<h2 style="text-align: center">Freelance 3D artist <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/beanburn_">Beanburn</a> shares behind the scenes of global game projects and personal passion pieces.</h2><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/74b0d31bd200411f990370ced107486cArtwork_V2_Extreme.png" alt="74b0d31bd200411f990370ced107486c" class="custom-image original-size" data-id="74b0d31bd200411f990370ced107486c" data-width="1080" data-height="1920"><h1>Could you briefly introduce yourself and share what led you to start working in 3D design?</h1>Hello, I'm Beanburn, a freelance 3D artist.I mainly create opening videos, trailers, and commercials for game events, and I’ve had the opportunity to collaborate with companies such as <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/seunghyeon">Riot Games, Tencent Games, Krafton, and Smilegate.</a>I first got into 3D design thanks to a recommendation from a fashion designer I knew. After trying it out based on his suggestion, I realized how well it suited me — and I’ve been working in this field ever since.<h1>Could you tell us about some of the recent projects you've worked on?</h1>Recently, I worked on the trailer for <a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/hfRcti4irPs?si=dqpL79kFdtUKmIjb">Krafton’s PUBG Global Championship</a> and the opening video for <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/gallery/207218467/VCT-Pacific-Stage-2-Season-Finals">Riot Games’ VCT Pacific Final</a>.On the personal side, I participated in the <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/beanburn_/reel/C_qIcOVhU5-/">Pwnisher </a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/beanburn_/reel/DHDQdxqvxBu/">Challenge</a>, a global 3D challenge held twice a year, and I’ve been consistently working on my own series titled False Shepherd Series.<img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/3820312817234edc826ac24a64e023deezgif-57fa93ccc532fd.gif" alt="3820312817234edc826ac24a64e023de" class="custom-image medium-size" data-id="3820312817234edc826ac24a64e023de" data-width="600" data-height="253"><img src="https://storagefiles.clo-set.com/public/community/202508/85c88747a31e43b3ab90ab8f92b42e3c/images/37156e25245b4c78aec23d97fe6c0541Ronin_.png" alt="37156e25245b4c78aec23d97fe6c0541" class="custom-image medium-size" data-id="37156e25245b4c78aec23d97fe6c0541" data-width="1080" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/25eddaa102644dbe8aaafdbb483f8947Golden_Type1.png" alt="25eddaa102644dbe8aaafdbb483f8947" class="custom-image medium-size" data-id="25eddaa102644dbe8aaafdbb483f8947" data-width="2538" data-height="1080"> <img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/31cc9005af0f440caa95e56acf2d6be6False%20Shpherd_V2_Type1.png" alt="31cc9005af0f440caa95e56acf2d6be6" class="custom-image medium-size" data-id="31cc9005af0f440caa95e56acf2d6be6" data-width="2550" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/776168878a1c4b6aaacde5b0f0f263efFalse%20Shpherd_V1.png" alt="776168878a1c4b6aaacde5b0f0f263ef" class="custom-image medium-size" data-id="776168878a1c4b6aaacde5b0f0f263ef" data-width="1500" data-height="2500"><h1>Can you give us a brief overview of the tools you use in your pipeline?</h1>I primarily use Cinema 4D for character animation and look development.When character costumes are needed, I use Marvelous Designer to create them — not just clothing, but also accessories like bags, gloves, and cushions.Depending on the project, I also use ZBrush and Substance Painter for sculpting and texturing. Once all modeling is complete, I create FX using Janga FX tools and handle compositing in After Effects.<h1>What part of the process do you enjoy the most, and what has been the most challenging?</h1>I especially enjoy character animation and costume creation — costume design, in particular, brings me a lot of joy.In large-scale projects, costumes are often created by other modelers or delivered separately, so I don’t always get the chance to make them myself, which can be a bit disappointing.On the other hand, in personal projects, I get to design and create the costumes myself, which makes the process much more enjoyable and fulfilling.<img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/cecf1673e6274467943a03022fead743ezgif-8f5325554cfdc8.png" alt="cecf1673e6274467943a03022fead743" class="custom-image original-size" data-id="cecf1673e6274467943a03022fead743" data-width="900" data-height="1600"><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/fb03e252de6d486ea52fbcded68261bcRobber_ScreenShot.png" alt="fb03e252de6d486ea52fbcded68261bc" class="custom-image original-size" data-id="fb03e252de6d486ea52fbcded68261bc" data-width="3840" data-height="2160"><h1>What has been the most difficult part of working on your projects?</h1>While character animation is the most enjoyable part, it’s also the most challenging.Working with game IPs often comes with strict movement restrictions, and when animations are not intended for in-game use, multiple rounds of approval are required. This can make the process quite complex and time-consuming.<img src="https://storagefiles.clo-set.com/public/community/202508/85c88747a31e43b3ab90ab8f92b42e3c/images/780a382393f34b5589de934a0ff5a575Ronin_1920x810.png" alt="780a382393f34b5589de934a0ff5a575" class="custom-image original-size" data-id="780a382393f34b5589de934a0ff5a575" data-width="1920" data-height="810"><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/3b1fc1690ff147eda109f4e335ebea19Ronin_Samurai_ScreenShot.png" alt="3b1fc1690ff147eda109f4e335ebea19" class="custom-image original-size" data-id="3b1fc1690ff147eda109f4e335ebea19" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202507/85c88747a31e43b3ab90ab8f92b42e3c/images/05471b9bd2414aa6b2fe180d36285df2Golden_ScreenShot.png" alt="05471b9bd2414aa6b2fe180d36285df2" class="custom-image original-size" data-id="05471b9bd2414aa6b2fe180d36285df2" data-width="3840" data-height="2160"><h1>Lastly, do you have any advice for those just starting out in 3D art? Whether it's career-related or mindset during creation, any tips would be appreciated.</h1>I’m not sure I’m in a position to give big advice, but I’d like to share a few thoughts based on my personal experience.As someone who entered this field later in life and without a formal background, I often felt like I was falling behind.But by staying consistent and working hard, I eventually got to work on great projects — and even have the opportunity to do this interview with Marvelous Designer.So even if things feel difficult, I believe that if you keep going with patience, good opportunities will come your way.Also, when working on your art, I recommend approaching it with a lighter mindset.Over time, you’ll find yourself creating more naturally and efficiently. Don’t overthink it — just start. Once you begin, you’ll definitely move forward.I truly hope we can continue growing together.

