<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/b16c7780fc0f416caddd4a95f5df96f9/images/bb50e44c127b49aba155ce3c18ac3f5fHeader_thumb%20%282%29.png" class="custom-image hidden-thumbnail" data-id="bb50e44c127b49aba155ce3c18ac3f5f" data-width="1240" data-height="652">"<a target="_blank" rel="noopener" class="ng-star-inserted" href="https://yoyogi-mori.booth.pm/">YOYOGI MORI</a>" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a creative collective dedicated to producing captivating virtual wear under the slogan "A brand you can rely on for the long term."</h2><h2 style="text-align: center">In this interview, we speak with a YOYOGI MORI designer responsible for 3D patterning, using Marvelous Designer and avatar setup. They discuss their dedication to the craft of fashion production and the philosophy behind the brand.</h2><hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xxdzw0Ajep4" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h2>Artist and Brand Introduction</h2>Q. First, could you please introduce yourself and "YOYOGI MORI"? What kind of activities do you do?A. "YOYOGI MORI" is a 3D avatar clothing brand operated by Tenju Co., Ltd. It is a circle activity that creates attractive virtual wear through collaborations with various creators. After graduating from Bunka Fashion College, I joined Tenju Co., Ltd. with whom I had a relationship while still a student.Currently, I am mainly in charge of 3D sewing using Marvelous Designer, avatar setup, and product production management. Personally, I also create real-world costumes and engage in musical activities.<hr><h2>Brand Theme and Aesthetics</h2>Q. YOYOGI MORI's works have a unique worldview and fashion sense. Please tell us about the themes and aesthetics the brand cherishes.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/7bbebb98256a40d389ee203c3d7531e1bca8c654-0a11-4b3b-93e1-bdce01ceb55f_base_resized.jpg" alt="7bbebb98256a40d389ee203c3d7531e1" class="custom-image original-size" data-id="7bbebb98256a40d389ee203c3d7531e1" data-width="1024" data-height="1024">A. Our goal is for YOYOGI MORI to be recognized by users as "a brand they can rely on for the long term." To achieve this, we go beyond simply selling 3D avatars; we provide an experience where value continues to rise after purchase through continuous updates and support. Furthermore, by expressing a consistent worldview across the entire brand rather than treating works as standalone items, we aim to be an entity where "owning a YOYOGI MORI product is in itself a status symbol and a proof of reliability."Our stated brand philosophy is "to cultivate a culture of cherishing 3D avatars." We view avatars not merely as data, but as extensions of one's own body. By setting appropriate prices and clear terms of use, we provide peace of mind to users while building a foundation where creators can work healthily. We will continue our activities with the ideal vision of a future where "grandparents can gift avatars to their grandchildren," while returning value to both users and creators.<hr><h2>Significance of Fashion in VRChat</h2>Q. What appeal or significance do you feel in creating fashion for VRChat?<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/ea17642397884b37a01b9a5bf75996591d75b322-cc49-4b43-a2fa-6c14b43ba129_base_resized.jpg" alt="ea17642397884b37a01b9a5bf7599659" class="custom-image original-size" data-id="ea17642397884b37a01b9a5bf7599659" data-width="1024" data-height="1024">A. As a clothing enthusiast, I love the feeling of engaging in cutting-edge creation within the apparel industry, which has such a long history. I see great potential in "virtual wear"—a form of clothing creation that is possible precisely because of the era we live in.<hr><h2>Production Flow with Marvelous Designer</h2>Q. How is Marvelous Designer utilized in your usual production workflow?A. [Pattern Making and Sewing] After creating and sewing the patterns, I use layer functions and strengthening to roughly approach the final shape. Since this design utilized many pleats, I used the Pleats function. Unsewn parts tend to float, so I used tacks to hold them down and make them look neat.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/aa48403fbe4743c0b129da757d7076af%E5%9E%8B%E7%B4%99.png" alt="aa48403fbe4743c0b129da757d7076af" class="custom-image original-size" data-id="aa48403fbe4743c0b129da757d7076af" data-width="1589" data-height="1000"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/eeb2d14656e54b3ca7a86668d5c955f7%E3%82%BF%E3%83%83%E3%82%AF.png" alt="eeb2d14656e54b3ca7a86668d5c955f7" class="custom-image original-size" data-id="eeb2d14656e54b3ca7a86668d5c955f7" data-width="1571" data-height="1001">Pattern making using the Pleats function and Tacks[Simulation and Wrinkle Creation] To create the desired wrinkles, I re-simulate while gradually changing settings and patterns, using partial freezing or pins during this process. If symmetrical wrinkles are acceptable, I find it convenient to detail one side, then use partial solidification (except near the seam allowance) to create a symmetric pattern.