<h2 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/objae_jaehyeon_/?hl=en">Jaehyun Cho</a>, a talented motion graphic designer at 'Super Very More', shares his creative journey and recent projects. Jaehyun shares insights into his work on the 2025 LCK CUP opening title and his experience using Marvelous Designer to bring his artistic visions to life.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/yY7iB1fI4Wk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h1 style="text-align: center">Interview with Jaehyun Cho | Motion Graphic Designer at <a target="_blank" rel="noopener noreferrer nofollow" href="https://superverymore.tv/">Super Very More</a></h1><h1 style="text-align: left">Could you briefly introduce yourself and tell us how you started working in 3D?</h1>Hello, I am Jaehyun Cho, a motion graphic designer currently working at Super Very More Studio in Korea. I majored in fine arts in college and studied design after graduation, leading to my current role as a motion graphic designer. Initially, I started with 2D design but began studying 3D to expand my expression, creating various broadcast titles and branding videos. Recently, I produced the opening video for the LCK CUP(League of Legends Champions Korea CUP), which received a lot of positive feedback.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/6cd4c8ffcee243e39e7e2e3bcc47e774LCK_Cup_SF_16.png" alt="6cd4c8ffcee243e39e7e2e3bcc47e774" class="custom-image original-size" data-id="6cd4c8ffcee243e39e7e2e3bcc47e774" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4b15d358c8934bc49b4919daf5bddda1SWC2024_SF.png" alt="4b15d358c8934bc49b4919daf5bddda1" class="custom-image original-size" data-id="4b15d358c8934bc49b4919daf5bddda1" data-width="1400" data-height="788"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/cc73bfe161a4407f8be161703b615320%EB%AF%B8%EC%8A%A4%ED%84%B0%EB%A6%AC%EC%88%98%EC%82%AC%EB%8B%A8_%EC%BA%90%EB%A6%AD%ED%84%B0.png" alt="cc73bfe161a4407f8be161703b615320" class="custom-image original-size" data-id="cc73bfe161a4407f8be161703b615320" data-width="960" data-height="1100"><h1 style="text-align: left">Your recent project, the 2025 LCK CUP opening title, is very impressive. What was the most challenging part of the concept planning process?</h1>This project was significant as it was for the popular LCK tournament, which has a dedicated fanbase. We put a lot of effort into incorporating the narratives and symbols of each team into the video, working closely with Riot Games Korea. I particularly remember the extensive R&amp;D we conducted to accurately portray the real players.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4d5ca52a452843fa9d0115681d506bf0LCK_Cup_SF_12.png" alt="4d5ca52a452843fa9d0115681d506bf0" class="custom-image large-size" data-id="4d5ca52a452843fa9d0115681d506bf0" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/9ed6a2f5a9234f20806293051d6c8386LCK_Cup_SF_03.png" alt="9ed6a2f5a9234f20806293051d6c8386" class="custom-image large-size" data-id="9ed6a2f5a9234f20806293051d6c8386" data-width="1920" data-height="1080"><h1 style="text-align: left">Why did you decide to use Marvelous Designer for this project? How did it help with the art direction?</h1>One of the key points of the video was the appearance of real players, so we needed to represent their uniforms accurately. Marvelous Designer was the best choice for this. We received the uniform designs close to the production deadline, and using Marvelous Designer allowed us to make quick adjustments. It not only streamlined our workflow but also enabled us to detail the uniforms, especially in close-up shots of players like Faker.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/5cc8524da8a54a339882d1a41576006dezgif-8a1682d5a6cf01.gif" alt="5cc8524da8a54a339882d1a41576006d" class="custom-image large-size" data-id="5cc8524da8a54a339882d1a41576006d" data-width="896" data-height="504"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4896ec70bc6043e198c5355bcb605815MVD_View_02.png" alt="4896ec70bc6043e198c5355bcb605815" class="custom-image large-size" data-id="4896ec70bc6043e198c5355bcb605815" data-width="3840" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/38b5d1d4a3564a399e435a1b1260f90fLCK_Cup_Process_Image_02.png" alt="38b5d1d4a3564a399e435a1b1260f90f" class="custom-image large-size" data-id="38b5d1d4a3564a399e435a1b1260f90f" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/7bf95b9b8e124fdcba4700f4b44e7fe2LCK_Cup_SF_14.png" alt="7bf95b9b8e124fdcba4700f4b44e7fe2" class="custom-image large-size" data-id="7bf95b9b8e124fdcba4700f4b44e7fe2" data-width="1920" data-height="1080"><h1 style="text-align: left">What was the most enjoyable part of the project for you?</h1>The most exciting part was placing the 3D-rendered characters of the players into the custom 3D environment and directing the scenes. Although I was concerned that it might look awkward, the effort put into achieving a lively presentation paid off, resulting in an engaging final product.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/7783d77afe5645289aff41c55fca21d0ezgif-8d4ecb390764a6.gif" alt="7783d77afe5645289aff41c55fca21d0" class="custom-image large-size" data-id="7783d77afe5645289aff41c55fca21d0" data-width="800" data-height="450"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/a2dcae3993ca42e68a5503ff81a27f71LCK_Cup_SF_13.png" alt="a2dcae3993ca42e68a5503ff81a27f71" class="custom-image large-size" data-id="a2dcae3993ca42e68a5503ff81a27f71" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/a263892c63f54b5dad22d8558a4b8bd0ezgif-86ad5db4492133.gif" alt="a263892c63f54b5dad22d8558a4b8bd0" class="custom-image large-size" data-id="a263892c63f54b5dad22d8558a4b8bd0" data-width="800" data-height="450"><h1 style="text-align: left">You must have developed many techniques for overcoming challenges in various projects. Could you share some tips for Marvelous Designer users?</h1>I don't have detailed knowledge of how clothes are made and how to align the patterns, but I use the CONNECT store in Marvelous Designer to reference and modify assets. This approach helps me create high-quality outfits and simulations even under tight deadlines. I always check CONNECT first before starting a project. If I encounter a difficult outfit, I download assets from CONNECT to see how the patterns are constructed and how they work in simulations. Even without knowing the principles of garment making, this method helps me achieve the desired level of detail.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/ab7b300306364e8493a7e94e55d56751LCK_Cup_SF_15.png" alt="ab7b300306364e8493a7e94e55d56751" class="custom-image large-size" data-id="ab7b300306364e8493a7e94e55d56751" data-width="1920" data-height="1080"><h1 style="text-align: left">Finally, do you have any advice for beginners in 3D art? Any career tips or mindset suggestions for creating artwork?</h1>Consistently learning new tools is crucial in 3D art. New features and tools are constantly emerging, and it's important to actively incorporate them into your work. Sticking to familiar tools can limit your expression, so in the fast-evolving field of 3D art, embracing change and integrating it into your artwork is essential.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/e5bcc3d31ae044199d0d712038d626cb%EA%B0%9C%EC%9D%B8%EC%9E%91%EC%97%85_SF.png" alt="e5bcc3d31ae044199d0d712038d626cb" class="custom-image large-size" data-id="e5bcc3d31ae044199d0d712038d626cb" data-width="1080" data-height="1350">

