I would like to create a down jacket with a Direct Down construction, where the insulation is subtly visible through the outer fabric.So far, I have tried building the garment using three separate layers: an outer shell, insulation, and lining. However, the result looks more like a foggy or hazy translucent material rather than the characteristic appearance of a Direct Down jacket. The ripstop texture, puckering gradients, and other fabric details also lose clarity because the opacity affects everything uniformly.I have a few questions:<ol><li>Would it be better to incorporate the appearance of the insulation directly into the Base Color map, rather than relying on actual transparency?</li><li>For the puckering around the quilted or stitched areas, would it be effective to create grayscale PNG masks and use them as Height, Normal, or displacement information to generate soft gradients?</li></ol>These are the two approaches I am currently considering.I would also like to know if there are any other methods that could achieve this effect more accurately. I'm open to using other software such as Substance 3D Designer, Substance Painter, Blender, Cinema 4D, Houdini, or any other tools if they provide a better solution.My goal is to recreate the distinctive appearance seen in garments such as C.P. Company D.D. Shell pieces, where:<ul><li>The ripstop texture remains clearly visible.</li><li>The insulation appears subtly visible beneath the fabric.</li><li>The puckering and quilting gradients are preserved.</li><li>The material does not simply look transparent or foggy.</li></ul>What techniques, workflows, shaders, texture setups, or material construction methods would you recommend for achieving this effect as realistically as possible?이렇게 안에 충전재가 비치는 다이렉트 다운공법으로 제작된 패딩을 제작하고싶습니다. 제가 시도 해보았던 방법은 "3개의 레이어로 각각 겉감/충전재/안감으로 구현을 하고자하니 뿌옇게 안개가 낀 느낌이고 퍼커링의 그라데이션 표현이나 립스탑 텍스쳐 표현도 같이 오퍼시티가 내려갑니다. 특유의 비친듯한 표현이 잘 안됩니다. " 제 질문은 1. 베이스 컬러맵 자체를 안의 충전재가 들어있는 듯한 느낌으로 가야할까요? 2. 퍼커링은 탑스티치를 png로 활용해서 그라데이션을 주는 방법으로 가야할까요? 제가 생각해본 방법은 이렇게 두가지인데 다른 방법들이 있다면 어떤 방법들이 있는지 전부 알고싶습니다. 타 소프트웨어를 활용하는 방법도 괜찮으니 구현가능한 방법에는 어떤것들이 있는지 알고싶습니다.<img src="https://storagefiles.clo-set.com/public/community/202606/deb699946b1b4154a4b409d01749c5fb/images/b7f97fb8f53542d8bf8587cb45821286a_52dcd4eccfb7497cbbfb2cc730f758b4.png" alt="b7f97fb8f53542d8bf8587cb45821286" class="custom-image original-size" data-id="b7f97fb8f53542d8bf8587cb45821286" data-width="1000" data-height="1075">

안에 충전재가 비치는 다이렉트 다운공법으로 제작된 패딩 구현

This outfit was created by <a href="https://connect.clo-set.com/portfolio/268658/collection/collections" target="_blank">[NAT-VIRTUAL]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/3789ba6b27324da8ab901744f9f76ae6" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