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/2fb780d5b34a470aa2b01feabc8166dc%E3%82%B7%E3%83%AF%E3%81%AE%E4%BD%9C%E3%82%8A%E3%81%93%E3%81%BF.png" alt="2fb780d5b34a470aa2b01feabc8166dc" class="custom-image original-size" data-id="2fb780d5b34a470aa2b01feabc8166dc" data-width="1385" data-height="672"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/baa3bde7c1a844a4b1dafceedc6005a4%E9%83%A8%E5%88%86%E5%9B%BA%E5%AE%9A.png" alt="baa3bde7c1a844a4b1dafceedc6005a4" class="custom-image original-size" data-id="baa3bde7c1a844a4b1dafceedc6005a4" data-width="742" data-height="741">Adjusting wrinkles using pins and partial freezing[Final Details] In 3D, how you create "cool wrinkles" changes the density of information and the final impression, so I put a lot of effort into parts that are likely to move. I think the best part of Marvelous Designer is the ability to create wrinkles that convey fine material texture. Since unwanted wrinkles can be removed later, I focus on building it up to a state where the wrinkles look cool as the finished form.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/20272871bca44a70833f13635e86023c%E5%AE%8C%E6%88%90.png" alt="20272871bca44a70833f13635e86023c" class="custom-image original-size" data-id="20272871bca44a70833f13635e86023c" data-width="1372" data-height="668"><img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/c8a04911e42e476b91dc98ee3d2d92bf%E3%83%87%E3%82%A3%E3%83%86%E3%83%BC%E3%83%AB.png" alt="c8a04911e42e476b91dc98ee3d2d92bf" class="custom-image original-size" data-id="c8a04911e42e476b91dc98ee3d2d92bf" data-width="1175" data-height="677">Wrinkle details on the finished outfit<hr><h2>Role and Benefits in Team Production</h2>Q. I understand YOYOGI MORI is a small team production. Are there any moments in the process where Marvelous Designer proves particularly useful?A. If we are talking about the benefits of a small team, it's that each person's area of expertise is easily utilized. I believe that having someone who loves clothes handle the clothing parts results in a better product than having a 3D modeler try to sculpt "clothing-like" wrinkles. A major advantage is being able to achieve differences in fabric texture and wrinkles resulting from patterns, which are difficult to express with the sculpting functions found in existing 3D tools. Also, conceptually speaking, since we can create models just like drafting actual clothing patterns, it allows us to imbue the finished product with a persuasive power as clothing, which is a wonderful point.<hr><h2>Production Challenges and Solutions</h2>Q. What difficulties did you face when using Marvelous Designer for VRChat clothing production, and how did you solve them?A. Regarding VRChat specifically, we are often forced to create costumes in a T-pose by convention. In that case, it is difficult to secure the height of the sleeve cap, making it hard to produce items like jackets and shirts where the shoulder silhouette is crucial. At YOYOGI MORI, we solve the aesthetic issues to some extent by using an A-pose as our standard.Also, comparing actual humans to avatar body types, avatars often have extremely distinct proportions. Creating patterns based on realistic senses often resulted in an awkward look. In such cases, I try to approach the intended shape by taking finer darts or using freezing and strengthening on specific parts only.<hr><h2>Future Outlook</h2>Q. Are there any themes or directions you would like to challenge in future productions using Marvelous Designer?A. I would like to tackle products that cannot be expressed in real-world apparel. Currently, we mostly make things that can actually be produced, so I want to pursue what is possible because it is virtual. I think it would be amazing to layer the reality that only Marvelous Designer can produce on top of that, creating items that cannot exist in reality yet possess a strong sense of presence.<img src="https://storagefiles.clo-set.com/public/community/202512/b16c7780fc0f416caddd4a95f5df96f9/images/06d07e07e8ac4a16b0a68d8b66fa82a79d0a579a-3597-4e56-ada0-70f21df2e1f9_base_resized.jpg" alt="06d07e07e8ac4a16b0a68d8b66fa82a7" class="custom-image original-size" data-id="06d07e07e8ac4a16b0a68d8b66fa82a7" data-width="1024" data-height="1024"><h2>Message to VRChat Avatar/Clothing Creators</h2>Q. Please give some advice or a message to VRChat creators who want to try using Marvelous Designer.A. Some might shy away because they have no experience with actual clothing construction. However, a T-shirt can be made with just three pattern pieces: front body, back body, and sleeve. Marvelous Designer's functions can be completed with just drafting and sewing, so I would like you to try it once and experience the realistic wrinkles. I think it's fun just to make one item and try changing the simulation fabric settings.<hr><h2>Credits</h2>Avatar &amp; Costume Images/Video: From YOYOGI MORI BOOTH Page "<a target="_blank" rel="noopener noreferrer nofollow" href="https://yoyogi-mori.booth.pm/items/6195966">[VRC / VRM Compatible 3D Model] Haysblanks ver1.03</a>"Marvelous Designer Avatar Costume Production Images: Tenju Co., Ltd.

