<h1 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/d9fffb13e83a401baa91b639c7795f15/images/4818fd60283b407ba0e92ae51a40fa6cJapanese_1080%20x%201080%20newsletter%20thumbnail.png" alt="4818fd60283b407ba0e92ae51a40fa6c" class="custom-image original-size" data-id="4818fd60283b407ba0e92ae51a40fa6c" data-width="1080" data-height="1080"></h1><h1 style="text-align: center">👨‍💻 <a target="_blank" rel="noopener noreferrer nofollow" href="https://cdn.marvelousdesigner.com/images/misc/6cc872a7b1e73abd43fbad86e0e9d086.jpg">WINDOWS ガイド（日本語）をダウンロード</a></h1><h1 style="text-align: center">👨‍💻<a target="_blank" rel="noopener noreferrer nofollow" href="https://cdn.marvelousdesigner.com/images/misc/f75e8b4124d946f5e47909a25f27f49d.jpg">MAC ガイド（日本語）をダウンロード</a></h1><hr><h1 style="text-align: center">👨‍💻<a target="_blank" rel="noopener noreferrer nofollow" href="https://cdn.marvelousdesigner.com/images/misc/a77fbb6870721c6ebb321b4b7ea41c18.png">WINDOWS ガイド（英語）をダウンロード</a></h1><h1 style="text-align: center">👨‍💻<a target="_blank" rel="noopener noreferrer nofollow" href="https://cdn.marvelousdesigner.com/images/misc/4848a2e6b54527e2ca4ec0fc1645cc37.jpg">MAC ガイド（英語）をダウンロード</a></h1><h1 style="text-align: center">📣 最新版 Marvelous Designer ショートカット ガイドが登場&nbsp;📣</h1>最新版 Marvelous Designer キーボード ショートカット ガイドが、どなたでもダウンロードいただけるようになりました。Marvelous Designer 2026マガジンに付録掲載されたガイドが、新たに日本語キーボード向けに再編集されました。Mac・PCそれぞれのキーボード配置に対応しております。 いざという時のために、お気に入りのショートカットをいつでも手元に。作業中のクイックレファレンスとして、サブモニターに表示、印刷、デスクトップの背景など...ぜひお役立てください！

