<h2 style="text-align: center">Nishas VN, a senior game character artist with over 7 years in the industry and 2 years in graphic design, highlights her expertise in her latest project, Odin Alfiifir.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/2c97a676ece343eab833be53c87d087b79809f6c388744499fea437788232916.jpeg" class="custom-image original-size" data-id="2c97a676ece343eab833be53c87d087b" data-width="7126" data-height="4096"><h1>Interview with NISHAS VN | Odin | Character Artist</h1><h1>Artist introduction</h1>My name is Nishas VN. I'm a senior game character artist with more than 7 years of experience in the Game industry and 2 years experience in graphic design . I've worked on quite a lot of games during the years with the last one being Alan Wake 2.<h1>When did you start using Marvelous Designer and how did that affect your workflow process?</h1>Seven years ago, I ventured into the world of Marvelous Designer. My journey began by immersing myself in online tutorials on YouTube, gradually uncovering its immense potential. This software has revolutionized the fashion and 3D design industries by enabling the creation of lifelike 3D clothing and fabric simulations. Not only confined to fashion, but Marvelous Designer has also started making waves in the realm of gaming. Its integration into games, like the renowned Metal Gear Solid V: The Phantom Pain by Konami and Kojima Productions, showcased the software's versatility and impact beyond traditional design spheres. Witnessing its application in such high-profile projects piqued my interest and solidified my belief in its far-reaching influence.Marvelous Designer has remarkably streamlined my workflow, replacing time-consuming traditional cloth sculpting with hyper-realistic garments in mere minutes. Its extensive library of fabrics allows for the authentic capture of cloth materials, elevating the realism of designs. Moreover, Marvelous Designer not only enhances cloth creation but also significantly expedites other processes, such as high-poly and low-poly UV mapping, ultimately saving valuable time across multiple facets of the design pipeline.<h1>As a student, how much time did you find sufficient to gain confidence in using Marvelous Designer?</h1>I was pleasantly surprised by how easy it was to start using Marvelous Designer, and within a month, I was able to achieve some results. However, to produce high-quality work, you must invest more time in learning shortcuts, selecting the appropriate tool for each situation, and researching information for the tools you are unfamiliar with. If you take a break from using Marvelous Designer for some time, it can feel like starting from scratch again.<h1>Explain the project's creation aspects, including intentions, goals, cloth design approach, and references.</h1>Let me delve into my recent project featuring Odin Alfiifir. This endeavor posed unique challenges, particularly in clothing design, prompting me to explore Marvelous Designer's capabilities beyond traditional garment creation. I aimed to showcase a versatility for readers' benefit In this venture, Marvelous Designer played a pivotal role, not only in crafting the clothing but also in designing elements like the bag, cape, and boots. Often overlooked, Marvelous Designer's prowess extends beyond typical clothing design; it aided me in achieving remarkable results, notably in crafting authentic leather boots. Many tend to underestimate its ability to create such intricate details, opting for sculpting methods that often result in unnatural folds. Marvelous Designer, however, provides a more intuitive and realistic approach to crafting these elements.Prior to diving into the creative process, gathering references is a crucial step. For my personal projects, I typically blend design freedom with inspiration rather than strictly adhering to a specific concept or reference. For this particular endeavor, I drew from a Norse Viking dress as a foundation, embellishing it with numerous additional elements to seamlessly integrate it into a fantastical setting. This approach allowed me to infuse elements of my imagination while retaining the essence of the original Norse design.In my PureRef canvas, I curated a diverse array of costume concept and prop inspirations. This compilation served as a rich tapestry of ideas, guiding me to craft a design that strikes a balance between cohesion and distinctiveness. The goal was to create a unified yet uniquely individualized piece, drawing from various sources to inspire a cohesive and original design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/c00c834a91a8460f8a65cc66d31e47ad7a7a414fea374a61b7d3c740ea07bd52.jpeg" class="custom-image original-size" data-id="c00c834a91a8460f8a65cc66d31e47ad" data-width="1877" data-height="913"><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/f5c7ac5928484c559aa9e4541d0357c9Odin_2-1.webp" class="custom-image medium-size" data-id="f5c7ac5928484c559aa9e4541d0357c9" data-width="8192" data-height="8192"><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/651f26ee639a426d9ca9dc2d6dece379Odin_2-4.webp" class="custom-image medium-size" data-id="651f26ee639a426d9ca9dc2d6dece379" data-width="2657" data-height="5141">Once I've determined the direction for my creation, it's time to import the base mesh or avatar. While many opt for default avatars in Marvelous Designer, I prefer a more controlled approach. It's crucial to have greater influence and control, as clothing inherently influences the form of the underlying flesh. This detail often gets overlooked. Therefore, sculpting any potential influence is essential to ensure a seamless integration between the clothing and the body underneath.From my experience, I've learned that achieving realistic clothing hinges greatly on the initial