<img src="https://storagefiles.clo-set.com/public/community/202601/b9471a7acc77478a863fd114756d5c19/images/ecfcbeac6a114346ab914c3cf558e1adIndie%20License%20Social%20Media%20Image.png" class="custom-image hidden-thumbnail" data-id="ecfcbeac6a114346ab914c3cf558e1ad" data-width="1080" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202601/b9471a7acc77478a863fd114756d5c19/images/5c87423ff86843a8b0118e9b951c3707Indie%20License%20Image%20wide.png" alt="5c87423ff86843a8b0118e9b951c3707" class="custom-image original-size" data-id="5c87423ff86843a8b0118e9b951c3707" data-width="1600" data-height="840">インディー（独立系）開発者は、ゲーム業界に多大なる影響を与えてきました。際立ったビジュアルスタイルから革新的なゲームプレイに至るまで、近年の最も賞賛される作品の多くは、インディー スタジオによって生み出されています。 私たちは、こうした成功の裏にいるアーティストやチームを下支えできることを光栄に思うとともに、成長を続けるインディー コミュニティにとって、私たちのツールをより身近なものにすることに尽力しています。そのような背景から、この度「Marvelous Designer インディー ライセンス」の提供を開始いたしました。インディー ライセンスでは、専任のテクニカルサポート、マルチシートのライセンス管理など、企業向けプランと同様の機能を、大幅に抑えた価格でご利用いただけます。 価格の詳細については、ぜひ<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/ja/pricing?type=enterprise">当社ウェブサイト</a>よりご確認ください。 本ライセンスをご利用いただくには、スタジオが以下の条件を満たしている必要があります。<ul><li>従業員数が最低2名以上であること</li><li>年間収益が50万米ドル（USD）未満であること</li><li>所在国において法的に登記された企業であること</li></ul> Marvelous Designerは衣装作成のプロセスを効率化し、従来のスカルプト手法と比較して時間を大幅に短縮します。 また、Marvelous Designerはリアリスティック表現のためのパイプラインにおける業界標準ツールである一方、スタイライズされたビジュアル表現においても強力なツールであり、幅広いインディー プロジェクトに最適です。もし、年間契約がプロジェクトに合わない場合は、「<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/ja/pricing?type=enterprise">月額の企業ライセンス</a>」もご用意しています。このオプションでは、プロ仕様のツールとサポートはそのままに、制作ニーズの変化に合わせてアクセスの有効・無効を柔軟に切り替えることが可能です。ビジュアル品質の向上、キャラクター制作パイプラインの高速化、あるいは業界実績のあるツールの導入をお考えであれば、インディー スタジオのために設計された「Marvelous Designer インディー ライセンス」をぜひご検討ください。 当プランの詳細およびお申し込みについては、以下のページをご覧ください。<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/ja/pricing?type=enterprise">https://www.marvelousdesigner.com/ja/pricing?type=enterprise</a><h3></h3>

Marvelous Designerにインディー ライセンスが登場

13086563585

Tweed Fabric

BLOCK BASIC

Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

ACCESSORIES

Hi,I've been experimenting with the Auto-Fitting / Re-Drape option of Marvelous Designer on my custom avatar. I'm trying to re-drape garments from the store and the garments are fitted backwards. My custom avatar has a fitting suit and the garment I'm importing also has one<img src="https://storagefiles.clo-set.com/public/community/202509/5995395acd694cfdb3ffabf003475e79/images/02fbe63eea4141d2899f6475104b4a5dfitting_suit.png" alt="02fbe63eea4141d2899f6475104b4a5d" class="custom-image original-size" data-id="02fbe63eea4141d2899f6475104b4a5d" data-width="761" data-height="1251"><img src="https://storagefiles.clo-set.com/public/community/202509/5995395acd694cfdb3ffabf003475e79/images/5a353316ea1c4468a4c8112c932a2357image.png" alt="5a353316ea1c4468a4c8112c932a2357" class="custom-image original-size" data-id="5a353316ea1c4468a4c8112c932a2357" data-width="852" data-height="1159">When I select the garment and click "Re-drape 3D Arrangement", it is fitted backwards :<img src="https://storagefiles.clo-set.com/public/community/202509/5995395acd694cfdb3ffabf003475e79/images/fad1561cd8fa4a249377199c72623024image.png" alt="fad1561cd8fa4a249377199c72623024" class="custom-image original-size" data-id="fad1561cd8fa4a249377199c72623024" data-width="842" data-height="1041"><img src="https://storagefiles.clo-set.com/public/community/202509/5995395acd694cfdb3ffabf003475e79/images/72cfbddf05334faaac3d193520fc415eimage.png" alt="72cfbddf05334faaac3d193520fc415e" class="custom-image original-size" data-id="72cfbddf05334faaac3d193520fc415e" data-width="787" data-height="1159">Has anyone an idea why this happens ?Thanks a lot for your help !

