FV2_Circular Ruched Dress

soohyunee0106

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<h2 style="text-align: center">Where cinematic atmosphere meets intricate costume detail. Discover how artists <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/Kinn_hj">Hyun-jong Kim</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/ohminji3">Min-ji Oh</a> brought inspiration from Dune to life using Marvelous Designer, revealing their collaborative workflow and secrets to achieving hyper-realistic cloth simulation.</h2><div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Ax346ZAUXUo" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Could you introduce yourselves?</h1>Hyun-jong Kim : Hello, I am Kim Hyun-jong, a 3D artist. I mainly work with Cinema 4D and Blender. Over the past two years, I have focused on learning Marvelous Designer and actively applying it to my personal projects. I enjoy creating cinematic visuals, so I have conducted various projects centered around that style.I have been working as a 3D artist for about five years. During this time, my work has been well-received, winning awards in various categories at the Rookies Awards, LACA, and the Motion Design Awards. These experiences have served as a strong foundation for refining the direction and quality of my work.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d2f02cb1dc3349ac985bcdf8c2ccbc89Eyes_of_Empire_Behind_3_GIF-ezgif.com-resize%20%281%29.gif" alt="d2f02cb1dc3349ac985bcdf8c2ccbc89" class="custom-image original-size" data-id="d2f02cb1dc3349ac985bcdf8c2ccbc89" data-width="700" data-height="296"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/1223dde8d89a41899c11032b00c9e08cEyes_of_Empire_thumbnail_1.png" alt="1223dde8d89a41899c11032b00c9e08c" class="custom-image original-size" data-id="1223dde8d89a41899c11032b00c9e08c" data-width="2560" data-height="1080"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/905612097?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>Min-ji Oh: I am Oh Min-ji, currently working as a 3D Asset Artist at 2grey. I started learning CG in earnest in 2018 to prepare for my career, and it has been about four years since I entered the industry. Originally, I aimed to be a generalist and experienced various parts of CG, but I felt particularly excited and enthusiastic whenever I worked on character modeling. I think that is why I naturally ended up pursuing the path of a modeler.I often use costumes as a key element to express a character's personality, and Marvelous Designer has been an indispensable tool in that process. As I continued working with Marvelous Designer from the beginning of my studies until now, my skills naturally improved, which led to the opportunity to join Hyun-jong's project.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/65062147414144d4a39876c97dbf2486Flea_Render_2.jpg" alt="65062147414144d4a39876c97dbf2486" class="custom-image original-size" data-id="65062147414144d4a39876c97dbf2486" data-width="3507" data-height="4962"><h1>Let’s discuss your recent project, ‘Mirage,’ created using Marvelous Designer. Where did you find inspiration for the concept, and what visual style were you aiming for?</h1><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/e74db7dabce54cbeb91c304dd50f92f0imgi_91_30892a232584561.68aefd17067b4.png" alt="e74db7dabce54cbeb91c304dd50f92f0" class="custom-image original-size" data-id="e74db7dabce54cbeb91c304dd50f92f0" data-width="1312" data-height="1800">The inspiration for creating 'Mirage' came after watching the movies Dune and Lawrence of Arabia. I was deeply inspired by the restrained depiction of vast deserts in both films and wanted to create a piece based on that motif.The overall narrative centers on the story of T.E. Lawrence dispatched to the Middle East during World War I, while the visual style was largely developed by drawing reference from Dune. For the costume design, I referenced traditional Bedouin attire to capture the Middle Eastern atmosphere, placing special emphasis on expressing the movement of the fabric fluttering in the wind.<h1>How did you utilize Marvelous Designer for this project? I’m also curious about the brief pipeline regarding how you integrated it with other tools.</h1>First, for character animation, we used data based on an AI motion capture tool where I acted out the necessary actions myself. For additional movements, we utilized Mixamo preset animations. Facial animation was created using the 'Move by Maxon' application. Afterwards, any awkward or jittery parts of the mocap data were polished using keyframe animation to ensure smooth movement.