<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/ea57f6104ee9450fa27169dc4662a2famd_pic.png" class="custom-image hidden-thumbnail" data-id="ea57f6104ee9450fa27169dc4662a2fa" data-width="1150" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202606/62d7c6e20b5f439fade6598fd25b1036/images/59e75c653c81454cb45107daa358a885md_pic2.png" alt="59e75c653c81454cb45107daa358a885" class="custom-image original-size" data-id="59e75c653c81454cb45107daa358a885" data-width="1920" data-height="1080"> The anime Wandance, which began broadcasting in October 2025, is an ambitious project that tackles the unique subject of street dance. The animation studio behind it, CYCLONE GRAPHICS, states that adopting Marvelous Designer was "inevitable" to balance the intense movements of the dancers with the realistic portrayal of the "loose," diverse wardrobe variations characteristic of streetwear.</h2>Through high-speed and accurate physical simulations, they achieved an "overwhelming number of designs" and "accurate clothing behavior" that were impossible with conventional methods, resulting in a groundbreaking reduction in production hours. This article delves into the behind-the-scenes of their technical challenges: their unique adjustments using Blender to adapt the realistic wrinkle data derived from Marvelous Designer into an "anime-style look," and their production approach of pursuing the perfect dynamic silhouette based on the philosophy that "the state of being in motion is the completed form of the outfit."We also asked about the importance of their collaboration with Tenju Co., Ltd., a digital fashion specialist, and how Marvelous Designer will expand the future possibilities of anime production as a whole.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/5bmRV7rhh-g?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/NJGTXWu5JBg?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/11H4HaS5qfI?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr>1.&nbsp;&nbsp; Street Dance and Marvelous Designer [Q]: Wandance is a very unique anime specifically focused on street dance. What was the reason for adopting Marvelous Designer (MD) for this project?&nbsp;[A]: MD's high-speed and accurate physical simulations provided the sense of gravity in movements and realistic wrinkle details that 3DCG has traditionally struggled with. In actual use, compared to physical simulations in other 3DCG software, it significantly reduced the amount of post-processing and corrective work.The biggest challenge in producing Wandance was preparing a diverse range of wardrobe variations that pursued the reality of street fashion, all in parallel with the massive amount of dance animation. In traditional 3DCG production, we would have to model each outfit individually and repeat extensive processes like weight painting and rigging. However, for this project, we created all of these using 3D sewing in MD.<img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/c1f60d1e1ac94da6b14ca9dfe5ec45fa1%E3%82%B9%E3%83%88%E3%83%AA%E3%83%BC%E3%83%88%E3%83%80%E3%83%B3%E3%82%B9%E3%81%A8MD%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A61_clothes.jpg" alt="c1f60d1e1ac94da6b14ca9dfe5ec45fa" class="custom-image original-size" data-id="c1f60d1e1ac94da6b14ca9dfe5ec45fa" data-width="1998" data-height="2897">By introducing physical simulations through MD, we achieved accurate clothing behavior linked to the dancers' intense movements without repeating complex manual tasks. I feel this allowed us to balance an overwhelming number of designs—which would have been impossible with traditional methods—with realistic simulations.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/cGz1WbI6lhg" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Additionally, 3D sewing makes "size adjustment after dressing" easy, which allowed for smooth fine-tuning of the baggy silhouettes typical of hip-hop fashion. Being able to check the silhouette in motion in real-time through the dance simulations was a huge bonus (advantage) in our production.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/PIE93aniDKk" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Looking back now, I am convinced that adopting MD for a project like Wandance was not just a choice, but an "inevitability."