<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f252645328cc4bc592df1553808e8507WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.webp" class="custom-image hidden-thumbnail" data-id="f252645328cc4bc592df1553808e8507" data-width="1200" data-height="1600">In this User Spotlight, we are thrilled to introduce Elli: 2nd place award winner in <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator's Contest 2025 Vol.3 "FANTASY ARCHIVES".</a></h2><h2 style="text-align: center">ELLi discusses the story of her creation, and methods on how she created her entry for FANTASY ARCHIVES: the usage of Marvelous Designer to bring a rebellious Victorian queen to life.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202509/878bf8922dce480e8086207c9c367452/1/thumbnail/WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.jpeg?w=2560" alt="Award Thumbnail" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/878bf8922dce480e8086207c9c367452">Regal Rebel</a><hr>1. Artist Introduction: please tell us about yourself.My name is Ella-Liencha and I live in South Africa. For years I searched for a way to express my creativity. I tried painting, drawing, and writing, but I always felt a pull toward something more - something that would allow my ideas to feel alive. In February 2025, at the age of 31, I discovered Marvelous Designer for the very first time. I had no background in 3D art or digital garment creation, yet the moment I opened the software, I was hooked!My curiosity carried me through every step of the learning process. I was fascinated by how fabric could be shaped to appear structured or fluid, how folds and silhouettes could guide the viewer’s eye, and how each design could evoke an emotion or story. With every experiment, I fell deeper in love with the possibilities.Participating in the Fantasy Archives competition was both an honor and a challenge. I felt I had everything to gain by simply trying. As a lifelong daydreamer, this theme felt like home, an invitation to bring my imagined worlds to life. Since I work a full-time job, most of this came together at night - hours of quiet crafting, stitching digital fabric together while my real world slept. It felt like threading my vision into the garment piece by piece: undoing, redoing, learning, and embracing the unpredictability of the process.Through trial and error, I allowed myself to enjoy the process fully, to follow inspiration rather than control it. That freedom ultimately led me to the piece that placed, and I’m incredibly humbled and grateful for the recognition.<hr>2. We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?To be honest, my initial concept looked nothing like what “Regal Rebel” ultimately became. But the heart of the idea never changed: I wanted to create a queen-like figure who refuses to conform - someone powerful, elegant, and unapologetically rebellious.My visual direction became a blend of Victorian influence and high fantasy - a meeting point between structure and softness, order and defiance. I experimented with how colors, fabrics, and textures could speak to one another: the richness of royalty intertwined with the unpredictability of rebellion.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/c303deda450e439a836af4f18f0721d7Untitled%20design%202.png" alt="c303deda450e439a836af4f18f0721d7" class="custom-image original-size" data-id="c303deda450e439a836af4f18f0721d7" data-width="3600" data-height="2025">Creating “Regal Rebel” felt very much like creating art itself. It was about pushing against boundaries, letting intuition lead, embracing mistakes, and trusting the process until the character revealed her true form.Several symbolic choices shaped the final design.The external crinoline cage:Traditionally hidden beneath skirts, here it becomes visible and symbolic. It reflects the “cage” of the Victorian era, its expectations and constraints. By placing it on the outside, her rebellion becomes unmistakable.The shorts instead of a long Victorian skirt:Few things scream rebellion more loudly than wearing shorts in a period defined by restrictive dress! The ruffles and lace preserve the era’s dramatic volume without losing the bold statement.Overall, the visual style aimed to capture a fantasy queen who embodies both grace and rebellion - someone who challenges tradition while still honoring the beauty of where she comes from.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/3d956cfa5d5f4e869d701567b2edab3dUntitled%20design%20%281%29%203.png" alt="3d956cfa5d5f4e869d701567b2edab3d" class="custom-image original-size" data-id="3d956cfa5d5f4e869d701567b2edab3d" data-width="2880" data-height="1620"><hr>3. Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?Oh wow! I have so much still to learn, and that honestly excites me more than anything. For Regal Rebel, my pipeline was simple but incredibly personal.Marvelous Designer became my sketchbook, my mood board, and sometimes even my chaos playground. I drafted patterns, stitched them together, tore them apart again, reshaped them, and kept refining until the character started revealing who she wanted to be. It was a very intuitive process, less linear, more like sculpting with fabric and movement.One of the biggest challenges was the armor elements. I wanted them to feel structured but not rigid, elegant but protective. Getting them to behave correctly in simulation meant playing and tweaking.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f3fa4f7bf82a49fda904d744d8b10f502D-3D%20Marvelous%20Designer%203.JPG" alt="f3fa4f7bf82a49fda904d744d8b10f50" class="custom-image original-size" data-id="f3fa4f7bf82a49fda904d744d8b10f50" data-width="1917" data-height="1005">I also made heavy use of pressure simulation for the ruffled blouse and subtle gathers. Small changes in pressure and layering brought the softness and movement that helped balance the harsher armor.The external crinoline cage was another adventure. Normally it would hide under a dress, but here I wanted it to stand proudly. Marvelous Designer’s curve tools and thickness settings let me shape it like a structural frame - symbolic, expressive, and unapologetically visible. Once the garments felt alive in Marvelous, I moved into Blender for the atmospheric side of the story.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/358ee9bf08ab4d28bcc0f032873090982D%203.JPG" alt="358ee9bf08ab4d28bcc0f03287309098" class="custom-image original-size" data-id="358ee9bf08ab4d28bcc0f03287309098" data-width="1902" data-height="1028">Creating the boot cuffs and lacing was surprisingly one of the most time-consuming steps. I rebuilt those pieces several times in Marvelous until the tension and direction of the straps felt believable. But once they finally worked, they grounded the entire silhouette.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/40799857c8784b2c8582183b588e393a2D%20Close-Up%203.JPG" alt="40799857c8784b2c8582183b588e393a" class="custom-image original-size" data-id="40799857c8784b2c8582183b588e393a" data-width="779" data-height="996">In the end, Marvelous Designer gave me the structure and movement, and Blender let me wrap everything in emotion. Both tools together helped me bring Regal Rebel to life - a queen who stands in elegance, defiance, and power.<hr>4. Are there any tips and tricks with Marvelous Designer that you can share with the community?If there’s one thing Marvelous Designer has taught me, it’s this: play. Be curious, be bold, be messy, be experimental. Don’t worry about always being “right” - worry about being alive in your creativity.I came into the 3D world with no background at all, and I realized very quickly that Marvelous Designer rewards those who explore. Every time I pushed a button I didn’t fully understand, every time a simulation exploded into chaos, every time I stitched the wrong line and everything collapsed, I learned something new. You are never too old, too new, or too inexperienced to follow your passion. But above all else: enjoy the process. Marvelous Designer is both a tool and a playground. Approach it with curiosity, and it will reward you with unexpected beauty.If you’re stepping into 3D for the first time - welcome. It’s never too late, and your voice, your vision, and your story absolutely belong here. I am in awe every time I see the creators on Connect - their visions, their stories, the worlds they bring to life. They inspire me constantly. Being part of this community feels like my heart could burst; it’s one of my greatest motivators and one of the biggest joys of this journey.<hr>

