babak

Neon sportswear

Creating Emoji Animation with Clo2025+

<h2 style="text-align: center"><span style="font-family: Times new roman"><em>株式会社典樹が運営する3Dアバター服飾ブランド「</em></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/"><span style="font-family: Times new roman"><em>YOYOGI MORI</em></span></a><span style="font-family: Times new roman"><em>」。 「安心して長く付き合えるブランド」を掲げ、魅力的なバーチャルウェアの制作を行う制作集団です。</em></span></h2><h2 style="text-align: center"><span style="font-family: Times new roman"><em>今回は、YOYOGI MORIでMarvelous Designerを用いた3D縫製やアバターのセットアップを担当するデザイナーが、ファッションの制作における制作のこだわりやブランドの哲学を語ります。</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h2>アーティストとブランド紹介</h2><p>Q. まずはご自身と「YOYOGI MORI」について紹介をお願いします。どのような活動をされていますか？</p><p>A. 「YOYOGI MORI」は株式会社典樹が運営する、3Dアバター服飾ブランドで様々なクリエイターとのコラボレーションによって、魅力的なバーチャルウェアの制作を行うサークル活動です。 私は文化服装学院を卒業後、在学中から関りのあった株式会社典樹へと入社しました。</p><p>現在は主にMarvelous Designerを用いた3D縫製を主軸に、アバターのセットアップや製品の制作進行などを担当しております。また個人的に現実の衣装作成や音楽活動なども行っております。</p><hr><h2>ブランドテーマと美学</h2><p>Q. YOYOGI MORI の作品には独自の世界観やファッション性を感じます。<br>ブランドとして大切にしているテーマや美学を教えてください。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/383ad397357a405bb62a673e70b3738abca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="383ad397357a405bb62a673e70b3738a" class="custom-image original-size" data-id="383ad397357a405bb62a673e70b3738a" data-width="1024" data-height="1024"></p><p>A. YOYOGI MORIが目指すのは、ユーザーから「安心して長く付き合えるブランド」として認知されることです。その実現のために、単なる3Dアバターの販売にとどまらず、継続的なアップデートやサポートを通じて、購入後も価値が高まり続ける体験を提供しています。 また、作品単体で完結させるのではなく、ブランド全体の世界観を一貫して表現することにより、「YOYOGI MORIの製品であること自体がステータスであり、安心の証」となるような存在を目指しています。</p><p>ブランドの理念として掲げているのは、「3Dアバターを大切に扱う文化を育てること」です。アバターを単なるデータではなく、自分の身体の延長として捉え、適正な価格設定と明確な利用規約を設けることで、ユーザーに安心感を提供し、同時にクリエイターが健全に活動できる土台を築いてきました。 今後も、ユーザーとクリエイターの双方に対して価値を還元しながら、「祖父母が孫にアバターを贈ることができる未来」という理想のビジョンの実現に向けて、活動を続けていきます。</p><hr><h2>VRChatにおけるファッションの意義</h2><p>Q. VRChat上でファッションを作ることには、どんな魅力や意義を感じていますか？</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/dcf429aaea564fbca97c5e4f5af217c91d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="dcf429aaea564fbca97c5e4f5af217c9" class="custom-image original-size" data-id="dcf429aaea564fbca97c5e4f5af217c9" data-width="1024" data-height="1024"></p><p>A. 一服好きとしては、アパレルという長い歴史のある業界の中で、最先端でモノづくりを行っていると思えるところが好きです。バーチャルウェアという、今この時代だからこそ制作可能な服飾に可能性を感じています。</p><hr><h2>Marvelous Designerを用いた制作フローと工夫</h2><p>Q. 普段の制作フローの中で、Marvelous Designer はどのように活用されていますか？</p><p>A. 【型紙制作と縫製】 型紙を製作し、縫い合わせた後はレイヤー機能、強化等を使用してザックリ完成形に近づけます。 今回のデザインはプリーツが多様されていたので、プリーツ機能を使用しました。縫い合わせていない部分は浮くので、タックなどで押さえて綺麗に見せています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/66145305a5c94aa3827eb05b8fe5084e%E5%9E%8B%E7%B4%99.png" alt="66145305a5c94aa3827eb05b8fe5084e" class="custom-image original-size" data-id="66145305a5c94aa3827eb05b8fe5084e" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/8aa05ec417c24e2eb0821b1740f5d61e%E3%82%BF%E3%83%83%E3%82%AF.png" alt="8aa05ec417c24e2eb0821b1740f5d61e" class="custom-image original-size" data-id="8aa05ec417c24e2eb0821b1740f5d61e" data-width="1571" data-height="1001"></p><p style="text-align: center">プリーツ機能やタックを活用した型紙制作の様子</p><p style="text-align: center"></p><p>【シミュレーションとシワの作り込み】 欲しいシワを作るために、設定や型紙を少しずつ変えながらシミュレーションをかけなおしますが、この時に部分固定やピン等を使用しています。 