4fe5954bcde54a82bbc531571e180883" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/11dac1be54d845c3a0bff1c9b8e6b845Tent_02.jpg" alt="11dac1be54d845c3a0bff1c9b8e6b845" class="custom-image large-size" data-id="11dac1be54d845c3a0bff1c9b8e6b845" data-width="3820" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/22b2e4405b2446338fe1af0fb74752dfTent_01.jpg" alt="22b2e4405b2446338fe1af0fb74752df" class="custom-image large-size" data-id="22b2e4405b2446338fe1af0fb74752df" data-width="3820" data-height="2160"><h1><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/a1a4ee19830946c696c0ec81888c77a5Screenshot_4.jpg" alt="a1a4ee19830946c696c0ec81888c77a5" class="custom-image large-size" data-id="a1a4ee19830946c696c0ec81888c77a5" data-width="2171" data-height="1096"> Tips for Fellow Artists</h1>Sometimes it's better to create a main cloth simulation in Marvelous Designer and add micro details such as folds and torn in Zbrush. If your fabric components will be attached to some other hard parts, it's better to make them in your 3D package (3DsMax, Maya, Blender, etc.) and import them into Marvelous to keep the connection precise.<h1>Future Plans</h1>It is not the first time I'm using Marvelous Designer in my workflow. Previously, I've used it for environment art and concept design often. Marvelous is part of my main toolset, and I'm going to use it again soon, in my project.<h1>Overall Experience</h1>In this article, I've described the process of creating tents and canopies, but I used Marvelous for multiple assets during the development of Wanderer: The Fragments of Fate. Certainly, Marvelous Designer saves a lot of time when working with cloth simulation and provides the best result. It is easy to use reliable software.<img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/607179df353f4c6399e9bd09b1077f93ilya-zakharovskiy-spanishtentmedium.jpg" alt="607179df353f4c6399e9bd09b1077f93" class="custom-image original-size" data-id="607179df353f4c6399e9bd09b1077f93" data-width="3820" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/c5170a71bba54c3199bc2a7309c62a54ilya-zakharovskiy-spanishtentsmall.jpg" alt="c5170a71bba54c3199bc2a7309c62a54" class="custom-image original-size" data-id="c5170a71bba54c3199bc2a7309c62a54" data-width="3820" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/b18a3a47130e4043bd6945485b73a6d3ilya-zakharovskiy-spanishcanopy.jpg" alt="b18a3a47130e4043bd6945485b73a6d3" class="custom-image original-size" data-id="b18a3a47130e4043bd6945485b73a6d3" data-width="3820" data-height="1857"><img src="https://storagefiles.clo-set.com/public/community/202507/356e2771a70e4d6c88ab87892452a6d2/images/a2fa836b85034c9080e9c9e46e77ec0ailya-zakharovskiy-spanishtentmedium.jpg" class="custom-image hidden-thumbnail" data-id="a2fa836b85034c9080e9c9e46e77ec0a" data-width="2012" data-height="2012">

Realistic Tent Simulation for Wanderer: The Fragments of Fate 

Hello! I am new to Clo3d, and I am having an issue with the garment fitting the body properly in the 3D window. Plus, when I add a fabric to the pattern pieces in the 2D window, the fabric isn't shown on the garment in the 3D window. You can see in the photos a before-and-after rendering. Also, the fabric is applied to the front panel, and it's not visible in the 3D window. <img src="https://storagefiles.clo-set.com/public/community/202505/611027bd98bd47a0940ac5e8dde8c555/images/d42ba44e98cf44c59bbb7be3cb2bcd31Screenshot%202025-05-16%20160948.png" alt="d42ba44e98cf44c59bbb7be3cb2bcd31" class="custom-image original-size" data-id="d42ba44e98cf44c59bbb7be3cb2bcd31" data-width="1387" data-height="1009"><img src="https://storagefiles.clo-set.com/public/community/202505/611027bd98bd47a0940ac5e8dde8c555/images/c7c7785057c54d4d93575f54993e8085Screenshot%202025-05-16%20161000.png" alt="c7c7785057c54d4d93575f54993e8085" class="custom-image original-size" data-id="c7c7785057c54d4d93575f54993e8085" data-width="1380" data-height="1013">

Garment not laying properly

Hello, I am one of the participants in your competition. I noticed that you have provided some ready-made bag files on your website. I would like to ask if it is allowed to use these trim (such as buckles and chains) in our modeling and include them in our final submission?Thank you for your time and support. <img src="https://storagefiles.clo-set.com/public/community/202507/4cb5251ae9f34fe282bdbd905b5ef31d/images/e1dd25e3773c4a9e9fbe99f746797b2dScreenshot%20%28929%29.png" alt="e1dd25e3773c4a9e9fbe99f746797b2d" class="custom-image large-size" data-id="e1dd25e3773c4a9e9fbe99f746797b2d" data-width="1185" data-height="727">

Luka avatar UPDATE by niamuh

NIAMUH

NIAMUH