CONNECT x inZOI Conceptual Costume - Dress

Garment

Gender & Age

Women

Style

Outfits

Dress / Jumpsuit

Genre & Mood

Haute Couture / Avant-Garde

Medieval World / Fantasy

Structured Bodysuit

M Workwear Casual Outfit

Maia ★ Virgo

M Korean Military Uniform

M Leather Vest Jeans Set

F Striped Turtleneck Dress

F Pink Dress

M Layered Activewear Set

Midnight Rose Couture

Monochrome Lace & Tiered Ruffle Mini Dress

Pocketed Leather Bodysuit

Women's Cable Knit Flare Sleeve Cropped Sweater

modern bodycon roll-neck top 

Mirror Shard Corset

sailor collar ribbed mini dress

Peng Jun Kiat

아카데믹 챌린지

Traditional Costumes 3D Restoration

Championship Thread

Cut, Slash & Corset

Hi there CLO Team,I noticed there have been a few threads where people are asking how to export a CLO3D Avatar with a native CLO3D Animation including textures, and import the CLO3D Avatar with Animation and Textures into Blender.Also, here a CLO team member mentioned:<blockquote>-You can export an Alembic(OGAWA) to have the animation of the avatar + garment. Textures will be missing and you have to add them later in the 3rd party software.-You can export a gLTF 2.0 (GLTF) to have the garment animation + textures. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577">https://support.clo3d.com/hc/en-us/community/posts/4407342113945/comments/4407493415577</a></blockquote>I have tried to export a CLO3D Avatar with an applied Animation (via .mtn applied) as OGAWA (.alembic) file multiple times, but when importing the .abc file into Blender, unfortunately the exported 3D object doesn't come with unwrapped UV's and materials at all, so unwrapping becomes a very hard and tedious task if one wants to reuse the original textures. Please correct me if I am missing something.Therefore I was wondering if you have a tutorial video or advice on best practice how to solve this part "Textures will be missing and you have to add them later in the 3rd party software."?The alternative workflow that works for me would be to use an external animation via Mixamo as I've explained in this quick tutorial here:<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/p/DCrPyLGO7qC/">https://www.instagram.com/p/DCrPyLGO7qC/</a>I have an existing garment simulation with a native CLO3D Avatar Animation which I would like to keep, therefore I am asking before having to redo the process with the alternative workflow, going via Mixamo.Many thanks in advance and I'm looking forward to your feedback!