左右対称なシワ感で良い場合は、片方を作りこんでから、縫い代付近以外を部分形状保持して対称パターンを作ると便利だなと思っています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/30ad5ac744ea45c1880ab252bc31502d%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="30ad5ac744ea45c1880ab252bc31502d" class="custom-image original-size" data-id="30ad5ac744ea45c1880ab252bc31502d" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/47122999ac604a9e9096959d511e1919%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="47122999ac604a9e9096959d511e1919" class="custom-image original-size" data-id="47122999ac604a9e9096959d511e1919" data-width="742" data-height="741"></p><p style="text-align: center">ピンや部分固定を使用してシワを調整している様子</p><p>【完成形のディテール】 3Dの場合如何に「かっこいいシワ」が出来るかで、情報量や出来上がりの印象が変わってくるので、良く動きそうな部分などはしっかりと作りこんでいます。 個人的にMarvelous Designerのいいところは細かく素材感の伝わるシワが作れる部分だと思っていますし、いらないシワが出来てしまっても後から消せるので、一旦とにかくシワ感がかっこいい状態を完成形として作りこむことを意識しています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/b3af2f3509f34519bb9b28db0f5b491a%E5%AE%8C%E6%88%90.png" alt="b3af2f3509f34519bb9b28db0f5b491a" class="custom-image original-size" data-id="b3af2f3509f34519bb9b28db0f5b491a" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/80d7c982953f41a0bec2a45a82789259%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="80d7c982953f41a0bec2a45a82789259" class="custom-image original-size" data-id="80d7c982953f41a0bec2a45a82789259" data-width="1175" data-height="677"></p><p style="text-align: center">完成した衣装のシワ感とディテール</p><hr><h2>チーム制作での役割とメリット</h2><p>Q. YOYOGI MORIは少人数のチーム制作と伺っています。</p><p>プロセスのなかでMarvelous Designer が役立っている場面はありますか？</p><p>A. 小人数チームならではということであれば、それぞれの専門分野が活かしやすい点ですね。3Dモデラーがより服らしい良いシワを作ろうとするより、服が好きな人間がその部分を担当した方が良いものに出来ると考えています。 既存の3Dツールにあるスカルプト機能では表現するのが難しいような、生地感の差異やパターンによるシワ感を得られる点がかなり大きな利点ですね。 また、概念的な話ですが、実際の服の型紙を引くようにモデルの製作が出来るので、出来上がった製品に服としての説得力を持たせることができるのも素晴らしい点かと思います。</p><hr><h2>制作上の課題と解決策</h2><p>Q. VRChat向けの服制作で、Marvelous Designer を使う際に難しかった点や、</p><p>それをどのように解決されたか教えてください。</p><p>A. VRChatに限った話であれば、慣習的にTポーズでの衣装作成を余儀なくされることが多いかと思いますが、その場合に袖山の高さが確保できずに、ジャケットやシャツなど肩のシルエットが大事な服飾の制作が難しかったです。YOYOGI MORIでは基準のポーズをAポーズにすることである程度見た目の美しさを解決しています。</p><p>また、実際の人間とアバターの体型を比較すると、アバターの方が極端にメリハリのある体型をしていることがあり、現実の感覚でパターンを作成すると不格好になってしまうことも往々にしてありました。その場合は、より細かくダーツをとってみたり、一部分だけに固定や強化を使用することで目的とする造形に近づけるようにしています。</p><hr><h2>今後の展望</h2><p>Q. Marvelous Designer を使った今後の制作で挑戦してみたいテーマや方向性はありますか？</p><p>A. 現実のアパレルでは表現できないような製品に取り組んでみたいですね。現状だとまだ実際に制作できるものばかりなので、バーチャルだからこそ出来ることを追求したうえで、そこにMarvelous Designerだから製作可能なリアリティを上乗せして、現実には存在できないのに存在感のあるモノを作れたら最高だなと考えています。</p><p><img src="https://storagefiles.clo-set.com/public/community/202512/909ee3d406ce44c9802e41562415ab25/images/e5aae88180764fcf8624dbfdc5e0dd4e9d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="e5aae88180764fcf8624dbfdc5e0dd4e" class="custom-image original-size" data-id="e5aae88180764fcf8624dbfdc5e0dd4e" data-width="1024" data-height="1024"></p><h2>VRChatにおけるアバター・衣装制作者へのメッセージ</h2><p>Q. Marvelous Designer をこれから使ってみたいVRChat制作者に向けて、アドバイスやメッセージをお願いします。</p><p>A. 実際の服飾に触れたことが無いという理由で敬遠される方もいらっしゃるかと思いますが、Tシャツ等であれば前身頃、後ろ身頃、袖の三つの型紙だけで製作することができますし、Marvelous Designerの機能も作図と縫い合わせだけで完結できますので、一度触ってみてリアリティのあるシワ感を体験してみていただきたいです。 一つ作ってみてシミュレーションの生地を変更してみるだけでも楽しいと思います。</p><hr><h2>クレジット</h2><p>アバター・衣装画像および動画：YOYOGI MORI BOOTHページ 「<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">【VRC / VRM 対応3Dモデル】Haysblanks ver1.03</a>」より</p><p>Marvelous Designer内アバター衣装制作画像：株式会社典樹</p>

