<h2 style="text-align: center">Meet Moet, the visionary behind Moon Face Animation.</h2><h2 style="text-align: center">With two decades of experience spanning the entertainment and advertising industries in both Tokyo and Montpellier, Moet bridges the gap between traditional aesthetics and modern 3D technology.</h2><h2 style="text-align: center">Moet discusses her approach on her <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/966a52eede74480384cec52f5af657b1">award-winning work </a>in the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator's Contest 2025 Vol.3 "FANTASY ARCHIVES"</a>, how she translated her interpretation of steampunk as a "unbalanced mixture of analog and technology" and "fragile dreamy hope" into stunning character designs.</h2><img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/961ffdaf2a2749c5ab1fa2290de54dc1image0-1.jpg" alt="961ffdaf2a2749c5ab1fa2290de54dc1" class="custom-image original-size" data-id="961ffdaf2a2749c5ab1fa2290de54dc1" data-width="1920" data-height="1080"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/ja/detail/966a52eede74480384cec52f5af657b1">Fly High!</a><hr>Artist Introduction: please tell us about yourself.Hello! I’m <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/moonfaceanimation/">Moon Face Animation</a>. Moon face animation is an one (wo)man, animation focused creative studio by Moet. It locates in Montpellier, France and Tokyo, Japan. I have been working in the entertainment &amp; advertisement industry as a 2D&amp;3D creator for about 20 years. I especially love working on concept/visual development and 3D character creation. I was really happy to work on this contest because I love thinking about the background story and develop the fashion and the look for the character.<img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/945928e1b549445e9024cdf24dbd7af5image1-1.jpg" alt="945928e1b549445e9024cdf24dbd7af5" class="custom-image original-size" data-id="945928e1b549445e9024cdf24dbd7af5" data-width="1920" data-height="1080"><hr>Please tell us more about the art direction for your winning entry in the Creator’s Contest 2025 Vol. 3. Specifically, what kind of visual style were you aiming for?I did a lot of research for old clothes around Victorian era, and I chose ‘steampunk’ for the core theme. I spent lots time for figuring out what’s the core essence of steampunk. I didn’t want to fall in the typical ‘steampunk-look’ fashion. And my answer for the essence of steampunk was ‘the desire which makes impossible possible’. I wanted to use that core idea for my design.<img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/32bc569dadd74770867307100263d6c9image2-1.jpg" alt="32bc569dadd74770867307100263d6c9" class="custom-image original-size" data-id="32bc569dadd74770867307100263d6c9" data-width="1920" data-height="1080">To me, steampunk has certain kind of ‘unbalanced mixture of analog and technology’ and ‘Fragile dreamy hope’. So I wanted to visualize that feeling into the characters by collage images.<img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/1b9d80bd5e814846bcd3c00837b9873fimage2-2.jpg" alt="1b9d80bd5e814846bcd3c00837b9873f" class="custom-image original-size" data-id="1b9d80bd5e814846bcd3c00837b9873f" data-width="1920" data-height="1080">For the 3D model creation, I took some photos of some of my clothes and used them as texture for the 3D model. I didn’t know it would work or not, but in the end I really liked the look of it. It didn't look too neat and clean, and it brought hand made and analog feeling of steampunk I aimed for.<img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/0f2478e5d94541a29c611394e7cd823aimage2-3.jpg" alt="0f2478e5d94541a29c611394e7cd823a" class="custom-image original-size" data-id="0f2478e5d94541a29c611394e7cd823a" data-width="1920" data-height="1080"><hr>Please give us an overview of your asset production pipeline centered on Marvelous Designer. What tools do you use? Also, tell us about any challenges you faced during production and how you overcame them. I use Maya outside of Marvelous Designer. For this project, I made props and base body in Maya. I set poses in Maya and exported as alembic for simulation in Marvelous Designer. The workflow was quite straight forward. This time I used photos for the texture, but I like making own patterns. I’m excited to explore more in the future.<img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/2db72f1296bd482aa7963181b216cc67image3-1.jpg" alt="2db72f1296bd482aa7963181b216cc67" class="custom-image original-size" data-id="2db72f1296bd482aa7963181b216cc67" data-width="1920" data-height="1080"> <img src="https://storagefiles.clo-set.com/public/community/202601/213d5ede18644a8ebd574b9a5a76bde4/images/7d2a13fb37334b0fbbba17c026106bb7image3-2.jpg" alt="7d2a13fb37334b0fbbba17c026106bb7" class="custom-image original-size" data-id="7d2a13fb37334b0fbbba17c026106bb7" data-width="1920" data-height="1080"><hr>If you have any tips or techniques regarding Marvelous Designer, please share them with the community.I like sewing but I’m not a pattern maker. When I started learning Marvelous Designer, I bought several old dress patterns and scanned them and used them as a base pattern for practice. It was really fun exercise for me.<hr>

