<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/cc0033acedaa434fa1a41d1dfb90da93/images/c0af86fbef0d47da8d62a9f46a8343a5bora-kim-4.jpg" class="custom-image hidden-thumbnail" data-id="c0af86fbef0d47da8d62a9f46a8343a5" data-width="1920" data-height="1220">Meet the 'Girl Student' by Bora Kim —a stunning blend of creativity and technology crafted using Marvelous Designer.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/209ce26ef56246f6ac195e84a40689ab%E5%A5%B3%E5%AD%A6%E7%94%9F1.jpg" class="custom-image original-size" data-id="209ce26ef56246f6ac195e84a40689ab" data-width="3200" data-height="3936"><h1 style="text-align: center">Interview with Bora Kim | Girl Student | 3D Artist</h1><hr><h1>Following our previous interview about your Selfie Girl artwork, you've returned with another incredible piece. Could you share a bit about your latest work, 'Girl Student'?</h1>Hello, this is Bora Kim, and I'm delighted to be back. This time, the theme of my artwork is a girl sitting in a classroom after school. The idea began with a simple desire to create a character in a school uniform. I initially considered settings like a playground or park, but ultimately, I chose a classroom for its deeper sense of nostalgia and memories.<h1>I understand that you're currently working as a character modeler, and with each piece, the background and prop details seem to be becoming more intricate. As the backgrounds become more detailed, they also encourage viewers to imagine the story behind the character. I'm curious if this is an intentional approach—do you work with the idea of how you'd like the audience to imagine the character's story?</h1>I believe many people have experienced the quietness of school after classes, the sense of relief after a day's work, and the anticipation for tomorrow. I hope that when people view this artwork, they don't just focus on the character but also find themselves reminiscing about their own childhood or feeling a sense of connection through the background and small props.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/b353d6ef0f8f4af18e7f6046f9f5e4f5%E5%A5%B3%E5%AD%A6%E7%94%9F4.jpg" class="custom-image original-size" data-id="b353d6ef0f8f4af18e7f6046f9f5e4f5" data-width="2857" data-height="1837"><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/2ec2fcfa6f67478fab250edb22915954%E5%A5%B3%E5%AD%A6%E7%94%9F2.jpg" class="custom-image original-size" data-id="2ec2fcfa6f67478fab250edb22915954" data-width="3840" data-height="2440"><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/a6c138ca9f1449cb8709a9b7d4645463%E5%A5%B3%E5%AD%A6%E7%94%9F3.jpg" class="custom-image original-size" data-id="a6c138ca9f1449cb8709a9b7d4645463" data-width="3544" data-height="1700"><h1>From the character to the background, which aspects did you focus on while working on each element?</h1>Since the character is a student, I wanted to convey a sense of unadorned innocence, so I focused on features like light makeup, a comfortable oversized hoodie, and a neat school uniform. For the background, I emphasized recreating elements based on relatable memories, such as the wooden floor, curtains, fluorescent lights, wall colors, and the marble beneath the windows.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/219fa3f1a90e46b8acc731d4d7fab0db6.jpg" class="custom-image original-size" data-id="219fa3f1a90e46b8acc731d4d7fab0db" data-width="3898" data-height="4722"><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/01f177a557944b8580ff9f8b50e50862%E5%A5%B3%E5%AD%A6%E7%94%9F2.jpg" class="custom-image original-size" data-id="01f177a557944b8580ff9f8b50e50862" data-width="3840" data-height="2440"><h1>I'm curious to know which parts of your work were created using Marvelous Designer？</h1>I used Marvelous Designer for all aspects involving fabric, such as the character’s school uniform, ribbon, hoodie, hair tie, and even the clothes on the rabbit attached to the bag, as well as the curtains in the classroom. For the school uniform shirt, I started with a shirt from the Marvelous Designer library as the base, fitted it to the character's body, and then created and matched the vest and skirt. To form the pleats in the skirt, I drew lines for folds both inside and outside and adjusted the Fold Angle value to create the desired shape.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/20798cdce0a64a1daf3689b4856ce3dc%E5%A5%B3%E5%AD%A6%E7%94%9F5.jpg" class="custom-image original-size" data-id="20798cdce0a64a1daf3689b4856ce3dc" data-width="2560" data-height="1399">The hoodie required creating a 2D pattern for the shoulders, arms, and underarms that was wider than expected to achieve the oversized fit. After completing the creation, I imported the rigged animation to set various poses. Finally, I fixed one side of the hoodie to drape off the shoulder, easing the restrictive feeling of the uniform.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/f5167050129d4fdcb7099df763154d28%E5%A5%B3%E5%AD%A6%E7%94%9F6.jpg" class="custom-image original-size" data-id="f5167050129d4fdcb7099df763154d28" data-width="2560" data-height="1399">For the curtains in the background, I first created a rod that would act as the avatar, then hung the fabric on it. Adjusting the width of the curtains made it easier to form the pleats. After that, I used the Wind Controller to simulate the effect of the thin fabric fluttering in the breeze from the window. I set up the wind in the direction it would blow, adjusted the Strength to an appropriate value, and experimented with turbulence and frequency settings until I achieved the desired look.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/b75fefe67437459a8b85af48edd18746%E5%A5%B3%E5%AD%A6%E7%94%9F8.jpg" class="custom-image original-size" data-id="b75fefe67437459a8b85af48edd18746" data-width="2560" data-height="1399">I also created and used various other simple props.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/6a880c4f02024691b477d190fca8d62a10.jpg" class="custom-image original-size" data-id="6a880c4f02024691b477d190fca8d62a" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/3fb19a6f94eb4f2d8a970637671d779012.jpg" class="custom-image original-size" data-id="3fb19a6f94eb4f2d8a970637671d7790" data-width="2560" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/8da9a9ec60e447969e664b1598d2d3d4%E5%A5%B3%E5%AD%A6%E7%94%9F7.jpg" class="custom-image original-size" data-id="8da9a9ec60e447969e664b1598d2d3d4" data-width="2560" data-height="1399"><h1>Did you find any unique advantages of using Marvelous Designer during this project?</h1>One of the major advantages of Marvelous Designer is its ability to quickly run simulations and adjust folds when the character takes different poses or when the clothing design changes. This flexibility in correcting and exporting the folds is a significant strength. Additionally, I found it convenient to obtain a cleaned-up low-poly mesh through the ZBrush plugin.<h1>If there was an impressive story during the project, could you share it?</h1>During this project, due to personal circumstances, the working period was extended. As the seasons changed, I adjusted the school uniform design from summer to autumn attire, eventually adding a hoodie. I also changed the hairstyle from a ponytail to a half-up style, and finally to a bob cut. Although the work seemed never-ending at times, step by step, it eventually came together. Even though I felt anxious as time passed, I gained valuable insights from the trial and error, making it a worthwhile experience.Thank you for your interest in my work and for taking the time to read this.<img src="https://storagefiles.clo-set.com/public/community/202412/cc0033acedaa434fa1a41d1dfb90da93/images/c348616f2aee45e1a5612921477f76c513.jpg" class="custom-image original-size" data-id="c348616f2aee45e1a5612921477f76c5" data-width="3840" data-height="2440"><h1>by&nbsp;Bora Kim <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/bbora">Artstation</a></h1>

