<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/b16c7780fc0f416caddd4a95f5df96f9/images/bb50e44c127b49aba155ce3c18ac3f5fHeader_thumb%20%282%29.png" class="custom-image hidden-thumbnail" data-id="bb50e44c127b49aba155ce3c18ac3f5f" data-width="1240" data-height="652">"<a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</h2><h2 style="text-align: center">In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>Artist and Brand Introduction</h2>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.<hr><h2>Brand Theme and Aesthetics</h2>Q. YOYOGI MORI's works have a unique worldview and fashion sense. Please tell us about the themes and aesthetics the brand cherishes.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024">A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.<hr><h2>Significance of Fashion in VRChat</h2>Q. What appeal or significance do you feel in creating fashion for VRChat?<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024">A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.<hr><h2>Production Flow with Marvelous Designer</h2>Q. How is Marvelous Designer utilized in your usual production workflow?A. [Pattern Making and Sewing] After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001">Pattern making using the Pleats function and Tacks[Simulation and Wrinkle Creation] To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741">Adjusting wrinkles using pins and partial freezing[Final Details] In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677">Wrinkle details on the finished outfit<hr><h2>Role and Benefits in Team Production</h2>Q. I understand YOYOGI MORI is a small team production. Are there any moments in the process where Marvelous Designer proves particularly useful?A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power as clothing, which is a wonderful point.<hr><h2>Production Challenges and Solutions</h2>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.<hr><h2>Future Outlook</h2>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that can actually be produced, so I want to pursue what is possible because it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"><h2>Message to VRChat Avatar/Clothing Creators</h2>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.<hr><h2>Credits</h2>Avatar &amp; Costume Images/Video: From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>"Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

MV2 Relaxed Overshirt

mia.luo9527

This outfit was created by <a href="https://connect.clo-set.com/portfolio/804888/collection/collections" target="_blank">[pouya az]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/2f6d33b653594a72a07592580d513ef8" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Catline Circuit

Garment

Gender & Age

Women

Style

Outfits

Jumper / Jacket

Pants

T-shirt

Genre & Mood

Daily Casual

Streetwear

F Peplum Tube Top Skirt Set

F Camo Bomber Denim Set

F Police Uniform

M Korean Military Uniform

NYX ( DOWON STYLE )