📣 最新版 Marvelous Designer ショートカット ガイドが登場 🎹

Scalloped Dress

Amarjeet kumar

<h1 style="text-align: center">House Bag</h1><img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/83d42981a01642e8a20ab6428ff8a094%EC%A0%95%EC%9B%90%EC%97%90%EC%84%9C_%EC%98%A4%EB%A6%AC_%EC%BA%90%EB%A6%AD%ED%84%B0_%EC%97%AC%EB%9F%AC%EB%A7%88%EB%A6%AC%EA%B0%80_%EC%A0%95%EC%9B%90%EC%9D%84_202606302356.jpeg" alt="83d42981a01642e8a20ab6428ff8a094" class="custom-image original-size" data-id="83d42981a01642e8a20ab6428ff8a094" data-width="2752" data-height="1536">Hello~It's been a long time since I've done something so cute. I'm so satisfied that the direction I planned and the appropriate results were expressed when I wanted to make this bag. Ever since I thought of making this, plans have been made to make this bag AI. I thought about bags making it look like a house, and lots of duck characters gardening in the garden around the house.<hr><img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/4e1982600379438385af9520b16c24bdHouseBag.jpg" alt="4e1982600379438385af9520b16c24bd" class="custom-image original-size" data-id="4e1982600379438385af9520b16c24bd" data-width="4000" data-height="7000">The bag made by CLO3D is rendered in these six angles. It's not too complicated to design. Usually, I only use the front, back, left, and right side as a render, but this time, there are details that need to be shown in diagonal, so I also lent the diagonal image.<img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/00bc0f17375a48ce9e4c2e33cad8a465%EB%AA%B8_%EB%82%A0%EA%B0%9C_%EC%96%BC%EA%B5%B4_%ED%9D%B0%EC%83%89_%EB%B3%80%EA%B2%BD_202607011253.jpeg" alt="00bc0f17375a48ce9e4c2e33cad8a465" class="custom-image original-size" data-id="00bc0f17375a48ce9e4c2e33cad8a465" data-width="2752" data-height="1536">Some duck characters were modeled in 3D, but AI helped them express various movements. <img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/17e1ab661db4441ba9b4aa0dbfd0fade%EC%98%A4%EB%A6%AC_%EC%BA%90%EB%A6%AD%ED%84%B0_%EC%97%AC%EB%9F%AC_%EB%A7%88%EB%A6%AC%EA%B0%80_%EC%A3%BC%ED%83%9D%EA%B0%80%EC%97%90_202606302355.jpeg" alt="17e1ab661db4441ba9b4aa0dbfd0fade" class="custom-image original-size" data-id="17e1ab661db4441ba9b4aa0dbfd0fade" data-width="2752" data-height="1536"> And I referred to the landscape of Swiss residential areas. I thought the natural scenery was a wonderful area. It's also a country I want to travel to. <img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/b7e2a279628f47549cbdf88d0241c921%EC%A0%95%EC%9B%90%EC%97%90%EC%84%9C_%EC%98%A4%EB%A6%AC_%EC%BA%90%EB%A6%AD%ED%84%B0_%EC%97%AC%EB%9F%AC%EB%A7%88%EB%A6%AC%EA%B0%80_%EC%A0%95%EC%9B%90%EC%9D%84_202606301838.jpeg" alt="b7e2a279628f47549cbdf88d0241c921" class="custom-image original-size" data-id="b7e2a279628f47549cbdf88d0241c921" data-width="2752" data-height="1536"><img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/b5170e6b78674e2893e1e05d45ebf336%EC%A0%95%EC%9B%90%EC%97%90%EC%84%9C_%EC%98%A4%EB%A6%AC_%EC%BA%90%EB%A6%AD%ED%84%B0_%EC%97%AC%EB%9F%AC%EB%A7%88%EB%A6%AC%EA%B0%80_%EC%A0%95%EC%9B%90%EC%9D%84_202606302356.jpeg" alt="b5170e6b78674e2893e1e05d45ebf336" class="custom-image original-size" data-id="b5170e6b78674e2893e1e05d45ebf336" data-width="2752" data-height="1536"> I always live in front of a computer in the city, so I think these simple landscapes look so beautiful. <img src="https://storagefiles.clo-set.com/public/community/202607/35e0b35419fb4ac7a119a8bdc8b6c8c6/images/e8fa881ad4394c90addca41fb74e2af1%EC%A7%91%EC%9D%B4_%EC%A2%80%EB%8D%94_%EA%B0%80%EA%B9%8C%EC%9D%B4%EC%97%90%EC%84%9C_%EC%B4%AC%EC%98%81%EB%90%9C_%EC%82%AC%EC%A7%84%EC%9C%BC%EB%A1%9C_202607010012%20%281%29.jpeg" alt="e8fa881ad4394c90addca41fb74e2af1" class="custom-image original-size" data-id="e8fa881ad4394c90addca41fb74e2af1" data-width="1792" data-height="2400"> The images were created first, specifying in detail what the duck characters should do, and then moving them to Prompt. I wrote a short piece today. It was great to make and watch the garden life of cute duck characters.But don't forget, the purpose of this video was to show a bag that looked like a house.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/979xqL1xeu8" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>

