Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

cyber-punk

Sports

Student

<p>This outfit was created by essoorrr and is compatible with the inZOI Mod. <br><br>[Description]</p><p>A school uniform for a student with a hidden dream.</p><p>With a black blazer, red plaid details, and playful punk accessories,</p><p>this look is made for someone who may seem cool and confident on the outside,</p><p>while quietly protecting a softer and more hopeful side within.<br><br>[File Contents] Mod Package File<br><br>[How to Use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods<br><br>[Instagram Reel] The promotional Reel for this submission has been uploaded to the creator’s Instagram account. Instagram: @essoorrrrr <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/essoorrrrr?igsh=cm10eXIwNWlvMm8x&amp;utm_source=qr">https://www.instagram.com/essoorrrrr?igsh=cm10eXIwNWlvMm8x&amp;utm_source=qr</a></p>

Red Plaid School Uniform Set

Women

Outfits

Coat / Blazer

Skirt

Shirt / Blouse

Uniform

M Tshirt Denim Pant Set

Helena ★ Pisces

Asymmetric Metallic Dress

InZOI Baseball Uniform for Him for Sports Club

Scarlett ★ Scorpio

Maia ★ Virgo

F Futuristic Sci-Fi Dress

The Daylight Legacy

<p>i updated my clo app to the latest version and then i had an issue that CLO 3D is open but stuck on a blank (black) interface — no workspace, avatar, or panels are showing properly. Can anyone help me solve this problem?<img src="https://storagefiles.clo-set.com/public/community/202506/21a1b0a7fabf480197fe09787b228bb0/images/23693d7e0302450ea79a0a97795c59f6Screenshot%201446-12-26%20at%2012.37.54%E2%80%AFPM.png" alt="23693d7e0302450ea79a0a97795c59f6" class="custom-image original-size" data-id="23693d7e0302450ea79a0a97795c59f6" data-width="4456" data-height="2410"></p>