fitting of the garments. It's crucial to focus on clean patterns and precise fitting as natural stitching and realistic folds tend to emerge more natural during simulation. I advise limiting the use of pins to necessities, as excessive pinning and forced folds can contribute to an unrealistic feel in the clothing. To maintain authenticity steer clear of excessive pinching or symmetrical folds, aiming instead for balanced and natural drapery. Additionally, when dealing with layered clothing, it's advisable to avoid utilizing the fast (GPU) simulation, Due to complications with layered garments, it's best to avoid utilizing the (GPU) simulation, as it may not effectively handle the complexities inherent in layered clothing.Many decorative elements such as ornaments and weapons were deliberately excluded from Marvelous Designer, as their impact on the clothing simulation was minimal. Hence, I chose not to import these details into Marvelous Designer, opting to address them separately outside the software.<h1>Share your approach to working with Marvelous Designer. What tricks have you discovered to boost efficiency, and what advice would you offer to new users?</h1>Prior to diving into the task at hand, I make it a point to set up the lighting meticulously. Getting the lighting just right is crucial as it significantly amplifies the overall appearance and visibility of folds and wrinkles in the design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/8368958edd934304a4ea5589d415045dScreenshot_01.png" class="custom-image original-size" data-id="8368958edd934304a4ea5589d415045d" data-width="738" data-height="1138">Constructing the bootI adopt a different approach in crafting boots by initially sculpting a base model in ZBrush, which I later import into Marvelous Designer. Using this base mesh as a guide, I employ the Line tool to delineate the boot's outline, refining it further with the Flatten tool to generate a visible pattern, reflecting in the 2D pattern window. Once the entire boot design is established, I simulate its appearance, utilizing the ZBrush base mesh as the avatar mesh within Marvelous Designer. This methodology allows for precise control over achieving the desired fold Mixture in the design.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/165611acb0f64fd0989ffdb63b952fc0Screenshot_02.png" class="custom-image original-size" data-id="165611acb0f64fd0989ffdb63b952fc0" data-width="1354" data-height="862">My workflow within Marvelous Designer follows a clear path. Initially, I focused on constructing a clean pattern and stitching to generate a blockout file with high particle distance. This blockout serves as the foundation, aimed at refining the fitting precisely without relying on excessive pinching or excess fabric. Once the primary fit is perfected, I progress to the secondary detail stage, decreasing the particle distance to introduce moderate folds and simulate additional intricacies. Finally, in the temporary detail phase, I set a low particle distance to add the final touches and meticulously finalize the file.<h1>Explain your process of moving between Marvelous Designer and other software. How do you prepare your project for a smooth transition?</h1><img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/498f532ec867455ea2e12420607be5c0Screenshot_03.png" class="custom-image original-size" data-id="498f532ec867455ea2e12420607be5c0" data-width="570" data-height="616">To convert the Marvelous Designer file into a clean topology, I utilize Maya's Transfer Attributes tool. After exporting, I save two sets of files named boot3D and boot2D. The boot3D file is the direct export from Marvelous Designer, while the boot2D represents the 2D pattern version obtained by right-clicking and selecting "Reset 2D Arrangement." Next, I import the boot2D file into Maya and proceed to create a clean topology using either the Quadraw tool or by employing ZRemesher in ZBrush. Once the retopology process is complete, I save the file as bootretopo. To finalize the transformation, I configure the Transfer AMibutes settings accordingly through the tool's options.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/c931aadfc1e94a71833ea073a7b63a98Screenshot_04.png" class="custom-image original-size" data-id="c931aadfc1e94a71833ea073a7b63a98" data-width="642" data-height="468">Following the retopology process, select the boot2D file first, then the boot retopology file in Maya. Utilize the Transfer Attributes tool and click "Apply" to transfer the UVs from boot2D to boot retopology. Once the transfer is complete, adjust the Transfer Attributes settings as needed to ensure the seamless transfer of UVs between the files.Afterward, right-click and choose "Smooth" to increase the subdivision of the boot reæpo in Maya. Following this, select the boot 3D file first, then the boot reæpo file, and click "Apply" in the Transfer Attributes tool. This action directly transfers the boot retopo attributes to the boot3D file. Next, clear any history by selecting "Edit" and then "Delete by Type &gt; History." You can proceed to remove both the boot3D and boot2D meshes. Export and save the boot retopo mesh. Subsequently, import it into ZBrush and access the Geometry tab, selecting Edge Loop &gt; Panel Loops. Employing this function provides thickness to the boot. Apply "Reconstruit" to revert to lower subdivisions, resulting in a refined and clean high-poly boot mesh.<img src="https://storagefiles.clo-set.com/public/community/202412/a89db3439fff40b09687b1ac1f72c0e7/images/f55df1ed216649838dce7bc36508779bScreenshot_05.png" class="custom-image original-size" data-id="f55df1ed216649838dce7bc36508779b" data-width="266" data-height="572"><h1>by&nbsp;Nishas VN <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/nishas">ArtStation</a></h1>