Girl Student

NUN OUTFIT

nun outfit

62030127

Hi there CLO Team,I noticed there have been a few threads where people are asking how to export a CLO3D Avatar with a native CLO3D Animation including textures, and import the CLO3D Avatar with Animation and Textures into Blender.Also, here a CLO team member mentioned:<blockquote>-You can export an Alembic(OGAWA) to have the animation of the avatar + garment. Textures will be missing and you have to add them later in the 3rd party software.-You can export a gLTF 2.0 (GLTF) to have the garment animation + textures. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577">https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577</a></blockquote>I have tried to export a CLO3D Avatar with an applied Animation (via .mtn applied) as OGAWA (.alembic) file multiple times, but when importing the .abc file into Blender, unfortunately the exported 3D object doesn't come with unwrapped UV's and materials at all, so unwrapping becomes a very hard and tedious task if one wants to reuse the original textures. Please correct me if I am missing something.Therefore I was wondering if you have a tutorial video or advice on best practice how to solve this part "Textures will be missing and you have to add them later in the 3rd party software."?The alternative workflow that works for me would be to use an external animation via Mixamo as I've explained in this quick tutorial here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/p/DCrPyLGO7qC/">https://www.instagram.com/p/DCrPyLGO7qC/</a>I have an existing garment simulation with a native CLO3D Avatar Animation which I would like to keep, therefore I am asking before having to redo the process with the alternative workflow, going via Mixamo.Many thanks in advance and I'm looking forward to your feedback!

