<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/c5ef7aca4a594b75a49b2df9d0342e72Header_thumb%20%281%29.png" class="custom-image hidden-thumbnail" data-id="c5ef7aca4a594b75a49b2df9d0342e72" data-width="1240" data-height="652"><img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/9f8259e036ed40dfa0914cb97af4de81Header_thumb.png" class="custom-image hidden-thumbnail" data-id="9f8259e036ed40dfa0914cb97af4de81" data-width="1240" data-height="652"><h2 style="text-align: center">3DCGアーティスト／イラストレーターの山地康太氏は、ファッションと映像表現が交わる領域で作品を制作しています。 多摩美術大学グラフィックデザイン学科を卒業後、現在は同大学で非常勤講師も務める同氏。その作品には、現実にはあり得ないようでいて、確かな実在感を備えた衣服をまとった、鮮やかな人物像が立ち現れます。</h2> Marvelous Designer・Cinema 4D・ZBrushを軸に、純粋なスカルプトでは届きにくいリアリティを、クロスシミュレーションによって追い求めてきました。 同氏の作品集「<a target="_blank" rel="nofollow noopener" href="https://kotayamaji.com/digitalfashion.html">Digital Fashion Project</a>」をもとに、デジタルアートやMarvelous Designer との出会い、アイデアの源泉、そしてデジタルファッションの未来についてお話を伺います。<h1> <img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/96fae3fb8e9a4684b345ea6a7c9b28c6190124.jpg" alt="96fae3fb8e9a4684b345ea6a7c9b28c6" class="custom-image original-size" data-id="96fae3fb8e9a4684b345ea6a7c9b28c6" data-width="2048" data-height="2048"> アーティスト紹介</h1>まずはじめに、コミュニティに向けて自己紹介をお願いします。山地康太と申します。多摩美術大学のグラフィックデザイン学科を卒業後、3DCG を使ったイラストレーションや映像の制作をおこなっています。 また、現在は多摩美術大学で非常勤講師として 3DCG の指導もおこなっています。 アートや創作を始めたきっかけ、そして多摩美術大学で CG を教えるに至った経緯を教えてください。 アートにおける 3DCG の可能性を、どのようにとらえていますか？そもそも美術大学に入っているので、創作という大きな括りで考えれば最初のきっかけ自体は美大受験になるのでしょうが、デジタルアートに関しては大学時代に 3DCG ソフトを学び始めたことがきっかけです。3DCG はデジタル媒体だけでなく、3D プリントなどフィジカルにも応用可能ですし、さまざまな面で活用する方法があると思います。大学で教えるようになった経緯については、学生時代の先生から突然連絡が来たというだけです。自身の作品をどこかで見ていただいたみたいですね。<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/5ce6e7bb6bca4ded885502190b15d6d8181109.jpg" alt="5ce6e7bb6bca4ded885502190b15d6d8" class="custom-image original-size" data-id="5ce6e7bb6bca4ded885502190b15d6d8" data-width="2048" data-height="2048"><hr><h1>Marvelous Designer との出会い</h1>Marvelous Designer を使い始めたきっかけは何でしたか？最初に「これは自分の表現に使える」と感じた瞬間を教えてください。きっかけは自分の好きなアーティストの WIP を見ていたら、ワークフローの中に取り入れられていたことです。Cinema 4D・ZBrush と組み合わせた制作のなかで、Marvelous Designer を使うのはどのタイミングですか？他のツールでは代替できない部分はどこだと感じますか？基本的にはキャラクターの衣服の制作に使うことが多いです。やはりリアルな衣服の表現はシミュレーションならではだと思います。ZBrush などを使ったスカルプトモデリングでも、時間をかければリアルに作り込むことは可能かもしれませんが、やはりシミュレーションの手軽さは魅力です。<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/d1ae1914436d4952b3211e9733c28727Screenshot%202026-06-11%20060631.png" alt="d1ae1914436d4952b3211e9733c28727" class="custom-image original-size" data-id="d1ae1914436d4952b3211e9733c28727" data-width="3440" data-height="1391">山地氏の Marvelous Designer 作業画面。 2D ウィンドウでパターンを作成し、3D 上でアバターに衣服をドレープさせていきます。<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/4e4c17b0fbad461f87845b57a3db7474Screenshot%202026-06-11%20061035.png" alt="4e4c17b0fbad461f87845b57a3db7474" class="custom-image original-size" data-id="4e4c17b0fbad461f87845b57a3db7474" data-width="3440" data-height="1391">Marvelous Designerにおけるドレーピング<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/026e811d736946598ce86eceedec7819250305.png" alt="026e811d736946598ce86eceedec7819" class="custom-image