Beanburn: Crafting Worlds in 3D

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<img src="https://storagefiles.clo-set.com/public/community/202606/0426208b538549909d801a059154c1be/images/89615f1e1a004d3a88b777b9e9f10da3PORTADA_cabecera%20copia.png" class="custom-image hidden-thumbnail" data-id="89615f1e1a004d3a88b777b9e9f10da3" data-width="1496" data-height="1125">Hola comunidad CLO,Me llamo Cecilia Renau y llevo meses viviendo dentro de CLO3D. Lo que empezó como el software de mi Máster en Moda Digital y Avatares se ha convertido en el idioma con el que pienso el diseño.Este es el primer post de una serie en la que voy a compartir el proceso completo de mi TFM: GS70, una colección de moda digital inspirada en el béisbol femenino y en los años 70. Seis looks, 2 avatares personalizados en DAZ Studio, entornos en Blender, tejidos desarrollados en Substance Sampler y, en el centro de todo, CLO3D como herramienta principal de construcción de prendas.<img src="https://storagefiles.clo-set.com/public/community/202606/0426208b538549909d801a059154c1be/images/642859b808be4cd6bb7dc54640c78befPORTADA_cabecera.png" alt="642859b808be4cd6bb7dc54640c78bef" class="custom-image original-size" data-id="642859b808be4cd6bb7dc54640c78bef" data-width="1701" data-height="1026">Pero no voy a hablar solo del resultado. Quiero contaros el proceso real: los errores, los workarounds, lo que descubrí por accidente y lo que tardé semanas en entender.Porque creo que la comunidad hispanohablante de CLO necesita más voz. Más gente compartiendo flujos de trabajo en castellano, más referentes, más conversación técnica.Bienvenidos a GS70. Esto es solo el principio.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Ev-E2Q_dEp8?si=7ZfTBIt6-zTuvH81" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>TIP CLO del post: Empieza con el avatar correctoAntes de hacer el patrón, define el avatar. En GS70 usé avatares de DAZ Studio exportados a FBX e importados en CLO.Asegúrate de que el avatar está en T-pose o A-pose antes de la importación (yo lo hago con "Autoconvertir en Avatar") y no olvides revisar el cabello, para que CLO pueda importarlo debes activar la teselación (yo suelo usar un valor de 2). ¡Ah! Si dentro de CLO no ves las cejas selecciona todo el avatar y pon la opacidad al máximo. Al aumentar la opacidad seguramente los ojos serán completamente blancos, no te preocupes, selecciona las zonas blancas y baja la opacidad.Exporta todos los mapas del Avatar, no sólo los que DAZ empaqueta, tendrás que buscarlos y hacerlo a mano pero valdrá la pena.<hr><h1 style="text-align: center">¿Tienes alguna duda?</h1>¡Gracias por tu tiempo!

GS70: mi TFM en CLO3D — y por qué el 3D cambió cómo entiendo el diseño

I have an old PC.What settings do you suggest for speeding the CLO3D App?My Laptop Specs (Asus N552VW):<ul><li>CPU: Intel Core i7-6700HQ (4 cores / 8 threads, 2.6 GHz base – 3.5 GHz turbo)</li><li>GPU: NVIDIA GeForce GTX 960M (2 GB GDDR5 VRAM)</li><li>RAM: 16 GB DDR4 (Upgradable to 32 GB)</li><li>Storage: 500 GB SSD + 1 TB HDD</li><li>OS: Windows 11 64-bit</li></ul>

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<img src="https://storagefiles.clo-set.com/public/community/202503/d6dea7f97a8043d6b869f04d3b3a64a1/images/e1a2b25e0fa942fd87ab3ee5a14c749agather%20.png" alt="e1a2b25e0fa942fd87ab3ee5a14c749a" class="custom-image original-size" data-id="e1a2b25e0fa942fd87ab3ee5a14c749a" data-width="2125" data-height="1345"><img src="https://storagefiles.clo-set.com/public/community/202503/d6dea7f97a8043d6b869f04d3b3a64a1/images/dcf60d7427904ce890285ddff323ad32gather%20back%20.png" alt="dcf60d7427904ce890285ddff323ad32" class="custom-image original-size" data-id="dcf60d7427904ce890285ddff323ad32" data-width="2035" data-height="1315">Hi CLO community i'm trying to gather on the skirt part of this dress, ive tried many ways to gather put just can nit get it to look good or neat or realistic can any help out and advise me. Thanks :)<hr>

GATHERING 

Beanburn: Crafting Worlds in 3D

Marvelous Designer Official

Marvelous Designer Official