Export CLO3D Avatar Animation with Textures to Blender 4.0

아카데믹 챌린지

Traditional Costumes 3D Restoration

Championship Thread

Create Your Persona: 3D Character & Digital Fashion

Cut, Slash & Corset

women's bag

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/4caba29455c442e1b0087639cd5190ac/images/59d4883347334d97a101f75eaed18d50Dream_Sequence_StillCut2.jpg" class="custom-image hidden-thumbnail" data-id="59d4883347334d97a101f75eaed18d50" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202604/4caba29455c442e1b0087639cd5190ac/images/3de602c15cda4cd49357397e2e650e8bDream_Sequence_StillCut.jpg" class="custom-image hidden-thumbnail" data-id="3de602c15cda4cd49357397e2e650e8b" data-width="2160" data-height="3840">Step into a futuristic Seoul DJ festival where <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/ohso0hwan">Soohwan Oh</a> blends K-tradition and street vibes through Marvelous Designer’s intricate digital fashion!</h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/xl267-ssVEw" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Blender – Scene building, Motion, Lighting &amp; RenderingMarvelous Designer – Cloth Simulation &amp; AnimationDaz – Character ModelingAfter effects - Compositing<h1>Artist and Project Introduction</h1>Hello, I’m 3D artist Soohwan Oh.Currently, I work as a freelancer, leading various visual projects primarily within the entertainment and beauty industries. I often handle the entire process—from initial planning to final production—solo, though I also participate as a supervisor or team member for larger-scale projects. As a 3D generalist, I take a hands-on approach to most stages of the creative workflow.This project was my submission for Pwnisher’s ‘Dream Sequence’ challenge held earlier this year. The core task was to express a sense of motion synced to 120bpm music, which I chose to interpret through the theme of DJing. I wanted to make the visuals more engaging by integrating traditional Korean elements. Drawing inspiration particularly from the energy of BLACKPINK’s ‘JUMP’ music video, I worked with the vision of a DJ festival taking place in a near-future Seoul. <div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/RJ1oyLj1bXk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>How was Marvelous Designer utilized in this project?</h1>Character design was pivotal for this work, as the entire scene—including camera animation, stage lighting, and fireworks—revolves around the central DJ figure. While the character wears a Hahoe mask (a traditional Korean mask) to highlight cultural roots, I also needed to convey a streetwear aesthetic that fits a modern DJ. Therefore, the core objective was to create a costume that naturally fused Korean traditional beauty with a contemporary street vibe. <img src="https://storagefiles.clo-set.com/public/community/202604/4caba29455c442e1b0087639cd5190ac/images/af5324c8bd864f409286adf7141024b4Capture%281%29.png" alt="af5324c8bd864f409286adf7141024b4" class="custom-image original-size" data-id="af5324c8bd864f409286adf7141024b4" data-width="3840" data-height="2088">Marvelous Designer was an indispensable tool throughout the detailed planning and production of these garments. Beyond standard clothing creation, it proved highly efficient for incorporating complex elements like the Gonryongpo (royal dragon robe) features and traditional Korean patchwork details.<h1>What are your favorite features or tools in Marvelous Designer?</h1><img src="https://storagefiles.clo-set.com/public/community/202604/4caba29455c442e1b0087639cd5190ac/images/000dce68176b439b8969df0a47b70bd9Capture%282%29.png" alt="000dce68176b439b8969df0a47b70bd9" class="custom-image original-size" data-id="000dce68176b439b8969df0a47b70bd9" data-width="3840" data-height="2088"><img src="https://storagefiles.clo-set.com/public/community/202604/4caba29455c442e1b0087639cd5190ac/images/0e41e67229e34b099a316382c5412617Capture.png" alt="0e41e67229e34b099a316382c5412617" class="custom-image original-size" data-id="0e41e67229e34b099a316382c5412617" data-width="3840" data-height="2088">First, I frequently use ‘M:N Free Sewing.’ As garments become more complex, the sewing process can often get confusing or tricky. However, as long as you know which patterns connect to which parts, this feature allows for a fast and intuitive workflow, which is a massive help in saving production time.Second is the ‘Attach to Measure (Avatar)’ feature. Although I didn’t use it for this specific project, it is incredibly useful for securing garments to the character. For example, simulations can sometimes become unstable when fabric is tucked inside shoes; in such cases, I use this tool to pin the cloth to the ankle area for stability. It’s also great for scenes with hanging fabrics, like curtains, where the support structure isn't visible in the camera frame. By attaching the fabric to a simple primitive, I can achieve a natural look very quickly—making it a go-to tool when I need to deliver results on a tight schedule.<img src="https://storagefiles.clo-set.com/public/community/202604/4caba29455c442e1b0087639cd5190ac/images/c2aa6cd51b894619a5afb4ace292b2bcCapture%283%29.png" alt="c2aa6cd51b894619a5afb4ace292b2bc" class="custom-image original-size" data-id="c2aa6cd51b894619a5afb4ace292b2bc" data-width="3840" data-height="2088">Lastly, I frequently utilize the ‘Graphic (2D Pattern)’ feature. I often create and export Diffuse maps directly within Marvelous Designer, and this tool significantly boosts my efficiency. It allows me to intuitively visualize how graphics are applied to a pattern even before the UV unwrapping stage, making the overall workflow much more streamlined.<hr><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/soohwan_art">Behance</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/ohso0hwan">Instagram</a><h1>Stay tuned for our special series featuring Su-hwan Oh’s diverse portfolio and his expert Marvelous Designer know-how!</h1>

Dream Sequence 3D Challenge - Seoul

Hi there, I am having an issue when rendering my fabric where I am getting some distortion on the wrinkles as show below. The particle distance of the fabric is already 4mm. Is there anything else that could improve this? Thank you!<img src="https://storagefiles.clo-set.com/public/community/202602/797d30dcef334c6891e016c24955c6dd/images/d5eb97001ccd458e9b2e737da64c7a34image.png" alt="d5eb97001ccd458e9b2e737da64c7a34" class="custom-image original-size" data-id="d5eb97001ccd458e9b2e737da64c7a34" data-width="623" data-height="855">

Girl Student

Marvelous Designer Official

Marvelous Designer Official