Helena ★ Pisces

Valerie ★ Geminis

OffShoulder Dolfin Shorts Set

toplex

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/1f7f0a3eddcf49d0bf364a01d959c66e/images/36e6ab6a2bbc4720bc4f98b07c2a3e78Header_thumb%20%2812%29.png" class="custom-image hidden-thumbnail" data-id="36e6ab6a2bbc4720bc4f98b07c2a3e78" data-width="1240" data-height="652">Artist Mendy BM reimagines Tuxingsun from Investiture of the Gods with Marvelous Designer, bringing every stitch and detail of the costume to life.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/94e2c64fffd44e43bae3e53e056e16e2Tx_mendy-bm-skin-color.jpg" class="custom-image original-size" data-id="94e2c64fffd44e43bae3e53e056e16e2" data-width="2048" data-height="2040"><h1 style="text-align: center">Interview with Mendy BM | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/V28Jk8">Tuxingsun</a>﻿ | Game Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>Hi everyone! I'm Mendy BM, game character artist from Brasil, based in Spain. I started my professional career creating modular digital humans for medical learning, and since 2022, I've been working in the game industry, creating fantasy characters and creatures for games.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/c150fb25bbe144929c0d906351c131fe1_mendy-bm-Dark-Elf.jpg" class="custom-image original-size" data-id="c150fb25bbe144929c0d906351c131fe" data-width="1730" data-height="1730"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/e3413a1a2205468aa386c517f4e6fad01_mendy-bm-mendybm-ecorche.jpg" class="custom-image original-size" data-id="e3413a1a2205468aa386c517f4e6fad0" data-width="1280" data-height="1707"><h1>Please tell us about the project. What inspired you to choose Tuxingsun from the Chinese literature Investiture of the Gods as your project?</h1>Since the beginning of my career, I've been following <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/tianhuaxu">Xu Tianhua</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/yangqi917">Yang Qi</a>. Their work is a great inspiration for me. "Tuxingsun" concept made by Xu Tianhua, always caught my attention with his little body and unique face features. At the research stage, to know more about the backstory of the character, I found John Zhu's Chinese Lore Podcast, where he retells classic Chinese literature in English, and I fell in love with it. China has a millenary culture, which has many of the biggest inventions in the humankind history, and I'm very interested to know more, especially about their art.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/2d3da966582b434784dd157086d20d2f1_mendy-bm-Tuxingsun.jpg" class="custom-image original-size" data-id="2d3da966582b434784dd157086d20d2f" data-width="2048" data-height="2048"><h1>How did Marvelous Designer assist you in realizing the vision for Tuxingsun's costume? Did you use any specific features or techniques that helped bring authenticity to the fabric and clothing design?</h1>I started the Tuxingsun project to familiarize myself with Marvelous Designer and I found incredible the possibility to work with sewing patterns, like is done in real-life cloth industry. Also, being able to work on the 2D pattern window and see the changes in real time, at the 3D window, is something extremely handy and powerful for recreating cloth designs. Additionally, there are a great number of fabric presets available, experimenting with it is so important to bring authenticity to the fabric, as well as finding the right pattern for it.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/152355aa363e4e66b69ef467e385827cTx_mendy-bm-camisa2.jpg" class="custom-image original-size" data-id="152355aa363e4e66b69ef467e385827c" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa8be76704134d2b83b764b1fa19a134Tx_mendy-bm-pano1.jpg" class="custom-image original-size" data-id="aa8be76704134d2b83b764b1fa19a134" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/8014037f03ee4f9db2e546bbb932a485Tx_mendy-bm-front.jpg" class="custom-image original-size" data-id="8014037f03ee4f9db2e546bbb932a485" data-width="1920" data-height="1920"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>When I start a project, I spend a good amount of time finding good references, then, I use PureRef to make the reference board, selecting just a few images on each topic.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa7777cfe41e41869d56b0a7041ec0a84_PureRef_Tuxingsun.jpg" class="custom-image original-size" data-id="aa7777cfe41e41869d56b0a7041ec0a8" data-width="1478" data-height="942">After that, I go to Zbrush, to sculpt the character's and prop's basic shapes, with all my attention on proportions and silhouette. On personal projects, at this stage, I make pauses every now and then, to rest the eyes and be able to see clearer the results I'm getting, furthermore I often use Krita to make "correction" drawings on screenshots of Zbrush.Once I got a result I'm happy with, I moved forward to create the garments at Marvelous Design, taking advantage of its incredible cloth simulation power. After that I returned to Zbrush, and created the high poly version of everything, refined some folds and added all the details.Following, I used 3D Max to create the low poly version of the character and then imported it on RizomUV to work on the UVs. Finally, on Adobe Substance Painter, imported the lowpoly, and did the bakes and textures for the whole character.For rendering and final testing, I tend to use Marmoset Toolbag and Unreal 5.<h1>What challenges did you face during the creation process, and how did you overcome them?</h1>For me it was the number of layers, making the garment without the pieces intersecting with each other was complicated and the "freeze" tool was very important to overcome this challenge. I had to freeze and unfreeze the cloth elements many times, going back and forward, activating the simulation to create the folds that I wanted, and simultaneously, trying to maintain the elements hierarchy.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/d2786d02057c4077b7888f4f1663f2d55_Tuxingsun_steps.jpg" class="custom-image original-size" data-id="d2786d02057c4077b7888f4f1663f2d5" data-width="1478" data-height="942"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/21c4cbc7118945b1919b48da2a28a50f5_marvelous_capture2.jpg" class="custom-image original-size" data-id="21c4cbc7118945b1919b48da2a28a50f" data-width="1920" data-height="960"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/fdd29bc8a6c1444983e819de713f3f625_marvelous_capture1.JPG" class="custom-image original-size" data-id="fdd29bc8a6c1444983e819de713f3f62" data-width="1920" data-height="960">Also, when I created the patterns, the cloth was small on Tuxingsun's body. Because of that, I had to "add more fabric" and this broke the hierarchy. So to avoid this, when I started over, I used a high particle distance to get the shapes, then I changed to a lower value and used many pins to simulate it and create the desired folds again.In summary, to maintain the hierarchy, the freeze and unfreeze features, in conjunction with the pins, were my best friends in this project. This was the most time-consuming part of the work.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>The first tip: take your time to find patterns, this will save you a lot of time. Even though it's difficult and frustrating to find patterns on the internet, humans have started to create garments since ancient times; take the time to find them. Second tip: don't forget to use symmetry.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/35f034d2d9f14fbbb097bc6ee02364be6_Tuxingsun%20process_translucent.jpg" class="custom-image original-size" data-id="35f034d2d9f14fbbb097bc6ee02364be" data-width="1920" data-height="960">Third: when you have as many pins as I had, the translucent mode is very useful. In addition, more a feature than a trick, use the soft body simulation, it's an incredible feature that considers the elastic aspect of the skin.<h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>It's amazing, the software is very intuitive, and the interface is truly user-friendly. Nowadays it is the best software option to create 3D garments in the industry.<h1>by&nbsp;Mendy BM <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mendybm">Artstation</a></h1>