Odin

Wrestling singlet

<h2 style="text-align: center">Travis Davids shares a breakdown of how South Parks iconic character, Kenny’s outfit was created, with a big, medium, small approach with the garments.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/e1a6165933bb46c18d0157ad6c77c11ee8da6fea12c74b85bfdef7b7fb81e6c1.png" class="custom-image original-size" data-id="e1a6165933bb46c18d0157ad6c77c11e" data-width="1135" data-height="936"><h1 style="text-align: center">Interview with Travis Davids| South Park | 3D Generalist</h1><hr><h1>1. Artist Introduction</h1>Hello, my name is Travis Davids, I'm from Johannesburg, South Africa and I'm a freelance digital artist and content creator.I primarily focus on creating 3D related content in the form of tutorials or resources for digital artists. My content is available on multiple websites like YouTube, Gumroad and Artstation.I’m a 3D generalist who loves experimenting with multiple workflows.I’ve been doing 3D full time since 2015 but my journey started in 2007 when i created mod items for a video game called The Sims. It sparked my interest to explore an expanding universe of endless possibilities.3D gave me a platform to bring my ideas and emotions to life. It’s something I'm very passionate about and I thoroughly enjoy the endless journey of self improvement.Love what you do and do what you love!<h1>2. Workflow for your artworks with a brief introduction</h1>I used Marvelous Designer to create realistic outfits for all of my reimagined characters for South Park.Reimagining South Park Characters&nbsp;I followed the same approach for every garment. I will do a breakdown of how Kenny’s outfit was created.&nbsp;All of my garments start with the most basic building blocks. I follow a Big, Medium, Small approach with my garments.&nbsp;Big&nbsp; Basic shapes and buildings blocks to create a basic template with a great fit.&nbsp;Medium&nbsp; Detailing the garment, adding new elements to the design.Small&nbsp; Adding smaller details like internal lines for topstitching, seams, buttons, and layer clones as well as reducing the particle distance to 5 or 3.Detailing the garment further in Zbrush and bringing it to completion is also included during this phase.&nbsp;Creating The Base (BIG)I focus primarily on creating a garment with a good base.Once you have a good base created that fits your avatar correctly, you can transform that basic template into a variety of different garments.In this case, I had a long sleeve t-shirt I created that fit Kenny perfectly and I tweaked it to turn it into a jacket.This saved me some time from having to create the base garment from scratch.&nbsp;I use Daz Studio to generate my human characters. They are fully rigged and easy to pose.&nbsp;I always create my garments on a character that is in a T-Pose or A-Pose.It makes your life a lot easier to create the patterns and drape a garment on a symmetrical pose.Later on once you’re detailing the garment further you can transition to a different pose.I also keep my particle distance on 20 or 15 during the early stages for the sake of performance.I’ll also use GPU simulation in certain instances to see my simulation results in what can only be described as real time and then go back to normal simulation mode for accurate results.<img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/86da97e0bfb243c29a3cd56dd6e7f2d13f4a510bfd90475c952333479055757a.png" class="custom-image medium-size" data-id="86da97e0bfb243c29a3cd56dd6e7f2d1" data-width="1567" data-height="995">QUICK TIP: When you are creating your basic shapes, don’t add curvature to the pattern while you’re drafting it, add this afterwards by using the “Edit Curvature” tool.You will thank yourself later because by adding curvature afterwards, if you go to “Edit Pattern” you will have access to anchor points that you can adjust to control the amount of curvature.This makes the process of adjusting curvature non destructive and easy to change.&nbsp;Transitioning To A Different Pose<img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/f14a43b058594ff9a94d951d20405100cfb72430c3f14fb1a395b0030f6c3fb9.jpg" class="custom-image original-size" data-id="f14a43b058594ff9a94d951d20405100" data-width="1516" data-height="995">Once I have a good base I'll actually use morph targets to see how my garment looks in a different pose.Since I’m&nbsp;using morph targets i can easily go back to the a-pose if I need to further adjust my garment.&nbsp;QUICK TIP: There are various ways to transition to different poses but an easy method is to use morph targets.If you saved out two obj’s of your character (a-pose and posed), import the a-pose first and drape your garment on the a-pose.Now go to “File” “Import OBJ” and instead of importing an OBJ as an avatar, import it as a morph target so change “Object Type” to Morph Target.Your character will transition from the a-pose to the next pose.