House Bag

Echoes of Persian Geometry

Create Your Persona: 3D Character & Digital Fashion

<img src="https://storagefiles.clo-set.com/public/community/202607/471d1d6efa644a6caaaf90e51730e404/images/3bec212922a24695aa404deadfb1abc0Bra_1.png" alt="3bec212922a24695aa404deadfb1abc0" class="custom-image original-size" data-id="3bec212922a24695aa404deadfb1abc0" data-width="2200" data-height="3400"><img src="https://storagefiles.clo-set.com/public/community/202607/471d1d6efa644a6caaaf90e51730e404/images/521d8063ee38494697bf657f6c30c57d24_1.png" alt="521d8063ee38494697bf657f6c30c57d" class="custom-image original-size" data-id="521d8063ee38494697bf657f6c30c57d" data-width="3400" data-height="2200">In this project, I focused on every detail, with particular attention to realistic texturing, seam construction, and garment fit. The model has been carfully optimized, making it easy touse for animation while maintaining a natural and realistic appearance

Realistic bra

<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/cd31af8886ff4aed8dac250356823e07sven-ulrich-circus-fence-ingame-03%20%281%29.webp" class="custom-image hidden-thumbnail" data-id="cd31af8886ff4aed8dac250356823e07" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/5ef85e21ef9a4296a431dd05a4aace93sven-ulrich-command-tent-ingame-03.webp" class="custom-image hidden-thumbnail" data-id="5ef85e21ef9a4296a431dd05a4aace93" data-width="1920" data-height="1080">In this exclusive interview, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/bgGKNo">Sven Ulrich</a>, Senior Hard Surface Artist at Crytek, shares how his team leverages Marvelous Designer to build immersive, believable environments for the dark world of <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.huntshowdown.com/">Hunt: Showdown 1896</a>. Whether constructing modular fabric fences or rugged command tents, Sven breaks down his production process and shares essential tips on art-directing digital cloth.<hr><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/_3mTLRaZhcw?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Could you please introduce yourself and share a bit about your role in the development of Hunt: Showdown 1896?</h1>I’m <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/artwork/bgGKNo">Sven Ulrich</a>, Senior Hard Surface Artist at Crytek. Whilst I’m in the Hard Surface team, we’re split up further into two teams; weapons and props. I’m part of the props team.I act as a connection point between various departments, such as game design &amp; environment art, making sure the needs of both are met.As a prop artist, I’m a bit of a jack of all trades, so I’ll have to adapt when more organic requests come in, i.e. in the form of cloth-related tasks, or other more organic (literally) tasks.My usual focus is on creating either event-related props, reworking older props which aren’t up to par with the quality level we’d like, or simply creating the assets which are required for new gameplay ideas.Sometimes this is through own initiative, other times it’s through Game Design or Environment Art requests.The day-to-day work is phenomenal as each day, and each asset brings its own, new challenges which must be solved. This is especially true when you’re given more complex tasks and need to end up with a shippable asset. It’s like a big, complex puzzle which you figure out step by step.<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/4a9709d02bc447488acf0f491f1ce0ad3.asset_railway_crate.png" alt="4a9709d02bc447488acf0f491f1ce0ad" class="custom-image original-size" data-id="4a9709d02bc447488acf0f491f1ce0ad" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/964dfeefa0774e509995fb15dabc1bfe2.asset_command_tent.png" alt="964dfeefa0774e509995fb15dabc1bfe" class="custom-image original-size" data-id="964dfeefa0774e509995fb15dabc1bfe" data-width="1920" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/bc2be530393544b9b31132baf919c7061.asset_circus_fences.png" alt="bc2be530393544b9b31132baf919c706" class="custom-image original-size" data-id="bc2be530393544b9b31132baf919c706" data-width="1920" data-height="1080"> “Examples of assets in Hunt: Showdown 1896 which made extensive use of Marvelous Designer”<h1>You created various environment assets like fabric fences and tents, how did Marvelous Designer add value to the project's world-building?</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.huntshowdown.com/">In Hunt: Showdown 1896</a> we like adding cloth here and there since it acts as a visual way of adding resting spots for your eyes. Lots of high frequency detail means the eye will be fatigued easily. Especially in a game where attention to detail matters during gameplay, having rest areas for your eyes is crucial. At the end of the day, it still has to look believable though, which is why we opted for Marvelous Designer.Whilst tools such as Blender also have cloth simulation, and they’re not bad, getting the accuracy and realistic folds dependent on the fabric properties is incredibly valuable to our work.However, the most essential difference between Marvelous Designer and the likes of Blender cloth simulation is that I can continually tweak the cloth, I’m not bound to simulation frames. The plethora of tools/features I have at my disposal to art direct the cloth in the way I need it to look simply outshines other DCC cloth simulation workflows in my opinion.Therefore, what I like most about Marvelous Designer in our pipeline is that it gives extremely quick results which can be iterated and art directed very early on, so we don’t have to spend a lot of time tweaking numbers, adjusting sliders, etc. – it’s a very artist friendly approach to making cloth.