[JP] YOYOGI MORI: バーチャルリアリティーにおけるアバター服飾デザイン

Gender & Age

Style

Genre & Mood

Objective

Garment

Collection A

Timeless Fairway

<p></p><h2 style="text-align: center"><strong>Logo Tag Accessory , Customizable for Brands</strong></h2><p>I have created my own logo tag accessory in CLO 3D, designed as a trim for bags and other products. The file is available for free download on <strong>CLO-SET CONNECT</strong>.</p><p></p><p><strong>If your brand is looking for a custom logo tag or accessory design, I also offer tailored solutions. I can develop unique trims and logo applications that fit seamlessly with your brand identity.</strong></p><p><img src="https://storagefiles.clo-set.com/public/community/202508/f369bdb854ed42fba858f5614ea2d0bc/images/aeb17000812c45f0af51b71681a41ef1Beige%20Simple%20Minimalist%20Fashion%20Brand%20Photo%20Instagram%20Post.jpg" alt="aeb17000812c45f0af51b71681a41ef1" class="custom-image original-size" data-id="aeb17000812c45f0af51b71681a41ef1" data-width="2025" data-height="2531"></p>

Your Brand, Your Tag 

<p>Are you a skilled fashion creator ready to bring virtual garments to life in gaming?&nbsp;</p><p><br>EveryWear Specialist Program is a pilot training program to help digital fashion creators optimize digital garments with EveryWear for seamless integration into game environments. By joining, you’ll be part of a pioneering project that overcomes traditional limits and opens up exciting new collaboration opportunities.</p><p></p><h1 style="text-align: center"><strong>[</strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://forms.gle/Yg6zbSgUuHLRMPw56"><strong>Click HERE</strong></a><strong> for more details]</strong></h1><img src="https://storagefiles.clo-set.com/public/community/202501/52b72f8a4c26457190ab31c2b2bdfac7/images/a263525f78104ee1aae5b390a284f582ESP_IG_1600x1600%20%282%29.png" class="custom-image original-size" data-id="a263525f78104ee1aae5b390a284f582" data-width="1600" data-height="1600"><img src="https://storagefiles.clo-set.com/public/community/202501/52b72f8a4c26457190ab31c2b2bdfac7/images/00a06d1870834fa182ec0172cd0bcd25pick2_wide.jpg" class="custom-image hidden-thumbnail" data-id="00a06d1870834fa182ec0172cd0bcd25" data-width="3282" data-height="1920">