Auto Fitting tool fitting garments backwards

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f252645328cc4bc592df1553808e8507WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.webp" class="custom-image hidden-thumbnail" data-id="f252645328cc4bc592df1553808e8507" data-width="1200" data-height="1600">In this User Spotlight, we are thrilled to introduce Elli: 2nd place award winner in <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/contest/mdcc2025vol3">Marvelous Designer Creator's Contest 2025 Vol.3 "FANTASY ARCHIVES".</a></h2><h2 style="text-align: center">ELLi discusses the story of her creation, and methods on how she created her entry for FANTASY ARCHIVES: the usage of Marvelous Designer to bring a rebellious Victorian queen to life.</h2><img src="https://storagefiles.clo-set.com/public/marketplace/202509/878bf8922dce480e8086207c9c367452/1/thumbnail/WhatsApp%20Image%202025-09-21%20at%209.18.58%20AM.jpeg?w=2560" alt="Award Thumbnail" class="custom-image original-size"><a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/878bf8922dce480e8086207c9c367452">Regal Rebel</a><hr>1. Artist Introduction: please tell us about yourself.My name is Ella-Liencha and I live in South Africa. For years I searched for a way to express my creativity. I tried painting, drawing, and writing, but I always felt a pull toward something more - something that would allow my ideas to feel alive. In February 2025, at the age of 31, I discovered Marvelous Designer for the very first time. I had no background in 3D art or digital garment creation, yet the moment I opened the software, I was hooked!My curiosity carried me through every step of the learning process. I was fascinated by how fabric could be shaped to appear structured or fluid, how folds and silhouettes could guide the viewer’s eye, and how each design could evoke an emotion or story. With every experiment, I fell deeper in love with the possibilities.Participating in the Fantasy Archives competition was both an honor and a challenge. I felt I had everything to gain by simply trying. As a lifelong daydreamer, this theme felt like home, an invitation to bring my imagined worlds to life. Since I work a full-time job, most of this came together at night - hours of quiet crafting, stitching digital fabric together while my real world slept. It felt like threading my vision into the garment piece by piece: undoing, redoing, learning, and embracing the unpredictability of the process.Through trial and error, I allowed myself to enjoy the process fully, to follow inspiration rather than control it. That freedom ultimately led me to the piece that placed, and I’m incredibly humbled and grateful for the recognition.<hr>2. We’d like to hear more about the art direction in your Creator’s contest 2025 Vol.3. What was the visual style you were aiming for?To be honest, my initial concept looked nothing like what “Regal Rebel” ultimately became. But the heart of the idea never changed: I wanted to create a queen-like figure who refuses to conform - someone powerful, elegant, and unapologetically rebellious.My visual direction became a blend of Victorian influence and high fantasy - a meeting point between structure and softness, order and defiance. I experimented with how colors, fabrics, and textures could speak to one another: the richness of royalty intertwined with the unpredictability of rebellion.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/c303deda450e439a836af4f18f0721d7Untitled%20design%202.png" alt="c303deda450e439a836af4f18f0721d7" class="custom-image original-size" data-id="c303deda450e439a836af4f18f0721d7" data-width="3600" data-height="2025">Creating “Regal Rebel” felt very much like creating art itself. It was about pushing against boundaries, letting intuition lead, embracing mistakes, and trusting the process until the character revealed her true form.Several symbolic choices shaped the final design.The external crinoline cage:Traditionally hidden beneath skirts, here it becomes visible and symbolic. It reflects the “cage” of the Victorian era, its expectations and constraints. By placing it on the outside, her rebellion becomes unmistakable.The shorts instead of a long Victorian skirt:Few things scream rebellion more loudly than wearing shorts in a period defined by restrictive dress! The ruffles and lace preserve the era’s dramatic volume without losing the bold statement.Overall, the visual style aimed to capture a fantasy queen who embodies both grace and rebellion - someone who challenges tradition while still honoring the beauty of where she comes from.