original-size" data-id="026e811d736946598ce86eceedec7819" data-width="900" data-height="900"><img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/33e71792ebec4f2cbbf371c4d939f76d250305_posed.png" alt="33e71792ebec4f2cbbf371c4d939f76d" class="custom-image original-size" data-id="33e71792ebec4f2cbbf371c4d939f76d" data-width="900" data-height="900"> アバター上でシミュレーションした衣服（1枚目）を、ダイナミックなポーズへと展開していきます（2枚目） <img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/c7fc30501efa4a0abd47ee0020d3cb14Screenshot%202026-06-11%20061638.png" alt="c7fc30501efa4a0abd47ee0020d3cb14" class="custom-image original-size" data-id="c7fc30501efa4a0abd47ee0020d3cb14" data-width="3440" data-height="1392">Cinema 4D 作業画面<img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/a3e191350afc4c1c8c7edf0089db5627250305.jpg" alt="a3e191350afc4c1c8c7edf0089db5627" class="custom-image original-size" data-id="a3e191350afc4c1c8c7edf0089db5627" data-width="1600" data-height="2000">完成されたビジュアル<hr><h1>アイデアとインスピレーション</h1>アイデアはどこから生まれることが多いですか？音楽、ファッション、日常の風景など、制作の起点になるものを教えてください。いろいろなものから影響を受けているので、どれか単一のものに絞るのは難しいですね。いろいろなものが混ざり合って抽象化された、言語化不可能な領域が最終的なインスピレーションになっている気がします。デジタルの服を作るとき、リアルな服の物理的な制約（重力・素材・縫製）を意識しますか？それとも、あえてその制約から自由になることを楽しんでいますか？デジタルで作る場合は無視したほうが面白くなるとは思いますが、シミュレーションは物理的な制約によってリアルな表現が可能になっているとも言えるので、そこはトレードオフな気もしています。 <img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/e0d5f6519e064aa59dddbacd92ae0219190129.jpg" alt="e0d5f6519e064aa59dddbacd92ae0219" class="custom-image original-size" data-id="e0d5f6519e064aa59dddbacd92ae0219" data-width="2048" data-height="2048"><hr><h1>デジタルファッションの未来</h1>デジタルファッションの可能性について、あなた自身はどんな未来を描いていますか？自身はそれほど専門的な知識はありませんが、デジタルファッションもリアルな衣服制作に利用される場面が増えると面白いなと思います。素材の拡張性や、裁断する手間を省くなど、効率化の面でどういう技術的な進歩があるか気になっています。 個人のデザイナーがデジタルで作った衣服を手軽にアウトプットできるようになれば、さらに面白いなと思います。 <img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/71c12cd91f10443a85d493385d00f641Screenshot%202026-06-11%20061827.png" alt="71c12cd91f10443a85d493385d00f641" class="custom-image original-size" data-id="71c12cd91f10443a85d493385d00f641" data-width="3440" data-height="1391">Marvelous Designerを用いてフットウェアを作成 <img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/85661c9daeb84e75903fbfba22789340shoes02.png" alt="85661c9daeb84e75903fbfba22789340" class="custom-image medium-size" data-id="85661c9daeb84e75903fbfba22789340" data-width="900" data-height="900"><img src="https://storagefiles.clo-set.com/public/community/202606/95da5a77501a4e86b1ab94ffa8de3287/images/3cee1bc68034426d887edc43963f92ed250308.jpg" alt="3cee1bc68034426d887edc43963f92ed" class="custom-image original-size" data-id="3cee1bc68034426d887edc43963f92ed" data-width="1600" data-height="2000">完成されたビジュアル<hr>制作プロセスをコミュニティに共有してくださった山地康太氏に感謝いたします。山地氏がつくる、鮮烈な 3DCGとデジタルファッションの世界をぜひフォローしてご覧ください。<ul><li>Kota Yamaji — <a target="_blank" rel="noopener noreferrer nofollow" href="https://kotayamaji.com/digitalfashion.html">Digital Fashion Project</a></li><li>Instagram: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/kotayamaji">@kotayamaji</a></li><li>X: <a target="_blank" rel="noopener noreferrer nofollow" href="https://x.com/k0tayamaji">@k0tayamaji</a></li><li>Behance: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/kotayamaji">Kota Yamaji</a></li></ul>