Calling All Creators: Join Our EveryWear Specialist Program

Outfit

WARP HALLOWEEN 2024

Geisha Reimagined

<p>안녕하세요 부자재 obj에 관한 clo프로그램 버그가 발생하여 이렇게 QnA를 달게 되었습니다.</p><p>CLO CONNCET에서 D-RING 부자재를 다운받은 이후 물체를 CLO프로그램 안에서 사용하던 중 비활성화 및 프리즈 등이 표시되며 클릭되어야 하는 창에서 표시는 되는데 클릭이 되지 않습니다.</p><p>아는 지인분께 도움을 요청해 지인분의 컴퓨터에는 표시가 아주 잘 된다고 합니다.</p><p>제 컴퓨터의 어떤 이상이 있으면 이런 문제가 발생하게 되나요?</p><p>최신 버전의 프로그램과 2024버전 프로그램 또한 같은 상황입니다.</p><p>이해를 위해 아래와 같은 사진 첨부하여 글 남깁니다.</p><p>가능한 빨리 답장바랍니다. </p><p><img src="https://storagefiles.clo-set.com/public/community/202509/267abe97c2a64edd91d8e3d413431082/images/1728a45cd85841e8b5b22c4ec069f77f20250916_153043.png" alt="1728a45cd85841e8b5b22c4ec069f77f" class="custom-image original-size" data-id="1728a45cd85841e8b5b22c4ec069f77f" data-width="550" data-height="571"><img src="https://storagefiles.clo-set.com/public/community/202509/267abe97c2a64edd91d8e3d413431082/images/d2e4b76fa1404aeabeaa9d62c310cdae20250916_152949.png" alt="d2e4b76fa1404aeabeaa9d62c310cdae" class="custom-image original-size" data-id="d2e4b76fa1404aeabeaa9d62c310cdae" data-width="172" data-height="240"></p>