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

MV2 Relaxed Overshirt

mia.luo9527

09.Flat-knitting singl/横編シングル

<img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/366fb9bc4626458f90c96f15be45e2a7Header_EN%20%282%29.png" class="custom-image hidden-thumbnail" data-id="366fb9bc4626458f90c96f15be45e2a7" data-width="1240" data-height="652"><img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/53157150cf9a411784e7784baa7c8025Header_EN%20%281%29.png" class="custom-image hidden-thumbnail" data-id="53157150cf9a411784e7784baa7c8025" data-width="1240" data-height="540">Meet <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.linkedin.com/in/vaibhavnegi/">Vaibhav Negi</a>, a CGI industry veteran with 10+ years of experience and a member of Marvelous Designer. In this spotlight, Vaibhav shares how he brought a photoreal character inspired by India’s traditional ritual, Bhoota Kola, to life. Discover how he utilized Marvelous Designer for over 80% of the asset—from complex layered garments to a brilliant workaround for creating intricate flower garlands and straw skirts using lightweight, production-ready workflows.<hr> <img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/743e4fbec1164392aa187b0bf63763443%20%281%29.jpg" alt="743e4fbec1164392aa187b0bf6376344" class="custom-image original-size" data-id="743e4fbec1164392aa187b0bf6376344" data-width="1500" data-height="2000"><h1>Software Used</h1>Blender – lighting, texturing, Rendering Marvelous Designer – Cloth Simulation &amp; Animation<h1>Artist Introduction</h1>Hey, I’m Vaibhav. I feel like an imposter here because I’m part of Marvelous Designer’s internal design team. That said, long before I joined the company, I was already a strong believer in the software.I have over 10 years of experience in CGI, with more than six years of that spent using Marvelous Designer as a core part of my workflow. My background is in CGI advertising and automotive visualization, while my personal passion lies in creating animated short films and video games.Throughout my career, Marvelous Designer has consistently been one of the tools that has had the biggest impact on both the quality and speed of my work.<h1>Please introduce your project.</h1>The project I’ll be talking about today is a character inspired by Bhoota Kola, one of India’s many traditional ritual practices. The ritual also served as the central theme of the critically acclaimed Indian film Kantara.My goal was to create a photoreal digital replica of the performer that could be optimized for both film and game production. More than 80% of the asset was created using Marvelous Designer. <img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/a7395529dafb48e0b29e2e52b281d55cArtboard%201.jpg" alt="a7395529dafb48e0b29e2e52b281d55c" class="custom-image original-size" data-id="a7395529dafb48e0b29e2e52b281d55c" data-width="1498" data-height="1466"><img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/ab88e7776b2c4c86884460108bf9c3c9Screenshot%202026-05-28%20090507.png" alt="ab88e7776b2c4c86884460108bf9c3c9" class="custom-image original-size" data-id="ab88e7776b2c4c86884460108bf9c3c9" data-width="2559" data-height="1439">The project also gave me an opportunity to explore complex layered garments and traditional ornaments, including flower garlands, ceremonial necklaces, and the iconic straw skirt. Beyond recreating the visual appearance, I wanted to capture the richness and authenticity of the costume while maintaining production-ready efficiency.<h1>Tell us how Marvelous Designer creates value in this project.</h1>Character creation is a highly complex process. Sculpting every element by hand requires significant time, technical skill, and a deep understanding of form design. Realistic garments add another layer of complexity, and once the assets are created, they still need to be retopologized and UV-mapped before they become practical for film or game production.For me, Marvelous Designer replaces much of the highly skilled craftsmanship involved in creating dimensional forms with the more structured and intuitive principles of garment design. That shift alone dramatically accelerates the process.<img src="https://storagefiles.clo-set.com/public/community/202606/72aaae299f0a41c6b102f152cadf78a1/images/dddd4953699b4e42a4a602bf6b942e9fArtboard%202.jpg" alt="dddd4953699b4e42a4a602bf6b942e9f" class="custom-image original-size" data-id="dddd4953699b4e42a4a602bf6b942e9f" data-width="1857" data-height="839">This project involved a large number of layered garments, and Marvelous Designer handled them exceptionally well. It remains the most natural and lifelike way I know of creating digital clothing.The integrated retopology and UV workflow saved a tremendous amount of time and allowed me to add levels of detail that would have been difficult to achieve otherwise.I also wanted to experiment with creating traditional flower garlands inside Marvelous Designer. The solution I arrived at was surprisingly simple but extremely effective. I created a tileable 3D pattern and used it as a button asset without enabling button simulation. This produced a visually rich garland that remained lightweight and efficient.The straw skirt followed a similar philosophy. While it appears highly detailed, it was built from a single simulated strand setup that was duplicated and arranged repeatedly. The result was a complex-looking asset created through a very efficient workflow.<h1>Are there any other unique projects you worked on using Marvelous Designer that you would like to showcase to our community?</h1><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/3IYeUIfTwEs?si=yk9M6jO1SaG4_sCg" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Over the last few years, I’ve created several animated short films that relied heavily on Marvelous Designer, and I’m particularly proud of two projects.The first,<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=3IYeUIfTwEs"> A House of My Own</a>, is a personal tribute to one of my former rented apartments, the first place that truly felt like home.The second is an adaptation of a story by one of my favorite writers, Ruskin Bond. Called <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=j14YXtGmwbw">In the dark</a>, The film was well received at several film events and earned multiple screenings, which was incredibly rewarding as an independent creator. <div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/j14YXtGmwbw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Both projects reinforced how valuable Marvelous Designer can be, not only for character work but also for storytelling.<h1>What is your favorite feature or tool to use in Marvelous Designer?</h1>The Retopology and UV Mapping tools are an easy choice for me.They make the transition from high-resolution assets to production-ready meshes incredibly intuitive. Being able to handle retopology and UVs directly within the same workflow saves time, reduces friction, and makes transferring detail from high-poly meshes much more efficient.<h1>For other users considering Marvelous Designer, do you have any advice or experience to share?</h1>Two tips completely changed the way I work:Think in layers. Approach your garments the same way you would approach a traditional painting. Focus on the large forms first, then gradually build detail. As sections are completed, freeze them and continue refining the next layer. This keeps simulations stable and the workflow manageable.Use cloth simulation, even if it’s subtle. If you’re creating animated films, adding even a simple cloth simulation can bring a surprising amount of life and realism to a character. As a bonus, natural cloth movement can often help mask small imperfections in animation.