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/f9e74bf30d6142c5a6dd3ac211ee4eb9Mirage_thumbnail_2.png" alt="f9e74bf30d6142c5a6dd3ac211ee4eb9" class="custom-image original-size" data-id="f9e74bf30d6142c5a6dd3ac211ee4eb9" data-width="2560" data-height="1080">Once the animation was complete, we exported it as Alembic data to ensure stability during simulation and prepared to dress the character in Marvelous Designer.In the costume production phase, we focused our plan specifically on the detailed movements of the main character's turban and scarf. Since the entire outfit required simulation in the video, we determined the workflow by anticipating potential issues beforehand. With the turban, scarf, and clothing all needing to collide, simulating the turban itself proved to be quite unstable.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/524deca99d4b4c8fabb4682c2845b4d7Mirage_Behind_1.png" alt="524deca99d4b4c8fabb4682c2845b4d7" class="custom-image original-size" data-id="524deca99d4b4c8fabb4682c2845b4d7" data-width="1200" data-height="652">Therefore, we shaped the turban's natural wrinkles and form in Marvelous Designer first, but handled it through rigging rather than simulation. This allowed us to add significant details and extra wrinkles in ZBrush later.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d026a72210134411b90a1799e6c45dafimgi_411_d85329232584561.68b2ded6aa157.gif" alt="d026a72210134411b90a1799e6c45daf" class="custom-image medium-size" data-id="d026a72210134411b90a1799e6c45daf" data-width="600" data-height="253"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/cccc0c4db08f472eaab0993f6b9735b2imgi_492_f70e17232584561.68b06a2fc4cff-ezgif.com-resize.gif" alt="cccc0c4db08f472eaab0993f6b9735b2" class="custom-image original-size" data-id="cccc0c4db08f472eaab0993f6b9735b2" data-width="700" data-height="296">For the scarf, it needed to flutter in the wind and exhibit many wrinkles due to the material's nature. We adjusted the particle distance to a low value and frequently checked the physical properties by applying wind during the process. We didn't create the fluttering section as a single pattern; instead, we split it into two pieces to prevent the pattern from becoming unnecessarily large.Typically, after the Marvelous Designer stage, we import the model into ZBrush to add details like seams and fine wrinkles, and then to Substance Painter for additional weathering. However, since the base form needs realistic wrinkles, we spend considerable time in Marvelous Designer tweaking various properties until the wrinkles look authentic. For simulation optimization, we didn't perform separate retopology but instead adjusted the mesh style settings directly within Marvelous Designer.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/d7cff6e94ad047728d273349fe7eacb5Mirage_Behind_2.png" alt="d7cff6e94ad047728d273349fe7eacb5" class="custom-image original-size" data-id="d7cff6e94ad047728d273349fe7eacb5" data-width="1200" data-height="689">Regarding the simulation, the most critical element in the full-body shots was the form of the scarf fluttering in the wind. To achieve this, we conducted numerous tests, finely adjusting the physical property values set during the production phase. As a result, we set the military uniform to a relatively thick fabric, making it slightly heavier than the default properties, while the scarf was set to be thinner and lighter to create a clear distinction. This allowed the scarf’s movement to stand out even under the same wind intensity, enabling us to achieve the desired visual satisfactorily.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/85d9a2a2b8de4abfa410cb113a3b531aimgi_486_14123d232584561.68adc02a415c9-ezgif.com-resize.gif" alt="85d9a2a2b8de4abfa410cb113a3b531a" class="custom-image original-size" data-id="85d9a2a2b8de4abfa410cb113a3b531a" data-width="700" data-height="296">For specific shots, we also utilized Houdini alongside Marvelous Designer. The scene where the turban is pulled off by hand was handled by combining both tools appropriately. The part where the bottom of the turban is grabbed and pulled was created in Houdini, while the natural movement of the scarf underneath was simulated in Marvelous Designer.Finally, we combined the completed simulation data and character animation data into a single scene, proceeded with rendering, and finished with compositing in After Effects.<h1>Min-ji, you have also worked on numerous personal projects, and the expression of wrinkles in your character costumes is exceptionally detailed. Do you have any personal tips for creating realistic wrinkles?</h1><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/89fa3084761849e7b831ce7c3b31bf6dimgi_515_889f50232584561.689f1e643a07e.png" alt="89fa3084761849e7b831ce7c3b31bf6d" class="custom-image original-size" data-id="89fa3084761849e7b831ce7c3b31bf6d" data-width="1920" data-height="810"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/bed8ceec182846d78b4d4b20e7275bc0imgi_146_93ff1b232584561.689f36a3da361-ezgif.com-resize.gif" alt="bed8ceec182846d78b4d4b20e7275bc0" class="custom-image original-size" data-id="bed8ceec182846d78b4d4b20e7275bc0" data-width="648" data-height="810">I believe the greatest strength of Marvelous Designer lies in its ability to control physical properties in great detail. Therefore, I adjust specific parameters while carefully observing references of the desired fabric and lower the particle distance to capture natural wrinkles that are impossible to recreate by hand.While it is possible to sculpt wrinkles onto a rough form in ZBrush later, I believe achieving a solid base through Marvelous Designer’s accurate physical calculations results in a much higher level of realism.