<hr>2. Balancing Realism and Anime Expression[Q]: Marvelous Designer is known for clothing expressions based on realistic physics, but we believe animation requires an "adjusted" look to achieve the desired expression. How did you balance these two? (For example, did you simplify the wrinkles so the simulation results wouldn't look too messy, or make special adjustments to the patterns to fit an anime-style look?)[A]: The motion capture concept for Wandance is "animation drawn by dancers." We believed that not only the dynamism of the dance, but every single wrinkle in the clothes had to be an expression born from the dancer's movements.MD reproduces very supple and realistic fabric bending, but as-is, it contains too much information for an anime-style look. Therefore, we deliberately needed to adjust it by "reducing and organizing the number of wrinkles." The key to this look adjustment was Blender, the main tool for this project. Instead of directly using the realistic wrinkle information generated by MD, we utilized Blender's Geometry Nodes. We applied a blur to the original normal information, stored it as an attribute, and then called and controlled it on the Shader Editor side. This allowed us to leverage the realistic behavior derived from MD while translating it into an "anime-style look" that blends perfectly with traditional 2D animation (sakuga).<img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/7d22e96893b04c93a4087516269b543f2%E3%83%AA%E3%82%A2%E3%83%AA%E3%82%B9%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF%E3%81%95%E3%81%A8%E3%82%A2%E3%83%8B%E3%83%A1%E7%9A%84%E8%A1%A8%E7%8F%BE%E3%81%AE%E3%83%90%E3%83%A9%E3%83%B3%E3%82%B91_%E3%81%97%E3%82%8F%E6%B3%95%E7%B7%9A%E3%82%B9%E3%83%A0%E3%83%BC%E3%82%B9.png" alt="7d22e96893b04c93a4087516269b543f" class="custom-image original-size" data-id="7d22e96893b04c93a4087516269b543f" data-width="3508" data-height="2480">Another distinctive feature of our MD workflow in Wandance is that all adjustments were based on the "movement during the dance." In standard costume production, there's a tendency to prioritize how it looks in a standing posture (T-pose or A-pose), but we purposely avoided that. From the sagging of the clothes and the length of the hems to the sense of volume, we strictly focused our adjustments on "how it looks while they are dancing."The goal was to draw the coolest and most beautiful silhouettes during intense dance steps and large actions. The philosophy that "the state of being in motion is the completed form of the outfit" might be considered an inevitable approach for a dance-themed project like this. Rather than simply accepting the simulation results, we constantly chased the perfect silhouette while checking the movements to maximize the dynamic feel of the dance.<hr> 3. Controlling Intense Movements (Dance)[Q]: The characters perform intense dances with high-speed spins and jumps, all while wearing highly difficult outfits like hoodies and layered clothing. What was the biggest challenge when simulating these extreme movements?[A]: Fortunately, there weren't many outfits that required this level of special care, but the main challenge was "not deviating too far from the character design." Specifically, a hoodie might cover the head during a dance, but it shouldn't stay on the head; a shirt hem might flip up for a moment, but it shouldn't stay flipped up. To prevent major costume collapse after intense movements (even if it was physically accurate), we heavily used pins and tacks. <img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/49f340b3b0fc4375b59fe47fb5d5b9b93%E6%BF%80%E3%81%97%E3%81%84%E5%8B%95%E3%81%8D%28%E3%83%80%E3%83%B3%E3%82%B9%E3%81%AE%E5%88%B6%E5%BE%A1%291_%E9%83%A8%E6%B4%BB%E7%B4%B9%E4%BB%8B%E3%83%80%E3%83%B3%E3%82%B9%E3%83%91%E3%83%BC%E3%82%AB%E3%83%BC%E3%81%AE%E3%83%95%E3%83%BC%E3%83%89.jpg" alt="49f340b3b0fc4375b59fe47fb5d5b9b9" class="custom-image original-size" data-id="49f340b3b0fc4375b59fe47fb5d5b9b9" data-width="3508" data-height="2480"><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/BkFMZfp8RLk" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>[Additional Question][Q]: In street dance, how the clothes sway can be said to be an extension of the dancer's personality. Did you individually adjust the fabric physical properties (weight, friction, thickness, etc.) to reflect the differences in each character's dance style? (e.g., Setting heavier fabrics for aggressive dancers, and lighter fabrics for those with flowing movements.)[A]: We placed the highest priority on selecting fabrics that matched the character designs (jerseys, sweatshirts, denim, etc.), and we mainly adjusted the movement through the patterns. Because adjusting the diverse and complex parameters of cloth simulations often takes too much time, we were greatly helped by the presets.