imaraevangel34

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inZOI

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Garment

Hi there CLO Team,I noticed there have been a few threads where people are asking how to export a CLO3D Avatar with a native CLO3D Animation including textures, and import the CLO3D Avatar with Animation and Textures into Blender.Also, here a CLO team member mentioned:<blockquote>-You can export an Alembic(OGAWA) to have the animation of the avatar + garment. Textures will be missing and you have to add them later in the 3rd party software.-You can export a gLTF 2.0 (GLTF) to have the garment animation + textures. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577">https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577</a></blockquote>I have tried to export a CLO3D Avatar with an applied Animation (via .mtn applied) as OGAWA (.alembic) file multiple times, but when importing the .abc file into Blender, unfortunately the exported 3D object doesn't come with unwrapped UV's and materials at all, so unwrapping becomes a very hard and tedious task if one wants to reuse the original textures. Please correct me if I am missing something.Therefore I was wondering if you have a tutorial video or advice on best practice how to solve this part "Textures will be missing and you have to add them later in the 3rd party software."?The alternative workflow that works for me would be to use an external animation via Mixamo as I've explained in this quick tutorial here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/p/DCrPyLGO7qC/">https://www.instagram.com/p/DCrPyLGO7qC/</a>I have an existing garment simulation with a native CLO3D Avatar Animation which I would like to keep, therefore I am asking before having to redo the process with the alternative workflow, going via Mixamo.Many thanks in advance and I'm looking forward to your feedback!

