<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/180950e687e44dcba683f9c7e0a864f9/images/f63625a21a1e4239bcdb56333382e97bSelected%20June%2026%202026%2032.png" class="custom-image hidden-thumbnail" data-id="f63625a21a1e4239bcdb56333382e97b" data-width="2536" data-height="1364">3D motion graphic designer <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/3d_znyng/">Junyoung Park</a> shares his deep passion for fashion, his design philosophy that bridges photorealistic and casual styles, and his creative workflow using Marvelous Designer.</h2><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1060798876?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Could you briefly introduce yourself and share what led you to start working in 3D design?</h1>Hello, my name is Junyoung Park, and I work as a 3D motion graphic designer.I studied Visual Design in university, and I actually entered the field of motion graphics and 3D design relatively late compared to others. Around the time I was transitioning from my third to fourth year in college, I saw a 3D graphic project created by a friend I had grown close to while preparing for art school entrance exams. I was so impressed by the work that I felt a strong desire to learn 3D graphics myself. That moment sparked my journey—I immediately began studying through YouTube and online classes, which led me to take my first steps into the world of 3D motion graphics.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/78193e3467794808aff696458fa9868c%E1%84%8C%E1%85%B5%E1%86%AB%E1%84%80%E1%85%A9%E1%86%BC%E1%84%91%E1%85%A9%E1%84%8C%E1%85%A1%E1%86%BC8.png" alt="78193e3467794808aff696458fa9868c" class="custom-image original-size" data-id="78193e3467794808aff696458fa9868c" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/fd83f82906204c2c8e7049d865f5e2a1%E1%84%87%E1%85%A9%E1%84%8C%E1%85%A5%E1%86%BC_4.jpg" alt="fd83f82906204c2c8e7049d865f5e2a1" class="custom-image original-size" data-id="fd83f82906204c2c8e7049d865f5e2a1" data-width="1441" data-height="755">Initially, I was deeply drawn to photorealistic work. I believed that truly impressive 3D projects had to look as real as possible, as if they existed in the physical world. For about one to two years, I worked professionally on product-focused 3D projects with a photorealistic approach. Then, by chance, I joined a company that specialized in interactions for a financial app, and that experience completely changed my perspective on 3D design.At that company, the work leaned more toward a casual mood rather than photorealism. Through those projects, I realized that 3D graphics don’t always need to mimic reality—casual-style designs have their own unique charm and appeal. Since then, I’ve embraced both photorealistic and casual styles, and I currently work as a designer who appreciates and incorporates the strengths of both approaches.<h1>How does your interest in fashion influence your 3D work? If you've ever incorporated your favorite brands or styles into your projects, please share an example.</h1>Fashion is one of the areas I’m most passionate about outside of my design work.To be honest, motion graphics often involve creating videos that are around a minute long, which can be quite exhausting as the project progresses—even if you start with excitement. That’s why, when working on personal projects rather than commercial ones, choosing a theme you genuinely enjoy helps reduce that fatigue and makes the process much more enjoyable. For me, selecting “fashion” as the theme for this project felt like a natural choice.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/1edf42139a7b4a00b7347c03c5e02e7a4_1.png" alt="1edf42139a7b4a00b7347c03c5e02e7a" class="custom-image original-size" data-id="1edf42139a7b4a00b7347c03c5e02e7a" data-width="1920" data-height="1080">When I was creating the promotional video for Musinsa, I went through a lot of trial and error and development in every stage—from planning the storyboard, to styling the looks, to designing the characters. But when it came to choosing the theme of fashion, I didn’t hesitate for a moment. It was the most instinctive and effortless part of the process.