<hr>4. Collaboration with Tenju Co., Ltd.[Q]: We heard that for this project, you collaborated with Tenju Co., Ltd., a company with knowledge in digital fashion, to create the clothing patterns. How did this partnership enhance your production process in Marvelous Designer? Also, compared to traditional CG asset exchanges, were there any unique discoveries or workflow advantages in sharing "MD project files" between studios?[A]: Actually, the biggest hurdle in integrating Marvelous Designer into our workflow was the concept of "sewing (patterns)." Since we had previously built clothes entirely from modeling, we never imagined we would need knowledge of actual dressmaking and patterns.<img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/8413b5cfdbf24bafae27b76be35a7ca44%E6%A0%AA%E5%BC%8F%E4%BC%9A%E7%A4%BE%E5%85%B8%E6%A8%B9%E3%81%A8%E3%81%AE%E9%80%A3%E6%90%BA1_%E6%B9%BE%E7%94%B0%E5%88%B6%E6%9C%8D%E3%82%AB%E3%83%BC%E3%83%87%E3%82%A3%E3%82%AC%E3%83%B3_%E6%9C%80%E7%B5%82%E3%83%91%E3%82%BF%E3%83%BC%E3%83%B3.jpg" alt="8413b5cfdbf24bafae27b76be35a7ca4" class="custom-image original-size" data-id="8413b5cfdbf24bafae27b76be35a7ca4" data-width="2564" data-height="1318"> <img src="https://storagefiles.clo-set.com/public/community/202605/62d7c6e20b5f439fade6598fd25b1036/images/a7b99975138f4e74abf1af03b61b7f464%E6%A0%AA%E5%BC%8F%E4%BC%9A%E7%A4%BE%E5%85%B8%E6%A8%B9%E3%81%A8%E3%81%AE%E9%80%A3%E6%90%BA2_%E3%82%AB%E3%83%9C%E3%81%AE%E7%B7%B4%E7%BF%92%E7%9D%80_%E6%9C%80%E7%B5%82%E3%83%91%E3%82%BF%E3%83%BC%E3%83%B3.jpg" alt="a7b99975138f4e74abf1af03b61b7f46" class="custom-image original-size" data-id="a7b99975138f4e74abf1af03b61b7f46" data-width="2564" data-height="1318">When it comes to our MD clothing patterns, we simply cannot talk about them without mentioning Tenju. After all, we started at a level where we literally had to learn how clothes were made. Based on the anime's costume designs, Tenju created a massive amount of clothing patterns for us.<hr>5. Expanding the Expressions and Prospects of Animation[Q]: Following the success of this workflow, how do you think tools like Marvelous Designer will change anime production in the future? (Do you think it opens up new possibilities for creators who want to make action-oriented works or anime focusing on fashion?)[A]: Through this workflow experience, I am convinced that tools like MD will greatly expand the possibilities not only for fashion-focused works but for anime production as a whole.Particularly for realistic crowd scenes, large-scale battles, and intense combat depictions, it will become an extremely effective means to drastically reduce production load while elevating the quality of expression. If we can maximize the "areas that can be made efficient by tools," we can concentrate our resources on the "processes where we truly need to spend calories," such as directing and drawing (sakuga). Also, what surprised me when using MD was that despite performing advanced physical simulations, the operation was incredibly light and responsive. I feel that this intuitive operational feel does not hinder the imagination of creators who constantly go through trial and error, ultimately pushing up the quality of expression.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/TZc7DKeVeHk" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/qdd867UPIn8" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>[Additional Question][Q]: Based on this experience, what do you think is the "biggest advantage of using Marvelous Designer in animation production" compared to conventional methods?[A]: For a project like Wandance, balancing that massive amount of dance scenes with the sheer variation of costumes would have been completely impossible without Marvelous Designer (MD). The impact it had on our production floor was that immense.I believe the decisive difference from conventional methods, and its greatest advantage, is "being able to challenge your purely 'desired vision' without compromising on action or fashion details."Expressions that we previously had to give up on due to technical constraints or production hour limits can now be brought to life with MD. Giving creators an environment where they can push forward without compromising on the "scenes they truly want to show"—I believe that is the true value of adopting this tool.