Recreating the Richness of Traditional Indian Costume with Marvelous Designer

Female Avatar

Cord Lock

<h2 style="text-align: center">Jaegil Lim shares his character creating workflow, from garment making in Marvelous Designer and final lighting and rendering.</h2><img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/408dcf4a5a6948e6a7692b0d93f94bc161d7a56ed2bc43eda401517c53ff89ea.png" class="custom-image original-size" data-id="408dcf4a5a6948e6a7692b0d93f94bc1" data-width="1601" data-height="738"><h1 style="text-align: center">Interview with Jaegil Lim | Swan | Freelancer Character Artist</h1><hr><h1>The Process of Collecting References For Swan</h1>﻿This artwork is inspired by Jun, Swan which comes from the 3rd hero character from the animation called “GATCHAMAN”I chose to envision Swan wearing a casual outfit rather than reproducing the original hero costume from the animation.The overall concept style is an image of a Korean woman in her early-mid 20s. The style is also inspired by the current trends of Jean Jacket, juicy makeup and bob hair.<h1>A Workflow For Swan</h1>1) Face Modelling in ZbrushFirstly, the model’s face was made in ZBrush. The aim of the model was to reflect a woman during her early-mid 20s.I used a multi-channel face purchased from Texturing XYZ to work on the finer details of her face.2) Garment Making in Marvelous DesignerThe next step was to model the body.I used Marvelous Designer to create a well fitting garment for Swans’ body shape.I purchased a base denim jacket &amp; Skirt set on Marvelous Designer Store and imported the patterns into Marvelous Designer to edit.Some patterns were merged for convenience for further editing.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/e0182a0616c74cd4bb81ce435a435bd9%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175458.png" class="custom-image original-size" data-id="e0182a0616c74cd4bb81ce435a435bd9" data-width="1132" data-height="600">For the next step, I edited the pose in 3Ds Max and converted it to an Alembic file then imported it to Marvelous Designer to apply the changed pose.The picture below indicates that the costume was simulated in the pose shown.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/043eb0819c3f4e9e9442203f222915e28bf71628e31f42f5936b655f14b30289.png" class="custom-image original-size" data-id="043eb0819c3f4e9e9442203f222915e2" data-width="602" data-height="317">After remeshing the patterns, each of Pose Mesh and Pattern Mesh were converted to OBJ files then imported into 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/67dee29ffa19488492955c1fa9b948f4%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175603.png" class="custom-image original-size" data-id="67dee29ffa19488492955c1fa9b948f4" data-width="1317" data-height="692">Substance Painter was used for the texturing process to express finer texture and fading of the denim jacket.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8d0aea0e7f5e4ab5946fd8e28679a233%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175749.png" class="custom-image original-size" data-id="8d0aea0e7f5e4ab5946fd8e28679a233" data-width="1129" data-height="595">3) Hair ModellingOrnatrix was used in Hair modelling.Based on the Guide Mesh I made in Zbrush, I made Cardmesh in Ornatrix. I used the same method for her eyebrows as well.4) Final Lighting and RenderingPastel pink was chosen for the background to express a joyful and lively Swan.Marmoset Toolbag was used for final lighting and rendering.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/8925e77ffbdf44c3b65a7a1e8ab32224%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20175922.png" class="custom-image original-size" data-id="8925e77ffbdf44c3b65a7a1e8ab32224" data-width="1110" data-height="600"><h1>Experiences in Marvelous Designer and Marvelous Designer Store</h1>I absolutely enjoy using Marvelous Designer Store to save time on pattern making.It takes less time when I modify the purchased patterns to fit into the character than making patterns from scratch.The cloth simulation in Marvelous Designer also enables me to have intuitive and efficient workflow.Any changes made in the 2D window are directly reflected in the 3D window.Another advantage of Marvelous Designer is the compatibility with a variety of 3D software such as Maya, ZBrush, and 3Ds Max.<img src="https://storagefiles.clo-set.com/public/community/202501/4270453fe91e4daea857e08ede594e21/images/5231bff209634cceb2427fb0efca5a9d%EC%8A%A4%ED%81%AC%EB%A6%B0%EC%83%B7%202024-01-21%20180039.png" class="custom-image original-size" data-id="5231bff209634cceb2427fb0efca5a9d" data-width="1125" data-height="592">Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/channel/UCVoQTOFddiTlz4pI_MuW0hw">Youtube&nbsp;</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://softbeast.artstation.com/">Artstation</a>