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/5e37af9472784d57886d42d9c7ed1372ezgif-62a073fe231aec.gif" alt="5e37af9472784d57886d42d9c7ed1372" class="custom-image original-size" data-id="5e37af9472784d57886d42d9c7ed1372" data-width="960" data-height="540">In fact, I often bring imagined clothing—pieces that don’t exist in real life but live in my mind—into my work, which gives me a strong sense of catharsis. When designing characters, I enjoy experimenting with bold and daring outfits that might be too much for everyday wear, but under the umbrella of “design” and “virtuality,” I feel free to explore and try many things. A good example is my current profile character, which I’ve styled mainly with clothing from one of my favorite brands, Tommy Hilfiger.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/7df00c41283e42919ce9793148c10187%E1%84%8C%E1%85%AE%E1%86%AB%E1%84%8B%E1%85%A7%E1%86%BC_016.png" alt="7df00c41283e42919ce9793148c10187" class="custom-image original-size" data-id="7df00c41283e42919ce9793148c10187" data-width="1920" data-height="1920"><h1>You work across both photorealistic and casual styles. What do you consider most important when balancing these two approaches?</h1>If I were to highlight one key point for each style:For photorealistic work, I believe real-world scale is the most crucial element—and also one of the details that beginners often overlook. Since photorealistic design aims to replicate what we see in the real world, even slight discrepancies in texture tiling, material pattern sizes, or the relative scale between objects can create a strong sense of visual inconsistency.On the other hand, for casual-style work, I think aesthetic appeal is the most important factor. Unlike photorealistic design, casual graphics aren’t based on real-world colors or patterns. Instead, they aim to create visually pleasing and beautiful objects in a more stylized way. If the audience doesn’t immediately perceive aesthetic value when encountering a casual-style piece, they’re unlikely to feel curious or engaged with the work at all.Although photorealistic and casual styles may seem like completely different fields with opposite characteristics, I believe the process of achieving high-quality results in both is fundamentally similar. The most important thing is to begin with thorough reference research and solid planning. Whether you're working in a realistic or casual mood, a well-grounded creative process leads to consistent execution and excellent outcomes.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/d64ddf40ec07408ba0f284dcc5a16a4fezgif-666b32868f9ab0.gif" alt="d64ddf40ec07408ba0f284dcc5a16a4f" class="custom-image original-size" data-id="d64ddf40ec07408ba0f284dcc5a16a4f" data-width="672" data-height="378"><h1>What was the most impressive feature or experience when you first encountered Marvelous Designer?</h1>The most impressive aspect for me was its relatively lightweight simulation capabilities that still produce high-quality, realistic clothing movement. As a 3D designer who works with characters, there are generally two main approaches depending on the mood of the project: creating clothing with mesh modeling, or using Marvelous Designer to achieve more lifelike simulated garment movement.Before I learned how to use Marvelous Designer, I had no choice but to create all clothing through mesh modeling, which limited my workflow and creative options. But once I became proficient with Marvelous Designer, the spectrum of designs I could express expanded significantly. Of course, even now, there are times when I still choose to model clothing with mesh, but I believe there's a clear difference between having no choice and making a deliberate choice between two methods you fully understand.Being able to choose between mesh and simulation-based workflows depending on the project’s needs has fundamentally changed how I approach character design and garment creation.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/9e8f635525114ff2a3f2c91c60886b192025-06-23%2018%2032%2018.png" alt="9e8f635525114ff2a3f2c91c60886b19" class="custom-image original-size" data-id="9e8f635525114ff2a3f2c91c60886b19" data-width="1916" data-height="1035"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/3603906e72ef4261b2e46f01c3b49a242025-06-23%2018%2051%2044.png" alt="3603906e72ef4261b2e46f01c3b49a24" class="custom-image original-size" data-id="3603906e72ef4261b2e46f01c3b49a24" data-width="723" data-height="415"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/94978f78219642a5800f15bf9c2009c7ezgif-6309d236c0de32.gif" alt="94978f78219642a5800f15bf9c2009c7" class="custom-image original-size" data-id="94978f78219642a5800f15bf9c2009c7" data-width="857" data-height="463"><h1>You mentioned that you voluntarily studied tutorials after work. What learning resources or methods were most helpful to you?