COLLECTION A

<h2 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/ftoerring/"><span style="font-family: &quot;Times new roman&quot;"><em><u>Frida Tørring-Decap</u></em></span></a><span style="font-family: &quot;Times new roman&quot;"><em>, a recent graduate of the Masters in Industrial Design at the Oslo School of Architecture and Design, was one of the participants selected for the CLO Incubation Program 2024/2025. With no formal background in fashion, Frida used CLO as a key tool in developing her thesis project: flotation trousers designed specifically for female fishers.</em></span></h2><p style="text-align: center"></p><hr><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/7684071f515545b9b33e121ba464a3d3wivan_Dagny_Marie_Sand_Haarberg-1.jpg" alt="7684071f515545b9b33e121ba464a3d3" class="custom-image large-size" data-id="7684071f515545b9b33e121ba464a3d3" data-width="2500" data-height="1667"><br></p><p><strong>Can you tell us a bit about yourself and how you got into fashion design?<br></strong>My name is Frida Tørring-Decap. I just graduated from the Master's in Industrial Design at the Oslo School of Architecture and Design (AHO) in Norway. Before that, I studied Marketing Management and worked in that field for a couple of years before switching to design. I do not have a direct link to fashion, except for a sister-in-law who studied it. But I did a summer internship with a local clothing brand and have always been into cosplay, which later led me to make replica space suits.</p><p></p><h3><strong>You were selected for the CLO Incubation Program 2024/2025. How did you hear about it?<br></strong>I found the program on CLO's Instagram. A PhD fellow at my school had introduced me to CLO, but I had not had the chance to explore it. Since I was considering soft goods for my thesis, I thought it was the perfect time to dive in.</h3><p></p><h3><strong>Did you have any experience with CLO before the program? If so, how did it go?<br></strong>I had tried it once in an intro session at school, but the learning curve felt steep, so I did not continue at the time.<br></h3><p><strong>What part of the program surprised you the most, and did it change how you see digital fashion tools like CLO?<br></strong>The CLO course was incredibly helpful. It gave a deep overview of the software, not just the basics. The Q&amp;A session with a CLO expert was also very valuable and helped me get into more advanced techniques.</p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/50e9553f53424745934d3f3308af3becimgonline-com-ua-twotoone-SRG79dvIiH2.png" alt="50e9553f53424745934d3f3308af3bec" class="custom-image large-size" data-id="50e9553f53424745934d3f3308af3bec" data-width="3000" data-height="2000"></p><h2 style="text-align: left"><span style="font-family: &quot;Times new roman&quot;"><strong>THESIS PROJECT: FLOTATION TROUSERS FOR FEMALE FISHERS</strong></span></h2><h3><strong>Female fishers are an unusual focus—what inspired you to design flotation trousers for them?<br></strong>It was suggested by my supervisor, Hilde Angelfoss. She was working on a collaboration with Aalesund Protective Wear and a group of undergrads. One of the proposed topics was workwear for women fishers. She felt it was too complex for a short project but ideal for a full thesis, so she encouraged me to take it on.</h3><p></p><h3><strong>Was there a turning point when you realized CLO could transform your entire workflow?<br></strong>I planned to at least try CLO since it was my final project. Thanks to the CLO course and Q&amp;A, I quickly saw how much it could speed up my prototyping process, so I decided to go all in.</h3><p></p><h3><strong>Can you take us through the journey from your field observations all the way to creating a working prototype in CLO?<br></strong>I started by visiting Aalesund Protective Wear to understand their workflow. I also went to a local secondary school with a fishing program, where I ran a drawing workshop and watched the students prepare for a trip. I followed up with interviews and surveys with professional female fishers.