&nbsp;Detailing The Garment Further (MEDIUM)During this phase I decrease my particle distance to 10 just to see a better representation of my fabric.Since the garment is going to be getting more detailed I might lose some performance but i can always go back to 15.The majority of my time is spent on this process by creating new garment pieces like the hood, adjusting fabric settings, choosing different fabric colors,adding render thickness to the garment to get a much better idea of what the garment looks like with thickness and changing it to “Thick Textured Surface” to see the end result.I always add thickness in Marvelous Designer even if i plan on exporting a thin version of the garment.If I'm going to add thickness in zbrush, I can just reference the thickness I created in MD.Garments are usually not paper thin and by adding just a subtle layer of thickness, it gives the garment a much better visual representation.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/b38163beadd44cdb826cef12f0fc8a1f37296d5c5c314d63b85244254e20b19a.png" class="custom-image original-size" data-id="b38163beadd44cdb826cef12f0fc8a1f" data-width="1569" data-height="993">QUICK TIP: Use Marvelous Designer 10’s brand new “Quality Render” feature to see what a garment looks like with ambient occluded shadows.It gives you a much better representation of what the garment would look like if I was actually rendered. Folds and wrinkles look so much better with this enabled.&nbsp;Adding The Finer Details (SMALL)Now it’s all about the small details. Since I was creating a jacket and I wanted it to visually look warmer, I created a layer clone of the garment.A layer clone doubles up your fabric and is a fantastic method to make garments look thicker/warmer.Any internal lines that you have included on your pattern will be a lot more visible on a layer clone.It’s almost like adding the icing on top of a cake and works very well if you’re creating jackets.Keep in mind that sometimes you might need to change the layer order of a layer clone to prevent it from causing simulation issues,and then bring it back to its original number to make everything simulate correctly.I add internal lines along the seams of the garment and adjust the fold angle to make them more predominant.&nbsp;Once i’m happy, i’ll reduce my particle distance to 5 or 3 to get the best quality possible.I’ll also quandragulate my garment in MD if i plan on taking it over to zbrush for additional sculpting. I’ll also arrange my UV’s in MD’s UV Editor so everything is nice and organized.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/39fa1144851d44f68d701b0ad64ee2bdc8344b97d4dc41f0b4a43d89b369c398.png" class="custom-image original-size" data-id="39fa1144851d44f68d701b0ad64ee2bd" data-width="1935" data-height="1001">Since I didn't intend on adding thickness in another program to this garment,I could select my entire pattern for different garment pieces, go to “File” “Export OBJ Selected” and export my garment as “Multiple Objects", "Thick”,and I make sure “Unified UV Coordinates” is selected.&nbsp;I also put my scale on “cm (Daz Studio) and my % at 100% and then click on ok.&nbsp;QUICK TIP:&nbsp; If you’ve created a garment with multiple pieces like a t-shirt, jacket and pants, export these pieces individually instead as one garment.It keeps everything organized to have these garments separated as their own OBJ’s.&nbsp; Assembling The Scene&nbsp;For Kenny’s outfit I only did a little bit of detailing in Zbrush by sculpting additional folds but Marvelous Designer did all of the heavy lifting.I assemble my scenes in Cinema 4D and create all of my materials with Octane Render.With certain garments I'll also do my texturing in Substance Painter or create my own tileable materials from scratch with Substance Designer.The scene is basic with only 2 area lights. I also used the power of artificial intelligence from Artbreeder to generate a realistic human face for Kenny.If you want to see my entire workflow I have uploaded a breakdown video on youtube via <a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/AClov4mK-PU">this link.</a><img src="https://storagefiles.clo-set.com/public/community/202501/0e13aa14ba6647138b84c7e5932bf5df/images/51186b64295945ed8e3f18d5fe9c4977b7e4c2afc23046e6968609a67a1b7ee4.jpg" class="custom-image original-size" data-id="51186b64295945ed8e3f18d5fe9c4977" data-width="1497" data-height="2142">by Travis DavidsLink to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/c/TravisDavids/videos">Youtube</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mrdavids">Artstation&nbsp;</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/travis.davids/">Facebook</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/mrdavids2/">Instagram&nbsp;</a>