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/3d956cfa5d5f4e869d701567b2edab3dUntitled%20design%20%281%29%203.png" alt="3d956cfa5d5f4e869d701567b2edab3d" class="custom-image original-size" data-id="3d956cfa5d5f4e869d701567b2edab3d" data-width="2880" data-height="1620"><hr>3. Would you be able to give us a quick overview of the different tools you use in your pipeline with a focus on Marvelous Designer? Have you encountered any challenges and how have you overcome them?Oh wow! I have so much still to learn, and that honestly excites me more than anything. For Regal Rebel, my pipeline was simple but incredibly personal.Marvelous Designer became my sketchbook, my mood board, and sometimes even my chaos playground. I drafted patterns, stitched them together, tore them apart again, reshaped them, and kept refining until the character started revealing who she wanted to be. It was a very intuitive process, less linear, more like sculpting with fabric and movement.One of the biggest challenges was the armor elements. I wanted them to feel structured but not rigid, elegant but protective. Getting them to behave correctly in simulation meant playing and tweaking.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/f3fa4f7bf82a49fda904d744d8b10f502D-3D%20Marvelous%20Designer%203.JPG" alt="f3fa4f7bf82a49fda904d744d8b10f50" class="custom-image original-size" data-id="f3fa4f7bf82a49fda904d744d8b10f50" data-width="1917" data-height="1005">I also made heavy use of pressure simulation for the ruffled blouse and subtle gathers. Small changes in pressure and layering brought the softness and movement that helped balance the harsher armor.The external crinoline cage was another adventure. Normally it would hide under a dress, but here I wanted it to stand proudly. Marvelous Designer’s curve tools and thickness settings let me shape it like a structural frame - symbolic, expressive, and unapologetically visible. Once the garments felt alive in Marvelous, I moved into Blender for the atmospheric side of the story.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/358ee9bf08ab4d28bcc0f032873090982D%203.JPG" alt="358ee9bf08ab4d28bcc0f03287309098" class="custom-image original-size" data-id="358ee9bf08ab4d28bcc0f03287309098" data-width="1902" data-height="1028">Creating the boot cuffs and lacing was surprisingly one of the most time-consuming steps. I rebuilt those pieces several times in Marvelous until the tension and direction of the straps felt believable. But once they finally worked, they grounded the entire silhouette.<img src="https://storagefiles.clo-set.com/public/community/202512/5f1d01f0486d47c6a3e697123df9c2a1/images/40799857c8784b2c8582183b588e393a2D%20Close-Up%203.JPG" alt="40799857c8784b2c8582183b588e393a" class="custom-image original-size" data-id="40799857c8784b2c8582183b588e393a" data-width="779" data-height="996">In the end, Marvelous Designer gave me the structure and movement, and Blender let me wrap everything in emotion. Both tools together helped me bring Regal Rebel to life - a queen who stands in elegance, defiance, and power.<hr>4. Are there any tips and tricks with Marvelous Designer that you can share with the community?If there’s one thing Marvelous Designer has taught me, it’s this: play. Be curious, be bold, be messy, be experimental. Don’t worry about always being “right” - worry about being alive in your creativity.I came into the 3D world with no background at all, and I realized very quickly that Marvelous Designer rewards those who explore. Every time I pushed a button I didn’t fully understand, every time a simulation exploded into chaos, every time I stitched the wrong line and everything collapsed, I learned something new. You are never too old, too new, or too inexperienced to follow your passion. But above all else: enjoy the process. Marvelous Designer is both a tool and a playground. Approach it with curiosity, and it will reward you with unexpected beauty.If you’re stepping into 3D for the first time - welcome. It’s never too late, and your voice, your vision, and your story absolutely belong here. I am in awe every time I see the creators on Connect - their visions, their stories, the worlds they bring to life. They inspire me constantly. Being part of this community feels like my heart could burst; it’s one of my greatest motivators and one of the biggest joys of this journey.<hr>