</h1>I’ve heard that senior designers from earlier generations had a hard time studying due to the scarcity of resources. In contrast, I believe our generation is incredibly fortunate when it comes to learning. There are countless high-quality tutorials available for free on YouTube, and we also have access to paid classes from highly skilled senior designers. On top of that, with the emergence of ChatGPT, even minor errors that used to require extensive searching can now be resolved quickly and easily.For me, the most helpful learning method has been not being afraid to upload my work and receive feedback. I understand that it’s difficult for anyone to completely let go of the fear—“What if someone criticizes my work or leaves a negative comment?” Even as I say this, I still feel that fear myself. But I believe that even the most accomplished creators started out the same way, and there’s no faster or more effective way to improve than by listening to others’ opinions and refining your work accordingly.<h1>What has been the biggest synergy effect you've experienced from working in both motion graphics and 3D design?</h1>Motion graphics include both 2D and 3D elements, but by working alongside 3D graphics, I feel that I’ve significantly expanded my expressive range. While 2D has its own charm and is a wonderful field, I found that 3D allowed me to satisfy my creative cravings in both photorealistic and casual styles.In the beginning, I was fixated on photorealism in 3D work, stubbornly believing that “it only looks cool if it looks real!”—a narrow mindset that I held onto with a sense of pride. However, through various projects and professional experiences, I came to realize that casual moods, 2D work, and all forms of design have their own demand and purpose. I also learned that my perspective isn’t the only correct one.Though I’m still a developing designer with a long way to go, I’ve been fortunate to experience many different areas in my relatively short career. One of those areas was Marvelous Designer, which reignited my passion for 3D graphics by allowing me to integrate my personal interests—like fashion and clothing—into high-quality professional projects.The ability to visualize and create clothing that exists only in my imagination, or to see a 3D character I designed wearing the same clothes I enjoy in real life, brings a kind of emotional impact that deepens my attachment to both 3D graphics and motion graphics. That visual connection between imagination and reality is what continues to inspire me in this field.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/798c6275ffab4a1d9a471d41cffb65349.png" alt="798c6275ffab4a1d9a471d41cffb6534" class="custom-image original-size" data-id="798c6275ffab4a1d9a471d41cffb6534" data-width="1920" data-height="1080"><h1>Lastly, if you're planning a future project that combines fashion and 3D, what kind of theme would you like to explore?</h1>Since I’ve already created a casual, kitschy-style video, I’d love to explore a project that focuses on highly detailed, photorealistic clothing in the future. I’ve always been inspired by senior designers who collaborate with K-pop artists to create CG elements for music videos and teaser content, featuring a wide range of stage outfits. It’s something I’ve long admired from afar, and now I’m determined to work toward that goal by continuing to study and improve my skills in every way I can.<img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/e864efef95a541a3afd9b95032ae1d4eScreenshot%20July%2010%202025%2011%3A11%3A20.png" class="custom-image hidden-thumbnail" data-id="e864efef95a541a3afd9b95032ae1d4e" data-width="910" data-height="915"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/fe8e1e5148c849b2820af364755d5723Screenshot%20July%2010%202025%2011-11-20.jpg" class="custom-image hidden-thumbnail" data-id="fe8e1e5148c849b2820af364755d5723" data-width="910" data-height="915"><img src="https://storagefiles.clo-set.com/public/community/202507/180950e687e44dcba683f9c7e0a864f9/images/cd6fd157b30f42ac97ff504e11c230c5ezgif-5d216c94324f12.gif" alt="cd6fd157b30f42ac97ff504e11c230c5" class="custom-image original-size" data-id="cd6fd157b30f42ac97ff504e11c230c5" data-width="800" data-height="450">