<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/8c5071d775224bab894c19e038656b946.art_direction.png" alt="8c5071d775224bab894c19e038656b94" class="custom-image original-size" data-id="8c5071d775224bab894c19e038656b94" data-width="1710" data-height="1091"><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/ffc65bfdb7ae434faa0802c5eade8cab5.wall_pieces_exploration.png" alt="ffc65bfdb7ae434faa0802c5eade8cab" class="custom-image original-size" data-id="ffc65bfdb7ae434faa0802c5eade8cab" data-width="1603" data-height="1127"><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/c34a637a7165427eb0c8e9a5b7f536534.blockout_day1.png" alt="c34a637a7165427eb0c8e9a5b7f53653" class="custom-image original-size" data-id="c34a637a7165427eb0c8e9a5b7f53653" data-width="1128" data-height="683"> "Make something exist first, it can be made good after"<h1> [Modular Tip] For the fabric fences, you used a single asset modularly to complete entire scenes. Do you have any tips for designing modular assets in Marvelous Designer?</h1>Freezing is my favourite feature in Marvelous Designer for creating modular assets. In essence modular assets need to fit together perfectly when placed next to each other, therefore where they overlap, they need to have the exact same geometry. Any z-fighting issues were fixed in blender.<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/a2e31fa834374b6b8c291770c5552cb67.overlap_example.png" alt="a2e31fa834374b6b8c291770c5552cb6" class="custom-image original-size" data-id="a2e31fa834374b6b8c291770c5552cb6" data-width="1713" data-height="1014"> “Starts and end of cloth need to be the same mesh, else there are gaps at grazing angles, which directly affects the player experience.” Other than that, the tacking tool is great, as you would want to have some kind of avatar to pin your cloth to (in the case of the circus fences &amp; command tents, I’ve had very basic wooden poles as my tack-target). It can also help to tack cloth to other (frozen) cloth, so it mimics that underlying shape. This is incredibly helpful for creating modular pieces.<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/b85d866b950941a48b8c7ff83c3fbbe98.avatar.png" alt="b85d866b950941a48b8c7ff83c3fbbe9" class="custom-image original-size" data-id="b85d866b950941a48b8c7ff83c3fbbe9" data-width="1448" data-height="940"> “Using some kind of avatar is essential to producing believable cloth.” For the command tent I’ve set out to simulate a strip of cloth (yellow parts in the picture above), with slight sagginess which would be used at the start of a wall of cloth and at the end. The middle piece of cloth is what would be art directed on. This then allows you to create interesting variations of cloth whilst maintaining the exact geometry you need for the overlapping areas in modular assets.The need for exactly matching geometry is further exacerbated at grazing angles where players can see through the sides. Whilst this wasn’t entirely possible on the circus fences, we made sure that this was covered on the command tent, as the circus area was more of a compound whereas the command tent was a small hut in terms of play space.Another tip I’d like to share is to learn your hotkeys; makes working infinitely easier, faster and less cumbersome. With modular pieces you usually have several variants in the same scene for ease of iteration, and to get a good view of the entire picture. However, simulation times can become quite slow when you have a bunch of cloth pieces in one scene. This is where hotkeys come in handy - activate, deactivate, freeze, hide, etc. are all wonderful tools for navigating your scene comfortably and efficiently. <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community/post/d9fffb13e83a401baa91b639c7795f15">(📒 hotkey guide/shortcut guide)</a><img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/5f9a8b4addbf4e0fbb47b5a7f12335a59.decactivate_pattern.png" alt="5f9a8b4addbf4e0fbb47b5a7f12335a5" class="custom-image original-size" data-id="5f9a8b4addbf4e0fbb47b5a7f12335a5" data-width="2240" data-height="1136">I’d also highly recommend to watch a few guides on making clothes with Marvelous Designer, as some theory is directly transferable to non-clothes tasks. I’ve spent a few hours watching professionals in the clothes-visualisation industry creating clothes from scratch.For example, if you’re looking to create folds in a very specific way, you might want to give darts a try. Darts are cutting out a piece of cloth and stitching it back together. Essentially this reduces the length of cloth in an area drastically, which will create very specific folds. Whilst this isn’t the most realistic approach, it can be used as a tool to give you the visual result you’re after.