Issue after the last update 

<hr><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/72d7f24642824a598db3bfa1249f2574%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="72d7f24642824a598db3bfa1249f2574" class="custom-image original-size" data-id="72d7f24642824a598db3bfa1249f2574" data-width="4000" data-height="1713"></p><p>In character illustration, clothing is more than visual decoration. It affects a character's movement, material expression, visual depth, and the overall mood of the image.</p><p>Illustrator <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/5af06707db2e600283b2ffd3?xsec_token=ABX4egR0ayT1owObWsVpTJhkUCcT_rOD4InRUFSxzXPxM%3D&amp;xsec_source=pc_search">Luobu</a> specializes in anime-style character illustration. Her work often features a semi-realistic atmosphere, strong lighting, dynamic poses, and elaborate costume design. In her workflow, 3D tools are not a replacement for drawing. They help her understand structure, space, and fabric behavior more accurately.</p><p>In this interview, we spoke with Luobu about how she brings Marvelous Designer into her 2D illustration workflow, including real-world garment experience, 3D base models, garment patternmaking, animation simulation, and final 2D refinement.</p><p></p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/8b5f2f2dbabe4e0db3d8963cf29f0c78%E7%BB%86%E5%8C%961.jpg" alt="8b5f2f2dbabe4e0db3d8963cf29f0c78" class="custom-image original-size" data-id="8b5f2f2dbabe4e0db3d8963cf29f0c78" data-width="4000" data-height="1715"></p><hr><h1><strong>To start, could you introduce yourself and the creative direction you usually focus on?</strong></h1><p>Luobu: Hi everyone, I'm Luobu, an illustrator.</p><p>I enjoy creating anime-style character illustrations. I am especially drawn to images with a semi-realistic atmosphere and strong lighting, as well as dynamic character poses and elaborate costume designs.</p><p>In character design and illustration, I usually use 3D software to support my 2D painting process. It helps me handle space, garment structure, and lighting relationships with more stability.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/f0fd4b0cc99a4551bab0dfccd34f4567zl1.jpg" alt="f0fd4b0cc99a4551bab0dfccd34f4567" class="custom-image original-size" data-id="f0fd4b0cc99a4551bab0dfccd34f4567" data-width="3648" data-height="6000"></p><h1><strong>You also have experience with cosplay. How has making or wearing clothing in real life helped you understand clothing in digital painting?</strong></h1><p>Luobu: Making clothing in real life gives me a more intuitive understanding of garment styles, structure, and patternmaking.</p><p>It also helps me understand the properties of different fabrics, such as weight, sheen, and elasticity. That experience supports me in two ways. On one hand, when I build clothing models in 3D software, I can judge the structure more quickly. On the other hand, when I paint in 2D, I have a clearer sense of why folds form, how they flow, and how different material textures should be rendered.</p><h1><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/27c07cf90a8e41ea9b1d1e18dcab6f43teres.jpg" alt="27c07cf90a8e41ea9b1d1e18dcab6f43" class="custom-image original-size" data-id="27c07cf90a8e41ea9b1d1e18dcab6f43" data-width="3000" data-height="6000"></h1><h1><strong>Many 2D illustrators feel that 3D comes with a learning curve. What first made you decide to bring 3D tools into your illustration workflow?</strong></h1><p>Luobu: When I was first learning to draw, I was not very confident with illustrations involving perspective or complex scenes.</p><p>At the time, I learned that some illustrators were using 3D software to build more complex scene compositions before painting. That became the starting point for me. I began learning 3D software and gradually brought it into my own workflow.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/81dd02d7021d4fbfb5d2e24eab7d7fd4%E9%A2%86%E4%B8%BB.jpg" alt="81dd02d7021d4fbfb5d2e24eab7d7fd4" class="custom-image original-size" data-id="81dd02d7021d4fbfb5d2e24eab7d7fd4" data-width="1750" data-height="3500"></p><h2><strong>What does your usual 2D + 3D workflow look like now?</strong></h2><p>Luobu: My current workflow is roughly: sketch -&gt; 3D base human model -&gt; garment creation in Marvelous Designer -&gt; scene props and set pieces in 3D software -&gt; lighting and rendering -&gt; final 2D refinement.</p><p>In this process, different software tools need to work together. Some tools can be connected through bridge plugins. When there is no bridge plugin available, I use common model formats such as OBJ or FBX files. I also keep the scale units consistent across programs, which makes it more stable to move between different tools.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/737e0714b00c401eb19e5cd22b0d61abmain11%20s.jpg" alt="737e0714b00c401eb19e5cd22b0d61ab" class="custom-image original-size" data-id="737e0714b00c401eb19e5cd22b0d61ab" data-width="5000" data-height="2143"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/961d325c9a8941cc9e92c6e4588771d3out%202.png" alt="961d325c9a8941cc9e92c6e4588771d3" class="custom-image original-size" data-id="961d325c9a8941cc9e92c6e4588771d3" data-width="3500" data-height="1500"></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Pnx76q2e1tE" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2><strong>You often share your process of building 3D garments by hand. What does Marvelous Designer help you with in garment creation?</strong></h2><p>Luobu: I usually begin by sketching the full illustration and deciding the character's pose, clothing style, and the general motion of the garment.</p><p>After that, I use Marvelous Designer to create the garment patterns and dress the clothing on the character model. With Marvelous Designer's animation simulation features, I can simulate the dynamic shape of the garment. This process can produce highly realistic garment folds and physical simulation effects.