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/68baf64770d8414eb0d939fcf1346375imgi_144_fdc0ff232584561.689f2cb4cdd10-ezgif.com-resize.gif" alt="68baf64770d8414eb0d939fcf1346375" class="custom-image original-size" data-id="68baf64770d8414eb0d939fcf1346375" data-width="648" data-height="810">For neat, tailored clothing, I match the pattern lengths and seam lines exactly. However, to express the feeling of worn clothing or tension around seams, I often deliberately mismatch the lengths of connecting patterns.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/c22c7d3c571a4960a0f393d201b08ecf%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Render.jpg" alt="c22c7d3c571a4960a0f393d201b08ecf" class="custom-image original-size" data-id="c22c7d3c571a4960a0f393d201b08ecf" data-width="2480" data-height="3508"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/628e23c29db843ee96ee127d10a05c84%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_MD_1.png" alt="628e23c29db843ee96ee127d10a05c84" class="custom-image original-size" data-id="628e23c29db843ee96ee127d10a05c84" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/542bd063ffd74725a8fb4e5c45cc2075%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_MD_2.png" alt="542bd063ffd74725a8fb4e5c45cc2075" class="custom-image original-size" data-id="542bd063ffd74725a8fb4e5c45cc2075" data-width="3840" data-height="2160">For example, with the Hanbok and leather jacket I created for the character 'Chang Ki-ha,' I arbitrarily adjusted the pattern lengths of the Hanbok to highlight the aesthetic curves of the fabric folds. I made the sleeves longer than standard to allow for multiple layers of folding, creating richer wrinkles. For the pants, I created a significant difference in pattern lengths to achieve voluminous bunching just above the ankles.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/30ea498ec0f24a579f8c89293ff204db%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Sp_1.jpg" alt="30ea498ec0f24a579f8c89293ff204db" class="custom-image original-size" data-id="30ea498ec0f24a579f8c89293ff204db" data-width="2423" data-height="1210">Additionally, when a character poses, the volume or shape of the wrinkles sometimes doesn't look right. In such cases, I have occasionally modified the patterns—originally made in an A-pose—to better suit the specific pose. This approach is feasible, of course, because I am working on still images.<img src="https://storagefiles.clo-set.com/public/community/202512/80d4961da95048638f075d52a4b7af6b/images/8880c505b17740898b75bd876a2ecab9%E1%84%8C%E1%85%A1%E1%86%BC%E1%84%80%E1%85%B5%E1%84%92%E1%85%A1_Zbr_1.JPG" alt="8880c505b17740898b75bd876a2ecab9" class="custom-image original-size" data-id="8880c505b17740898b75bd876a2ecab9" data-width="2423" data-height="1210">Finally, although not shown in these images, when I want to depict stretched or worn-out fabric, I use the Steam tool to locally stretch or shrink areas to artificially generate wrinkles.<h1>If you are planning future projects using Marvelous Designer, in what direction would you like to expand your work?</h1>Hyun-jong Kim: Lately, I have been studying Blender as well as Cinema 4D, specifically researching workflows that integrate Blender and Marvelous Designer. Since Blender offers excellent compatibility with various other tools compared to Cinema 4D, I expect to find an even more efficient process than my current one. In terms of creative work, I am currently working on a light personal project inspired by the game The Last of Us, and I plan to actively utilize Marvelous Designer for this project as well.Min-ji Oh: Up until now, I have mostly focused on still images. However, I am currently planning a video project where I utilize Marvelous Designer's simulation features to make costumes flutter naturally in sync with the mood and music. While my previous works featured relatively simple clothing, my next project will feature a more flamboyant character. I intend to create an elaborate dress adorned with various decorations to match. I've heard that the latest versions of Marvelous Designer allow for much more detailed control over simulation features, so I am very much looking forward to my next piece!<h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/Kinn_hj">Hyun-jong Kim(Behance)</a></h1><h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/ohminji3">Min-ji Oh(Artstation)</a></h1>