MUSINSA Promotion: Fashion Meets Motion Graphics

FV2 Bow-Tie Blouse

giangvn.tv

Shirt - Men

Bethesda Mastery Meets Anime Realism: A Deep Dive with Simon_ltw

This outfit is compatible with the inZOI Mod. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\ For a detailed guide, please refer to the link below. <a target="_blank" rel="noopener noreferrer nofollow" href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1">https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Original creator @<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/322755/collection/collections">shybaby.club</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/1679be95163a433b83fa04f7f9f4eba8">https://connect.clo-set.com/detail/1679be95163a433b83fa04f7f9f4eba8</a> --- Have thoughts or suggestions? Leave a comment below or DM us on IG @letsconnect3d ! We truly value your feedback and are always looking to improve. --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Asymmetric Metallic Dress

Garment

Gender & Age

Women

Style

Outfits

Dress / Jumpsuit

Genre & Mood

Party / Special Day

inZOI

Recolor

inZoi Gyaru

Crop Top Dolfin Shorts Set

F Y2K Layered Bubble Set

Frilled Ribbon Bikini Set

Helena ★ Pisces

F Classic Maid Costume

Polka Dot Bikini Set

Urban Warrior (INZOI Version)

<img src="https://storagefiles.clo-set.com/public/community/202510/f90c4a16c69e4bfdb5b25460f0d3aa07/images/aa9c9e1337f14f0dad8e7f253057a0c8e9a3e32e733f481f897df440b1cf0477.png" alt="aa9c9e1337f14f0dad8e7f253057a0c8" class="custom-image original-size" data-id="aa9c9e1337f14f0dad8e7f253057a0c8" data-width="700" data-height="400">Hello Marvelous Designer friends,&nbsp;We’re happy to announce that Marvelous Designer “Store” will be integrated and operated with “CONNECT”, which is one of our company's services. We believe that this service integration will allow Marvelous Designer users to access more diverse services and benefits related to the purchase of 3D assets. The service integration is effective now, and you will be redirected to "CONNECT" service from Marvelous Designer "Store".&nbsp;<h1>What is&nbsp;&nbsp;CONNECT? (<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/">LINK</a>)</h1>CONNECT&nbsp;is an open marketplace &amp; community where anyone can become a creator, purchase and download a variety of assets uploaded by creators. Find the digital assets you need more easily with CONNECT, which features 6,200 different 3D assets and 700 content creators. CONNECT also provides a wide range of free assets such as various poses, avatars, shoes, and garments through its official account. Download and import them directly into the Marvelous Designer.<img src="https://storagefiles.clo-set.com/public/community/202510/f90c4a16c69e4bfdb5b25460f0d3aa07/images/a77789123cf5412a8e1cc738a2eded9aScreenshot%20October%2014%202025%2014%3A56%3A00.png" alt="a77789123cf5412a8e1cc738a2eded9a" class="custom-image original-size" data-id="a77789123cf5412a8e1cc738a2eded9a" data-width="1306" data-height="574"><img src="https://storagefiles.clo-set.com/public/community/202510/f90c4a16c69e4bfdb5b25460f0d3aa07/images/73b01348341446c09a5aafc336d7e4cdScreenshot%20October%2014%202025%2014%3A57%3A45.png" alt="73b01348341446c09a5aafc336d7e4cd" class="custom-image original-size" data-id="73b01348341446c09a5aafc336d7e4cd" data-width="1307" data-height="573">[Free Digital Assets from CONNECT Official Account] Also, if you have your own 3D items produced in Marvelous Designer, you can be a creator of CONNECT and sell your own items. Don't miss the opportunity to become a creator and take advantage of business opportunities! Visit CONNECT to check out the garment item upload manual. (<a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/45304270498969-Creating-3D-Garment">Click here</a>) <h1>Marvelous Designer Website Store Purchase/Download</h1>[AS IS]When you click the “Store” on the website, it connects you to the Marvelous Designer Store, where you can purchase and download assets. [TO BE]If you click the “Store” on the website, you will be redirected to the CONNECT service directly. Then, you can sign in the CONNECT service to purchase and download various digital assets.