<h1>[Asset Breakdown] could you pick your most iconic fabric asset from the game and give us a quick breakdown of its production process?</h1>Absolutely! For the command tent we’ve received the initial blockouts from our Environment Art Lead, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/rishabnanda">Rishab Nanda</a>, who made sure they fit their intended use cases. Since our team has done a lot of cloth tasks prior to the command tent, and to support the environment art team we were trusted with producing this modular kit.I’ve started out with isolating the pieces I’d use for the avatar (the skeleton/scaffolding of the tent) and importing those into Marvelous Designer. These would stay in my file throughout the project.First off, I made very crude shapes using the 2D view, placing them where I needed on the avatar in the 3D view, tacking it in place and then simulating. Just so we could get something into engine quickly. Essentially setting up the correct files so iteration would be rapid.Then came exploring different shapes, sizes, etc. to get to a point where we would be happy visually. Art directing folds is a fun back and forth process, as you don’t have precise control over it. However, Marvelous Designer gives you as much control as possible.After final shape/fold feedback was given, I split up the tent into the parts which would make up the modular kit and simulate a final version of them, staying as true to the agreed upon feedback as possible.<img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/986cdbe215ea4c80bcb84e1ed9c3151810.kit_production.png" alt="986cdbe215ea4c80bcb84e1ed9c31518" class="custom-image original-size" data-id="986cdbe215ea4c80bcb84e1ed9c31518" data-width="2630" data-height="1120">“This is the part where playing with the physical properties of your fabric can yield great final results, prior to this stage, it most often is simply wasted time.” Simulating is only half the work, so after we’re all set and done, and happy with the simulated result we bring it over to blender, where the decimation modifier does a decent job at bringing the tents to reasonable level. We opted to bake the high poly simulated cloth onto low poly meshes with a low-resolution texture, due to the sheer size of the assets. Furthermore, this allowed me to create unique diffuse textures for each piece.In engine we added a tiling detail normal map on top, which would give us the fine woven detail, as well as some micro folds to better sell the asset’s look, of a worn down, roughed up tent, fitting into the Hunt: Showdown 1896 setting.An alternative to this would be to use a more high-poly mesh and tiling materials &amp; masking, i.e. in Unreal Engine. Since we’re using the CryEngine though, this was the way we handled this asset.Lastly, we’d have a final check in various time of days, and areas in the level, seeing whether it all fit nicely, or whether some things needed adjustment. Due to the environment art’s blockouts, we didn’t have to do much in the end, it was very much plug &amp; play.<h1>What is your favorite feature or tool to use in Marvelous Designer?</h1>The artist friendly way to simulate things, I can pinch the cloth endlessly without the animation loop restarting as it would do in other programs. I can tweak to my heart’s content until I feel it’s visually where I want it to be. Other than that, in no certain order pinning &amp; tacking, as well as the elastic feature in the selected line tab. This makes art directing folds even easier. <h1>For other users considering Marvelous Designer, do you have any advice or experience to share?</h1>Make mistakes, and make lots of them. No one’s born a master at their craft, in the end you’ll just gain experience by not being afraid to make mistakes. The amount of times I’ve fumbled up a perfectly simulated piece of cloth because I didn’t know of the freeze feature, or the deactivate feature is beyond count. Sure, you can undo, and most often it’ll get you your result back, but learning about other tools that aid in your workflow means you’ll be a more well-rounded artist down the line, you’ll have more tools at your disposal to make more complex tasks, more comfortably.I’d like to end this interview with a small piece of advice which rings true to about anything you do in life. Including simulating cloth in Marvelous Designer. <img src="https://storagefiles.clo-set.com/public/community/202607/07a44d56d06141cfa8c49190075db904/images/6600f8f5f68348cb9cf184938c01c60f11.baby_steps.png" alt="6600f8f5f68348cb9cf184938c01c60f" class="custom-image original-size" data-id="6600f8f5f68348cb9cf184938c01c60f" data-width="503" data-height="796">