Export CLO3D Avatar Animation with Textures to Blender 4.0

Objective

inZOI

VRChat

<img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/660b3a73c733461aa615fc1b449aca18Main_Render_05_reduced.jpg" alt="660b3a73c733461aa615fc1b449aca18" class="custom-image original-size" data-id="660b3a73c733461aa615fc1b449aca18" data-width="3600" data-height="3600"> In part 1 of this series, I went over how I prepare my Marvelous Designer scene, set up my avatar and utilize poses to save my bind pose and simulate garments. In this section I will go over some of the techniques I used to create the hanging leather tasset for “Warrior of The East” project. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/45e75aa8c84b43fca757a55eb4d1b2a91.jpg" alt="45e75aa8c84b43fca757a55eb4d1b2a9" class="custom-image original-size" data-id="45e75aa8c84b43fca757a55eb4d1b2a9" data-width="4500" data-height="3272"> Before we begin, we will need the hanging tasset to be attached to another garment around the waist area of the character. To do this I created a basic rectangular pattern. Right click on the pattern and select Symmetric Pattern with Sewing. Adjust the pattern length to fit snug around the avatar’s waist. You can use measuring tape tool if you are unsure about the measurements and size of your avatar. Before simulating it is a good idea to increase the fabric’s friction to 99, which can be found under Fabric Property Editor Details. Friction makes the garment not slide off the surface of the avatar during simulation, the higher the value the more friction between the garment and the avatar. Once you have the fabrics simulated, select both patterns, right-click and choose Freeze. This will keep this fabric at its current position so we can use it as an anchor to hold the tasset pattern. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/beb4690cc03d4cd79f1b4e261fc0d1433.jpg" alt="beb4690cc03d4cd79f1b4e261fc0d143" class="custom-image original-size" data-id="beb4690cc03d4cd79f1b4e261fc0d143" data-width="3825" data-height="2074"> Next, we will trace the shape of the basic shape of the tasset using the Polygon Tool (H). Trace one half, then select the center edge, right-click and choose Unfold Symmetric Editing (With Sewing). Symmetric editing is very useful to create symmetric patterns quickly, you can always remove linked editing by right-clicking the center line on the pattern and choosing “Remove Linked Editing”, should you need to break symmetry. Next, select the side and bottom edges, right-click and select “Offset as Internal Line”. I used 4cm for the distance between the internal lines and pattern outline. Follow this up by enabling seam taping with 20mm width to the pattern outline. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/7b814dea31774e4395f13ca18a2c3eb34.jpg" alt="7b814dea31774e4395f13ca18a2c3eb3" class="custom-image original-size" data-id="7b814dea31774e4395f13ca18a2c3eb3" data-width="2116" data-height="2010"> Now it’s time to sew the top edge of the pattern to the frozen belt strap we created earlier. The best tool for the job is Free Sewing Tool or Press M. Duplicate the default Fabric and give it a color of your choice, increase the stretch weft/warp values and shower sheer in order to achieve a drape that resembles a thicker and heavier fabric. Let the simulation run and adjust the shape of the pattern in both 2D and 3D windows until you have the desired results. It is a good idea to reduce the particle distance from 20 down to 15-12 at this stage to have a cleaner simulation. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/422d8b658abf4bd380217cd08a024b0b3.5.jpg" alt="422d8b658abf4bd380217cd08a024b0b" class="custom-image original-size" data-id="422d8b658abf4bd380217cd08a024b0b" data-width="975" data-height="687"> At this stage I start to use add-points and add curve points tool to place new points and shape the Pattern to match my reference/concept art. It is very important to ensure that at this stage your base pattern shape is finalized and accurate to your concept, as in next few steps we will be cutting the patterns and start the detailing process. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/aee884d040ae44aa89ffaef2d693d7573.5.jpg" alt="aee884d040ae44aa89ffaef2d693d757" class="custom-image original-size" data-id="aee884d040ae44aa89ffaef2d693d757" data-width="3832" data-height="2081"> Now with the base layer in place, select the pattern, right-click and select Layer Clone. Select all internal lines on the cloned pattern, right-click and select “Cut and Sew”. Since I want the outer edge to be leather and the inner fabric to be a softer fabric, I created two additional fabrics, using a leather pre-set the outer edge and one of the cotton fabric pre-sets for the inner pattern. At this stage, we will simulate the outer layer and get it in place. Based on my reference and concept, I wanted the center fabric to have folds and wrinkles while the outer edge to have a thicker and more rigid read similar to leather. To achieve this, select the center pattern and adjust the weft and warp shrinkage values and simulate again, as seen in the image below. (Tip: it is a good idea to set the outer layer patterns to Layer 1 before simulation to ensure they do not sink through the base layer, but set the Layer back to 0 once simulation settles in) <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/924ec05fe72241789e643cbf74c0998d5.jpg" alt="924ec05fe72241789e643cbf74c0998d" class="custom-image original-size" data-id="924ec05fe72241789e643cbf74c0998d" data-width="3835" data-height="2074"> Now &nbsp;that we have a solid base to work with and our primary shapes are in place, it’s time to start the detailing process. First select the outer layer patterns and select edges where you’d like to have seams on, right-click and select “Offset as Internal Line” and set the value to how thick you’d like your seams to be. (Similar to the process mentioned earlier). Select both outer layer patterns and once again use the Layer Clone function. The leather part (Brown pattern in screenshot) needs to have its weft and warp shrinkage values increased to achieve the subtle folds across the surface. The center piece, we don’t want the whole area to be double layered, only want the seam along the edges to have a second layer of fabric stitched. To do this, select the internal lines of the cloned center piece, right-click, select Cut and Sew, then select the center area and delete that pattern. Now select all patterns and lower their particle distance before simulating. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/e026dd64e0d7413a8d62f4ec1a568c836.jpg" alt="e026dd64e0d7413a8d62f4ec1a568c83" class="custom-image original-size" data-id="e026dd64e0d7413a8d62f4ec1a568c83" data-width="3829" data-height="2079"> We are almost there! I wanted a slight bit of tension on the leather layer of the tasset where there will be stitching, as leather is generally a thicker fabric and requires larger stiches, there would naturally be a bit of tension on the surface where the seam would be. To do this, select all the internal lines of the second cloned layer, activate Elastic and adjust the values slightly, you do not want the elastic effect to be too strong here, I opted for 1.3 strength and 96 ratio. Reduce the particle distance as low as your PC can handle for the final simulation. In my case, based on my hardware and size of the patterns, I set particle distance to 4 for the final simulation. <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/02764d50e17d41c4803f82a16dbe4d667.jpg" alt="02764d50e17d41c4803f82a16dbe4d66" class="custom-image original-size" data-id="02764d50e17d41c4803f82a16dbe4d66" data-width="3829" data-height="2079"> This wraps up part 2 of this series. In the third and final part of this series I will go over my export from Marvelous Designer to Zbrush process, and my workflow inside Zbrush for preparing the Marvelous Designer garments for sculpting and detailing. For more renders and breakdowns of this project, please visit my Artstation : <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/sands">https://www.artstation.com/sands</a> <img src="https://storagefiles.clo-set.com/public/community/202603/7d6a190669094bde95bc15b964c4029c/images/7c651ed635ee401baeaf770efd92e772Main_Render_02.jpg" alt="7c651ed635ee401baeaf770efd92e772" class="custom-image original-size" data-id="7c651ed635ee401baeaf770efd92e772" data-width="5000" data-height="4500">

     The Making of “Warrior of The East” Part 2

Creator's contest 2025 Vol.1 SEIFUKU DECODED

Marvelous Designer

Creator's contest 2025 Vol.1 SEIFUKU DECODED

お知らせ

February 7, 2025, 12:00 AM UTC ~

提出

February 8, 2025, 12:00 AM UTC ~

評価

March 15, 2025, 12:00 AM UTC ~

結果発表

April 7, 2025, 12:00 AM UTC