Export CLO3D Avatar Animation with Textures to Blender 4.0

Collection A

One piece

<h2 style="text-align: center">Experience 3D digital fashion on Samsung's 8K display at ISE 2024! See Sangyeop's futuristic designs crafted with Marvelous Designer in a stunning showcase.</h2><hr><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/995129216" frameborder="0" width="800" height="480" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/995131288" frameborder="0" width="640" height="480" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center">ISE 2024 Samsung - Retail display In Barcelona | Sangyeop Jeong | 3D Artist</h1><hr><h1>Could you briefly introduce yourself and share how you got started with 3D work?</h1>Hello, my name is Sangyeop Jeong, and I'm a 3D artist. I'm currently part of Rabbit Walks, based in Seoul. I first fell in love with 3D after watching The Lord of the Rings in theaters when I was in elementary school, and that's when I started dreaming of becoming a 3D artist. Since I started as a modeler, I mainly work on character and product modeling, look deb, and also work on scene work and motion graphics. I mainly work on commercials, games, and also active as a freelancer.<img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/ada2f34b250f4dd794c3bf232664014f%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B03.png" class="custom-image original-size" data-id="ada2f34b250f4dd794c3bf232664014f" data-width="1080" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/c79ec4dd503447cc9f3ef3e8f5ada53c%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B02.png" class="custom-image original-size" data-id="c79ec4dd503447cc9f3ef3e8f5ada53c" data-width="2092" data-height="1258"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/a6d76c6120364f61bc024acdbd451618%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B01.png" class="custom-image original-size" data-id="a6d76c6120364f61bc024acdbd451618" data-width="1550" data-height="1938"><h1>I found your ISE 2024 Samsung - Retail display project really impressive. Could you explain the concept behind it? I’m also curious about where you drew inspiration from when developing the concept.</h1>The ISE 2024 Samsung-Retail display project was done by Rabbit Walks. We designed it to align with a brand store concept that blends a futuristic-tone space, digital model runway, and product display. We created a sleek, futuristic mood and matched the space with the products using neon lights and linear elements to enhance the futuristic vibe.We gathered a lot of references from Behance, Pinterest, and Instagram. Since I've always been interested in fashion, I follow a lot of related accounts, which really helped in developing the concept. This was a team effort in both planning and execution, and as the lead artist, I taught team members Marvelous Designer and directed the project overall.<h1>Why did you decide to use Marvelous Designer? How did it help with providing art direction?</h1>I first encountered Marvelous Designer about 10 years ago when I was learning 3D and creating clothes for characters. Ever since then, I've considered it the most intuitive and efficient tool for fashion and clothing work.For this project, there were many types of clothing, and each scene had a different composition based on the screen it was displayed on. To speed up the workflow, we simplified some of the detailed parts, diverging from our usual pipeline.#General pipeline<ul><li>Clothing modeling / UV layout (Marvelous Designer, Maya) - Texturing (Substance Painter)</li><li>Character rigging, posing, animation (Cinema 4D, Maya, Mixamo)</li><li>Cloth simulation (Marvelous Designer)</li><li>After simulating the clothes, we separated patterns and parts, then baked them as Alembic files in Maya.</li><li>Simulation development in C4D, final look development and scene lighting using Octane Render (Cinema 4D)</li></ul><img src="https://storagefiles.clo-set.com/public/community/202502/d1693fed7fa44a5c998eaf2d16b63f85/images/60a52a6a2a734119b5323dda0cf32026ISE%202024_8K_Still%20%283%29.jpg" class="custom-image original-size" data-id="60a52a6a2a734119b5323dda0cf32026" data-width="3354" data-height="1886">#Marvelous Designer workflow<ul><li>Normally, after modeling the clothes in Marvelous Designer, I would go through the retopology process in Maya. However, I skipped that step and instead added internal lines to each pattern directly in Marvelous Designer to preserve the unique shape of the patterns as much as possible.</li></ul><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/65feabe05be84c9bbfa65cb6737d48f6%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B04.png" class="custom-image original-size" data-id="65feabe05be84c9bbfa65cb6737d48f6" data-width="3840" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/3e4f27518b584d65a5a8fbc66120b6a0%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B05.png" class="custom-image original-size" data-id="3e4f27518b584d65a5a8fbc66120b6a0" data-width="3840" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/cb8e53248af74ba29eae1d81c4c4d06e%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B06.png" class="custom-image original-size" data-id="cb8e53248af74ba29eae1d81c4c4d06e" data-width="3840" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/7f21bd22537748d7902aaae07a21052b%E4%B8%89%E6%98%9F%E5%B1%95%E7%A4%BA%E5%8F%B07.png" class="custom-image original-size" data-id="7f21bd22537748d7902aaae07a21052b" data-width="3840" data-height="2000"><ul><li>In Maya, after separating the simulation data from Marvelous Designer and keeping the history intact, you can align the frame count, select each pattern, and bake them again as Alembic files. This allows for efficient data management.