* How to sign in to the CONNECT1.&nbsp; Sign in with SSO by entering the Marvelous Designer account User IDIn case, you do not have a linked CLO-SET account yet, you can create an account by signing Terms Of Service. (*If you face any login issues, please contact <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:support@marvelousdesigner.com">support@marvelousdesigner.com</a>.)2. Or you can create a CLO-SET account <h1>Marvelous Designer Store in Software</h1>[AS IS]When you click the "Store" tab, you can browse Marvelous Designer Store and are able to checkout through the Marvelous Designer website.[TO BE]When you click the "Store" tab, you can browse all the items (Garment, Fabric, Trim, and Avatar) from CONNECT and will be able to checkout through the CONNECT website. You will be automatically redirected to CONNECT.*If you’re using software version 6.1.723.37401 or under, only items from the Garment category are supported.&nbsp;<h1>FAQ</h1>1. I bought an item from a Marvelous Designer store. Where can I download my purchased item?All items purchased at Marvelous Designer Store will be downloadable from CONNECT's <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/mypage/purchase">Purchase page</a>. Sign in with SSO by entering Marvelous Designer User ID in order to download your item(s).&nbsp;*The above information applies to purchases made as of April 28, 2020. If you have a purchased item made before April 28, 2020, you can download it on the Marvelous Designer website &gt; My Account page.<img src="https://storagefiles.clo-set.com/public/community/202510/f90c4a16c69e4bfdb5b25460f0d3aa07/images/f1c7404330a04fc3b6d6d8e72666308b85c37048136a4e6c9fe1211942074b8c.png" alt="f1c7404330a04fc3b6d6d8e72666308b" class="custom-image original-size" data-id="f1c7404330a04fc3b6d6d8e72666308b" data-width="512" data-height="254">[CONNECT Purchase Page]2. I’d like to become a creator of the CONNECT open marketplace. How can I apply?Anyone can become a creator through a simple upload process (without an additional approval process.) (<a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/45304301016985-Seller-Information-Guide">Manual</a>)3. I’m not using the latest version of the software. Does it mean I cannot use the “Store” in the software?Marvelous Designer software “Store” has developed from version 11. To purchase an item in the software, you can simply sign in to the CONNECT website.&nbsp;The latest version of Marvelous Designers supports expanded categories from Garment to Fabric, Trim, and Avatar. If you’re using previous versions than Marvelous Designer 11 (6.1.723.37401), only the Garment category item list is available to view and purchase. We recommend you download the latest version of Marvelous Designer so that you can use items in various categories.4. I’d like to send an inquiry to the CONNECT service. Where should I inquire?Please submit your inquiry to CONNECT team! (<a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo-set.com/hc/en-us/requests/new">Click here)</a>&nbsp; If you have any questions, please contact via <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:support@marvelousdesigner.com">support@marvelousdesigner.com</a>