</h3><p>Designing the buoyancy parts was the toughest. I worked back and forth between foam prototypes and CLO, moving from 2D to 3D. I used a base pattern from Aalesund and adapted it for women, adding new features and flotation.</p><p>Aalesund already used CLO, but not for garments with built-in buoyancy. During the Q&amp;A, we figured out how to simulate foam using the fill function. I also used CLO's fitting tools to make sure the design was neither too tight nor too loose.</p><p><br><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/08dbf03b1f80489fbb528b8d4574b052CLO%20Standalone%20OnlineAuth%2015_03_2025%2012_31_41.png" alt="08dbf03b1f80489fbb528b8d4574b052" class="custom-image large-size" data-id="08dbf03b1f80489fbb528b8d4574b052" data-width="1920" data-height="1019"><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/0eca26f817644cf9bc301e21958063fbCLO%20Standalone%20OnlineAuth%2008_04_2025%2010_59_22.png" alt="0eca26f817644cf9bc301e21958063fb" class="custom-image large-size" data-id="0eca26f817644cf9bc301e21958063fb" data-width="1920" data-height="1019"></p><p>After printing the pattern, I made a test version using inexpensive fabric. It fit perfectly, just as CLO predicted, so I went ahead with the final prototype. After testing it with students, I made a few adjustments in CLO, printed new pieces, and sewed the final version.</p><p><br><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/4430028cb8f04d69ae185d9ffec33104wivan_frida_toerring-decap-3.jpg" alt="4430028cb8f04d69ae185d9ffec33104" class="custom-image large-size" data-id="4430028cb8f04d69ae185d9ffec33104" data-width="2500" data-height="1875"><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/eaa6897fc53f433db1fcb26c27db357bwivan_frida_toerring-decap-8.jpg" alt="eaa6897fc53f433db1fcb26c27db357b" class="custom-image large-size" data-id="eaa6897fc53f433db1fcb26c27db357b" data-width="3840" data-height="2160"></p><h3><strong>Which CLO feature felt like a breakthrough in bringing your design to life?<br></strong>Definitely the fitting tools. They immediately showed where the fit was too tight and made it easy to adjust the pattern.</h3><p></p><h3><strong>How did CLO help you push beyond what traditional prototyping could achieve?<br></strong>CLO saved a lot of time. Instead of spending days on physical iterations, I could test and adjust digitally. That gave me time to make two full physical prototypes instead of one.</h3><p></p><p><strong>Were there any hidden gems or surprises you discovered while working with CLO?<br></strong>I was pleasantly surprised by the print layout. It automatically calculates the fabric used. I used to do it manually in Illustrator, so it saved me a lot of time.</p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/eae8fc6a39e0451aae2c87b35c6f0b69CLO%20Standalone%20OnlineAuth%2023_03_2025%2020_09_40%20%281%29.png" alt="eae8fc6a39e0451aae2c87b35c6f0b69" class="custom-image large-size" data-id="eae8fc6a39e0451aae2c87b35c6f0b69" data-width="1920" data-height="1019"></p><h2 style="text-align: left"><span style="font-family: &quot;Times new roman&quot;"><strong>REFLECTION &amp; IMPACT</strong></span></h2><p><strong>What’s the biggest insight about designing for women in safety gear that you gained?<br></strong>Designers need to be clear about who they are designing for. "Unisex" usually just means shrinking a men’s design, which is not ideal. Many women end up wearing men's workwear, which can be unsafe if it does not fit well. A good fit is not just comfort. It is a safety issue.&nbsp;</p><p></p><h3><strong>For newcomers to CLO, what advice would have saved you time or frustration?<br></strong>The learning curve can feel steep but give yourself time to explore the software. I strongly recommend the official CLO courses. They might seem long, but understanding all the tools really pays off later.</h3><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202509/7e8196cc740e4abe843efd85767e028b/images/852c3e402a9f41dcb2b887f1c4208a3awivan_frida_toerring-decap-1.jpg" alt="852c3e402a9f41dcb2b887f1c4208a3a" class="custom-image large-size" data-id="852c3e402a9f41dcb2b887f1c4208a3a" data-width="2500" data-height="1667"></p><p></p>