MDCC Vol3 1st Place: Moon Face Animation crafting Steampunk Realities

Cropped Leather Jacket

Ladies Short  Fashion Jacket

Women's casual cropped jacket

FV2 Double-Breasted Cropped Jacket

FV2 Cropped Jacket

female cowboy outfit

ra-roth

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

Collection A

fantasy

<h2 style="text-align: center">Iranian designer <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/403448/info">AI / Kimia</a> discusses her journey on creating her entry for the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator’s Contest 2025 Vol.3</a>, titled <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">"Puppeteer: Tokyo Evolution,"</a> serving as a case study in blending cultural philosophy with technical precision and winning the Community Choice award. By applying the Japanese concept of Kintsugi—the art of finding beauty in repair—Kimia explores through tradition and imagination, strength, and rebirth within the creation of digital garment.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202510/7a79dd1cbfd54f7f84419883f7cd28f1/1/thumbnail/07-6-2.jpg?resize=1&amp;f=webp&amp;w=960&amp;h=1280&amp;fit=cover" alt="3D Creator's_Contest_AI_Fantasy_Avant_Garde Model" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1">Puppeteer: Tokyo Evolution</a><hr><h1>Artist Introduction: please tell us about yourself.</h1>Hello world,My name is Kimia, and I am from Iran. I can’t say that I am fully a digital fashion designer yet—but I am a designer, and I am actively finding my path toward that point.My creative journey began in architecture, where I learned to think in terms of structure, balance, an. My creative journey began in architecture, a discipline that taught me how to think in terms of structure, balance, and spatial logic. Over time, I realized that alongside this structural approach, I am deeply drawn to storytelling, emotion, and meaning in design.Participating in the Marvelous Designer Creator’s Contest was both challenging and deeply rewarding. My main motivation for joining was to move beyond purely technical execution and focus on concept, symbolism, and personal expression. This contest gave me the freedom to experiment while still working within a professional framework.<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/7a79dd1cbfd54f7f84419883f7cd28f1"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/b0f4a51652b249b0a7aef141d3c8c9c3%E7%94%BB%E5%83%8F1.jpg" alt="b0f4a51652b249b0a7aef141d3c8c9c3" class="custom-image original-size" data-id="b0f4a51652b249b0a7aef141d3c8c9c3" data-width="1399" data-height="1399"></a>Through this experience, I learned that digital fashion can function as a powerful narrative medium rather than simply a visual outcome. I also learned to trust the design process, embrace imperfections, and allow the garment to evolve organically—mirroring my own growth as a designer.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cb5b49af98634ef5bbe2ef5514caba06gandr-collage%20%2838%29.jpg" alt="cb5b49af98634ef5bbe2ef5514caba06" class="custom-image original-size" data-id="cb5b49af98634ef5bbe2ef5514caba06" data-width="1920" data-height="1080"><hr><h1>We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?</h1>In Puppeteer: Tokyo Evolution, my goal was to create a visual language that exists between eras, cultures, and emotional states. The core inspiration comes from Kintsugi, the Japanese philosophy of embracing fracture and repair as part of an object’s beauty and strength.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/ea0100bafae5409d953f510cd1700cbfgandr-collage%20%2834%29.jpg" alt="ea0100bafae5409d953f510cd1700cbf" class="custom-image original-size" data-id="ea0100bafae5409d953f510cd1700cbf" data-width="1920" data-height="400">&nbsp;Visually, I wanted the garment to feel ceremonial yet rebellious. Traditional Japanese kimono elements were deconstructed and reinterpreted through an avant-garde lens, with subtle influences from Victorian silhouettes. Voluminous sleeves, a rigid sculptural collar, and layered fabrics create a tension between softness and control, while the lifted skirt symbolically suggests liberation.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c12881d4d1244b35aedab75b4f709a22gandr-collage%20%2840%29.jpg" alt="c12881d4d1244b35aedab75b4f709a22" class="custom-image original-size" data-id="c12881d4d1244b35aedab75b4f709a22" data-width="1920" data-height="400">&nbsp;The parasol-like hat adorned with delicate chains conveys a sense of balance between fragility and strength. The puppeteer and bird motifs represent the relationship between guidance and freedom. The divided white and blue background symbolizes sky and flight, transforming the scene into a poetic moment of transition and rebirth. <img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/65c40142ac194afd85068e64d43a5d74gandr-collage%20%2835%29.jpg" alt="65c40142ac194afd85068e64d43a5d74" class="custom-image original-size" data-id="65c40142ac194afd85068e64d43a5d74" data-width="1920" data-height="400"><hr><h1>Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?</h1>Marvelous Designer played a central role in my workflow and served as the foundation of the entire project. I began by building the base silhouette and patterns directly in Marvelous Designer, with a strong focus on proportions, fabric behavior, weight, and layering.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/4c7e81930b0e491dbc48e6a45b1c0327Screenshot%20%283%29%20-%20Copy%20-%20Copy.png" alt="4c7e81930b0e491dbc48e6a45b1c0327" class="custom-image original-size" data-id="4c7e81930b0e491dbc48e6a45b1c0327" data-width="1920" data-height="971"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/c25a61062213415686e74b0db2c3842agandr-collage%20%2842%29.jpg" alt="c25a61062213415686e74b0db2c3842a" class="custom-image original-size" data-id="c25a61062213415686e74b0db2c3842a" data-width="1920" data-height="400">The kimono structure, sleeves, and layered skirt were developed using traditional pattern logic, which I intentionally disrupted by adjusting tensions, shortening panels, and lifting sections of the garment to create a more expressive and unconventional form.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/6ef1c41789f343e5b9444cca05b1ac5fgandr-collage%20%2843%29.jpg" alt="6ef1c41789f343e5b9444cca05b1ac5f" class="custom-image original-size" data-id="6ef1c41789f343e5b9444cca05b1ac5f" data-width="1920" data-height="960">One of the main challenges was maintaining visual clarity while working with highly layered and voluminous elements. I addressed this by breaking the process into clear stages, refining each component individually, and continuously evaluating balance and cohesion so the final garment felt dynamic rather than static.<img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/cd27b9ff46404a91a858f5c020677aecgandr-collage%20%2837%29.jpg" alt="cd27b9ff46404a91a858f5c020677aec" class="custom-image original-size" data-id="cd27b9ff46404a91a858f5c020677aec" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202602/52b36810290548fca188cb73ffa60435/images/f19997a5686b4b0790b5317e1efe5133gandr-collage%20%2839%29.jpg" alt="f19997a5686b4b0790b5317e1efe5133" class="custom-image original-size" data-id="f19997a5686b4b0790b5317e1efe5133" data-width="1920" data-height="1080"><hr><h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>My main advice is to approach Marvelous Designer as a creative design space rather than only a simulation tool. Allow the fabric to guide you.&nbsp;Experiment with internal lines, tension, and early-stage imperfections—they often lead to the most interesting results. I also recommend reviewing the garment from multiple angles and considering movement early in the process, as these aspects often reveal possibilities that static views cannot.<hr><h1>See also</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community/post/1017be531c4349089eacb477f95400c0">Creator's Contest 2025 Vol. 3 Fantasy Archives: Puppeteer (Tokyo Evolution)</a> Project and Steps by AI / Kimia