Behind the Scenes of ‘Mirage’: Capturing the Desert Wind

purple

I just updated CLO today and it was not possible to export my Metahuman to Clo as skeletal Mesh nor Geometry Cache. Also for past versions the Metahuman does not longer export with Skeleton, so I cannot save the pose or joint motion in CLO. In past that was not a problem and I could easy make a transition from Base Pose to animation and back. Did the workflow changed or did I miss anything or might it even a bug? I´ve tried using Unreal Engine 5.6.1 with CLO 2025.1Many thanks in advance!

Live Sync is not exporting Avatar Clo 2025.1  Unreal Engine

12.Sheer Fabric/透け感素材

Freelancer

Designer

최근 고고학과 유전학의 발전에 따르면 고양이의 가축화는 기원전 7500년경 근동 지역에서 발생했다.<h1>Font22</h1><h1>일반적으로 집에서 키우는 반려동물이나 농장 고양이로 사육되지만, 사람과의 접촉을 피하여 야생 고양이로 자유롭게 돌아다니기도 한다.</h1>Font18인간은 우정과 해충을 죽이는 능력을 높이 평가한다. 접을 수 있는 발톱은 생쥐나 쥐 같은 작은 먹이를 죽이는 데 적합하다.튼튼하고 유연한 몸, 빠른 반사신경, 날카로운 이빨을 가지고 있으며, 야간 시력과 후각이 잘 발달되어 있다. 사회적 종이지만 고독한 사냥꾼이자 어두컴컴한 포식자이다. 고양이의 의사소통에는 야옹, 가르릉, 트릴링, 쉭쉭, 으르렁거림, 투덜거림과 같은 발성뿐만 아니라 고양이의 신체 언어도 포함된다. 작은 포유류가 내는 소리와 같이 인간의 귀에는 너무 희미하거나 너무 높은 주파수의 소리를 들을 수 있다. 페로몬을 분비하고 인식한다.<h1></h1><hr>구분점"고양이(<a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%ED%95%99%EB%AA%85">학명</a>:&nbsp;Felis catus 펠리스 카투스[<a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%9C%84%ED%82%A4%EB%B0%B1%EA%B3%BC:%EC%99%B8%EB%9E%98%EC%96%B4_%ED%91%9C%EA%B8%B0%EB%B2%95/%EB%9D%BC%ED%8B%B4%EC%96%B4_%ED%91%9C%EA%B8%B0_%EC%9B%90%EC%B9%99">*</a>])는 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%8B%9D%EC%9C%A1%EB%AA%A9">식육목</a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EA%B3%A0%EC%96%91%EC%9D%B4%EA%B3%BC">고양이과</a>에 속하는 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%ED%8F%AC%EC%9C%A0%EB%A5%98">포유류</a>이다. 집고양이의 기원은 약 1만년 전 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%A4%91%EB%8F%99">중동</a> 지역에서 스스로 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%88%B2">숲</a>속을 나와 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%82%AC%EB%9E%8C">사람</a>들이 모여사는 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EB%A7%88%EC%9D%84">마을</a>에 