想像を形に：3DCGアーティスト 山地康太が語る、Marvelous Designerを使ったクロスシミュレーションとデジタルファッション

FV2 Workboots

designer

SHOES

Championship Thread

COLLECTION A

Create Your Persona: 3D Character & Digital Fashion

Cut, Slash & Corset

Footwear Collection 2026.0

<h2 style="text-align: center">CD PROJEKT RED team introduces the greatest project-Cyberpunk 2077 and the use of Marvelous Designer to accomplish consistently outstanding for many costumes.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/qIcTM8WXFjk" frameborder="0" allowfullscreen="" width="800" height="480" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1 style="text-align: center">Interview with CD PROJEKT RED</h1><hr><h1>1. Could you introduce the recent project - Cyberpunk 2077 ?</h1>Cyberpunk 2077 is an open world action role-playing video game developed by CD PROJEKT RED set in Mike Pondsmith’s Cyberpunk universe. In the game, players take on the role of up-and-coming mercenary V, embarking on a violent and dangerous journey through the underbelly of Night City, where body modification via the installation of cyberware is a common part of everyday life.In terms of art, Cyberpunk 2077 is the most demanding and ambitious project in the studio’s history so far. Night City is populated with characters representing a wide spectrum of society from poverty, gangs, and middle class, to corporation workers, celebrities, and even droids. To fill this world, the character art department had to create hundreds of high quality models to make the city feel as immersive and believable as possible.<h1>2.&nbsp;How is Marvelous Designer integrated in the project pipeline?</h1>Marvelous Designer is one of the most important tools in our character creation pipeline. Almost all the characters' clothes that you can see in Cyberpunk 2077 were created with help of Marvelous Designer.It was used not only for character garments but also for some cybernetic parts, backpacks, ammo bags, and even weapons. The main challenge during the creation of models for the game was its futuristic cloth design — for example the jacket worn by the main character V. This jacket combines garments with cyberware, and thanks to Marvelous Designer’s variety of material presets, the ability to sew one cloth layer onto another, and features like seam taping, I was able to achieve the desired look.<h1>3. Tell us some tips of patterns making and cloth simulation.</h1>One of my favorite techniques for making realistic folds is the two layer approach. For the bottom layer I often use firm fabric presets like Leather_Cowhide which is used as a cloth base, while for the top one I'll use softer prestes like Nylon_Featherweight — with slightly increased Shrinkage parameters to finalize folds details. For things like cables, collars, and zippers I recommend using the Trim_Full_Grain_Leather preset which you can export to 3D modeling software and use as a starting point for the final model.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/afe6e1c360af43059f123044169156521%20%281%29.png" class="custom-image original-size" data-id="afe6e1c360af43059f12304416915652" data-width="2048" data-height="1152"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/7b2d6fe7f1f24a40b2f38f41433c3dc42%20%281%29.png" class="custom-image original-size" data-id="7b2d6fe7f1f24a40b2f38f41433c3dc4" data-width="2048" data-height="925"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/d5d83003ea5f4ea58621983a129dd8113%20%281%29.png" class="custom-image original-size" data-id="d5d83003ea5f4ea58621983a129dd811" data-width="2048" data-height="773"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/a2ebc356f4184cb196921fa22354822c6.png" class="custom-image original-size" data-id="a2ebc356f4184cb196921fa22354822c" data-width="2048" data-height="1419"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/bfda9e5ee0f249a6ae43a3b4a2affbcd5.png" class="custom-image original-size" data-id="bfda9e5ee0f249a6ae43a3b4a2affbcd" data-width="2045" data-height="1050"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/877d7f44bd7a4b749f14c6888c444d104.png" class="custom-image original-size" data-id="877d7f44bd7a4b749f14c6888c444d10" data-width="2048" data-height="742">This puffy vest is a great example of how the two layer approach combined with pressure works. In this case I created a simple vest pattern as a base. Layer clone (over), drawing internal lines, and then the cut and sew function were used to create cushioned parts. To achieve a realistic look and finalize the necessary details, I increased shrinkage value and applied some pressure to separate pattern pieces.