LCK(League of Legends Champions Korea) CUP 2025 Opening Title

I’m Farima, a designer specialized in creating high-end, functional, and fashion-forward bags — from concept to 3D realization.With an eye for detail and a deep understanding of form, structure, and material behavior, I bring your vision to life through custom silhouettes and refined digital execution.Let’s design bags that speak style and purpose.📩 Available for freelance collaborations. Portfolio upon request.#BagDesign #3DFashion #AccessoryDesigner #LuxuryDesign #FreelanceCreative

Bag Design

Pattern Maker

T.shirt

Freelancer

<h1 style="text-align: center">Are you getting these alerts when importing your custom avatar?</h1><img src="https://storagefiles.clo-set.com/public/community/202502/12dc15957be44852b7ec66959a774353/images/596ac93da385443299075c073c4fbd0eimage.png" class="custom-image original-size" data-id="596ac93da385443299075c073c4fbd0e" data-width="1953" data-height="511">"Arrangement points were not fitted to the avatar. The avatar must be in a T-pose or A-pose."Or "Fitting Suit cannot be created. The avatar must be in a T-Pose or A-pose"There can be a lot of reasons that you might see these errors. First, always best check the "Best Practice Checklist" below and see if it matches what you have so far!Best Practice Checklist for Importing Avatars<ul><li>Avatar is 1 mesh body</li><li>Avatar has closed geometry (no holes)</li><li>Avatar is 1,200-2,000 millimeters tall</li><li>Avatar is in an A-Pose</li><li>Avatar has 2 arms, 2 legs, 1 head</li><li>Importing a OBJ or FBX file type</li><li>Correct normal direction (normals facing outward)</li></ul>After double checking (or not, it will be covered in the flowchart) we can move onto the flow chart.<img src="https://storagefiles.clo-set.com/public/community/202502/12dc15957be44852b7ec66959a774353/images/c39f3d2fe4514096ad22d1d1f3266a9dimage.png" class="custom-image original-size" data-id="c39f3d2fe4514096ad22d1d1f3266a9d" data-width="891" data-height="1121">If you are stuck or end up in the "contact support" portion. Make sure to contact the software support team of the software you are using: <ul><li>For Marvelous Designer: <a target="_blank" rel="noopener noreferrer nofollow" href="https://marvelousdesigner.com/support/contact">https://marvelousdesigner.com/support/contact</a></li><li>For CLO: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.clo3d.com/en/support">https://www.clo3d.com/en/support</a></li></ul>

Troubleshooting: Auto Fitting and Arrangement Points

I would like to be able to work with stiff fabrics more often than not. I'm doing mostly bag and pack design. In general, it's best for these shapes to be rendered with stiff fabrics that can essentially hold themselves up when live rendering. Is this possible? I can't seem to find the right combination of parameters in the fabric creator! Thanks for your advice!

LCK(League of Legends Champions Korea) CUP 2025 Opening Title

Marvelous Designer Official

Marvelous Designer Official