CLO Incubation Program: How Frida is Improving Safety for Female Fishers

UNIFORM

Dorsa Bags

<h2 style="text-align: center"><span style="font-family: &quot;Times new roman&quot;"><em>Neon lights, high-tech fashion, and a bold cyberpunk attitude—Zhihao's "Cyber Cat" is the perfect blend of style and sci-fi. In this interview, he takes us behind the scenes, sharing his experience with Marvelous Designer and how he tackled the challenges of bringing a futuristic character to life. Whether you’re a seasoned artist or just getting started, his insights are sure to spark inspiration!</em></span></h2><hr><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/1d5d0c7d6bc84892987c15ac05155438cybercatwebp-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="1d5d0c7d6bc84892987c15ac05155438" data-width="800" data-height="450"><h1 style="text-align: center"><strong>Interview with </strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/zhihaowang927"><strong>Zhihao</strong></a><strong> | Cyber Cat (赛博猫猫) | 3D Character Artist</strong></h1><hr><h1><strong>Please introduce yourself to the Marvelous Designer community.</strong></h1><p>Hello, everyone! My name is Zhihao, and I am a 3D character artist from China. My journey into the world of 3D began with my lifelong passion for gaming and my love for creating whatever I envision.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/fc6491eab6374b40851db9b073ac3fa3JZ_Half01_LV.0000.jpg" class="custom-image original-size" data-id="fc6491eab6374b40851db9b073ac3fa3" data-width="3840" data-height="2160"><h1><strong><em>Cyber Cat</em> has a strong cyberpunk vibe and a futuristic look. What inspired this character design, and is there a story behind it?</strong></h1><p>I got the idea for <em>Cyber Cat</em> after playing <em>Cyberpunk 2077</em>. The game’s cyberpunk world really captivated me, especially the way it blends humans with technology—it was unforgettable. Later, while browsing Pinterest, I stumbled upon an illustration by 박재우 that I absolutely loved. I thought it would look amazing if I brought it to life in 3D!</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/91fdd164b68b4441a179f5cf5d7545a8%E1%84%87%E1%85%A1%E1%86%A8%E1%84%8C%E1%85%A2%E1%84%8B%E1%85%AE%20cyberpunk.jpg" class="custom-image original-size" data-id="91fdd164b68b4441a179f5cf5d7545a8" data-width="1920" data-height="2800"><p style="text-align: center">Artwork by 박재우</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/ed0dba72181342b49ebdd3ca2362e207JZ_Full.0001.jpg" class="custom-image original-size" data-id="ed0dba72181342b49ebdd3ca2362e207" data-width="5848" data-height="4096"><h1><strong>Your characters always leave a strong impression! With Cyber Cat, for example, the pink hair and futuristic cat ears really stand out. How do you think costume design helps express a character’s personality?</strong></h1><p>Clothing is a powerful tool for shaping a character’s identity. First, colors play a big role—they can communicate emotions and personality traits. Choosing the right colors helps bring out the essence of the character.</p><p>Next, the style of the outfit matters. It should complement the character’s body type and personality, enhancing their best features while balancing the overall look.</p><p>Finally, incorporating cultural elements makes the design more meaningful and unique. Just like <em>Cyber Cat’s</em> jacket—adding sci-fi details like LED strips strengthens the futuristic vibe and makes the outfit feel more immersive.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/fdfe76df5a7a42918addb3d0c7dfc741HDR2_Half_LV.0000.jpg" class="custom-image original-size" data-id="fdfe76df5a7a42918addb3d0c7dfc741" data-width="3840" data-height="2160"><h1><strong>How does Marvelous Designer fit into your workflow? What makes it such a valuable tool for improving efficiency or achieving creative designs?</strong></h1><p>I usually start by creating the base garment patterns in ZBrush and then bring them into Marvelous Designer. For lapel-style clothing, I first select the collar pattern’s edges and use the <strong><em>Offset Pattern Outline</em></strong> function to generate an extra piece that helps hold the collar in place. I freeze this piece to keep the garment from falling apart while I work on other sections.</p><p>For sleeves, I make both an outer and inner layer. Adding an inner sleeve layer helps Marvelous Designer calculate thicker, more realistic fabric folds.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/17c024142d874df6b9e0382a59ff753fQQ20250108-144431.png" class="custom-image original-size" data-id="17c024142d874df6b9e0382a59ff753f" data-width="1794" data-height="1223"><p>When designing sci-fi outfits, I often use Marvelous Designer’s <strong><em>Nylon Matte</em> </strong>material because it creates a more rigid, structured look that works great for futuristic clothing.