 ELLi: Shaping a Daydream to a Digital Fantasy -  MDCC Vol3 2nd Place Award Winner

Contest

Knit

Collection A

Hello everyone, I've been using Clo for my personal projects to turn virtual patterns into real ones.However, I was noticing that often the fabrics on Clo3d tend to be stretched when using seams. I will explain better: in real life if you try to seam a non-stretch fabric if it fits the body it just will, if not you will feel it too tight on you.What Clo3D does on the 3D interface is stretching the pattern on the avatar to make it fit the avatar even when it would not fit... in that case I wont be sure if my pattern works for real or the simulation is stretching it like it was a stretch fabric to fit the avatar...Also I was drawing a very wide collar for a long dress and I noticed how the ''weight'' of the fabric was dragging the collar down to the shoulders making it even more wide than the pattern. In that case the 3D simulation doesnt seem very reliable if the simulation fabric acts like a stretch one.How can I overcome this? What do you suggest?Thank you very much!

Pattern stretching on simulation

⚠️ Please Read Before Purchase✅ This avatar is PC-only (Quest unsupported)✅ Results may change if you change to a different shader.━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━🎨 About[Lucy] is a VRChat-exclusive 3D avatar created by CONNECT Studio.This package includes both the avatar and outfit. It comes as a fully set-up Prefab, so you can use it in VRChat right away after a simple build in Unity.✅ Avatar 3.0 compatible ✅ PhysBone support (hair/tail/some outfit parts) ✅ LipSync support✅ Full-body Tracking compatible (standard VRChat Humanoid) ※ Results may vary depending on individual setup. ✅ 6 expressions (basic emotions) + MMD blendshapes included ✅ PC only / Quest unsupported❌ Platforms other than VRChat are not supported.━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📊 Model SpecificationsPolygons: - Avatar: △19,494- Outfit (includes hair/tail/ears/shoes): △57,687- Total: △77,181Blendshapes: - Face: 138 shapes (includes MMD blendshapes) - Body: 32 shapes (for preventing the outfit clipping issue)Performance Rank: Very Poor ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📦 Included Files✅ FBX, Unitypackage, Textures (PNG), ReadMe.txt ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━⚙️ Requirements✅ Unity 2022.3.22f1✅ VRChat SDK 3.9.0 or higher (Latest version via VCC recommended)✅ VRChat Creator Companion (VCC)✅ lilToon Shader✅ Modular Avatar━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📖 Installation &amp; Usage Guide🔗 Full Guide: - [KR] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide</a>- [EN] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide</a>- [JP] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide</a>⚠️ If you're new to Unity/VCC, please read the guide before installation!