[부자재] 관련 문의

<h2 style="text-align: center"><span style="font-family: Times new roman"><em>The Scent of Autumn – A warm and nostalgic tribute to fall! Inspired by the sweet fragrance of osmanthus blossoms, 3D artist Yao Chan transforms seasonal memories into whimsical, stylized art. Using Marvelous Designer, she crafts charming chibi-style outfits with delicate fabric details and dynamic draping, bringing her vision to life.</em></span></h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/lxzfrx_wrkw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center"><span><strong>Interview with </strong></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/magicwand"><span><strong>Yao Chan</strong></span></a><span><strong> | </strong></span><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/rlO8kO"><span><strong>The Scent of Autumn</strong></span></a><span><strong> | 3D Artist</strong></span></h1><hr><h1><span><strong>Please introduce yourself to the Marvelous Designer community.</strong></span></h1><p><span>Hi everyone! I'm Yao Chan, a 3D artist and UX designer based in Shanghai. I hold both a bachelor's and a master's degree in Digital Media from the Central Academy of Fine Arts. Over the past decade, I've worked as a UX designer at leading companies like TCL Alcatel, Lenovo, Motorola, and SAIC-GM. Since 2019, I’ve been increasingly incorporating 3D elements into my UX design work for automobiles and digital devices, which led me to develop a strong passion for 3D art. Now, I focus on creating 3D artwork inspired by my personal experiences and interests—3D art has become my way of expressing myself to the world.</span></p><h1><span><strong>Your work <em>The Scent of Autumn</em> is full of warmth and childlike charm. Could you share the inspiration behind this character design and the story behind it?</strong></span></h1><p><span>For me, the scent of osmanthus is the defining fragrance of autumn—it’s a memory deeply rooted in my mind. I created this piece last fall when the city was filled with the sweet aroma of blooming osmanthus trees. Walking down the streets, I would unexpectedly catch whiffs of their fragrance, instantly bringing me a sense of happiness. For those who love osmanthus, its scent is powerful—it engages the senses and transports you to a special seasonal moment. </span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/77c446ff3add45348225abd695e67868clay.jpg" class="custom-image original-size" data-id="77c446ff3add45348225abd695e67868" data-width="1600" data-height="1600"><p><span>People often try to preserve this feeling by making osmanthus sugar, fragrance sachets, or perfumes. I wanted to do the same through my art, capturing and sharing the warmth of that moment, hoping to evoke a sense of nostalgia for autumn. In <em>The Scent of Autumn</em>, I illustrated myself wandering the streets with a bouquet of osmanthus in hand, fully immersed in the season’s charm. To convey such a simple yet heartwarming experience, I enjoy using stylized character and environment designs.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/f0de79d96ed346a9a6fa06a15cb465cfcloseup2.jpg" class="custom-image original-size" data-id="f0de79d96ed346a9a6fa06a15cb465cf" data-width="1600" data-height="1600"><p></p><h1><span><strong>How did you create the outfit for the little girl character in your artwork? What role did Marvelous Designer play in the process?</strong></span></h1><p><span>This character is a chibi version of myself, so I wanted her outfit to reflect my real-life autumn memories as accurately as possible. I based her clothing on one of my own fall outfits—a linen shirt, a denim short jacket, and casual cotton pants, finished off with a plaid newsboy cap. Having a real-world reference was incredibly helpful when working in Marvelous Designer, as it allowed me to focus on both the overall look and the finer details.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/9c9f4b8d9aff45ff8e1e18b65d70ee1acloseup1.jpg" class="custom-image original-size" data-id="9c9f4b8d9aff45ff8e1e18b65d70ee1a" data-width="1600" data-height="1600"><p><span>I created the entire outfit using Marvelous Designer because I wanted the clothing to have a realistic fabric feel, and MD was the perfect tool for achieving that. To make sure the garments draped naturally in the final pose, I first created a transition animation in Blender, moving the character from an A-pose to the final stance. I then imported this animation into Marvelous Designer and used it as a virtual avatar, giving the fabric simulation room to settle properly. Compared to creating clothes directly in Blender, Marvelous Designer offers a more efficient workflow for designing patterns, achieving realistic fabric physics, and optimizing computational performance. Plus, since MD allows me to export 2D sewing patterns with UVs, the texturing process becomes much easier later on.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/f348b11e830d467da6f11439fe00ed12MD%E6%88%AA%E5%9B%BE2.JPG" class="custom-image original-size" data-id="f348b11e830d467da6f11439fe00ed12" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/2c994522ca53412ca6ce155fe7a77d1aMD%E6%88%AA%E5%9B%BE3.JPG" class="custom-image original-size" data-id="2c994522ca53412ca6ce155fe7a77d1a" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/1043edad7e1546f8954a11a0e3ecc986MD%E6%88%AA%E5%9B%BE1.JPG" class="custom-image original-size" data-id="1043edad7e1546f8954a11a0e3ecc986" data-width="2560" data-height="1399"><h1><span><strong>Did you encounter any challenges while using Marvelous Designer? How did you overcome them?