Swan

<h1><img src="https://storagefiles.clo-set.com/public/community/202604/18b5b426d8be42da832d12cffec2dfa4/images/32b098532044470bbd0ac615a200c540CONNECT%20MetaHuman%20Thumbnail.png" class="custom-image hidden-thumbnail" data-id="32b098532044470bbd0ac615a200c540" data-width="1920" data-height="1920">Tailoring for MetaHumans Live Demo + Q&amp;A</h1>We all love the built-in CLO and Marvelous Designer avatars, but what if you’re looking for something a bit more customizable? That’s where our friends at Epic Games can help. We recently teamed up with the <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.metahuman.com/">MetaHuman </a>and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.unrealengine.com/">Unreal Engine</a> teams for a webinar exploring the full workflow—from creating a MetaHuman, importing it into CLO or Marvelous Designer, and bringing it all into Unreal Engine for use in your projects. Check out the full recording for a step-by-step demonstration of the process.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/s1aP1kFyvKk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Learn more about creating garments for MetaHumans</h1>Looking to learn more? We put together some resources to help you in your CLO to Unreal journey. Find out more about CLO, Marvelous Designer, MetaHuman, Unreal Engine, and the way they all work together!<h1>MetaHuman resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/documentation/unreal-engine/creating-parametric-clothing-for-fab">Creating Parametric Clothing for Fab </a>This step-by-step outline showcases the process of creating parametric (resizable) clothing assets for MetaHumans. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.fab.com/listings/98f7b49d-f5dc-45c4-b590-52dbb4f951c0"> MetaHuman Conform Topology</a>Download this free set of asset files to make custom characters you’ve sculpted fully compatible with the MetaHuman system. <h1>CLO and Marvelous Designer resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=VCKS0qEOJk0">CLO Quick Start</a>This step-by-step tutorial series will walk you through everything you need to kickstart your CLO journey.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=4Ubv8p8qTnE&amp;t=2291s">Pattern Drafter</a>This mini workshop demonstrates the steps to reverse-engineer a garment pattern using the Pattern Drafter.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=mSJLFcYUSTY&amp;t=734s">3D Pen</a>Learn about the updated 3D Pen that enables you to draw garment silhouettes around the avatar directly from the 3D space and instantly convert them into 2D patterns.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=QDaAGBd_Oc4&amp;t=164s">&nbsp;Style Line Tools</a>Watch this video to explore how to use the style line tools in CLO, also applicable to Marvelous Designer.&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/playlist?list=PLYQUdblF9eDXA3R44hr-wcr2lErnoU1_3">Marvelous Designer Quick Start</a>New to Marvelous Designer? This quick start guide will walk you through the basics of the software.<h1>Integrating CLO and Marvelous Designer with Unreal Engine</h1>Build out your garment design, simulation, and animation pipeline with these useful resources on combining the power of CLO and Marvelous Designer with Unreal Engine. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/articles/53322960594969-CLO-to-MetaHuman-USD-Garment-Integration-Workflow">CLO to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the entire workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://support.marvelousdesigner.com/hc/en-us/articles/52699135975705-Marvelous-Designer-to-MetaHuman-USD-Garment-Integration-Workflow">Marvelous Designer to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=t3GATippRqY">Marvelous Designer 2025.2: How to Import MetaHumans in DNA as Avatars</a>This short tutorial walks you through the process of importing a MetaHuman in DNA format to Marvelous Designer for use as an avatar. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/categories/44704952678809-LiveSync">CLO/MD LiveSync manual</a>Get set up with LiveSync—a bridge that connects CLO and Unreal Editor (CLO LiveSync), or Marvelous Designer and Unreal Editor (MD LiveSync), with the aim of shortening workflows between these tools and Unreal Engine.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=CoYfZP5GEJM">Matt Workman’s Unreal Engine x Marvelous Designer tutorial</a>Learn how to send an animated MetaHuman from Unreal Engine 5.6 to Marvelous Designer, create and simulate clothing, and send the simulated garments back to Unreal Engine using the CLO / Marvelous Designer LiveSync 2 plugin.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=3Cp2ngrgEHo">My Exact CLO3D to Unreal Engine 5.7 Workflow</a>Discover how to move your CLO assets into Unreal Engine in this beginners’ tutorial by aschno. She covers everything from installation and plugins to UI navigation, target lighting, MetaHuman import, and CLO LiveSync integration.<h1>Using your assets in Unreal Engine</h1>Once you’ve decked out your MetaHuman in their new clothes, you can use Unreal Engine’s Chaos Cloth system to bring realistic cloth movement that responds to character motion, gravity, and wind. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=IzmJnTnphBc">Chaos Cloth Demystified: A Practical Guide for Artists </a>In this session recorded at Unreal Fest Orlando 2025, we unlock the full potential of Chaos Cloth with an artist-friendly guide to creating a robust production-ready pipeline. <a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/community/profile/Gk/gozerKeymaster">Official documentation by Tim Brakensiek</a>Epic’s Tim Brakensiek has put together a number of tutorial videos that explore different Chaos Cloth workflows, from resizing outfits to fixing collision issues. Check them out. Artist Credit We’d like to extend a special thanks to the artists whose works we’ve shared in the webinar or in this resource list. Make sure to check out <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/aschno/">@aschno Anna Liedtke</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reve.riola/">Riola</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/blockschmidt/">Blockschmidt</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/orchidea3d/">Vesna Stawa | Orchidea3D</a>, and<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/cinematographydb/"> Matt Workman</a>.