Tuxingsun - A Fusion of Inspiration and Chinese Lore

The Gentleman Fatal

<img src="https://storagefiles.clo-set.com/public/community/202601/3622089d22f94efea4b3e2a3d5199d0c/images/d5371c98e618409688dec36d791c4554Screenshot%202026-01-09%20at%2010.05.45.png" class="custom-image hidden-thumbnail" data-id="d5371c98e618409688dec36d791c4554" data-width="774" data-height="778">Your Mission • Build and grow a team of computational design experts, ensuring close collaboration with designers and cross-functional partners to deliver outstanding work - from early explorations and conceptual design all the way to production-ready 3D datasets. • Be an integral part of the design studio, continuously pushing the visual and technical boundaries of On’s products. • Inspire, coach, and upskill individuals and teams to develop the future-fit design capabilities needed to thrive in an ever-evolving digital landscape. • Use computational design skills to create pioneering product concepts that set new standards for performance and innovation - while pushing the future of digital manufacturing and automation in the industry. • Inspire and embed computational design capabilities across all product functions, driving creativity, efficiency, and innovation. • Stay up to date with the latest advancements in computational design tools and digital fabrication technologies to enhance the footwear design process. • Implement parametric and algorithmic design principles to build adaptable design systems, enabling customizable and easily adjustable solutions. Your Story • 7-10 years of experience in high-level design environments, with a strong portfolio of computational design and performance product solutions. • Proven experience leading teams and large-scale projects in agile environments. • Deep expertise in computational design as well as 2D and 3D tools - from early explorations to production-ready 3D datasets. • Good understanding of traditional manufacturing processes in high-performance footwear (a plus). • An innovative mindset with a strong drive to push the boundaries of footwear design. • Ability to work independently under deadlines on multiple projects simultaneously, combining creative thinking with engineering problem-solving skills. • Must be able to thrive in a fast-paced environment.<a target="_blank" rel="noopener noreferrer nofollow" href="https://culture.on.com/jobs/7120658/">https://culture.on.com/jobs/7120658/</a>

[Job] On - Senior Lead: Computational Designer(Zurich, Switzerland)

This elegant royal robe was designed with inspiration from ancient noble attire — featuring deep navy fabric, intricate golden ornaments, and a luxurious silhouette. I aimed to create a balance between fantasy and historical fashion. What do you think about the combination of dark tones with gold details? 💫 Your feedback means a lot — feel free to share your thoughts!<img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/44c5fbb8f28b4cbe806357108024c5fdpreview%2001.png" alt="44c5fbb8f28b4cbe806357108024c5fd" class="custom-image original-size" data-id="44c5fbb8f28b4cbe806357108024c5fd" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/40755d8e881b45e1a32ab27c2b1251d6preview%2002.png" alt="40755d8e881b45e1a32ab27c2b1251d6" class="custom-image original-size" data-id="40755d8e881b45e1a32ab27c2b1251d6" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/313ec1e352b54945b9feddc64672b335preview%2004.png" alt="313ec1e352b54945b9feddc64672b335" class="custom-image original-size" data-id="313ec1e352b54945b9feddc64672b335" data-width="3000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202510/f0d2781a493f4dc38812c1bb29593f81/images/bcd1b8363b6d41378eed099cdc05b55cpreview%2003.png" alt="bcd1b8363b6d41378eed099cdc05b55c" class="custom-image original-size" data-id="bcd1b8363b6d41378eed099cdc05b55c" data-width="3000" data-height="3000">3D Artist: Zeinab DahganiPortfolio: <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.cv.zeinabdahgani.com">www.cv.zeinabdahgani.com</a>Email: best3dmodeling@gmail.cominstagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/zeinab_dahgani/">https://www.instagram.com/zeinab_dahgani/</a>LinkedIn : <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.linkedin.com/in/zeinab-dahgani">https://www.linkedin.com/in/zeinab-dahgani</a>

Emperors clothes

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

Marvelous Designer Official

Marvelous Designer Official