Achieving Rich Dance Expressions through Pattern-Based Modeling and Cloth Simulation: CYCLONE GRAPHICS' Marvelous Designer Practice in "Wandance"

Pearl necklace

FV2_Fashion Pose_07

Daisy Le

Collection A

<h2 style="text-align: center">Nishas VN, a senior game character artist with over 7 years in the industry and 2 years in graphic design, highlights her expertise in her latest project, Odin Alfiifir.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/2c97a676ece343eab833be53c87d087b79809f6c388744499fea437788232916.jpeg" class="custom-image original-size" data-id="2c97a676ece343eab833be53c87d087b" data-width="7126" data-height="4096"><h1>Interview with NISHAS VN | Odin | Character Artist</h1><h1>Artist introduction</h1>My name is Nishas VN. I'm a senior game character artist with more than 7 years of experience in the Game industry and 2 years experience in graphic design . I've worked on quite a lot of games during the years with the last one being Alan Wake 2.<h1>When did you start using Marvelous Designer and how did that affect your workflow process?</h1>Seven years ago, I ventured into the world of Marvelous Designer. My journey began by immersing myself in online tutorials on YouTube, gradually uncovering its immense potential. This software has revolutionized the fashion and 3D design industries by enabling the creation of lifelike 3D clothing and fabric simulations. Not only confined to fashion, but Marvelous Designer has also started making waves in the realm of gaming. Its integration into games, like the renowned Metal Gear Solid V: The Phantom Pain by Konami and Kojima Productions, showcased the software's versatility and impact beyond traditional design spheres. Witnessing its application in such high-profile projects piqued my interest and solidified my belief in its far-reaching influence.Marvelous Designer has remarkably streamlined my workflow, replacing time-consuming traditional cloth sculpting with hyper-realistic garments in mere minutes. Its extensive library of fabrics allows for the authentic capture of cloth materials, elevating the realism of designs. Moreover, Marvelous Designer not only enhances cloth creation but also significantly expedites other processes, such as high-poly and low-poly UV mapping, ultimately saving valuable time across multiple facets of the design pipeline.<h1>As a student, how much time did you find sufficient to gain confidence in using Marvelous Designer?</h1>I was pleasantly surprised by how easy it was to start using Marvelous Designer, and within a month, I was able to achieve some results. However, to produce high-quality work, you must invest more time in learning shortcuts, selecting the appropriate tool for each situation, and researching information for the tools you are unfamiliar with. If you take a break from using Marvelous Designer for some time, it can feel like starting from scratch again.<h1>Explain the project's creation aspects, including intentions, goals, cloth design approach, and references.</h1>Let me delve into my recent project featuring Odin Alfiifir. This endeavor posed unique challenges, particularly in clothing design, prompting me to explore Marvelous Designer's capabilities beyond traditional garment creation. I aimed to showcase a versatility for readers' benefit In this venture, Marvelous Designer played a pivotal role, not only in crafting the clothing but also in designing elements like the bag, cape, and boots. Often overlooked, Marvelous Designer's prowess extends beyond typical clothing design; it aided me in achieving remarkable results, notably in crafting authentic leather boots. Many tend to underestimate its ability to create such intricate details, opting for sculpting methods that often result in unnatural folds. Marvelous Designer, however, provides a more intuitive and realistic approach to crafting these elements.Prior to diving into the creative process, gathering references is a crucial step. For my personal projects, I typically blend design freedom with inspiration rather than strictly adhering to a specific concept or reference. For this particular endeavor, I drew from a Norse Viking dress as a foundation, embellishing it with numerous additional elements to seamlessly integrate it into a fantastical setting. This approach allowed me to infuse elements of my imagination while retaining the essence of the original Norse design.In my PureRef canvas, I curated a diverse array of costume concept and prop inspirations. This compilation served as a rich tapestry of ideas, guiding me to craft a design that strikes a balance between cohesion and distinctiveness. The goal was to create a unified yet uniquely individualized piece, drawing from various sources to inspire a cohesive and original design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/c00c834a91a8460f8a65cc66d31e47ad7a7a414fea374a61b7d3c740ea07bd52.jpeg" class="custom-image original-size" data-id="c00c834a91a8460f8a65cc66d31e47ad" data-width="1877" data-height="913"><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/f5c7ac5928484c559aa9e4541d0357c9Odin_2-1.webp" class="custom-image medium-size" data-id="f5c7ac5928484c559aa9e4541d0357c9" data-width="8192" data-height="8192"><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/651f26ee639a426d9ca9dc2d6dece379Odin_2-4.webp" class="custom-image medium-size" data-id="651f26ee639a426d9ca9dc2d6dece379" data-width="2657" data-height="5141">Once I've determined the direction for my creation, it's time to import the base mesh or avatar. While many opt for default avatars in Marvelous Designer, I prefer a more controlled approach. It's crucial to have greater influence and control, as clothing inherently influences the form of the underlying flesh. This detail often gets overlooked. Therefore, sculpting any potential influence is essential to ensure a seamless integration between