Tailoring for MetaHumans: CLO and Marvelous Designer to Unreal Engine Live Demo

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/413389959a654ef78910f0e4a1a760f5/images/2bcd007d3c004171a9721aeb171dca03Header_thumb%20%287%29.png" class="custom-image hidden-thumbnail" data-id="2bcd007d3c004171a9721aeb171dca03" data-width="1240" data-height="652">Travis Davids, a famous content creator, introduces how he came up with making countless outfits with Marvelous Designer!</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/90c80d244736416391b3f81a2330145fff679c2334f64fc98cb57ebb23eef016.jpg" class="custom-image original-size" data-id="90c80d244736416391b3f81a2330145f" data-width="1079" data-height="959"><h1 style="text-align: center">Interview with Travis Davids | David's Suit | 3D Generalist</h1><hr><h1>1. Artist Introduction&nbsp;</h1>Hello, my name is Travis Davids, I'm from Johannesburg, South Africa and I'm a freelance digital artist and content creator.I primarily focus on creating 3D related content in the form of tutorials or resources for digital artists.My content is available on multiple websites like Youtube, Gumroad and Artstation.&nbsp;&nbsp;I’m a 3D generalist who loves experimenting with multiple workflows.I’ve been doing 3D full time since 2015 but my journey started in 2007 when i created mod items for a video game called The Sims.It sparked my interest to explore an expanding universe of endless possibilities.&nbsp;3D gave me a platform to bring my ideas and emotions to life.It’s something I'm very passionate about and I thoroughly enjoy the endless journey of self improvement. Love what you do and do what you love!&nbsp; <h1>2. What is Marvelous Designer's strong point?&nbsp;&nbsp;</h1>About 4 years ago I was looking for a really good solution for creating clothing.Time constraints and having to manually sculpt clothing just wasn’t a viable option for me.&nbsp;My only option at the time was sculpting clothing from scratch in ZBrush.Sculpting every single fold and crease was driving me insane. I have so much respect for artists that can sculpt clothing.&nbsp;I searched online and found a solution to my problem in the form of cloth simulation and that program was Marvelous Designer.It not only allowed me to work faster but the results it generated blew my mind the first time I used it.The ability to draft a pattern in a 3D program and see it drape on a digital human to generate realistic looking clothing with folds and creases was revolutionary!At the time, finding learning material online was extremely rare so I had to resort to watching YouTube&nbsp;videos of real fashion designers sewing clothing in order to understand how garments are created.I still follow this same approach to this day to understand how to draft 2D patterns and sew garments, it has helped me so much.I feel like the amount of learning material provided for Marvelous Designer today is growing steadily and I made it my duty a couple years ago to record tutorials for Marvelous Designer and put them on YouTube&nbsp;to show everyone how Marvelous Designer could save them so much time to create garments.I still upload Marvelous Designer tutorials on my channel and I have so much content in development.Marvelous Designer has become my go to solution for doing anything cloth related. I’ve used it to create a countless number of outfits.It’s perfect for fashion design but I’ve&nbsp;also used it for environmental props like curtains, bedsheets and pillows.&nbsp;Marvelous Designers strong point is speed, customization of garments, accuracy of folds/creases and the ability to iterate and change aspects of a garment with ease, it’s a completely non destructive process and it has become the industry standard.&nbsp;<h1>3. Artworks created with Marvelous Designer&nbsp;</h1>David’s Suit&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/368ad7da1ed743f489c6b3b7819a9945b6e7fee56bd6487d8b105fd8e12e2808.jpg" class="custom-image original-size" data-id="368ad7da1ed743f489c6b3b7819a9945" data-width="930" data-height="959">I also reimagined an iconic statue, Michael Angelo’s David and his entire outfit was created with Marvelous Designer.&nbsp;Cyberpunk Bomber Jacket<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/95f05641169540218782d0ba31469bdd8894fdb375fb4b3b9471c5247f887ae4.jpg" class="custom-image original-size" data-id="95f05641169540218782d0ba31469bdd" data-width="1600" data-height="1499">I created this Cyberpunk Bomber Jacket as an entire course showing you my entire 3D Fashion Design workflow.You’ll get to see exactly how I build garments like this with Marvelous Designer, ZBrush and Substance Painter on my channel.I showcase so many useful tools in Marvelous Designer to create the garment.&nbsp;Cyberpunk Leather Jacket<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/e20e157b964846158059712fc016a50cee5096d0768543bd93f4d02670d57f11.jpg" class="custom-image medium-size" data-id="e20e157b964846158059712fc016a50c" data-width="512" data-height="454">This was another Cyberpunk inspired outfit that I created.I used Marvelous Designer to generate a really good base for me to further detail in ZBrush.I added detailing to the garment using tileable patterns that I created to generate variations of the design.&nbsp;Rolled Up Fabric<img src="https://storagefiles.clo-set.com/public/community/202501/413389959a654ef78910f0e4a1a760f5/images/1996d3ffa60a4b57be36cad676e32bad1e6dc36fe32f46f59f20cb643d6109d4.jpg" class="custom-image original-size" data-id="1996d3ffa60a4b57be36cad676e32bad" data-width="1600" data-height="1533">Simulating fabric that has been rolled up was very easy to create with Marvelous Designer,and it helped me achieve the final look for this artwork titled “You Give Me That Feeling”.&nbsp;by Travis DavidsLink to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/c/TravisDavids/videos">Youtube</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mrdavids">Artstation&nbsp;</a>Link to<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.facebook.com/travis.davids/"> Facebook</a>Link to <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/mrdavids2/">Instagram&nbsp;</a>