Inside Crytek’s Workflow: Building the World of Hunt: Showdown 1896

I’m trying to draft sleeve pattern.<img src="https://storagefiles.clo-set.com/public/community/202607/bf885f05d46443759b7115b4b3764952/images/0ac2b27ec8c246a1a2ac5c6488c45486Screenshot%202026-07-08%20at%2017.34.28.png" alt="0ac2b27ec8c246a1a2ac5c6488c45486" class="custom-image original-size" data-id="0ac2b27ec8c246a1a2ac5c6488c45486" data-width="1056" data-height="850">I’m trying to move the segment including A and B lines higher. (A + B is the triangle base)A = BBut while doing this I want both sides of the triangle (C and D) adapt themselves to the movement of the triangle base dynamically.So the A + B measurement increases. (I want to set It to the specific bicep line measurement.)Also C + D measurements increases.It will be still A = B.Is there a fetaure for It?

How To Do Dynamic Editing

<img src="https://storagefiles.clo-set.com/public/community/202604/ed12ee696c144726ab0e1cb5abaf2242/images/4f325fee94e1474fb0fee5985320eb60Social%20Media%202026.0%20EN.png" class="custom-image hidden-thumbnail" data-id="4f325fee94e1474fb0fee5985320eb60" data-width="1080" data-height="1080"><img src="https://storagefiles.clo-set.com/public/community/202604/ed12ee696c144726ab0e1cb5abaf2242/images/82b43f45d79946ebae6849f6451a018e2506d5985c6c4a4aa9855ab773490c45Social%20Media%202026.0%20EN.webp" alt="82b43f45d79946ebae6849f6451a018e" class="custom-image original-size" data-id="82b43f45d79946ebae6849f6451a018e" data-width="1080" data-height="1080"><h1>Marvelous Designer 2026.0 has arrived!</h1>Our first major update of the year delivers brand new artistic tools to elevate your designs and performance upgrades that eliminate friction. Here’s what to expect:<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/YidfV2v9c-Y?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>LacingAdding laces can completely transform a design. But modeling them manually is often a tedious and time-consuming task. Our new Lacing feature simplifies this process, allowing you to create and apply intricate laces intuitively within Marvelous Designer.3D PencilDiscover a more intuitive way to design with the 3D Pencil. This feature allows you to draw directly onto the avatar’s surface, instantly converting sketches into 3D Pen curves. These curves can be refined using the 3D Pen tool and transformed into 2D patterns via the Flattening tool, providing a seamless bridge between conceptual sketching and pattern creation.Preserve 3D Garment Shape on 2D ScalingEliminate the need for manual 3D adjustments after resizing. This new feature allows you to scale 2D patterns while preserving the existing 3D shape. Avoid distortions and save time when pursuing multiple size adjustments or silhouette changes.[EveryWear] Template-Based Rigging [Beta]Our new Template-Based Rigging allows you to automatically add bones to garments. By reducing the need for manual cleanup, you can achieve reliable, high-quality movement with a fraction of the effort.&nbsp;Toon ShaderNow you can preview toon-style garments directly in Marvelous Designer. By supporting the standard VRM material (MToon), we’ve made it easier than ever to design clothing for VRChat and other Unity-based VR platforms. Achieve that perfect anime look without leaving your workspace.<h1>Update to version 2026.0 today to experience the upgrade!</h1>For a full look at all of the new features, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/product/newfeature">click here</a>.