</strong></span></h1><p><span>Since I don’t have a fashion design background, drafting 2D clothing patterns for my chibi-style character was a major challenge. The outfit was inspired by real clothing but didn’t follow traditional garment construction, and working with 2D layouts in MD felt quite different from thinking in 3D.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/4c95fa6fce4d4fbfa6d70f9bb2175e4eMD%E6%88%AA%E5%9B%BE4.JPG" class="custom-image original-size" data-id="4c95fa6fce4d4fbfa6d70f9bb2175e4e" data-width="2560" data-height="1399"><p><span>To solve this, I researched real clothing structures and found similar pattern references online. The real-time 3D preview in Marvelous Designer was incredibly useful—it helped me fine-tune the fit through continuous adjustments until I achieved a satisfying final result.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/ccd003bdf05244789a5fd0b7afa61bb7Substance%E6%88%AA%E5%9B%BE5.JPG" class="custom-image original-size" data-id="ccd003bdf05244789a5fd0b7afa61bb7" data-width="2560" data-height="1400"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/fb9af770ca924ed0827c95548e68f827Substance%E6%88%AA%E5%9B%BE6.JPG" class="custom-image original-size" data-id="fb9af770ca924ed0827c95548e68f827" data-width="2560" data-height="1400"><h1><span><strong>Can you walk us through the tools you used for this project? How well did Marvelous Designer fit into your workflow?</strong></span></h1><p><span>For this project, I used <strong>Blender</strong> for modeling both the character and the environment. I also created an animation in Blender to transition the character from an A-pose to the final pose. Then, I imported this animation into <strong>Marvelous Designer</strong>, where I designed and simulated the hat, shirt, jacket, and pants. Once the clothing was complete, I exported the models to <strong>Substance Painter</strong> for texturing. Finally, everything was brought back into <strong>Blender</strong> for final touch-ups and scene composition.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/8b476c2ddb2d44b4b723d531cfe86b95wire.jpg" class="custom-image original-size" data-id="8b476c2ddb2d44b4b723d531cfe86b95" data-width="1600" data-height="1600"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/6674900f7744455db88604e90b9ec5eb%E6%88%AA%E5%9B%BE9.JPG" class="custom-image original-size" data-id="6674900f7744455db88604e90b9ec5eb" data-width="2560" data-height="1400"><p><span>Marvelous Designer integrated seamlessly into the workflow. As long as the right file formats were used for importing and exporting, the process was smooth and stable, making it an essential tool for building an efficient and repeatable pipeline.</span></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/lQtIcj3XLbk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1><span><strong>Do you have any tips for using Marvelous Designer, especially for creating stylized cartoon outfits?</strong></span></h1><p><span>When making cartoon-style clothing—especially for chibi characters—<strong>proportions</strong> play a crucial role. While the garments are inspired by real-world designs, they need to be stylized to suit the exaggerated features of the character. The size of shirts, pants, and hats should be carefully adjusted to match the character’s proportions.</span></p><p><span>Fabric wrinkles can add realism, but too many can make the outfit feel overly detailed and lose its cartoon charm. To control this, I tweak <strong>fabric physical properties and particle distance</strong> to ensure the folds match the intended style. Additionally, fabric textures should be enlarged compared to real-world clothing to highlight the details. Just like doll clothes have more pronounced and simplified textures, scaling up fabric patterns helps maintain a clean and stylized look.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/c2d5162c423f4bcfb7c1682c48b67718Substance%E6%88%AA%E5%9B%BE8.JPG" class="custom-image original-size" data-id="c2d5162c423f4bcfb7c1682c48b67718" data-width="2560" data-height="1400"><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/495eaf0587ff43d09d05f42888c338eaSubstance%E6%88%AA%E5%9B%BE7.JPG" class="custom-image original-size" data-id="495eaf0587ff43d09d05f42888c338ea" data-width="2560" data-height="1400"><h1><span><strong>What’s your overall experience with Marvelous Designer?&nbsp;</strong></span></h1><p><span>I’ve had a great experience with Marvelous Designer. It allows me to create clothing much like in real-life fashion design—cutting, sewing, and adjusting 2D patterns while seeing instant results in 3D. The real-time simulation and animation capabilities make it easy to refine garments dynamically. The software is also user-friendly, with smooth performance and efficient computation, making it my preferred tool for garment creation.</span></p><img src="https://storagefiles.clo-set.com/public/community/202503/e9171872b673477ea9d0207fd81b72fe/images/19a0e6d916f3480e9745e4ebbb6c4008final1600.jpg" class="custom-image original-size" data-id="19a0e6d916f3480e9745e4ebbb6c4008" data-width="1600" data-height="1600"><hr><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/magicwand">Artstation</a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/yaochanyc">Behance</a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/54e6d7a44fac63791c29c643?xsec_token=ABlH0AWM9L9l144-pHUFXlyf3aFeEX4j4S916oAEd3328%3D&amp;xsec_source=pc_search">RedNote</a></p><p>Instagram: <span>magicwandyc</span></p><p></p>

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