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%A0%95%EC%B0%A9">정착</a>하여 길들여진 <a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%EC%95%84%ED%94%84%EB%A6%AC%EC%B9%B4%EB%93%A4%EA%B3%A0%EC%96%91%EC%9D%B4">아프리카들고양이</a>(<a target="_blank" rel="noopener noreferrer nofollow" href="https://ko.wikipedia.org/wiki/%ED%95%99%EB%AA%85">학명</a>:&nbsp;Felis lybica)로 추측된다."<hr><h2 style="text-align: center">인용구 "고양이는 중세어 ‘괴’에서 왔다. ‘괴’가 ‘괴앙이’로 변했고, 이것이 ‘괭이’를 거쳐 오늘날의 ‘고양이’가 됐다."</h2>글쓰기볼드글쓰기Italic글쓰기밑줄왼정렬오른정렬가운데정렬<ol><li>번호1</li><li>번호2</li><li>번호3</li><li>번호4444</li></ol><ul><li>bullet1</li><li>bullet2</li><li>bullet3</li><li>bullet4444</li></ul><blockquote>blockquote1blockquote2blockquote3blockquote4444</blockquote><a target="_blank" rel="noopener noreferrer nofollow" href="https://test-connect.clo-set.com/community?postId=0ae01fd7342f49d39c51891d3fe938b6">하이퍼링크크크크</a><img src="https://storagefiles.clo-set.com/public/community/202504/965a48dbbbad435f9860421a4847cbf7/images/d2f7095f9797465c82d3eab701be4bbfKakaoTalk_20240725_095010782_01.jpg" class="custom-image hidden-thumbnail" data-id="d2f7095f9797465c82d3eab701be4bbf" data-width="736" data-height="1308">이미지원본<img src="https://storagefiles.clo-set.com/public/community/202504/965a48dbbbad435f9860421a4847cbf7/images/48439a77446c445eb2b40c6d7aafe8e3KakaoTalk_20240725_095010782_06.jpg" alt="48439a77446c445eb2b40c6d7aafe8e3" class="custom-image original-size" data-id="48439a77446c445eb2b40c6d7aafe8e3" data-width="960" data-height="1440">작게<img src="https://storagefiles.clo-set.com/public/community/202504/965a48dbbbad435f9860421a4847cbf7/images/22e603a4d4b0422cbfee7c8151286653KakaoTalk_20240725_095010782_06.jpg" alt="22e603a4d4b0422cbfee7c8151286653" class="custom-image medium-size" data-id="22e603a4d4b0422cbfee7c8151286653" data-width="960" data-height="1440">크게<img src="https://storagefiles.clo-set.com/public/community/202504/965a48dbbbad435f9860421a4847cbf7/images/0fcd9411e9ef400583a9a7a5df98249bKakaoTalk_20240725_095010782_06.jpg" alt="0fcd9411e9ef400583a9a7a5df98249b" class="custom-image large-size" data-id="0fcd9411e9ef400583a9a7a5df98249b" data-width="960" data-height="1440">