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/024d6642b78c4b3eb3732db8b1ae2e247.png" class="custom-image medium-size" data-id="024d6642b78c4b3eb3732db8b1ae2e24" data-width="2048" data-height="1197"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/b1c60e4bba754e688d2198e0cfe304f88.png" class="custom-image original-size" data-id="b1c60e4bba754e688d2198e0cfe304f8" data-width="2048" data-height="917">Marvelous Designer has the great ability to edit every single fabric parameter by hand; so the cloth look can be improved even without changing the patterns. In this case the user manual was very helpful for explaining how Bending, Shear, or Buckling works.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/2e7aaabfdb874de18cc1730f16e2f187c6044a6bd1ad44e1989277f6eb122d81.png" class="custom-image original-size" data-id="2e7aaabfdb874de18cc1730f16e2f187" data-width="2048" data-height="831">Another great feature of Marvelous Designer allows the importing of objects as patterns. This is very helpful in cases when you want to combine hard surfaces with cloth. For Cyberpunk 2077, I used this function to create some elements for Adam Smasher’s model — such as the cloth on the pipes, and cloth on his armor plates. To make those pieces, first I created simple models with UV maps, then imported them to Marvelous Designer as Avatar. Secondly, I imported them again but this time using the Load as Garment option with Trace 2D Patterns from UV Map checked on.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/24088fba74cb474484827d2e93af350f10.png" class="custom-image original-size" data-id="24088fba74cb474484827d2e93af350f" data-width="1825" data-height="1048"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/e38550e144f04800bdfd19225edac8c711.png" class="custom-image original-size" data-id="e38550e144f04800bdfd19225edac8c7" data-width="2048" data-height="890">One of the tricks I use to keep cloth from falling off the avatar is to apply a negative pressure value to the pattern, then freeze it and use Layer Clone (over) so I have a pattern base to start with.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/8a77538c14de47a19a6d8bfa663e06aa13.png" class="custom-image original-size" data-id="8a77538c14de47a19a6d8bfa663e06aa" data-width="2048" data-height="1087"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/eb5d47a28eb74bb9a526116f73108b3f12.png" class="custom-image original-size" data-id="eb5d47a28eb74bb9a526116f73108b3f" data-width="2048" data-height="703">The policeman hat model is a good example of how avatars can help with garment creation. Here, using other 3D software I modeled a skeleton/chassis to support the cloth shape, then imported it as Avatar.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/c4fe0a2f76a54c9dbfcbc5f4dea1f95314.png" class="custom-image medium-size" data-id="c4fe0a2f76a54c9dbfcbc5f4dea1f953" data-width="2048" data-height="1828"><img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/282f3021577349b8b48ab81ff3db6fa015.png" class="custom-image original-size" data-id="282f3021577349b8b48ab81ff3db6fa0" data-width="1899" data-height="1088"><h1>4. What is Marvelous Designer’s strong point to use?</h1>Everybody knows how sculpting clothes by hand takes a lot of time and, sometimes, the result is not satisfactory even for the most experienced artists. Marvelous Designer is the solution for that. It's a completely new way of making clothes, it's easy to learn, and the final results can be consistently outstanding.I would definitely recommend Marvelous Designer to other 3D artists. Using Marvelous Designer is the best way to improve the quality of your models.<img src="https://storagefiles.clo-set.com/public/community/202501/a7f9011def9f4c85bdc073da221a9146/images/1ea829d5e3f8441fbd12a6cedb55024099bd4ab6c8c84a07a82a68fe5f83eed9.png" class="custom-image original-size" data-id="1ea829d5e3f8441fbd12a6cedb550240" data-width="2048" data-height="1146">by&nbsp;CD PROJEKT REDLink to <a target="_blank" rel="noopener noreferrer nofollow" href="https://en.cdprojektred.com/">CD PROJEKT RED&nbsp;official website</a><hr>CD PROJEKT®, Cyberpunk®, Cyberpunk 2077® are registered trademarks of CD PROJEKT S.A. © 2021 CD PROJEKT S.A. All rights reserved.All other copyrights and trademarks are the property of their respective owners.