Update to Marvelous Designer 2026.0 Today!

<img src="https://storagefiles.clo-set.com/public/community/202510/704b096c92e44d389e9611d841940b4a/images/499c3e017a4e40b0a45aa0f88b7aac90default_thumbnail.jpg" class="custom-image hidden-thumbnail" data-id="499c3e017a4e40b0a45aa0f88b7aac90" data-width="540" data-height="540">As of April 19th, 2021, TLS 1.0/1.1 security protocol will be updated to TLS 1.2 to reinforce the security of Marvelous Designer web/software services.&nbsp;&nbsp;What is TLS (Transport Layer Security)?Transport Layer Security is a security protocol designed to facilitate data security for communications on the Internet. It protects users' data from various cyber threats and provides a secure connection between users by encrypting data.&nbsp;Does TLS update affect my use of software?Software will work seamlessly if your OS(Operating System) is up-to-date. Please check if your OS meets the Marvelous Designer <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/pricing">system requirements</a> here.&nbsp; [Expected Issues]Should you encounter any of the following issues, please reach us at <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.marvelousdesigner.com/member/signin?returnUrl=http%3A%2F%2Fwww.marvelousdesigner.com%2Fsupport%2Fcontact">Marvelous Designer Support team</a>:● When you get an error message, "Delayed Network Connection".●&nbsp;When the login window does not appear.●&nbsp;When the software does not run after login.&nbsp;Find out more about TLS Update <a target="_blank" rel="noopener noreferrer nofollow" href="https://marvelousdesigner.zendesk.com/hc/en-us/articles/900006692483-Technical-guidance-for-TLS-1-2-update">here</a>.