David's Suit

This outfit was created by <a href="https://connect.clo-set.com/portfolio/804888/collection/collections" target="_blank">[pouya az]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/2f6d33b653594a72a07592580d513ef8" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Catline Circuit

Garment

Gender & Age

Women

Style

Outfits

Jumper / Jacket

Pants

T-shirt

Genre & Mood

Daily Casual

Streetwear

F Peplum Tube Top Skirt Set

F Camo Bomber Denim Set

F Police Uniform

M Korean Military Uniform

NYX ( DOWON STYLE )

Helena ★ Pisces

Valerie ★ Geminis

OffShoulder Dolfin Shorts Set

toplex

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/1f7f0a3eddcf49d0bf364a01d959c66e/images/36e6ab6a2bbc4720bc4f98b07c2a3e78Header_thumb%20%2812%29.png" class="custom-image hidden-thumbnail" data-id="36e6ab6a2bbc4720bc4f98b07c2a3e78" data-width="1240" data-height="652">Artist Mendy BM reimagines Tuxingsun from Investiture of the Gods with Marvelous Designer, bringing every stitch and detail of the costume to life.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/94e2c64fffd44e43bae3e53e056e16e2Tx_mendy-bm-skin-color.jpg" class="custom-image original-size" data-id="94e2c64fffd44e43bae3e53e056e16e2" data-width="2048" data-height="2040"><h1 style="text-align: center">Interview with Mendy BM | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/V28Jk8">Tuxingsun</a>﻿ | Game Character Artist</h1><hr><h1>Could you please introduce yourself to the Marvelous Designer community members?</h1>Hi everyone! I'm Mendy BM, game character artist from Brasil, based in Spain. I started my professional career creating modular digital humans for medical learning, and since 2022, I've been working in the game industry, creating fantasy characters and creatures for games.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/c150fb25bbe144929c0d906351c131fe1_mendy-bm-Dark-Elf.jpg" class="custom-image original-size" data-id="c150fb25bbe144929c0d906351c131fe" data-width="1730" data-height="1730"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/e3413a1a2205468aa386c517f4e6fad01_mendy-bm-mendybm-ecorche.jpg" class="custom-image original-size" data-id="e3413a1a2205468aa386c517f4e6fad0" data-width="1280" data-height="1707"><h1>Please tell us about the project. What inspired you to choose Tuxingsun from the Chinese literature Investiture of the Gods as your project?</h1>Since the beginning of my career, I've been following <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/tianhuaxu">Xu Tianhua</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/yangqi917">Yang Qi</a>. Their work is a great inspiration for me. "Tuxingsun" concept made by Xu Tianhua, always caught my attention with his little body and unique face features. At the research stage, to know more about the backstory of the character, I found John Zhu's Chinese Lore Podcast, where he retells classic Chinese literature in English, and I fell in love with it. China has a millenary culture, which has many of the biggest inventions in the humankind history, and I'm very interested to know more, especially about their art.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/2d3da966582b434784dd157086d20d2f1_mendy-bm-Tuxingsun.jpg" class="custom-image original-size" data-id="2d3da966582b434784dd157086d20d2f" data-width="2048" data-height="2048"><h1>How did Marvelous Designer assist you in realizing the vision for Tuxingsun's costume? Did you use any specific features or techniques that helped bring authenticity to the fabric and clothing design?</h1>I started the Tuxingsun project to familiarize myself with Marvelous Designer and I found incredible the possibility to work with sewing patterns, like is done in real-life cloth industry. Also, being able to work on the 2D pattern window and see the changes in real time, at the 3D window, is something extremely handy and powerful for recreating cloth designs. Additionally, there are a great number of fabric presets available, experimenting with it is so important to bring authenticity to the fabric, as well as finding the right pattern for it.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/152355aa363e4e66b69ef467e385827cTx_mendy-bm-camisa2.jpg" class="custom-image original-size" data-id="152355aa363e4e66b69ef467e385827c" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa8be76704134d2b83b764b1fa19a134Tx_mendy-bm-pano1.jpg" class="custom-image original-size" data-id="aa8be76704134d2b83b764b1fa19a134" data-width="1920" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/8014037f03ee4f9db2e546bbb932a485Tx_mendy-bm-front.jpg" class="custom-image original-size" data-id="8014037f03ee4f9db2e546bbb932a485" data-width="1920" data-height="1920"><h1>Can you give us a quick overview of the different tools used in your pipeline?</h1>When I start a project, I spend a good amount of time finding good references, then, I use PureRef to make the reference board, selecting just a few images on each topic.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/aa7777cfe41e41869d56b0a7041ec0a84_PureRef_Tuxingsun.jpg" class="custom-image original-size" data-id="aa7777cfe41e41869d56b0a7041ec0a8" data-width="1478" data-height="942">After that, I go to Zbrush, to sculpt the character's and prop's basic shapes, with all my attention on proportions and silhouette. On personal projects, at this stage, I make pauses every now and then, to rest the eyes and be able to see clearer the results I'm getting, furthermore I often use Krita to make "correction" drawings on screenshots of Zbrush.Once I got a result I'm happy with, I moved forward to create the garments at Marvelous Design, taking advantage of its incredible cloth simulation power. After that I returned to Zbrush, and created the high poly version of everything, refined some folds and added all the details.Following, I used 3D Max to create the low poly version of the character and then imported it on RizomUV to work on the UVs. Finally, on Adobe Substance Painter, imported the lowpoly, and did the bakes and textures for the whole character.For rendering and final testing, I tend to use Marmoset Toolbag and Unreal 5.<h1>What challenges did you face during the creation process, and how did you overcome them?</h1>For me it was the number of layers, making the garment without the pieces intersecting with each other was complicated and the "freeze" tool was very important to overcome this challenge. I had to freeze and unfreeze the cloth elements many times, going back and forward, activating the simulation to create the folds that I wanted, and simultaneously, trying to maintain the elements hierarchy.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/d2786d02057c4077b7888f4f1663f2d55_Tuxingsun_steps.jpg" class="custom-image original-size" data-id="d2786d02057c4077b7888f4f1663f2d5" data-width="1478" data-height="942"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/21c4cbc7118945b1919b48da2a28a50f5_marvelous_capture2.jpg" class="custom-image original-size" data-id="21c4cbc7118945b1919b48da2a28a50f" data-width="1920" data-height="960"><img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/fdd29bc8a6c1444983e819de713f3f625_marvelous_capture1.JPG" class="custom-image original-size" data-id="fdd29bc8a6c1444983e819de713f3f62" data-width="1920" data-height="960">Also, when I created the patterns, the cloth was small on Tuxingsun's body. Because of that, I had to "add more fabric" and this broke the hierarchy. So to avoid this, when I started over, I used a high particle distance to get the shapes, then I changed to a lower value and used many pins to simulate it and create the desired folds again.In summary, to maintain the hierarchy, the freeze and unfreeze features, in conjunction with the pins, were my best friends in this project. This was the most time-consuming part of the work.<h1>Are there any tips and tricks with Marvelous Designer that you can share with the community?</h1>The first tip: take your time to find patterns, this will save you a lot of time. Even though it's difficult and frustrating to find patterns on the internet, humans have started to create garments since ancient times; take the time to find them. Second tip: don't forget to use symmetry.<img src="https://storagefiles.clo-set.com/public/community/202412/1f7f0a3eddcf49d0bf364a01d959c66e/images/35f034d2d9f14fbbb097bc6ee02364be6_Tuxingsun%20process_translucent.jpg" class="custom-image original-size" data-id="35f034d2d9f14fbbb097bc6ee02364be" data-width="1920" data-height="960">Third: when you have as many pins as I had, the translucent mode is very useful. In addition, more a feature than a trick, use the soft body simulation, it's an incredible feature that considers the elastic aspect of the skin.<h1>How can you describe your overall experience of the use of the Marvelous Designer?</h1>It's amazing, the software is very intuitive, and the interface is truly user-friendly. Nowadays it is the best software option to create 3D garments in the industry.<h1>by&nbsp;Mendy BM <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/mendybm">Artstation</a></h1>