[NOTICE] Store Integration to CONNECT

<img src="https://storagefiles.clo-set.com/public/community/202604/e37e21b246e141baa60a0f0695ecc853/images/c40d4110a3d94909b506b5dd9090eea0Screenshot%202026-04-09%20at%2013.18.01.png" class="custom-image hidden-thumbnail" data-id="c40d4110a3d94909b506b5dd9090eea0" data-width="602" data-height="602"><img src="https://storagefiles.clo-set.com/public/community/202604/e37e21b246e141baa60a0f0695ecc853/images/cf30057f6c8c4583886e34fa57602cd8maison_alaia_logo.jpeg" class="custom-image hidden-thumbnail" data-id="cf30057f6c8c4583886e34fa57602cd8" data-width="200" data-height="200">What You Will Do:1. Men's &amp; Women's Design from Concept to Approval of Production<ul><li>Research market trends, competitive offerings, and sustainable sourcing methods.</li><li>Work with team to outline full product line assortment and brand initiatives.</li><li>Develop innovative concepts and designs that reflect Storm Creek's design standards and business objectives.</li><li>Continually seek and source new fabrics, trims, and technologies.</li><li>Lead or assist with all aspects of development including lab dips, fittings, and submits.</li><li>Manage all product development timelines with exceptional organization and attention to detail.</li><li>Create detailed, production‑ready tech packs that clearly communicate design intent, construction methods, measurements, materials, and trim details to vendors.2. Manage Design Data Across All Platforms</li></ul><ul><li>Assist with creating and updating PLM with complete and accurate product details.</li><li>Maintain organized records of tech packs, fabric specs, trims, and approvals.</li><li>Ensure data accuracy across ERP, PLM, and shared systems.</li><li>Track changes and revisions throughout the development lifecycle.3. Follow Merchandising Calendar and Meet Deadlines</li></ul><ul><li>Partner with Merchandising to align on seasonal milestones and deliverables.</li><li>Manage development timelines to ensure on-time submits and production approvals.</li><li>Proactively communicate risks or delays and propose solutions.4. Own Design Standards: Fit, Branding, Sustainability, Styling, Performance</li></ul><ul><li>Enforce Storm Creek branding guidelines across all apparel categories.</li><li>Uphold fit standards through consistent measurement review and fittings.</li><li>Ensure products meet performance and quality expectations.</li><li>Serve as the sustainable sourcing subject matter expert.</li><li>Maintain consistency in styling, trims, labeling, and packaging details.5. Private Label</li></ul><ul><li>Develop private label designs aligned with customer requirements while maintaining Storm Creek quality standards.</li><li>Collaborate with Sales and Product teams to interpret customer needs into executable designs.</li><li>Manage approvals and revisions with external partners and factories.6. QA, Errors, and Factory Communication</li></ul><ul><li>Effectively communicate internally and externally through all phases of development.</li><li>Act as cross-departmental liaison to ensure consistent information flow.</li><li>Review and address QA issues, fit corrections, and production errors.</li><li>Partner with factories on technical clarifications, corrections, and approvals.</li><li>Support seasonal product presentations internally and externally.</li><li>Collaborate with Marketing on development of materials that accurately showcase product features and sustainability stories.</li><li>Additional duties as required.</li></ul>Skills &amp; Qualifications<ul><li>College degree in apparel design or equivalent combination of education and experience</li><li>5+ years of experience in men's/women's apparel design</li><li>Full understanding of both creative and technical design</li><li>Experience designing full collections and complete product cycles from concept to finish</li><li>Strong understanding of lifestyle, outdoor-inspired apparel trends</li><li>Material and textile construction and product knowledge</li><li>Fit experience and understanding</li><li>Experience and ability to successfully communicate with overseas factories</li><li>Excellent verbal and written communication skills</li><li>Advance software knowledge of Adobe Creative Suite, Centric/PLM software and Excel; Clo/3D experience is a strong plus</li></ul><a target="_blank" rel="noopener noreferrer nofollow" href="https://stormcreek.prevueaps.com/jobs/329831-42889.html">https://stormcreek.prevueaps.com/jobs/329831-42889.html</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.stormcreek.com/?srsltid=AfmBOooF-UNxE5fiVQkyd-p9yUIcFca5GlUyWRin-5NpZHcxmwRYQ8CY">https://www.stormcreek.com/?srsltid=AfmBOooF-UNxE5fiVQkyd-p9yUIcFca5GlUyWRin-5NpZHcxmwRYQ8CY</a>

[Job] Storm Creek - Apparel Designer (Eagan, US)