&nbsp;</li></ul><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/ddcbbf69f18b45de81f7ff9d30387984MarvelousDesignerInterview_3_3-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="ddcbbf69f18b45de81f7ff9d30387984" data-width="800" data-height="417"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/09471f974d5f4904a01cf75063bd0037Marvelous%20Designer%20Interview_3%E1%84%87%E1%85%A5%E1%86%AB%20%E1%84%8C%E1%85%B5%E1%86%AF%E1%84%86%E1%85%AE%E1%86%AB%20%E1%84%8C%E1%85%A1%E1%84%85%E1%85%AD_2-1.png" class="custom-image original-size" data-id="09471f974d5f4904a01cf75063bd0037" data-width="2817" data-height="1415"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/53b23ee382ce4bbfa9228d8b6a2b20a6Marvelous%20Designer%20Interview_3%E1%84%87%E1%85%A5%E1%86%AB%20%E1%84%8C%E1%85%B5%E1%86%AF%E1%84%86%E1%85%AE%E1%86%AB%20%E1%84%8C%E1%85%A1%E1%84%85%E1%85%AD_2-2.png" class="custom-image original-size" data-id="53b23ee382ce4bbfa9228d8b6a2b20a6" data-width="2817" data-height="1415"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/89a6d01ab78649be8164e9666911e600Marvelous%20Designer%20Interview_3%E1%84%87%E1%85%A5%E1%86%AB%20%E1%84%8C%E1%85%B5%E1%86%AF%E1%84%86%E1%85%AE%E1%86%AB%20%E1%84%8C%E1%85%A1%E1%84%85%E1%85%AD_2-3.png" class="custom-image original-size" data-id="89a6d01ab78649be8164e9666911e600" data-width="2817" data-height="1415"><ul><li>When modeling in Marvelous Designer, it is important to create sturdy patterns from the start to ensure the clothes fit well during simulation without becoming loose. To achieve this, I often work with double-sided patterns and make good use of the Strengthen feature. While this makes the data heavier, it allows for more stable modeling and simulation results.&nbsp;</li><li>For each animation, I placed pins in specific areas to shape the clothes as desired, and I adjusted the Physical Property values for each pattern according to the scene.</li></ul><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/36e60dc02ea649f093fd683a0c03358cMarvelousDesignerInterview_3_4-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="36e60dc02ea649f093fd683a0c03358c" data-width="800" data-height="417"><ul><li>The simulation data from Marvelous Designer was further refined in Cinema 4D using the Cloth and Wind features, resulting in more detailed simulation outputs. (Work tip from artist Hyejin Jang)</li></ul><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/9a7739cbcff1489dbcf673e5705d5cd0MarvelousDesignerInterview_3_5-1-2-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="9a7739cbcff1489dbcf673e5705d5cd0" data-width="800" data-height="442"><img src="https://storagefiles.clo-set.com/public/community/202412/d1693fed7fa44a5c998eaf2d16b63f85/images/52e3e5e0175242f388fa384b4ba2389bMarvelousDesignerInterview_3_5-2-ezgif.com-video-to-webp-converter.webp" class="custom-image original-size" data-id="52e3e5e0175242f388fa384b4ba2389b" data-width="800" data-height="442"><h1>While working on the project, there must have been aspects you enjoyed and others that were challenging. What was the most enjoyable part of the process for you?</h1>I truly love working in 3D, so even though there are challenges with each project, I find every step enjoyable. However, I especially enjoy modeling, texturing, and look development. In this project, the most fun part was being able to create a variety of clothing. Not only clothing, but I also modeled props like shoes and hats using Marvelous Designer.<h1>Then, what was the biggest challenge you faced while working on the project?</h1>As I mentioned earlier, this project had a lot of different types of clothing, and each scene varied based on the screen, which meant there was a huge amount of work to do. This was the most difficult and challenging part for both my team and me. However, because of this variety, I was able to feel engaged throughout the work, making it less tedious and allowing me to enjoy the process.<div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/995129216" frameborder="0" width="640" height="480" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Finally, do you have any advice for those just starting in 3D art? It can be career advice or tips on mindset when creating artwork—anything is welcome.</h1>First and foremost, it is really important to be clear about why you chose 3D and to enjoy and love what you do. This industry is intense and rapidly changing, so you can't afford to stop working or studying, and there is a lot of pressure. However, if you stay focused and believe in yourself while putting in the effort, I believe good results will follow. I still have a lot to learn, so I keep these thoughts in mind as I work.<h1>by&nbsp;Sangyeop Jeong <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/swtkdduqc44e">Behance</a></h1><img src="https://storagefiles.clo-set.com/public/community/202502/d1693fed7fa44a5c998eaf2d16b63f85/images/66ee98ab24fa492c90b392af88a4d103ISE%202024_MediaPole_Still%20%282%29.jpg" class="custom-image hidden-thumbnail" data-id="66ee98ab24fa492c90b392af88a4d103" data-width="3444" data-height="1938"><img src="https://storagefiles.clo-set.com/public/community/202502/d1693fed7fa44a5c998eaf2d16b63f85/images/66df88c5e1b147c7a75a6abb5954e425ISE%202024_MediaPole_Still%20%281%29.jpg" class="custom-image hidden-thumbnail" data-id="66df88c5e1b147c7a75a6abb5954e425" data-width="3444" data-height="1938">