the clothing and the body underneath.From my experience, I've learned that achieving realistic clothing hinges greatly on the initial fitting of the garments. It's crucial to focus on clean patterns and precise fitting as natural stitching and realistic folds tend to emerge more natural during simulation. I advise limiting the use of pins to necessities, as excessive pinning and forced folds can contribute to an unrealistic feel in the clothing. To maintain authenticity steer clear of excessive pinching or symmetrical folds, aiming instead for balanced and natural drapery. Additionally, when dealing with layered clothing, it's advisable to avoid utilizing the fast (GPU) simulation, Due to complications with layered garments, it's best to avoid utilizing the (GPU) simulation, as it may not effectively handle the complexities inherent in layered clothing.Many decorative elements such as ornaments and weapons were deliberately excluded from Marvelous Designer, as their impact on the clothing simulation was minimal. Hence, I chose not to import these details into Marvelous Designer, opting to address them separately outside the software.<h1>Share your approach to working with Marvelous Designer. What tricks have you discovered to boost efficiency, and what advice would you offer to new users?</h1>Prior to diving into the task at hand, I make it a point to set up the lighting meticulously. Getting the lighting just right is crucial as it significantly amplifies the overall appearance and visibility of folds and wrinkles in the design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/8368958edd934304a4ea5589d415045dScreenshot_01.png" class="custom-image original-size" data-id="8368958edd934304a4ea5589d415045d" data-width="738" data-height="1138">Constructing the bootI adopt a different approach in crafting boots by initially sculpting a base model in ZBrush, which I later import into Marvelous Designer. Using this base mesh as a guide, I employ the Line tool to delineate the boot's outline, refining it further with the Flatten tool to generate a visible pattern, reflecting in the 2D pattern window. Once the entire boot design is established, I simulate its appearance, utilizing the ZBrush base mesh as the avatar mesh within Marvelous Designer. This methodology allows for precise control over achieving the desired fold Mixture in the design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/165611acb0f64fd0989ffdb63b952fc0Screenshot_02.png" class="custom-image original-size" data-id="165611acb0f64fd0989ffdb63b952fc0" data-width="1354" data-height="862">My workflow within Marvelous Designer follows a clear path. Initially, I focused on constructing a clean pattern and stitching to generate a blockout file with high particle distance. This blockout serves as the foundation, aimed at refining the fitting precisely without relying on excessive pinching or excess fabric. Once the primary fit is perfected, I progress to the secondary detail stage, decreasing the particle distance to introduce moderate folds and simulate additional intricacies. Finally, in the temporary detail phase, I set a low particle distance to add the final touches and meticulously finalize the file.<h1>Explain your process of moving between Marvelous Designer and other software. How do you prepare your project for a smooth transition?</h1><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/498f532ec867455ea2e12420607be5c0Screenshot_03.png" class="custom-image original-size" data-id="498f532ec867455ea2e12420607be5c0" data-width="570" data-height="616">To convert the Marvelous Designer file into a clean topology, I utilize Maya's Transfer Attributes tool. After exporting, I save two sets of files named boot3D and boot2D. The boot3D file is the direct export from Marvelous Designer, while the boot2D represents the 2D pattern version obtained by right-clicking and selecting "Reset 2D Arrangement." Next, I import the boot2D file into Maya and proceed to create a clean topology using either the Quadraw tool or by employing ZRemesher in ZBrush. Once the retopology process is complete, I save the file as bootretopo. To finalize the transformation, I configure the Transfer AMibutes settings accordingly through the tool's options.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/c931aadfc1e94a71833ea073a7b63a98Screenshot_04.png" class="custom-image original-size" data-id="c931aadfc1e94a71833ea073a7b63a98" data-width="642" data-height="468">Following the retopology process, select the boot2D file first, then the boot retopology file in Maya. Utilize the Transfer Attributes tool and click "Apply" to transfer the UVs from boot2D to boot retopology. Once the transfer is complete, adjust the Transfer Attributes settings as needed to ensure the seamless transfer of UVs between the files.Afterward, right-click and choose "Smooth" to increase the subdivision of the boot reæpo in Maya. Following this, select the boot 3D file first, then the boot reæpo file, and click "Apply" in the Transfer Attributes tool. This action directly transfers the boot retopo attributes to the boot3D file. Next, clear any history by selecting "Edit" and then "Delete by Type &gt; History." You can proceed to remove both the boot3D and boot2D meshes. Export and save the boot retopo mesh. Subsequently, import it into ZBrush and access the Geometry tab, selecting Edge Loop &gt; Panel Loops. Employing this function provides thickness to the boot. Apply "Reconstruit" to revert to lower subdivisions, resulting in a refined and clean high-poly boot mesh.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/f55df1ed216649838dce7bc36508779bScreenshot_05.png" class="custom-image original-size" data-id="f55df1ed216649838dce7bc36508779b" data-width="266" data-height="572"><h1>by&nbsp;Nishas VN <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nishas">ArtStation</a></h1>