 ELLi: Shaping a Daydream to a Digital Fantasy -  MDCC Vol3 2nd Place Award Winner

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

FV2 Leggings

giangvn.tv

Can I makeA) Seam AllowancesB) Notchesin different color.Question 1) on Clo3DQuestion 2) Exporting.I want to see them in different colors in Affinity Designer (Adobe Illustrator etc.)How?

Seam Allowance And Notches In Different Colors

<img src="https://storagefiles.clo-set.com/public/community/202511/5886a651f3134111bb6d888f0738a30f/images/5f53a0173a704abea61760e794a3cb5bScreenshot%202025-11-26%20at%2010.30.19.png" class="custom-image hidden-thumbnail" data-id="5f53a0173a704abea61760e794a3cb5b" data-width="674" data-height="628">Key Responsibilities1. Seasonal Collection Development<ul><li>Lead design development for selected RTW categories</li><li>Create sketches, silhouettes, moodboards, and design concepts</li><li>Ensure design proposals align with ANEST principles: clarity, proportion, structure, and quiet refinement</li><li>Develop hero items and carryover concepts with a coherent and recognizable aesthetic</li><li>Translate ANEST’s design language into high-quality, contemporary RTW pieces</li></ul>2. Fabric &amp; Material Research<ul><li>Source and evaluate fabrics, leather, knit, and trims</li><li>Understand how materials influence silhouette, structure, and drape</li><li>Build seasonal fabric boards and collaborate with suppliers and mills</li><li>Work closely with Italian ateliers to align fabrication with design intent</li></ul>3. Prototype &amp; Fittings<ul><li>Work with pattern makers and sample rooms in Shanghai &amp; Milan</li><li>Oversee first proto through final sample, ensuring accuracy and quality</li><li>Provide precise comments on fit, structure, proportion, and finishing</li><li>Maintain the design intent through all stages of development</li></ul>4. Technical Documentation<ul><li>Prepare tech packs, construction details, and spec information</li><li>Ensure clear communication with development, production, and atelier teams</li><li>Track revisions and maintain accuracy through sampling phases</li></ul>5. Research &amp; Reference Development<ul><li>Conduct research across fashion, architecture, materials, and culture</li><li>Build thoughtful reference boards and interpret references, not imitate</li><li>Help evolve ANEST’s design DNA through proportion, structure, and material logic</li></ul>6. Cross-functional Collaboration<ul><li>Partner with merchandising to define product mix and category strategy</li><li>Align with production teams to maintain timelines and product excellence</li><li>Support marketing/content teams with product insights and storytelling when required</li></ul>QualificationsExperience<ul><li>6–10 years of womenswear and menswear design experience</li><li>Previous experience in luxury contemporary brands preferred</li><li>Strong background in tailoring, outerwear, dresses, and structured silhouettes</li><li>Experience working with ITALIAN ateliers is a plus</li></ul>Skills<ul><li>Strong sketching or digital illustration ability</li><li>Solid understanding of garment construction and pattern logic</li><li>Deep fabric knowledge and strong sensibility toward texture and drape</li><li>Ability to interpret a brand’s design language and translate it into products</li><li>Proficiency in Illustrator &amp; Photoshop; CLO 3D is a plus</li></ul>Working Style &amp; Personality<ul><li>Refined taste level and attention to detail</li><li>Calm, precise, organized, and communicative</li><li>Able to work across Shanghai–Milan teams and manage timelines</li><li>Proactive, solution-oriented, and collaborative</li></ul><h1>Please send your CV, cover letter, and portfolio to <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:career@anestcollective.com">career@anestcollective.com</a>.</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://anestcollective.com/de/en/home">https://anestcollective.com/de/en/home</a>