Tuxingsun - A Fusion of Inspiration and Chinese Lore

The Gentleman Fatal

<img src="https://storagefiles.clo-set.com/public/community/202601/3622089d22f94efea4b3e2a3d5199d0c/images/d5371c98e618409688dec36d791c4554Screenshot%202026-01-09%20at%2010.05.45.png" class="custom-image hidden-thumbnail" data-id="d5371c98e618409688dec36d791c4554" data-width="774" data-height="778">Your Mission • Build and grow a team of computational design experts, ensuring close collaboration with designers and cross-functional partners to deliver outstanding work - from early explorations and conceptual design all the way to production-ready 3D datasets. • Be an integral part of the design studio, continuously pushing the visual and technical boundaries of On’s products. • Inspire, coach, and upskill individuals and teams to develop the future-fit design capabilities needed to thrive in an ever-evolving digital landscape. • Use computational design skills to create pioneering product concepts that set new standards for performance and innovation - while pushing the future of digital manufacturing and automation in the industry. • Inspire and embed computational design capabilities across all product functions, driving creativity, efficiency, and innovation. • Stay up to date with the latest advancements in computational design tools and digital fabrication technologies to enhance the footwear design process. • Implement parametric and algorithmic design principles to build adaptable design systems, enabling customizable and easily adjustable solutions. Your Story • 7-10 years of experience in high-level design environments, with a strong portfolio of computational design and performance product solutions. • Proven experience leading teams and large-scale projects in agile environments. • Deep expertise in computational design as well as 2D and 3D tools - from early explorations to production-ready 3D datasets. • Good understanding of traditional manufacturing processes in high-performance footwear (a plus). • An innovative mindset with a strong drive to push the boundaries of footwear design. • Ability to work independently under deadlines on multiple projects simultaneously, combining creative thinking with engineering problem-solving skills. • Must be able to thrive in a fast-paced environment.<a target="_blank" rel="noopener noreferrer nofollow" href="https://culture.on.com/jobs/7120658/">https://culture.on.com/jobs/7120658/</a>

[Job] On - Senior Lead: Computational Designer(Zurich, Switzerland)

[EN] YOYOGI MORI: Designing Avatars and Fashion for Virtual Reality

Marvelous Designer Official

Marvelous Designer Official