Odin

This outfit was created by <a href="https://connect.clo-set.com/portfolio/403448/collection/collections" target="_blank">[AI]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/3d50608785e4412f93de5051e8e0475c" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Inzoi- Conceptual Costume -AI

Garment

Gender & Age

Women

Style

Outfits

Coat / Blazer

Pants

T-shirt

Genre & Mood

Medieval World / Fantasy

Sci-fi

Crop Top Dolfin Shorts Set

Urban Warrior (INZOI Version)

Helena ★ Pisces

M Warrior Armor Costume

Hope ★ Aquarium

F OffShoulder Denim Set

Tie-dye Bikini Set

F Peplum Tube Top Skirt Set

This outfit was created by <a href="https://connect.clo-set.com/portfolio/567635/collection/collections" target="_blank">[Baran Ghaderi]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/c3e58f6a4d2b4d60ad7d6d0245cc4126" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Lady Obscura

Dress / Jumpsuit

Historical / Traditional

M Layered Activewear Set

Sleeveless Hoodie Layered Skirt 

M Bomber Denim Set

Sage Layered Set

F Red Ruffle Dress

Glossy Leather Dress

Check Shirt Gaucho Set

Western Vintage Set

안녕하세요,7월 3일까지 사용 가능이라 생각하고 취소처리를 못했는데, 7월2일 오후 9시 13분 결제가 이루어졌습니다.7월 3일 구독 해지 하였는데 환불받을 수 있을까요?xpewpew0106@gmail.com 로 답변 부탁드립니다.