[Job] ANEST COLLECTIVE - Senior RTW Designer(Milan, Italy)

Mens production ready blocks

accessory

Conceptual Design Category

Collaborations

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202602/3fdf24d1c59545c2a2e7681466b4ae45/images/97bd4fdd40fe4a0fb76c3c8fcb1aa8c72.png" alt="97bd4fdd40fe4a0fb76c3c8fcb1aa8c7" class="custom-image large-size" data-id="97bd4fdd40fe4a0fb76c3c8fcb1aa8c7" data-width="1024" data-height="1536"><img src="https://storagefiles.clo-set.com/public/community/202602/3fdf24d1c59545c2a2e7681466b4ae45/images/ac6f14f8ef384a708e70429cbef7e3d34.png" alt="ac6f14f8ef384a708e70429cbef7e3d3" class="custom-image large-size" data-id="ac6f14f8ef384a708e70429cbef7e3d3" data-width="1536" data-height="1024"><img src="https://storagefiles.clo-set.com/public/community/202602/3fdf24d1c59545c2a2e7681466b4ae45/images/245d31d5b7b74a12be18c7dd41dcbe723.png" alt="245d31d5b7b74a12be18c7dd41dcbe72" class="custom-image large-size" data-id="245d31d5b7b74a12be18c7dd41dcbe72" data-width="1024" data-height="1536"></h2><hr><h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202602/3fdf24d1c59545c2a2e7681466b4ae45/images/f2e1e7fadff14d58933522877cbb235bkrea-edit%20%2816%29.png" alt="f2e1e7fadff14d58933522877cbb235b" class="custom-image large-size" data-id="f2e1e7fadff14d58933522877cbb235b" data-width="880" data-height="1184"><img src="https://storagefiles.clo-set.com/public/community/202602/3fdf24d1c59545c2a2e7681466b4ae45/images/fdbb3df046da4d1c9123e02903ae986abrighter_poster%20%281%29.png" alt="fdbb3df046da4d1c9123e02903ae986a" class="custom-image large-size" data-id="fdbb3df046da4d1c9123e02903ae986a" data-width="880" data-height="1184">email:zahrakarimzadeh.zk@gmail.com</h2><hr><h2 style="text-align: center"></h2>

gothic_outfit

Hi there CLO Team,I noticed there have been a few threads where people are asking how to export a CLO3D Avatar with a native CLO3D Animation including textures, and import the CLO3D Avatar with Animation and Textures into Blender.Also, here a CLO team member mentioned:<blockquote>-You can export an Alembic(OGAWA) to have the animation of the avatar + garment. Textures will be missing and you have to add them later in the 3rd party software.-You can export a gLTF 2.0 (GLTF) to have the garment animation + textures. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577">https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577</a></blockquote>I have tried to export a CLO3D Avatar with an applied Animation (via .mtn applied) as OGAWA (.alembic) file multiple times, but when importing the .abc file into Blender, unfortunately the exported 3D object doesn't come with unwrapped UV's and materials at all, so unwrapping becomes a very hard and tedious task if one wants to reuse the original textures. Please correct me if I am missing something.Therefore I was wondering if you have a tutorial video or advice on best practice how to solve this part "Textures will be missing and you have to add them later in the 3rd party software."?The alternative workflow that works for me would be to use an external animation via Mixamo as I've explained in this quick tutorial here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/p/DCrPyLGO7qC/">https://www.instagram.com/p/DCrPyLGO7qC/</a>I have an existing garment simulation with a native CLO3D Avatar Animation which I would like to keep, therefore I am asking before having to redo the process with the alternative workflow, going via Mixamo.Many thanks in advance and I'm looking forward to your feedback!

Export CLO3D Avatar Animation with Textures to Blender 4.0

<img src="https://storagefiles.clo-set.com/public/community/202510/a4dcd0bb2ced438b9466e84ba913b223/images/19a9887a2c764598a2bf64985d445d30INZOI%20Happy%20Meal%20Bee-yond-Front.png" class="custom-image hidden-thumbnail" data-id="19a9887a2c764598a2bf64985d445d30" data-width="2550" data-height="3300">CLO 3D meets INZOI's incredible world of creativity! We're obsessed with this full-body mascot outfit, blending a happy sunflower head with a giant hamburger body. Who knew virtual fashion could be this fun? 😂<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/OEGZyse5Fcw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>

ELLi: Shaping a Daydream to a Digital Fantasy - MDCC Vol3 2nd Place Award Winner

Marvelous Designer Official

Marvelous Designer Official