[Lucy] Dark Mystic Outfit

Character

Lucy

Item Type

Character Style

Anime

Clothing Style

Uniform

Fantasy

Platform

[Lucy] Shoes-AnkleBoots

[Lucy] Hair-LongStraight-01

【無料】夜空セット② きらきら星ピン / Twinkle Star Hairpin / Quest対

[Lucy]Devil Heart Street Set

[Lucy] Lovely Dolly Outfit

[Lucy] Hair-LongStraight-02

[Lucy] Dark Sailor Uniform

ハイパーノヴァ・ストリート・セット / 『ルーシー』 - Lucy

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/bad56517d19047e491facd34407b5cd0Eduardo_square.png" class="custom-image hidden-thumbnail" data-id="bad56517d19047e491facd34407b5cd0" data-width="1654" data-height="1654">For Eduardo, fabric is never just fabric; it is the living protagonist of his art. This 3D artist skillfully employs Marvelous Designer to bridge digital textiles with his powerful 2D illustrations. Delve into "Death is a Beginning"—his striking reinterpretation of La Lotería's iconic card La Muerte (‘Death’), where the ethereal drape is precisely crafted to guide the viewer's eye through a profound narrative of rebirth.</h2><hr><h1 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/7adf6a1674204bcf96463df9d583cccdeduardo-gala-artstation-01.jpg" alt="7adf6a1674204bcf96463df9d583cccd" class="custom-image original-size" data-id="7adf6a1674204bcf96463df9d583cccd" data-width="651" data-height="1000">Interview with <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/eddgala">Eduardo Gala </a>| <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/NqVNBJ">Death is a Beginning</a> | 3D Artist &amp; Illustrator</h1><hr><h1>Could you start by introducing yourself and the core idea behind this artwork?</h1>I am a 3D artist and illustrator, and I truly enjoy using Marvelous Designer to achieve more refined and realistic fabric details in my illustrations. The software allows me to simulate natural elements such as wind, which brings greater credibility and dynamism to my characters.&nbsp; I am currently working on a series of illustrations inspired by a traditional Mexican game called La Lotería. One of its iconic cards is La Muerte (‘Death’).<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/61b733552d8c4d44b46a05bc75bdb85cimage.png" alt="61b733552d8c4d44b46a05bc75bdb85c" class="custom-image original-size" data-id="61b733552d8c4d44b46a05bc75bdb85c" data-width="460" data-height="689">If you look at the original card, it depicts a simple skeleton holding a scythe. For my reinterpretation, I wanted to give it a deeper meaning.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/795f86748bea48fab50291d23294ab78image.png" alt="795f86748bea48fab50291d23294ab78" class="custom-image original-size" data-id="795f86748bea48fab50291d23294ab78" data-width="403" data-height="566">To me, death does not represent the end of a story, but rather the beginning of something new. I believe in the idea of reincarnation, and that life is made of experiences we are meant to live and learn from. My illustration reflects that belief: it portrays a character who is about to reincarnate into a new version of themselves.<h1>The composition is very powerful. Could you walk us through your thought process for creating this specific scene?</h1>For this piece, I used a centered composition surrounded by arches of cempasúchil flowers. In Mexico, we celebrate the Day of the Dead on November 2nd, and we decorate the graves of our loved ones with altars made of cempasúchil, similar to what many people saw in the film Coco.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/99da41eba3a44e09a9574e5a3c0b7ad1image.png" alt="99da41eba3a44e09a9574e5a3c0b7ad1" class="custom-image original-size" data-id="99da41eba3a44e09a9574e5a3c0b7ad1" data-width="546" data-height="775"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/9eba50f0c0a84a1fb0117f2a9f12bc1byellow-flower-with-background-yellow-flowers-out-focus.jpg" alt="9eba50f0c0a84a1fb0117f2a9f12bc1b" class="custom-image original-size" data-id="9eba50f0c0a84a1fb0117f2a9f12bc1b" data-width="5472" data-height="3648">For the character of Death, I dressed her in black to symbolize mourning, while the new soul is dressed in white to represent a beginning. The dress of Death dissolves into butterflies, which then start to form the body of the new soul.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/f73b72ccda214313b7767eb9d690937beduardo-gala-artstation-02.jpg" alt="f73b72ccda214313b7767eb9d690937b" class="custom-image original-size" data-id="f73b72ccda214313b7767eb9d690937b" data-width="744" data-height="1000"><h1>What role did Marvelous Designer play in the creation of this artwork? Which elements were designed using Marvelous Designer?</h1>I always plan my compositions in Unreal Engine, which requires a 3D mesh that I can integrate into the software. Marvelous Designer allows me to arrange the fabrics, experiment with wind simulations, and even adjust the type of material, giving me more creative control.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/9e1f4a97e01e47869e219b3189cb2bc9Eduardo%20Recording_MD1.gif" alt="9e1f4a97e01e47869e219b3189cb2bc9" class="custom-image original-size" data-id="9e1f4a97e01e47869e219b3189cb2bc9" data-width="1138" data-height="640"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/16c2c53ba7de4c8097dd30e6870532ffEduardo_wind2.gif" alt="16c2c53ba7de4c8097dd30e6870532ff" class="custom-image original-size" data-id="16c2c53ba7de4c8097dd30e6870532ff" data-width="1138" data-height="640"><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/KYoRar_zIwQ?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>In this particular piece, I wanted the dress to appear as if it were dissolving, so I used wind simulation in Marvelous to achieve the initial effect. Later, when I moved the work into Photoshop, I refined the illustration by gradually disintegrating the dress using masks.