결제취소

Freelancer

<img src="https://storagefiles.clo-set.com/public/community/202603/3d2d1fb0b02348aa8f21740c1bed4acb/images/6f870825b2d741969791db49a66a6f7d%E7%AC%AC%E4%BA%8C%E7%89%88_9.png" class="custom-image hidden-thumbnail" data-id="6f870825b2d741969791db49a66a6f7d" data-width="1000" data-height="1333"><img src="https://storagefiles.clo-set.com/public/community/202603/3d2d1fb0b02348aa8f21740c1bed4acb/images/0f5292ad6cb2484a99059aad1742a206%E7%AC%AC%E4%BA%8C%E7%89%88.png" alt="0f5292ad6cb2484a99059aad1742a206" class="custom-image original-size" data-id="0f5292ad6cb2484a99059aad1742a206" data-width="1000" data-height="1333"><img src="https://storagefiles.clo-set.com/public/community/202603/3d2d1fb0b02348aa8f21740c1bed4acb/images/ff129ef094a04e52868d07e12e1b277c%E7%AC%AC%E4%BA%8C%E7%89%88_1.png" alt="ff129ef094a04e52868d07e12e1b277c" class="custom-image original-size" data-id="ff129ef094a04e52868d07e12e1b277c" data-width="1000" data-height="1333">I've shared two helmets and some cycling glasses here for everyone. You can check them out on my profile page.Product link：<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/zh/detail/1976f122777745dfba80140a4f61778d?ref_id=108936">https://connect.clo-set.com/zh/detail/1976f122777745dfba80140a4f61778d?ref_id=108936</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/zh/detail/73b9cfa24a3942ab802ceaba6c79941d?ref_id=108936">https://connect.clo-set.com/zh/detail/73b9cfa24a3942ab802ceaba6c79941d?ref_id=108936</a><img src="https://storagefiles.clo-set.com/public/community/202603/3d2d1fb0b02348aa8f21740c1bed4acb/images/980c2a68f1f74f9a8606b4ba8e0ae7e6%E7%AC%AC%E4%BA%8C%E7%89%88_3.png" alt="980c2a68f1f74f9a8606b4ba8e0ae7e6" class="custom-image original-size" data-id="980c2a68f1f74f9a8606b4ba8e0ae7e6" data-width="1000" data-height="1333"><img src="https://storagefiles.clo-set.com/public/community/202603/3d2d1fb0b02348aa8f21740c1bed4acb/images/8573fb0fa5534e7c8e9a8885de43a6c5%E7%AC%AC%E4%BA%8C%E7%89%88_4.png" alt="8573fb0fa5534e7c8e9a8885de43a6c5" class="custom-image original-size" data-id="8573fb0fa5534e7c8e9a8885de43a6c5" data-width="1000" data-height="1333">Product link：<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/zh/detail/06dd5632e0d44d4ab27668bd11dffc28?ref_id=108936">https://connect.clo-set.com/zh/detail/06dd5632e0d44d4ab27668bd11dffc28?ref_id=108936</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/zh/detail/de0c63a5e5db46f2a84f7eb65c3843b1?ref_id=108936">https://connect.clo-set.com/zh/detail/de0c63a5e5db46f2a84f7eb65c3843b1?ref_id=108936</a>

Achieving Rich Dance Expressions through Pattern-Based Modeling and Cloth Simulation: CYCLONE GRAPHICS' Marvelous Designer Practice in "Wandance"

Marvelous Designer Official

Marvelous Designer Official