Cyberpunk 2077

<h1><img src="https://storagefiles.clo-set.com/public/community/202604/18b5b426d8be42da832d12cffec2dfa4/images/32b098532044470bbd0ac615a200c540CONNECT%20MetaHuman%20Thumbnail.png" class="custom-image hidden-thumbnail" data-id="32b098532044470bbd0ac615a200c540" data-width="1920" data-height="1920">Tailoring for MetaHumans Live Demo + Q&amp;A</h1>We all love the built-in CLO and Marvelous Designer avatars, but what if you’re looking for something a bit more customizable? That’s where our friends at Epic Games can help. We recently teamed up with the <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.metahuman.com/">MetaHuman </a>and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.unrealengine.com/">Unreal Engine</a> teams for a webinar exploring the full workflow—from creating a MetaHuman, importing it into CLO or Marvelous Designer, and bringing it all into Unreal Engine for use in your projects. Check out the full recording for a step-by-step demonstration of the process.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/s1aP1kFyvKk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Learn more about creating garments for MetaHumans</h1>Looking to learn more? We put together some resources to help you in your CLO to Unreal journey. Find out more about CLO, Marvelous Designer, MetaHuman, Unreal Engine, and the way they all work together!<h1>MetaHuman resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/documentation/unreal-engine/creating-parametric-clothing-for-fab">Creating Parametric Clothing for Fab </a>This step-by-step outline showcases the process of creating parametric (resizable) clothing assets for MetaHumans. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.fab.com/listings/98f7b49d-f5dc-45c4-b590-52dbb4f951c0"> MetaHuman Conform Topology</a>Download this free set of asset files to make custom characters you’ve sculpted fully compatible with the MetaHuman system. <h1>CLO and Marvelous Designer resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=VCKS0qEOJk0">CLO Quick Start</a>This step-by-step tutorial series will walk you through everything you need to kickstart your CLO journey.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=4Ubv8p8qTnE&amp;t=2291s">Pattern Drafter</a>This mini workshop demonstrates the steps to reverse-engineer a garment pattern using the Pattern Drafter.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=mSJLFcYUSTY&amp;t=734s">3D Pen</a>Learn about the updated 3D Pen that enables you to draw garment silhouettes around the avatar directly from the 3D space and instantly convert them into 2D patterns.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=QDaAGBd_Oc4&amp;t=164s">&nbsp;Style Line Tools</a>Watch this video to explore how to use the style line tools in CLO, also applicable to Marvelous Designer.&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/playlist?list=PLYQUdblF9eDXA3R44hr-wcr2lErnoU1_3">Marvelous Designer Quick Start</a>New to Marvelous Designer? This quick start guide will walk you through the basics of the software.<h1>Integrating CLO and Marvelous Designer with Unreal Engine</h1>Build out your garment design, simulation, and animation pipeline with these useful resources on combining the power of CLO and Marvelous Designer with Unreal Engine. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/articles/53322960594969-CLO-to-MetaHuman-USD-Garment-Integration-Workflow">CLO to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the entire workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://support.marvelousdesigner.com/hc/en-us/articles/52699135975705-Marvelous-Designer-to-MetaHuman-USD-Garment-Integration-Workflow">Marvelous Designer to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=t3GATippRqY">Marvelous Designer 2025.2: How to Import MetaHumans in DNA as Avatars</a>This short tutorial walks you through the process of importing a MetaHuman in DNA format to Marvelous Designer for use as an avatar. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/categories/44704952678809-LiveSync">CLO/MD LiveSync manual</a>Get set up with LiveSync—a bridge that connects CLO and Unreal Editor (CLO LiveSync), or Marvelous Designer and Unreal Editor (MD LiveSync), with the aim of shortening workflows between these tools and Unreal Engine.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=CoYfZP5GEJM">Matt Workman’s Unreal Engine x Marvelous Designer tutorial</a>Learn how to send an animated MetaHuman from Unreal Engine 5.6 to Marvelous Designer, create and simulate clothing, and send the simulated garments back to Unreal Engine using the CLO / Marvelous Designer LiveSync 2 plugin.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=3Cp2ngrgEHo">My Exact CLO3D to Unreal Engine 5.7 Workflow</a>Discover how to move your CLO assets into Unreal Engine in this beginners’ tutorial by aschno. She covers everything from installation and plugins to UI navigation, target lighting, MetaHuman import, and CLO LiveSync integration.<h1>Using your assets in Unreal Engine</h1>Once you’ve decked out your MetaHuman in their new clothes, you can use Unreal Engine’s Chaos Cloth system to bring realistic cloth movement that responds to character motion, gravity, and wind. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=IzmJnTnphBc">Chaos Cloth Demystified: A Practical Guide for Artists </a>In this session recorded at Unreal Fest Orlando 2025, we unlock the full potential of Chaos Cloth with an artist-friendly guide to creating a robust production-ready pipeline. <a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/community/profile/Gk/gozerKeymaster">Official documentation by Tim Brakensiek</a>Epic’s Tim Brakensiek has put together a number of tutorial videos that explore different Chaos Cloth workflows, from resizing outfits to fixing collision issues. Check them out. Artist Credit We’d like to extend a special thanks to the artists whose works we’ve shared in the webinar or in this resource list. Make sure to check out <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/aschno/">@aschno Anna Liedtke</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reve.riola/">Riola</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/blockschmidt/">Blockschmidt</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/orchidea3d/">Vesna Stawa | Orchidea3D</a>, and<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/cinematographydb/"> Matt Workman</a>.

Tailoring for MetaHumans: CLO and Marvelous Designer to Unreal Engine Live Demo

Collection A

Inside the Costa Rican Brand Designing Entire Collections in CLO

想像を形に：3DCGアーティスト山地康太が語る、Marvelous Designerを使ったクロスシミュレーションとデジタルファッション

Marvelous Designer Official

Marvelous Designer Official

想像を形に：3DCGアーティスト 山地康太が語る、Marvelous Designerを使ったクロスシミュレーションとデジタルファッション

Marvelous Designer Official

Marvelous Designer Official

想像を形に：3DCGアーティスト山地康太が語る、Marvelous Designerを使ったクロスシミュレーションとデジタルファッション