Hello CLO3D Team,I would like to share some feedback and a small wishlist regarding the 2D pattern printing workflow in CLO3D.I develop all my patterns directly in 3D, and CLO3D is my main tool. While the necessary 2D functions already exist, I find them a bit difficult to use for real production needs, so I often have to export patterns to another program just to prepare them for printing.A few things that would make a big difference for me:<ul><li>Text labels on pattern pieces: it would be great to have a normal, non-bold font and the ability to scale text proportionally to the size of each piece, so I can place several lines of information (name, size, notes) in a clean way.</li><li>Notches: although I can place them in CLO3D, they unfortunately do not appear when I export patterns to PDF or PLT.</li><li>Printable layout: I can arrange pieces in a layout, but I am not able to export this layout to a proper PDF for printing.</li><li>Grainline: for printing patterns, it would be very helpful if the grainline always stayed exactly as defined during pattern development, regardless of how the piece is rotated in the layout.</li></ul>In an ideal workflow, I would love to be able to label pieces, place them into a print layout, and export everything to PDF with all text, notches, and grainlines displayed correctly — without needing external software.Thank you very much for your great work on CLO3D and for considering this feedback.Kind regards, Natasha

2D pattern printing workflow

Not Just Clothes – Designing Plush Characters with Marvelous Designer

お気に入りのK-POPのMVで、息を呑むようなビジュアルがどのようにして生まれるのか疑問に思ったことはありませんか？ 🌌Stray Kidsの爆発的なエネルギーからaespaの未来的な美学まで、ORB HAUSのクリエイティブにおけるブレーンがあなたの質問にお答えします！ <img src="https://storagefiles.clo-set.com/public/community/202602/f32aceea8d504154b50d83521600268b/images/cbc0eeb35a8342789e5750ce537216a0Selected%20February%2012%202026%2010.png" alt="cbc0eeb35a8342789e5750ce537216a0" class="custom-image original-size" data-id="cbc0eeb35a8342789e5750ce537216a0" data-width="2182" data-height="1228"><img src="https://storagefiles.clo-set.com/public/community/202602/f32aceea8d504154b50d83521600268b/images/f4801243874c4c70bbb374e8103bc859Selected%20February%2012%202026%2051.png" alt="f4801243874c4c70bbb374e8103bc859" class="custom-image original-size" data-id="f4801243874c4c70bbb374e8103bc859" data-width="2192" data-height="1222"><img src="https://storagefiles.clo-set.com/public/community/202602/f32aceea8d504154b50d83521600268b/images/732e3da3762a41778f48a6bd0b71a1c9Selected%20February%2012%202026%2038.png" alt="732e3da3762a41778f48a6bd0b71a1c9" class="custom-image original-size" data-id="732e3da3762a41778f48a6bd0b71a1c9" data-width="2182" data-height="1224"><hr><h1>🎬 ORB HAUSについて</h1>ORB HAUSは、想像を現実に変える、VFX/CGをベースとしたグローバルなクリエイティブスタジオであり、アートテック企業です。Stray Kids、aespa、SEVENTEENといったトップアーティストのミュージックビデオや壮大な世界観 / ユニバースを構築し、韓国のVFXにおける新たな基準を打ち立ててきました。従来の枠を超え、ORB HAUSは次世代のストーリーテリング企業へと進化しています。彼らの作品は超現実的な風景からイマーシブ型の360度XR空間まで多岐にわたり、XRをベースとしたワールドビルディング、新しいメディアフォーマット、そしてオリジナルIPの開発に注力しています。