editedit live

This prototype dress has been developed using CLO 3D to visualize the final leather garment before creating the physical sample in leather. The design features a sleek, sleeveless silhouette with a deep V-slit neckline, giving it a modern and sophisticated look. The highlight of this piece is the intricate perforation pattern applied across the entire surface.The perforation has been carefully modified and positioned to create an artistic floral illusion, adding texture and visual interest to the garment while maintaining breathability and flexibility for the leather application. This perforation will be done using the COMEZ machine, ensuring precision and consistency in the final leather piece. This digital mock-up enables precise evaluation of the perforation placement, scale, and pattern alignment, ensuring a seamless transition from the virtual concept to the final leather material.Overall, this prototype demonstrates how CLO 3D can effectively support the design refinement process, optimizing pattern accuracy and perforation detailing before moving into physical sampling.<img src="https://storagefiles.clo-set.com/public/community/202507/1a7dce0118b844528b7f122caf7ca7cd/images/e68bab7636164dca8bbf52925cf6ba31PWA-SS25-2177%20DRESS%20FABRIC_Default%20Colorway_Custom_View_1.png" alt="e68bab7636164dca8bbf52925cf6ba31" class="custom-image original-size" data-id="e68bab7636164dca8bbf52925cf6ba31" data-width="1080" data-height="1920"><h2 style="text-align: center"><img src="https://storagefiles.clo-set.com/public/community/202507/1a7dce0118b844528b7f122caf7ca7cd/images/b9702e65972645a5aebc9ca7640fac66PWA-SS25-2177%20DRESS%20FABRIC_Default%20Colorway_Custom_View_3.png" alt="b9702e65972645a5aebc9ca7640fac66" class="custom-image original-size" data-id="b9702e65972645a5aebc9ca7640fac66" data-width="1080" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202507/1a7dce0118b844528b7f122caf7ca7cd/images/047dac4bce1b47f688025aebf38a85b6PWA-SS25-2177%20DRESS%20FABRIC_Default%20Colorway.png" alt="047dac4bce1b47f688025aebf38a85b6" class="custom-image original-size" data-id="047dac4bce1b47f688025aebf38a85b6" data-width="1080" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202507/1a7dce0118b844528b7f122caf7ca7cd/images/9c4a668efc4d43ebb76174be55d8e73ePWA-SS25-2177%20DRESS%20FABRIC_Default%20Colorway_Custom_View_4.png" alt="9c4a668efc4d43ebb76174be55d8e73e" class="custom-image original-size" data-id="9c4a668efc4d43ebb76174be55d8e73e" data-width="1080" data-height="1920"><img src="https://storagefiles.clo-set.com/public/community/202507/1a7dce0118b844528b7f122caf7ca7cd/images/a09fcbe154584987b18b2c53d00edce3PWA-SS25-2177%20DRESS%20FABRIC_Default%20Colorway_Custom_View_2.png" alt="a09fcbe154584987b18b2c53d00edce3" class="custom-image original-size" data-id="a09fcbe154584987b18b2c53d00edce3" data-width="1080" data-height="1920"></h2>

Perforated Blossom 

⚠️ Please Read Before Purchase✅ This is a Lucy accessory (requires Lucy base avatar)✅ PC-only (Quest unsupported)✅ Results may change if you change to a different shader.━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━🎨 About[Lucy_Hair_Bob_01] is a Lucy accessory for VRChat created by CONNECT Studio.This package contains only the accessory. You must have the Lucy base avatar package to use this accessory.✅ Fully rigged and ready to use✅ PhysBone support - hair ends sway and move dynamically✅ Bob hairstyle design✅ Multiple texture color variations (11 colors)✅ PC only / Quest unsupported━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📊 Model SpecificationsPolygons: △12402Blendshapes: NoneSpecial Features: PhysBone-enabled hair ends for dynamic sway and movementTexture Variations: 11 color options included━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📦 Included Files✅ FBX, Unitypackage, Textures (PNG - 11 color variations), ReadMe.txtTextures: PNG format (multiple color options)━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━⚙️ Requirements✅ Lucy base avatar UnityPackage✅ Unity 2022.3.22f1✅ VRChat SDK 3.10 or higher (Latest version via VCC recommended)✅ VRChat Creator Companion (VCC)✅ lilToon Shader✅ Modular Avatar━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📖 Installation &amp; Usage Guide🔗 Full Guide:- [KR] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide</a>- [EN] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide</a>- [JP] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide</a>⚠️ If you're new to Unity/VCC, please read the guide before installation!💬 Support and CommunityFor inquiries or feedback, please visit the CONNECT Community:CONNECT Community: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community">https://connect.clo-set.com/community</a>

[Lucy] Hair-Bob-01

Character

Lucy

Item Type

Accessory

Hair

Platform

[Manuka /マヌカ専用]スウィートリボンパジャマ/Sweet Ribbon Pajamas

.css-tva0ft{word-break:normal;overflow-wrap:anywhere;}[Lucy] Hair-Bob-01

[Lucy] Hair-Bob-01

[Lucy] Hair-Bob-01

[Lucy] Hair-Bob-01