</p><p>One of the biggest advantages of Marvelous Designer is its ability to simulate different fabric types, making it easier to compare how different materials behave. Adjusting fold angles on internal lines also adds extra texture and depth, making the final design feel even more detailed and realistic.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/3e5f9224384a47c5a240b87d10bfd0eeHDR3_Face01_LV.0000.jpg" class="custom-image original-size" data-id="3e5f9224384a47c5a240b87d10bfd0ee" data-width="3840" data-height="2160"><h1><strong>What challenges did you encounter while using Marvelous Designer, and how did you solve them?</strong></h1><p>The hardest part of using Marvelous Designer was making sure the outfit looked as close as possible to the original design. To overcome this, I spent a lot of time researching cyberpunk fashion—analyzing references from movies, games, and concept art. I kept tweaking and refining the details and layering until I got the look just right. It took a lot of careful adjustments, but in the end, I was able to bring the design to life.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/a78ec19c2f00483a8fe87574240a92c5JZ_Face.0000%20%E6%8B%B7%E8%B4%9D.jpg" class="custom-image original-size" data-id="a78ec19c2f00483a8fe87574240a92c5" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/86ea40110cdf454ba29414fa46ec5463HDR_Half.jpg" class="custom-image original-size" data-id="86ea40110cdf454ba29414fa46ec5463" data-width="3840" data-height="2160"><h1><strong>Could you briefly introduce the tools and software you used in this project? How well does Marvelous Designer integrate into your workflow?</strong></h1><p>At the start, I mainly used ZBrush and Marvelous Designer to create the base models and patterns. Then, I moved to Maya for retopology. For texturing, I worked with Substance Painter for the clothing and equipment, and Mari for detailed skin textures. Finally, I rendered everything in Unreal Engine 5.</p><p>Marvelous Designer works really well within the workflow—it’s quick and easy to export assets to other software, and I didn’t run into any issues when transferring files between different programs. Everything fits together pretty smoothly.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/30a57400f3af4666813c0f2a4fcd912eHDR_Face1.jpg" class="custom-image original-size" data-id="30a57400f3af4666813c0f2a4fcd912e" data-width="3240" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/23d9dab818e2412ea45331cca1b329f5HDR_Face2.jpg" class="custom-image original-size" data-id="23d9dab818e2412ea45331cca1b329f5" data-width="3240" data-height="2160"><h1><strong>What advice or insights would you share with other artists looking to create cyberpunk-style designs using Marvelous Designer?</strong></h1><p>Since this was my first time working on a cyberpunk project, I know how tricky it can be to find good references. If you're struggling with that, I highly recommend browsing Huifeng Huang’s ArtStation page <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/wilsonhuang">(https://www.artstation.com/wilsonhuang)</a>. His work is a fantastic source of inspiration and a great reference for capturing that cyberpunk aesthetic.</p><img src="https://storagefiles.clo-set.com/public/community/202503/ef8c8b77afef4044b3d710e7796b7b3a/images/82f6eb05dca549648d66eca8b0269183BG1_Half_LV.0000.jpg" class="custom-image original-size" data-id="82f6eb05dca549648d66eca8b0269183" data-width="3840" data-height="2160"><h1><strong>What’s your overall experience with Marvelous Designer?</strong></h1><p>Marvelous Designer keeps getting better with each update! The UI has become more intuitive and beginner-friendly, so whether you're new to Marvelous Designer or an experienced user, it's easy to pick up and work efficiently. The latest updates have also boosted GPU simulation and added improved quad remeshing, which makes the workflow much smoother. I think these improvements will make the software even more enjoyable for character artists in the future.</p><hr><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/zhihaowang927"><strong>Artstation</strong></a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/664c1b6e0000000007006999?xsec_token=ABCoeGZWxrJT0ocsq4pbEGspWGU74G3UdCXaBeQ064dXk=&amp;xsec_source=pc_search"><strong>RedNote</strong></a></p>

CONNECT

Exploring Diverse Fashion

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2023/12/08, 03:00 凌晨 UTC ~

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2023/12/16, 09:00 上午 UTC ~

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2024/01/20, 03:00 下午 UTC ~

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2024/02/02, 03:00 凌晨 UTC