South Park

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

<h2 style="text-align: center">Concept artist Rui Li shares how 3D tool like Marvelous Designer enhances 2D illustration, shaping the intricate world of his concept art - The Scent. From hyper-realistic fabrics to immersive storytelling, discover how 3D-assisted costume design improves efficiency, detail, and creative flexibility.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0214c9e458e4433a8cae6fb57638f2fa%E6%9D%8E%E7%9D%BF-%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="0214c9e458e4433a8cae6fb57638f2fa" class="custom-image original-size" data-id="0214c9e458e4433a8cae6fb57638f2fa" data-width="960" data-height="640"><h1 style="text-align: center">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost">Rui Li</a> | The Scent | Concept Artist &amp; Illustrator</h1><hr><h1>Please introduce yourself to the Marvelous Designer community.</h1>Hello everyone, my name is Rui. I am a concept artist and illustrator from China. My primary work involves creating concept designs and promotional illustrations for games. I have been in this industry for 15 years and started incorporating 3D software into my workflow about 5-6 years ago to enhance my creative process.<h1>What led you to concept art and character design? Were there any artists or works that inspired you?</h1>After graduating, I went straight into the game industry as a concept artist. I’ve drawn inspiration from many different artists over the years, but there isn’t one particular artist who had a defining influence on me. Since I’ve worked on a variety of projects with different styles, I’ve found new inspirations at every stage of my career. Early on, I was greatly influenced by Craig Mullins while working on realistic projects. Growing up, I played a lot of Japanese games and watched anime and manga, which also left a deep impression on me. Artists like Katsuya Terada, Yoshitaka Amano, and manga creators like Takehiko Inoue and Rumiko Takahashi have all influenced my artistic style. My taste is quite eclectic.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/5d482a5942694df688af72b5aa16cb78CM%20%E4%BD%9C%E5%93%81%E5%90%88%E9%9B%86gif.gif" alt="5d482a5942694df688af72b5aa16cb78" class="custom-image original-size" data-id="5d482a5942694df688af72b5aa16cb78" data-width="640" data-height="852">Artist: Craig Mullins<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/106aa07a17e94d84a2283f8feab0dbd0%E5%AF%BA%E7%94%B0%E5%85%8B%E4%B9%9F1.jpg" alt="106aa07a17e94d84a2283f8feab0dbd0" class="custom-image original-size" data-id="106aa07a17e94d84a2283f8feab0dbd0" data-width="844" data-height="844">Artist: Katsuya Terada<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/69eb7e606698484d9524936f2981fd8b%E5%A4%A9%E9%87%8E%E5%96%9C%E5%AD%9D1.jpg" alt="69eb7e606698484d9524936f2981fd8b" class="custom-image original-size" data-id="69eb7e606698484d9524936f2981fd8b" data-width="770" data-height="380">Artist: Yoshitaka Amano<h1 style="text-align: left">Your worldbuilding for The Scent is fascinating! What inspired it, and how would you describe its setting and artistic vision?</h1>A few years ago, I became passionate about collecting perfumes and exploring different scents. Last year, I finally had some free time and decided to build a world around the theme of “fragrance.” Over time, as I continued creating, the story naturally evolved and became more refined.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/118da70db2364902a28ac039b74f76a3final-22%20%281%29.jpg" alt="118da70db2364902a28ac039b74f76a3" class="custom-image original-size" data-id="118da70db2364902a28ac039b74f76a3" data-width="3840" data-height="5760">The story revolves around a perfumer who uses scents to heal emotional wounds. Each character embodies a unique fragrance, representing a particular emotion. Visually, I wanted to create a sense of vintage opulence. The aesthetic is inspired by the late 19th century, a period that blends the elegance of Art Nouveau with the structured forms of Art Deco. Since different fragrances originate from various places, the design incorporates diverse cultural influences, making for a richly layered visual experience.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/0725a55152a44170bb18cacdbad06a11final.jpg" alt="0725a55152a44170bb18cacdbad06a11" class="custom-image original-size" data-id="0725a55152a44170bb18cacdbad06a11" data-width="3840" data-height="2560"><h1 style="text-align: left">What software and tools do you mainly use in your workflow?</h1>I primarily work with Blender, Daz Studio, Marvelous Designer, and Photoshop.<h1>Your creative process is based on 3D modeling before bringing the work into Photoshop for painting. What led you to adopt this workflow?</h1>&nbsp;I initially adopted this workflow to improve efficiency and image quality. Over time, I’ve realized that 3D-assisted illustration brings several key benefits:<ol><li>Faster workflow – In commercial projects, recurring characters and props can be reused across different scenes, making the process much more efficient.</li><li>Better realism – 3D rendering provides accurate lighting, depth, material reflections, and textures that would be difficult to replicate with pure hand-drawing.</li><li>More flexibility – With 3D, I can adjust camera angles and lighting at any stage. In contrast, 2D workflows tend to be more linear—once the composition, lighting, and colors are set, making big changes later is often impractical.</li></ol><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/04c0bb2494164f55b72d2b0936b8f1dfimg_v3_02k1_df28d569-496c-4603-8f07-7251f105c8cg.jpg" alt="04c0bb2494164f55b72d2b0936b8f1df" class="custom-image original-size" data-id="04c0bb2494164f55b72d2b0936b8f1df" data-width="3837" data-height="2060"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/2ef8a55081fd42bd968205172726b3d1img_v3_02k1_599edcff-2748-4e3d-afec-761d9888479g.jpg" alt="2ef8a55081fd42bd968205172726b3d1" class="custom-image original-size" data-id="2ef8a55081fd42bd968205172726b3d1" data-width="3839" data-height="2062"><h1>When designing character garments in Marvelous Designer, which aspects or features do you focus on the most?</h1>I primarily focus on accurate fabric simulation, which is why I mainly use the 2D pattern-making tools and basic animation features to refine my designs.<h1>Could you share a specific example of how Marvelous Designer played a key role in your creative process?</h1>In The Mastic, about one-quarter of the scene is dedicated to fabric details, which play a crucial role in enhancing the composition. The folds and drapery not only complement the character but also help fill the scene naturally, creating a richer and more immersive atmosphere.Marvelous Designer’s ability to generate realistic fabric textures and movement brings an added level of authenticity to my work. It also softens the stiffness that can sometimes come with 3D-assisted creations. I see it as a visual and compositional mediator, seamlessly blending characters with their surroundings. The way fabric interacts with objects in the scene further enhances the character’s presence, making the world feel more alive.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/e4670ac912164810af9ab1ca607aef7fRuxiang3.jpg" alt="e4670ac912164810af9ab1ca607aef7f" class="custom-image original-size" data-id="e4670ac912164810af9ab1ca607aef7f" data-width="4500" data-height="6660"><img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/85f534f6839b44728e97cbdde0d20039img_v3_02k1_835cfbe5-e3ad-4760-982d-27b073a2aaeg.jpg" alt="85f534f6839b44728e97cbdde0d20039" class="custom-image original-size" data-id="85f534f6839b44728e97cbdde0d20039" data-width="3839" data-height="2065"><h1>&nbsp;Any practical tips for artists looking to use Marvelous Designer for concept character costume design?</h1>The best advice? Start using it right away. Marvelous Designer’s pattern-based approach helps artists understand how clothing actually fits and moves, which is essential for making designs more believable.That said, don’t rely entirely on raw 3D outputs—while simulations provide a strong foundation, they often need additional refinement. Shapes may lack structural clarity, so post-processing is key to achieving a polished final design.<img src="https://storagefiles.clo-set.com/public/community/202503/dded25398da64f8c8e439e848cba06b9/images/76a524a2ed044fb798d14a7d5acab3b1%E8%95%BE%E5%A7%86.png" alt="76a524a2ed044fb798d14a7d5acab3b1" class="custom-image original-size" data-id="76a524a2ed044fb798d14a7d5acab3b1" data-width="2048" data-height="1365"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/melodyoflost">Artstation</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://space.bilibili.com/10178650">Bilibili</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.xiaohongshu.com/user/profile/61ca6e6100000000100065e4?xsec_token=ABvR5H1BwoNPsdmxYAAEhaoLj5ZZMSkmdaDhnxa12hJQc%3D&amp;xsec_source=pc_search">RedNote</a>