&nbsp;<h1>Could you describe your process for creating this element inside Marvelous Designer?</h1>Previously, I worked as a character artist, and as many know, in that field fabrics needed to be perfectly clean and functional so that the character could later be textured and prepared for production.Now that I focus on illustration, I feel I have much more creative freedom. I can place and pose the fabrics, add objects so they adapt to very specific positions, and really experiment.That’s exactly what I did for this piece: I used wind simulation and manually adjusted the fabric until the folds appeared exactly where I wanted them to enhance the composition.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/2aeb2bc7baa048d9978bc588532b668eeduardo-gala-muerte-sketch-02.jpg" alt="2aeb2bc7baa048d9978bc588532b668e" class="custom-image original-size" data-id="2aeb2bc7baa048d9978bc588532b668e" data-width="1920" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/5c252f5868cc4904a6db50cf2240b29aeduardo-gala-muerte-sketch-01.jpg" alt="5c252f5868cc4904a6db50cf2240b29a" class="custom-image original-size" data-id="5c252f5868cc4904a6db50cf2240b29a" data-width="1920" data-height="2560"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/b2736b32351f4776ab2ad22413704f42eduardo-gala-muerte-sketch-08.jpg" alt="b2736b32351f4776ab2ad22413704f42" class="custom-image original-size" data-id="b2736b32351f4776ab2ad22413704f42" data-width="1920" data-height="1920"><h1>What were the biggest challenges you faced, and how did you overcome them?</h1>The most challenging part was controlling the level of detail in order to guide the viewer’s eye. I carefully arranged the fabric folds so they would work as visual guides leading toward the baby.Another challenge was figuring out how the dress would dissolve, but I ultimately resolved that within the final composition.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/a06edf0697184326ba4621aa416f243bEduardo_transparent%20.png" alt="a06edf0697184326ba4621aa416f243b" class="custom-image original-size" data-id="a06edf0697184326ba4621aa416f243b" data-width="1164" data-height="614"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/773006817c304944aeec64b4e663f4ceEduardo_transparent2.png" alt="773006817c304944aeec64b4e663f4ce" class="custom-image original-size" data-id="773006817c304944aeec64b4e663f4ce" data-width="1160" data-height="642"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/66e0e92abb8b4b3da9399f8334233375eduardo_transparent3.png" alt="66e0e92abb8b4b3da9399f8334233375" class="custom-image original-size" data-id="66e0e92abb8b4b3da9399f8334233375" data-width="1162" data-height="592"><img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/010b7829eb844ff69ebd46608a6ce9b5eduardo_transparent%205.png" alt="010b7829eb844ff69ebd46608a6ce9b5" class="custom-image original-size" data-id="010b7829eb844ff69ebd46608a6ce9b5" data-width="1158" data-height="610"><h1>Are there any particular features in Marvelous Designer that you find indispensable for bringing your surreal and highly detailed character concepts to life?</h1>The wind, being able to pose the fabric in real time, and pins are my best friends in this process.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/86718d4eeff54ed5808d14a450d296cdEduardo_Wind.gif" alt="86718d4eeff54ed5808d14a450d296cd" class="custom-image original-size" data-id="86718d4eeff54ed5808d14a450d296cd" data-width="1138" data-height="640"><h1>Could you give us an overview of your entire workflow for this piece?</h1><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/SyI4hIhyu0s?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>How does your work in Marvelous Designer integrate with the rest of your 3D/2D pipeline?&nbsp;</h1>My characters usually require a large amount of fabric, and over time fabric has become the true protagonist of my work. I often design them with heavy robes that cover their bodies, and having precise control over how the garments are posed is essential for me.&nbsp;In my process, fabric plays a key role in guiding the viewer’s eye, so I need to direct it exactly where I want the audience to focus.&nbsp;This is why Marvelous Designer is more useful for me than other software, such as ZBrush, where I cannot preview results as quickly or make detailed adjustments to folds and wrinkles with the same efficiency.<img src="https://storagefiles.clo-set.com/public/community/202510/4ec67a57e8124fb8be51de9abec64a7f/images/89c75f10b80948f29be1f50e28802e7ceduardo-gala-muerte-sketch-04.jpg" alt="89c75f10b80948f29be1f50e28802e7c" class="custom-image original-size" data-id="89c75f10b80948f29be1f50e28802e7c" data-width="1920" data-height="2560"><h1>What advice would you give to other artists who want to use Marvelous Designer not just for realistic clothing, but for creating fantastical and symbolic garments like the one in your piece?</h1>When illustrating, it’s crucial to have a clear vision of what you want to communicate with every element in the scene.If you are using Marvelous Designer to pose clothing, don’t think of the garments as just clothing, they can also guide the viewer’s eye and help describe your characters.That’s why it’s important to start with a sketch, marking the points where you want to direct attention, and then design the clothing based on that sketch.&nbsp;<h1>How would you describe your overall experience using Marvelous Designer?</h1>The software is very nice and intuitive; it's my favorite part of pre-production composition.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/eddgala">Artstation</a>