<img src="https://storagefiles.clo-set.com/public/community/202602/f32aceea8d504154b50d83521600268b/images/96f211edf61544718aca1e6b51eb4c9fSelected%20February%2012%202026%20284.png" alt="96f211edf61544718aca1e6b51eb4c9f" class="custom-image original-size" data-id="96f211edf61544718aca1e6b51eb4c9f" data-width="2186" data-height="1228"> 「Spread peace through art and tech. 」 このミッションのもと、ORB HAUSはゲームと音楽コンテンツの境界線を曖昧にし、アーティストのユニバースをデザインすることで、没入型エンターテインメントの新たな可能性を提示しています。<hr><h1>👤 ZADDICTED (Gwan-deok Ji) | ORB HAUS 共同創設者 | VFXスーパーバイザー | シネマティックアーティスト</h1>ZADDICTEDはORB HAUSの共同創設者であり、10年以上の経験を持つソウルを拠点とするVFXスーパーバイザー兼シネマティックアーティストです。グローバルなK-POP MV業界における重要人物であり、Unreal Engine、Cinema 4D、After Effectsを駆使した彼の作品は、想像上のコンセプトをリアルな映画的言語へと昇華させることに重点を置いています。現在は、ORB HAUSオリジナルのSFシネマティックユニバースにおいて、モーションキャプチャと360度XR技術を統合し、物語と感覚的な体験を融合させた新しい形態のビジュアルコンテンツを研究しています。<ul><li>主なプロジェクト： BTS、Stray Kids、aespa、ENHYPEN、Samsung Galaxy Unpackedなど、グローバルなアーティストやブランドのテクニカルディレクションと制作において豊富な経験を蓄積。</li><li>🔗 その他の作品を見る: [<a target="_blank" rel="noopener noreferrer nofollow" href="https://instagram.com/orb.haus">instagram.com/orb.haus</a>]</li></ul><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/WKguPVri4Eo?si=46qAf2N6dXOBuiSP" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=9uBqBKUYXBs">SEVENTEEN (세븐틴) 5th Album ‘𝐇𝐀𝐏𝐏𝐘 𝐁𝐔𝐑𝐒𝐓𝐃𝐀𝐘’ Highlight Medley (8D Audio)</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=Kubud_aEkN0">Stray Kids "KARMA" Trailer</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=P7vBoGWoReg">Stray Kids "CEREMONY" M/V</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=He5ypUHvIUM">I. LET THERE BE LIGHT (Music Video│360° VR) │ “PHOENIX” - T LOVES</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=uRnl1Lj7GqM">WHIB(휘브) 'ROCK THE NATION' OFFICIAL MV&nbsp;</a><hr><h1>🎤 聞いてみたいことはありませんか？</h1><ul><li>🤔 象徴的なあのシーンは実際のセットで作ったの？それとも100％CG？</li><li>💻 VFXディレクターになるには何を勉強すればいいですか？</li><li>🌟 ハイエンドな制作現場での最も思い出深いエピソードは何ですか？</li></ul><h1>ORB HAUSとZADDICTED氏への質問を下のコメント欄に残してください！</h1><ul><li>📅 イベント期間： 2月12日（水）～ 2月20日（木）</li><li>📢 選考： ZADDICTED自身が「ベストな質問」を選び、深く掘り下げた回答を提供します。</li></ul> 皆さんの質問が、さらに刺激的なインタビューを創り出します。たくさんのご質問をお待ちしております！ 🚀

質問大募集！K-POPユニバースを創り出すビジュアルの魔術師「ORB HAUS」に訊いてみましょう

<img src="https://storagefiles.clo-set.com/public/community/202508/373592b084e0465f8e31447405868b39/images/372db34af1fc4d3f8331013872b8efcdCapture%20d%27%C3%A9cran%202025-08-29%20233324.png" alt="372db34af1fc4d3f8331013872b8efcd" class="custom-image original-size" data-id="372db34af1fc4d3f8331013872b8efcd" data-width="1558" data-height="991">Hello, Since 2 days I have bugs with the Gizmo. While working on some files, at one given moment the gizmo stop showing when selecting a pattern piece or multiple ones. Closing the file and reoppening it won't do nothing. It shows and can be used properly with other files but I can't figure out how to fix this it is very annoying. Has someone experienced the same issue ? Thanks

Gizmo disappearing

LADY'S

MUSINSA Promotion: Fashion Meets Motion Graphics

Marvelous Designer Official

Marvelous Designer Official