Blending 3D into 2D: Unveiling the Concept Art of “The Scent”

Basically I have created a new top stitch, with the intention to import a simple custom obj mesh to be used for the stitching. The mesh is a simple chain link (comprised of 2 links). They are of a reasonable size and poly count (under 400 tris). Any attempt to import any object is met with a complete crash of marvelous designer. I've tested with a variety of simple objects made in maya and blender. <img src="https://storagefiles.clo-set.com/public/community/202512/9af96d8f5ae649e3a6ecbe088c9b1311/images/06275e6926df4fee8cfadcf5dd32fa63MD_CrashBug.png" alt="06275e6926df4fee8cfadcf5dd32fa63" class="custom-image original-size" data-id="06275e6926df4fee8cfadcf5dd32fa63" data-width="1162" data-height="722">My MD version is 2025.2.127I've also tried importing these objects for topstitch on a fresh lighter file, still instant crash.

Any custom obj for Top stitch crashes Marvelous Designer

Collection A

Cut, Slash & Corset

Hello, Creators! We are thrilled to introduce the 3rd My Digital Closet Challenge on CONNECT, all thanks to your enthusiastic participation! 🔥🎉 This challenge is all about completing your stunning 3D outfit with CONNECT’s free dancing motion, turning it into an amazing lookbook animation.<hr>For this round, we’re bringing the famous APT Challenge, inspired by Blackpink’s Rose and Bruno Mars!💃🕺<img src="https://storagefiles.clo-set.com/public/community/202503/d10e8ee2460f4706b9dcbb45217865b4/images/e1caa06bdafb470ea6534333a0bc12e5Thumbnail_Rose_375x500_low2.gif" class="custom-image original-size" data-id="e1caa06bdafb470ea6534333a0bc12e5" data-width="270" data-height="360">Don’t miss this chance to show off your style and take on this exciting dance lookbook challenge with CONNECT! Check out the participation details below.😊<hr>After uploading to SNS, leave a comment on this post with the URL to your content. We’ll check the comments and feature your work on our Instagram!😊🎉You can also show off your challenge video or link in the CONNECT community! Set the post topic to Challenge and share your work with others!🚀✨<hr><h1 style="text-align: center">📌Challenge Details </h1><ul><li>Title : MyDigitalCloset</li><li>Concept: Open Theme<ul><li>There are no concept restrictions. Outfits with various concepts are welcome!</li><li>Feel free to showcase any 3D outfits you’d like to introduce.</li><li>Previously released outfits are also welcome.</li></ul></li></ul><ul><li>Participation Period: Ongoing</li><li>Participation Requirements<ul><li>Use the motion file and avatars provided by CONNECT.</li><li>Collaboration is encouraged—multiple creators can work together to create a collaborative piece.</li><li>Upload your completed work to Instagram Reels, YouTube Shorts, or Tiktok using the relevant hashtags.<ul><li>#mydigitalcloset #lookbook #challenge #digitalfashion #connectofficial #clo3d #marvelousdesigner #challengebyCONNECT</li></ul></li></ul></li></ul><ul><li>Participation Process1. Download Motion and Avatar: Download the motion file and the avatar provided by CONNECT.<ul><li>Motion<ul><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/a1595e432258425aaa9d4e19d0dd049d">FV2_Dancing_APT</a></li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/d71bd2c6924e4818be9e60bbdad30474">MV2_Dancing_APT</a></li></ul></li><li>Avatar<ul><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/208988/collection/collections/220711153359e22cfc41449280e4e7245de728">Female</a></li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/208988/collection/collections/230420c9160bed61d945e6b5e3ebbe55fb03f6">Male</a></li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/208988/collection/collections/2301100492be6460c740868ddf57abc64946e9">Mannequin</a></li></ul></li></ul>2. Creating Garment Animation: Apply the motion to each outfit project file and press the record button in animation mode to create the outfit animation.<ul><li>TIP: Customize your avatar using ZACS!</li></ul>3. Rendering: Render the completed animation file.<ul><li>We recommend an image size of 1080px * 1920px.</li><li>TIP : Use the <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/208988/collection/collections/2312DD1c848deff0094e4991a906bfc52dae0e">CONNECT official Scene file</a></li></ul>4. Editing: Edit the rendered video using an editing program.<ul><li>You can refer to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reel/C_zgG9Qv37o/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==">this video</a> for the editing process.</li><li>Feel free to use other programs if you prefer.</li><li>Background Music : <a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/ekr2nIex040?si=IcN-y5xcN8OBLUf6">APT by Rose</a></li></ul>5. Upload to SNS: Upload your finished work to Instagram Reels, YouTube Shorts, or TikTok.<ul><li>Include the following hashtags<ul><li>#mydigitalcloset #lookbook #challenge #digitalfashion #connectofficial #clo3d #marvelousdesigner #challengebyCONNECT</li></ul></li></ul>6. Complete Participation<ul><li>Once uploaded to SNS, leave a comment on this post with your email address and the URL to your content.<ul><li>Example : Participation Complete / <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.example.com">www.example.com</a></li></ul></li><li>You can also show off your challenge video or link in the CONNECT community!<ul><li>Set the post topic to Challenge and share your work with others!</li></ul></li></ul></li></ul><hr> Challenge Enquiry1. Direct message on <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/closet_connect_official/">Instagram</a> 2. Comments on this page<hr><img src="https://storagefiles.clo-set.com/public/community/202503/d10e8ee2460f4706b9dcbb45217865b4/images/a720c3d52af9406a8a828b70c9e6bbdbMotion_Challenge_FHD.00_00_21_12.%EC%8A%A4%ED%8B%B8%20003.png" class="custom-image original-size" data-id="a720c3d52af9406a8a828b70c9e6bbdb" data-width="1920" data-height="1080">Now it’s time to showcase your amazing digital wardrobe to the world! 🚀✨<img src="https://storagefiles.clo-set.com/public/community/202503/d10e8ee2460f4706b9dcbb45217865b4/images/a18e4e0aa35e4086a5313958a57e27deReels%20thumbnail_Final.png" class="custom-image hidden-thumbnail" data-id="a18e4e0aa35e4086a5313958a57e27de" data-width="1080" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202503/d10e8ee2460f4706b9dcbb45217865b4/images/a2d187637eee458e8cf3efc3367e05d0community%20thumbnail.png" class="custom-image hidden-thumbnail" data-id="a2d187637eee458e8cf3efc3367e05d0" data-width="1000" data-height="1000">