Death is a Beginning: Weaving the Ethereal Fabric of Rebirth with Marvelous Designer

<h2 style="text-align: center">Jaegil Lim, freelancer character artist recommends Marvelous Designer to CG artists.</h2><img src="https://storagefiles.clo-set.com/public/community/202501/c9a23861674a479d9504a6e60b77cc98/images/ea2ebe6d04ba41ef806523ee499f7493handsome_01.jpg" class="custom-image original-size" data-id="ea2ebe6d04ba41ef806523ee499f7493" data-width="1180" data-height="610"><h1 style="text-align: center">Interview with Jaegil Lim | THE HANDSOME | Freelancer Character Artist</h1><hr><h1>Can you briefly introduce yourself?</h1>My name is Jaegil Lim. I am a freelancer character artist in Korea teaching students in CGNI Game Graphic School as the Vice President. I have had a broad experience in the CG industry by participating in several large-scale projects with NCsoft, NEXON, and NEOWIZ.<h1>Which features do you think provide Marvelous Designer with a powerful advantage in comparison to other clothing simulation tools?</h1>Marvelous Designer has a powerful advantage as it does not require any professional knowledge about patterning or clothes. It enables you to poly-model clothes intuitively and efficiently.<img src="https://storagefiles.clo-set.com/public/community/202501/c9a23861674a479d9504a6e60b77cc98/images/ccff250c0e464d37b236f88b1b3abdb1handsome_03%20%281%29.jpg" class="custom-image original-size" data-id="ccff250c0e464d37b236f88b1b3abdb1" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/c9a23861674a479d9504a6e60b77cc98/images/76531fa18fe040eeb2ba0dc6382618f1handsome_02%20%281%29.jpg" class="custom-image original-size" data-id="76531fa18fe040eeb2ba0dc6382618f1" data-width="1180" data-height="610"><h1>Which features do you want to see from Marvelous Designer in the future version?</h1>Low-poly modeling for optimized real-time rendering will be possible with the upcoming enhanced retopology function. I would love to specify and freeze areas on fabric to maintain wrinkles during simulation.<h1>Would you recommend Marvelous Designer to a CG artist and why?</h1>I definitely would recommend Marvelous Designer to any artists. Marvelous Designer is the best and fastest solution for modeling and sculpting 3D clothes, and making consistent and accurate clothes with ease.<img src="https://storagefiles.clo-set.com/public/community/202501/c9a23861674a479d9504a6e60b77cc98/images/572a9fd768104efb82b29fc0c79885f8handsome_05.jpg" class="custom-image original-size" data-id="572a9fd768104efb82b29fc0c79885f8" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/c9a23861674a479d9504a6e60b77cc98/images/59e1605dd3004249b528e9945c485033handsome_04.jpg" class="custom-image original-size" data-id="59e1605dd3004249b528e9945c485033" data-width="1180" data-height="610">

THE HANDSOME

Marvelous Designerにインディーライセンスが登場

Marvelous Designer Official

Marvelous Designer Official

Marvelous Designerにインディー ライセンスが登場

Marvelous Designer Official

Marvelous Designer Official

Marvelous Designerにインディーライセンスが登場