Upgrade of TLS 1.2 for Reinforced Service Security

<h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202606/c93d0d5056ac4b87be5dfb853daa110f/images/4d2e6baa477f4978bc2c3a7e2b02b444LSF_Spaghetti_Still_00001.jpg" class="custom-image hidden-thumbnail" data-id="4d2e6baa477f4978bc2c3a7e2b02b444" data-width="1080" data-height="772">How artist Soohwan fine-tuned friction and skin offset values to perfectly capture the intense choreography and weightless flutter of virtual stage outfits.</h2>Discover the work and expert Marvelous Designer tips ofSoohwan Oh in this exclusive series![<a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community/post/4caba29455c442e1b0087639cd5190ac">Go to Previous Post]</a><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/X-CXfM2F6ZU?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Capturing the way garments flutter or cling to the body in response to dynamic choreography is crucial. How did you configure the fabric’s Physical Properties in Marvelous Designer (MD) for such an intense dance simulation?</h1>When simulating intense movements in Marvelous Designer, I believe configuring the character body’s Friction values is just as important as the fabric’s physical properties. Especially when applying animation to a dressed character, these two elements heavily dictate how natural the final result looks.The choreography I worked on featured the fast, intense movements unique to K-POP. Using the default settings caused the clothing to flutter excessively or slide off the body unnaturally. To solve this, I increased the character’s Kinetic Friction value to prevent the outfit from slipping and sliding over the skin.Additionally, I lowered the character model’s Skin Offset below the default value, ensuring the garment didn't look unnaturally afloat but instead clung snugly to the body as if actually worn. These adjustments allowed me to achieve a much more stable and realistic garment simulation.<img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/494b72aedc3b4b7295bc5c8ab7a3b082Surface.png" alt="494b72aedc3b4b7295bc5c8ab7a3b082" class="custom-image original-size" data-id="494b72aedc3b4b7295bc5c8ab7a3b082" data-width="717" data-height="303"><h1>What features or workflows in MD did you utilize to resolve mesh clipping (collision) or twisting issues that can occur during choreography where arms and legs cross rapidly?</h1>I find that these issues often stem from the character animation itself. When replicating actual choreography, structural collisions or interpenetrations between meshes are bound to happen. Therefore, the priority is to first modify the animation phase to minimize mesh overlapping as much as possible.If issues still persist during the simulation despite that, I check whether the garment is draped correctly in the pre-simulation pose. If the initial setup is off, errors tend to carry over into the subsequent simulation.<img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/4f45277fbc12443bad4b097ee302e9bfCapture.png" alt="4f45277fbc12443bad4b097ee302e9bf" class="custom-image original-size" data-id="4f45277fbc12443bad4b097ee302e9bf" data-width="3840" data-height="2088">Lastly, I double-check the fabric’s physical properties, the character’s friction values, and the skin offset, resolving the errors by fine-tuning the numbers bit by bit based on where the problem occurs.<img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/b5d1433350e9420294fb35a6a6676581%E1%84%86%E1%85%AE%E1%86%AF%E1%84%89%E1%85%A5%E1%86%BC.png" alt="b5d1433350e9420294fb35a6a6676581" class="custom-image original-size" data-id="b5d1433350e9420294fb35a6a6676581" data-width="1123" data-height="4353"><h1>How did you adjust the garment’s weight or air resistance to make the character’s dance lines pop even more?</h1>The actual stage outfits from LE SSERAFIM’s 'Spaghetti' that I referenced were jumpsuits made of a lightweight, thin material that wrinkles easily. To replicate that specific texture, I focused on making the fabric’s physical properties as light and flexible as possible.While watching the actual music show performances to study how the clothes moved, I couldn't know the exact numeric values for weight or air resistance. Instead, I ran repeated simulation tests, constantly tweaking the values until the movement closely matched the reference.By meticulously tuning the physical properties based on real-world references, I focused on aligning the garment’s movement to naturally accentuate the character’s dance lines.<img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/98da2c058b2248ad82e0047a66ba3accCapture%281%29.png" alt="98da2c058b2248ad82e0047a66ba3acc" class="custom-image original-size" data-id="98da2c058b2248ad82e0047a66ba3acc" data-width="3840" data-height="2088"><img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/7f519904abb7402384b3f44ccc1ed60bCapture%283%29.png" alt="7f519904abb7402384b3f44ccc1ed60b" class="custom-image original-size" data-id="7f519904abb7402384b3f44ccc1ed60b" data-width="1401" data-height="1699"><img src="https://storagefiles.clo-set.com/public/community/202605/c93d0d5056ac4b87be5dfb853daa110f/images/5c6f7c45de9c4931b6eaf441010ef581LSF_Spaghetti_Still_00001.jpg" alt="5c6f7c45de9c4931b6eaf441010ef581" class="custom-image original-size" data-id="5c6f7c45de9c4931b6eaf441010ef581" data-width="1080" data-height="1920"><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/soohwan_art">Behance</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/ohso0hwan">Instagram</a>

Capturing Dynamic Movement: LE SSERAFIM’s 'Spaghetti' Choreography and Simulation

<h2 style="text-align: center">what am i doing wrong?</h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/tbuoUASF1sg?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>

📣 最新版 Marvelous Designer ショートカットガイドが登場 🎹

Marvelous Designer Official

Marvelous Designer Official

📣 最新版 Marvelous Designer ショートカット ガイドが登場 🎹

Marvelous Designer Official

Marvelous Designer Official

📣 最新版 Marvelous Designer ショートカットガイドが登場 🎹