[Challenge] My Digital Closet Challenge Season3 #APT

模拟控制_选择网格

gitausamuel904

This outfit is compatible with the inZOI Mod. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods\ For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Have thoughts or suggestions? Leave a comment below or DM us on IG @letsconnect3d ! We truly value your feedback and are always looking to improve. --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

M Korean Military Uniform

Outfits

Jumper / Jacket

Pants

T-shirt

Military

Uniform

Recolor

F OffShoulder Denim Set

M Workwear Casual Outfit

Idolstyle Bustier Skirt Set

Cameron ★ Sagittarius

French Work Set

Dapper Tailored Shirt Set

Dotted Top Jeans Set

Frilled Ribbon Bikini Set

<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/b656dbd45e804715beb52bc660ce88ec%E1%84%8A%E1%85%A5%E1%86%B7%E1%84%82%E1%85%A6%E1%84%8B%E1%85%B5%E1%86%AF.png" class="custom-image hidden-thumbnail" data-id="b656dbd45e804715beb52bc660ce88ec" data-width="1920" data-height="1080"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1159073351?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Motion Graphic Designer, Hyeonpyo Lee</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/gallery/242975231/Porter-Brand-Promotion-Film">Behance </a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/hyeon_pyo_/">Instagram</a><h1>Could you provide a short introduction and describe your current professional focus?</h1>Hi, I’m Hyunpyo Lee, a 3D motion graphic designer. I specialize in articulating brand philosophies by weaving visual metaphors into compelling stories. My current creative direction involves transcending literal descriptions of product structures to reconstruct them as a unique world-building experience.<h1>Project Introduction: What is the concept and creative intent behind the ‘Porter Brand Promotion Film’?</h1><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1175192531?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1175190910?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>The foundation of this project is the core philosophy of the Japanese bag brand, Yoshida Porter: “Heart and Soul in Every Stitch.”A bag is an object brought to life through the harmonious assembly of diverse parts and structures. I believed that reinterpreting these functional elements as a living, natural ecosystem could give birth to a compelling narrative.To realize this vision, I constructed a world where the bag’s components—zippers, clips, fabrics, and D-rings—are transformed into living organisms or elements of nature. For example, zippers are depicted as bioluminescent fireflies navigating the dark, fabrics soar through the sky like birds, and metal clips glide through the water like fish.By portraying these distinct entities living in their respective environments before eventually converging into a single bag, I aimed to metaphorically express the brand's intricate structure and meticulous craftsmanship. Rather than focusing on a direct product showcase, this brand film was designed to visually capture the "journey" of the elements that together define the essence of the bag.<h1>What was the decisive factor in choosing Marvelous Designer, and what specific challenges (e.g., garment simulation, realism) did it help you solve in this project?</h1>The primary reason was to accurately capture the natural physical properties and structural integrity of fabric during the bag-making process.For the scenes where the bag is being constructed, I wanted the patterns and sewing structures to be represented just as they are in real-world garment manufacturing. It was crucial that the process—being cut from patterns and stitched together—looked convincing and authentic, rather than appearing as a simply modeled piece of cloth.<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/1e73bf7480aa4e0c9a9cf4b9a7ba657401.png" alt="1e73bf7480aa4e0c9a9cf4b9a7ba6574" class="custom-image original-size" data-id="1e73bf7480aa4e0c9a9cf4b9a7ba6574" data-width="2560" data-height="1401"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/8834b94026c845728c43a35b3de6099802.png" alt="8834b94026c845728c43a35b3de60998" class="custom-image original-size" data-id="8834b94026c845728c43a35b3de60998" data-width="2560" data-height="1392">Because Marvelous Designer allows for the direct implementation of this pattern-based construction, it was exceptionally effective for:<ul><li>Bag Pattern Creation</li><li>Fabric Simulation</li><li>Representation of Sewing Structures</li></ul>As a result, I was able to achieve natural wrinkles, tension, and intricate stitching details that would have been difficult to create through conventional modeling alone. This significantly enhanced both the realism and the overall quality of the production scenes.<h1>Technical Workflow: How did Marvelous Designer integrate into your overall pipeline (including other tools)? Do you have any tips or precautions regarding data export?</h1>The overall pipeline was structured as follows:Marvelous Designer → Cinema 4D → Octane Render → After EffectsI began by creating the bag patterns and configuring the sewing structures within Marvelous Designer, completing the primary form through fabric simulation. The results were then exported as Alembic (.abc) files and imported into Cinema 4D. There, I integrated hardware parts and other 3D elements before proceeding with animation and lighting.During the export process, I found a few key points to be essential:First, managing mesh density is crucial. Using the simulation results as-is can lead to excessively high polygon counts. Therefore, it was necessary to optimize the mesh density to ensure smooth performance in subsequent stages of the pipeline.Second, properly managing the "Layer" settings in Simulation Properties is vital. In Marvelous Designer, designs often involve overlapping patterns or polygons. Depending on the Layer values, you may encounter issues like mesh penetration or clipping during simulation. Strategically assigning Layer values—carefully considering which pattern sits on top and which sits beneath—was fundamental to achieving a stable and clean simulation.<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/ec88e73b9a2b4317a967d1fbc25ebc09layer-02.png" alt="ec88e73b9a2b4317a967d1fbc25ebc09" class="custom-image original-size" data-id="ec88e73b9a2b4317a967d1fbc25ebc09" data-width="2552" data-height="992"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/e67ad8d7861245f2bc4f9319a6ea75d4layer-01.png" alt="e67ad8d7861245f2bc4f9319a6ea75d4" class="custom-image original-size" data-id="e67ad8d7861245f2bc4f9319a6ea75d4" data-width="2550" data-height="993"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/a8ce67b957a64ee684a5f355479b4986layer-03.png" alt="a8ce67b957a64ee684a5f355479b4986" class="custom-image original-size" data-id="a8ce67b957a64ee684a5f355479b4986" data-width="2555" data-height="992">By following these steps, I was able to utilize the fabric assets created in Marvelous Designer reliably within the Cinema 4D environment.<h1>What do you feel are Marvelous Designer's distinct advantages compared to other 3D tools? Was there a specific feature that impressed you most during your work?</h1>In my view, the greatest strength is the seamless synergy between pattern-based creation and physical simulation.While many conventional 3D tools rely on sculpting fabric shapes or adjusting them through post-simulation, Marvelous Designer centers the entire workflow on designing actual patterns and sewing them together—mirroring real-world garment manufacturing. The Sewing feature, in particular, allowed me to intuitively configure connections and stitching structures. This was incredibly effective for projects like bags or clothing, where the integrity of the construction and the sewing method are paramount.I was also deeply impressed by the instantaneous feedback loop when modifying patterns. Even a subtle adjustment to a pattern's length or curvature naturally transforms the entire silhouette. This organic connection, where design and simulation coexist in a single, fluid workflow, was truly fascinating.<h1> What practical advice would you give to motion graphic designers who are considering adopting Marvelous Designer or to those who are just starting out and facing challenges?</h1>&nbsp;I believe Marvelous Designer is much more than just a tool for simulating cloth; it becomes far more powerful when approached with an understanding of patterns and structure.Instead of treating it like a typical 3D modeling tool, I recommend starting by creating simple patterns yourself. It is crucial to go through the process of understanding how these flat patterns transform into three-dimensional forms. I also had my own fears about learning a new tool, but I found that many features are so intuitive that I was able to adapt much faster than expected. I encourage beginners not to feel overwhelmed, but to dive in and explore the possibilities.Another method I highly recommend is referring to real-world pattern data. For instance, CLO-SET <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/store">Connect</a> shares a vast array of garment patterns and technical drawings. Analyzing these pattern structures and applying them to your own work will significantly deepen your understanding of the software.As projects involving materials with specific physical properties—such as clothing, fabrics, and bags—continue to grow within the motion graphics field, I believe Marvelous Designer is an incredibly valuable tool that allows for the simultaneous expression of both physical properties and intricate structure.

Marvelous Designer for Motion Graphics: Seamless Integration with C4D

안녕하세요,7월 3일까지 사용 가능이라 생각하고 취소처리를 못했는데, 7월2일 오후 9시 13분 결제가 이루어졌습니다.7월 3일 구독 해지 하였는데 환불받을 수 있을까요?xpewpew0106@gmail.com 로 답변 부탁드립니다.