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/545b976ad46d4b6b85b79e499c597b77erk2.jpg" alt="545b976ad46d4b6b85b79e499c597b77" class="custom-image original-size" data-id="545b976ad46d4b6b85b79e499c597b77" data-width="1575" data-height="3500"></p><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/vmzqrNUL7Jo" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2><strong>In 2D painting, artists often rely on imagination to work through complex folds. After using Marvelous Designer, how has it influenced your 2D rendering?</strong></h2><p>Luobu: Marvelous Designer's cloth simulation can create very realistic and delicate folds. It can also simulate physical collisions between fabric and objects such as the floor, tables, and chairs.</p><p>For later 2D rendering, these results give me useful references for form and for separating light and shadow. I do not copy the simulation results directly. Instead, I organize and simplify them, then translate them into clothing details that suit the final image.</p><p>In that sense, it helps me quickly establish the overall movement and shape of the garment, while also improving my efficiency during the final refinement stage.</p><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/5b16ce6a84e644288b93e846c96b9826xingyuan1.jpg" alt="5b16ce6a84e644288b93e846c96b9826" class="custom-image original-size" data-id="5b16ce6a84e644288b93e846c96b9826" data-width="3000" data-height="1687"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/42fbbd0d10ff4c789bc9c8504a7635aareed.png" alt="42fbbd0d10ff4c789bc9c8504a7635aa" class="custom-image original-size" data-id="42fbbd0d10ff4c789bc9c8504a7635aa" data-width="3500" data-height="1499"></p><h1><strong>Would you recommend 3D tools to artists who are still working in a traditional 2D workflow?</strong></h1><p>Luobu: If an artist needs to paint more realistic clothing, environments, or atmospheric lighting, I would recommend bringing 3D tools into the workflow.</p><p>For beginners, I suggest first building a simple workflow, such as base model -&gt; clothing model -&gt; scene render -&gt; painting. You do not need to learn many software tools at once. Start with one tool, understand its basic functions, and build from there.</p><p>Taking it one step at a time makes the learning process more gradual, and makes it easier to truly integrate the tools into your own creative workflow.</p><hr><p>From real-world garment experience to garment patternmaking and cloth simulation in Marvelous Designer, and finally to 2D refinement, Luobu's workflow offers a useful approach for illustrators: use 3D tools to establish structure and physical logic, then return to 2D painting for the final artistic interpretation.</p><p>In this workflow, 3D is not a replacement for drawing. It is a more stable and intuitive reference system. It helps artists see folds, gravity, material, and spatial relationships more clearly, making clothing in character illustration feel more believable, layered, and alive.</p><hr><p><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/82ab1cc7e6ea4eedb0a714e1c0bf8025bmx.jpg" alt="82ab1cc7e6ea4eedb0a714e1c0bf8025" class="custom-image original-size" data-id="82ab1cc7e6ea4eedb0a714e1c0bf8025" data-width="2000" data-height="3000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/29943df72bab47cc97a219f351c73e87%E9%AD%94%E7%8E%8B%E9%98%BF%E7%B1%B3%E5%A8%85.jpg" alt="29943df72bab47cc97a219f351c73e87" class="custom-image original-size" data-id="29943df72bab47cc97a219f351c73e87" data-width="4000" data-height="1713"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/3105d52a2d914aeb9676a8286e73c6aesaki%20%E7%BB%88%20%E6%8B%B7%E8%B4%9D.png" alt="3105d52a2d914aeb9676a8286e73c6ae" class="custom-image original-size" data-id="3105d52a2d914aeb9676a8286e73c6ae" data-width="1857" data-height="3300"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/421ea98f37bb4b77a459b5a2e9946b33mr1.png" alt="421ea98f37bb4b77a459b5a2e9946b33" class="custom-image original-size" data-id="421ea98f37bb4b77a459b5a2e9946b33" data-width="1625" data-height="2600"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/d88d0d622a5643d3b9fa4bf7be0eefd8mami2.png" alt="d88d0d622a5643d3b9fa4bf7be0eefd8" class="custom-image original-size" data-id="d88d0d622a5643d3b9fa4bf7be0eefd8" data-width="1900" data-height="2850"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/df63c165446341858480d78c59d80a4cange.jpg" alt="df63c165446341858480d78c59d80a4c" class="custom-image original-size" data-id="df63c165446341858480d78c59d80a4c" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/94b95f104a9b4d6a9fb07261f9df5050yasu.jpg" alt="94b95f104a9b4d6a9fb07261f9df5050" class="custom-image original-size" data-id="94b95f104a9b4d6a9fb07261f9df5050" data-width="2000" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/736c4a6ad70d488c80c4f72c408d153d%E5%9B%BE%E5%83%8F1%20%E6%8B%B7%E8%B4%9D.jpg" alt="736c4a6ad70d488c80c4f72c408d153d" class="custom-image original-size" data-id="736c4a6ad70d488c80c4f72c408d153d" data-width="1800" data-height="4000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/16dee19d8ed44deeb0ae47b91582b58f%E6%88%90%E5%9B%BE1.jpg" alt="16dee19d8ed44deeb0ae47b91582b58f" class="custom-image original-size" data-id="16dee19d8ed44deeb0ae47b91582b58f" data-width="3000" data-height="6000"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/b7612bfd45004ed88e0489322ea98bea%E7%9D%A6%E8%8E%AB.jpg" alt="b7612bfd45004ed88e0489322ea98bea" class="custom-image original-size" data-id="b7612bfd45004ed88e0489322ea98bea" data-width="1969" data-height="3500"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/6f86e2360150409fbaa404cfcb7445c41.jpg" alt="6f86e2360150409fbaa404cfcb7445c4" class="custom-image original-size" data-id="6f86e2360150409fbaa404cfcb7445c4" data-width="3500" data-height="1969"><img src="https://storagefiles.clo-set.com/public/community/202606/22797f109e574d798e695ba4b62dff98/images/4b2e89dcdfb345e0b44f7b88760a66f31%202.jpg" alt="4b2e89dcdfb345e0b44f7b88760a66f3" class="custom-image original-size" data-id="4b2e89dcdfb345e0b44f7b88760a66f3" data-width="3000" data-height="1286"></p>

Making Fabric Folds Make Sense: Illustrator Luobu on Her 2D + 3D Workflow

inZOI - CONNECT Gamewear | CAZ用プレミアム CC 衣装

store

contest