ISE 2024 Samsung - Retail Display In Barcelona

Why does the knitting feature never work for me? I am on a pretty decent computer alienware high ram and graphics card.

Knit Mode on Fabrics

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/723fcffc379a4671b24794d30a0aa6a5/images/6f8eb249a38c430c821dc771dbde6dadCommunity%20thumbnail.png" class="custom-image hidden-thumbnail" data-id="6f8eb249a38c430c821dc771dbde6dad" data-width="1000" data-height="1000"> Welcome to the Glamshot Challenge.📸✨ </h2>We are back with a brand new challenge! Step onto the Hollywood red carpet and show off your stunning garments in gorgeous slow motion!<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/2Kur3BmRROg?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>All challenge assets are available for free download on CONNECT. We provide a ready-to-go project file that includes the red carpet background, camera movements, wind, and lighting effects—so make sure to use it! Check out the full details below and join the spotlight! 👇 <hr><h2 style="text-align: center"> 📌Challenge Details</h2><ul><li>Title : Glamshot</li><li>Concept: Open Theme<ul><li>There are no concept restrictions. Outfits with various concepts are welcome!</li><li>Feel free to showcase any 3D outfits you’d like to introduce.</li><li>Previously released outfits are also welcome.</li></ul></li></ul><ul><li>Participation Period: Ongoing </li></ul><h2 style="text-align: center">👥 Guidelines &amp; Requirements&nbsp; </h2><ul><li>You must use the motion file and avatars provided by CONNECT.</li><li>Upload your completed video to Instagram Reels, YouTube Shorts, or TikTok with the official hashtags.<ul><li>Required Hashtags: #glamshot #glamshotchallenge #challengebyCONNECT </li></ul></li></ul><h2 style="text-align: center">🛠 How to Participate (Step-by-Step)&nbsp;</h2> 1. Download Assets Download the avatar and motion file provided on CONNECT.<ul><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/44633f4400f0491b884dfa2a138aecd8">FV2_Glamshot (.mtn)</a></li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/2853d6199e6a4c788239fac90fd801e8">Glamshot_Bakcground (.zprj)</a><ul><li>💡 Notice<ul><li>The camera animation and lighting effects in this Stage file are only supported in CLO! (We highly recommend using the latest version for the best experience.)</li><li>For Marvelous Designer users, please note that only the wind effects will be applied.</li></ul></li></ul></li></ul> 2. Create Garment Animation&nbsp;The provided project file (.zprj) has the red carpet background, camera motion, wind, and light motions pre-set as attachments.&nbsp; 2-1. Open the provided .zprj file first.&nbsp;⚠️ Note: You must open this background-configured file first to keep all the preset animations intact. 2-2 .Import the downloaded .mtn file into the open project.<img src="https://storagefiles.clo-set.com/public/community/202606/723fcffc379a4671b24794d30a0aa6a5/images/c1574a9bd0be4d50bd95d44485921bb8OPEN%20MTN.png" alt="c1574a9bd0be4d50bd95d44485921bb8" class="custom-image original-size" data-id="c1574a9bd0be4d50bd95d44485921bb8" data-width="300" data-height="183"> ⚠️ Note: When importing the motion, exclude the transition and ensure it starts exactly at Frame 0. This keeps the motion perfectly synced with the camera, wind, light animations.&nbsp; 2-3. Load your created garment and fit it to the avatar's starting pose.&nbsp; 2-4. Once fitted, click the Record button to bake the animation.&nbsp; 3. Rendering Render the completed animation file.<ul><li>Recommended Resolution: 1080px * 1920px (9:16 Vertical Format) </li></ul>4. Editing Polish your rendered video using your preferred editing software.&nbsp;<ul><li>You can refer to<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/C_zgG9Qv37o/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA=="> this video</a> for the editing process.</li><li>Feel free to use other programs if you prefer.</li><li>Background Music : Free choice </li></ul>5. Upload to SNS Upload your finished work to Instagram Reels, YouTube Shorts, or TikTok.<ul><li>Don't forget the hashtags: #glamshot #glamshotchallenge #challengebyCONNECT </li></ul>6. Complete Your Entry&nbsp;<ul><li>After uploading, leave a comment on this post with your [Content URL] to officially enter.&nbsp;<ul><li>Comment Example : Participation Complete /www.instagram.com/share-link&nbsp;</li></ul></li><li>You can also show off your challenge video or link in the CONNECT Community!&nbsp;<ul><li>Set your post topic to [Challenge] and share your inspiration with global creators! 🚀✨&nbsp;</li></ul></li></ul><hr><h2 style="text-align: center">🎁 Perks &amp; Benefits</h2>After uploading to SNS, leave a comment on this post with the URL to your content. We’ll check the comments and feature your work on our Instagram!😊🎉You can also show off your challenge video or link in the CONNECT community! Set the post topic to Challenge and share your work with others!🚀✨ <h2 style="text-align: center">💬 Challenge Enquiry</h2>Direct Message (DM) on InstagramComments on this page<h2 style="text-align: center"></h2><hr><h2 style="text-align: center"> 🎬 Credits </h2>The following assets were featured in the challenge promotion video. A huge thanks to our incredible creators who generously shared these amazing resources for free on CONNECT! 🫶✨ <ul><li>Garment : <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/caad8912b1da4fb4a0a8a24511402b72">FV2 Elf Dress by Connect Official</a> (Customized for the concept)</li><li>Accessory : <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/31d11e76c61e46619b70f9a451565966">Butterfly Wing Earrings by Kev-in-DESIGN</a></li><li>Head Accessory : <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/2e3784468bff4206a335a6dc808aef29">fantasy hat by fashion.designer.r.s</a> (Customized for the concept)</li><li>Materials&nbsp;<ul><li>Garment Fabric : <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/84d9ba377ac14289aee22c4900659b41">Oil Spill by TAYA</a></li><li>Red Carpet Fabric : <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/5acf8ff752ce46f9b5ca0b72702d9f35">Red Velvet by Dinesh Kumar</a></li></ul><hr></li></ul><h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/723fcffc379a4671b24794d30a0aa6a5/images/35f94354415f47df8cac3a5abdf35cc1Community%20image.png" alt="35f94354415f47df8cac3a5abdf35cc1" class="custom-image original-size" data-id="35f94354415f47df8cac3a5abdf35cc1" data-width="1920" data-height="630"> Show us your spectacular style on the red carpet! 🔥</h2>

Marvelous Designer Official

Marvelous Designer Official

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