결제취소

<h2 style="text-align: center"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/objae_jaehyeon_/?hl=en">Jaehyun Cho</a>, a talented motion graphic designer at 'Super Very More', shares his creative journey and recent projects. Jaehyun shares insights into his work on the 2025 LCK CUP opening title and his experience using Marvelous Designer to bring his artistic visions to life.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/yY7iB1fI4Wk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><hr><h1 style="text-align: center">Interview with Jaehyun Cho | Motion Graphic Designer at <a target="_blank" rel="noopener noreferrer nofollow" href="https://superverymore.tv/">Super Very More</a></h1><h1 style="text-align: left">Could you briefly introduce yourself and tell us how you started working in 3D?</h1>Hello, I am Jaehyun Cho, a motion graphic designer currently working at Super Very More Studio in Korea. I majored in fine arts in college and studied design after graduation, leading to my current role as a motion graphic designer. Initially, I started with 2D design but began studying 3D to expand my expression, creating various broadcast titles and branding videos. Recently, I produced the opening video for the LCK CUP(League of Legends Champions Korea CUP), which received a lot of positive feedback.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/6cd4c8ffcee243e39e7e2e3bcc47e774LCK_Cup_SF_16.png" alt="6cd4c8ffcee243e39e7e2e3bcc47e774" class="custom-image original-size" data-id="6cd4c8ffcee243e39e7e2e3bcc47e774" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4b15d358c8934bc49b4919daf5bddda1SWC2024_SF.png" alt="4b15d358c8934bc49b4919daf5bddda1" class="custom-image original-size" data-id="4b15d358c8934bc49b4919daf5bddda1" data-width="1400" data-height="788"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/cc73bfe161a4407f8be161703b615320%EB%AF%B8%EC%8A%A4%ED%84%B0%EB%A6%AC%EC%88%98%EC%82%AC%EB%8B%A8_%EC%BA%90%EB%A6%AD%ED%84%B0.png" alt="cc73bfe161a4407f8be161703b615320" class="custom-image original-size" data-id="cc73bfe161a4407f8be161703b615320" data-width="960" data-height="1100"><h1 style="text-align: left">Your recent project, the 2025 LCK CUP opening title, is very impressive. What was the most challenging part of the concept planning process?</h1>This project was significant as it was for the popular LCK tournament, which has a dedicated fanbase. We put a lot of effort into incorporating the narratives and symbols of each team into the video, working closely with Riot Games Korea. I particularly remember the extensive R&amp;D we conducted to accurately portray the real players.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4d5ca52a452843fa9d0115681d506bf0LCK_Cup_SF_12.png" alt="4d5ca52a452843fa9d0115681d506bf0" class="custom-image large-size" data-id="4d5ca52a452843fa9d0115681d506bf0" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/9ed6a2f5a9234f20806293051d6c8386LCK_Cup_SF_03.png" alt="9ed6a2f5a9234f20806293051d6c8386" class="custom-image large-size" data-id="9ed6a2f5a9234f20806293051d6c8386" data-width="1920" data-height="1080"><h1 style="text-align: left">Why did you decide to use Marvelous Designer for this project? How did it help with the art direction?</h1>One of the key points of the video was the appearance of real players, so we needed to represent their uniforms accurately. Marvelous Designer was the best choice for this. We received the uniform designs close to the production deadline, and using Marvelous Designer allowed us to make quick adjustments. It not only streamlined our workflow but also enabled us to detail the uniforms, especially in close-up shots of players like Faker.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/5cc8524da8a54a339882d1a41576006dezgif-8a1682d5a6cf01.gif" alt="5cc8524da8a54a339882d1a41576006d" class="custom-image large-size" data-id="5cc8524da8a54a339882d1a41576006d" data-width="896" data-height="504"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/4896ec70bc6043e198c5355bcb605815MVD_View_02.png" alt="4896ec70bc6043e198c5355bcb605815" class="custom-image large-size" data-id="4896ec70bc6043e198c5355bcb605815" data-width="3840" data-height="2000"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/38b5d1d4a3564a399e435a1b1260f90fLCK_Cup_Process_Image_02.png" alt="38b5d1d4a3564a399e435a1b1260f90f" class="custom-image large-size" data-id="38b5d1d4a3564a399e435a1b1260f90f" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/7bf95b9b8e124fdcba4700f4b44e7fe2LCK_Cup_SF_14.png" alt="7bf95b9b8e124fdcba4700f4b44e7fe2" class="custom-image large-size" data-id="7bf95b9b8e124fdcba4700f4b44e7fe2" data-width="1920" data-height="1080"><h1 style="text-align: left">What was the most enjoyable part of the project for you?</h1>The most exciting part was placing the 3D-rendered characters of the players into the custom 3D environment and directing the scenes. Although I was concerned that it might look awkward, the effort put into achieving a lively presentation paid off, resulting in an engaging final product.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/7783d77afe5645289aff41c55fca21d0ezgif-8d4ecb390764a6.gif" alt="7783d77afe5645289aff41c55fca21d0" class="custom-image large-size" data-id="7783d77afe5645289aff41c55fca21d0" data-width="800" data-height="450"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/a2dcae3993ca42e68a5503ff81a27f71LCK_Cup_SF_13.png" alt="a2dcae3993ca42e68a5503ff81a27f71" class="custom-image large-size" data-id="a2dcae3993ca42e68a5503ff81a27f71" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/a263892c63f54b5dad22d8558a4b8bd0ezgif-86ad5db4492133.gif" alt="a263892c63f54b5dad22d8558a4b8bd0" class="custom-image large-size" data-id="a263892c63f54b5dad22d8558a4b8bd0" data-width="800" data-height="450"><h1 style="text-align: left">You must have developed many techniques for overcoming challenges in various projects. Could you share some tips for Marvelous Designer users?</h1>I don't have detailed knowledge of how clothes are made and how to align the patterns, but I use the CONNECT store in Marvelous Designer to reference and modify assets. This approach helps me create high-quality outfits and simulations even under tight deadlines. I always check CONNECT first before starting a project. If I encounter a difficult outfit, I download assets from CONNECT to see how the patterns are constructed and how they work in simulations. Even without knowing the principles of garment making, this method helps me achieve the desired level of detail.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/ab7b300306364e8493a7e94e55d56751LCK_Cup_SF_15.png" alt="ab7b300306364e8493a7e94e55d56751" class="custom-image large-size" data-id="ab7b300306364e8493a7e94e55d56751" data-width="1920" data-height="1080"><h1 style="text-align: left">Finally, do you have any advice for beginners in 3D art? Any career tips or mindset suggestions for creating artwork?</h1>Consistently learning new tools is crucial in 3D art. New features and tools are constantly emerging, and it's important to actively incorporate them into your work. Sticking to familiar tools can limit your expression, so in the fast-evolving field of 3D art, embracing change and integrating it into your artwork is essential.<img src="https://storagefiles.clo-set.com/public/community/202504/2aa0a767e6c0464c80b132d6a403f49a/images/e5bcc3d31ae044199d0d712038d626cb%EA%B0%9C%EC%9D%B8%EC%9E%91%EC%97%85_SF.png" alt="e5bcc3d31ae044199d0d712038d626cb" class="custom-image large-size" data-id="e5bcc3d31ae044199d0d712038d626cb" data-width="1080" data-height="1350">

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