Finding Beauty within Repair - AI / Kimia's work for MDCC Vol.3

Hi everyone, After the latest update, I'm no longer able to view the 3D and 2D windows at the same time in CLO3D. Also, the toolbar in the 3D window has completely disappeared.I've tried resetting the workspace and restarting the software, but nothing seems to fix it. Is anyone else experiencing the same issue? Any suggestions on how to solve this would be much appreciated!Thanks in advance 🙏

Can't View 3D and 2D Windows Simultaneously + Missing 3D Toolbar After Update

<h1><img src="https://storagefiles.clo-set.com/public/community/202511/a29ba3c57aba4bb298cf4c54ac916f49/images/d55c73a132c24c1daa08bae969a07a2d321af3493ae64e64972a5c8547f4da0aScreenshot%202025-11-10%20at%2014.09.55.webp" class="custom-image hidden-thumbnail" data-id="d55c73a132c24c1daa08bae969a07a2d" data-width="686" data-height="634">Hugo Boss is looking for an intern starting on&nbsp;January 15th, 2026,&nbsp;for the duration of 6 months.</h1>What you can expect:<ul><li>Assisting the Collection Management and 3D Developer team with administrative, organisational and 3D tasks during the process of the collection development</li><li>Supporting with 3D simulations while being in constant communication with the 3D Developer and Digital Collection Manager</li><li>Maintenance of digital data in the PLM system</li><li>Helping the team with the digitalization of the materials</li><li>Creating PLM overviews of all product groups for the collection meetings</li><li>Assisting with the preparations of internal and external collection meetings</li><li>Organisation and participation of seasonal lookbook shootings</li></ul>Your profile:<ul><li>Fashion, Textile or Graphic design student/ graduate</li><li>Ability to think abstract and conceptual</li><li>Strong graphic skills and a contemporary design understanding</li><li>Feeling for fashion, trends, materials and colours</li><li>Excellent organisational and communication skills</li><li>Adaptability to meet the ever changing needs of the business</li><li>Ability to work in a fast paced environment with cross-functional teams and handle multiple tasks</li><li>Advanced skills in Adobe Creative Suite (Illustrator, In Design, Photoshop), Powerpoint</li><li>Knowledge in CLO3D would be a plus</li><li>Good english skills</li></ul><ul><li>You are responsible, proactive, open-minded, intercultural competent and very well organized</li></ul><a target="_blank" rel="noopener noreferrer nofollow" href="https://careers.hugoboss.com/global/en/job/142175/Internship-Collection-Management-3D-Development-HUGO-WW-m-f-d">https://careers.hugoboss.com/global/en/job/142175/Internship-Collection-Management-3D-Development-HUGO-WW-m-f-d</a>

[Job] Hugo Boss - Internship Collection Management & 3D Development HUGO WW(Metzingen, Germany)

MDCC Vol3 1st Place: Moon Face Animation crafting Steampunk Realities

Marvelous Designer Official

Marvelous Designer Official