<img src="https://storagefiles.clo-set.com/public/community/202603/16c0faac87214a33ba6142c72e5c4ace/images/56542b3974314bf38e576516f46f9a7aScreenshot%202026-03-02%20at%201.56.59%E2%80%AFPM.png" class="custom-image hidden-thumbnail" data-id="56542b3974314bf38e576516f46f9a7a" data-width="1360" data-height="1296">We recently sat down with Usha (UJ Designs), one of CONNECT’s top-performing sellers, to discuss how she turned 3D asset creation into a stream of passive income. She discovered CLO and 3D back in 2017, then started uploading her assets to CONNECT around 2023. When she found CONNECT, Usha realized that she only had to make a good design once for it to be reused and generate continuous value. She could use the platform to profit off her existing designs as well as use it as a portfolio website and attract clients. Our team noticed <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/7188/collection/collections">UJ Designs</a>’ success on the platform and couldn’t help but wonder what the secret behind her “success formula” was.&nbsp;In simple terms, she describes her formula as a combination of:Volume + Consistency, Trending Designs, Patternmaking + Technical Knowledge, Reasonable Pricing <h1>Volume + Consistency</h1>When she just started selling on CONNECT, Usha used her flexible schedule to upload up to five designs per day. Over the 2 years of constantly uploading, she has built a personal marketplace with over 650 assets. At first glance, 650 might sound like a lot but it’s what allowed Usha to stay relevant to buyers and generate continuous sales. Her CONNECT profile is neatly organized in different clothing categories and styles, making it easy to search and browse.&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202603/16c0faac87214a33ba6142c72e5c4ace/images/60a755f5335540e48dbd1567c30c6256Screenshot%202026-02-05%20at%202.11.10%E2%80%AFPM.png" alt="60a755f5335540e48dbd1567c30c6256" class="custom-image original-size" data-id="60a755f5335540e48dbd1567c30c6256" data-width="3320" data-height="1760"><h1>Trending Designs</h1>Usha taught herself digital patternmaking by watching YouTube videos and refined her skills by replicating trending designs she liked while window shopping. She mainly focuses on classic, easily customizable silhouettes, making her designs extremely appealing to both freelance designers and emerging brands.&nbsp;Aspiring designers who'd like to learn how to use CLO now can take in-depth courses on <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.cloacademy.online/catalog">CLO Academy</a> or refer to many resources on <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/@CLO3D">CLO YouTube</a> channel to jumpstart their own journey.&nbsp; <h1><img src="https://storagefiles.clo-set.com/public/community/202603/16c0faac87214a33ba6142c72e5c4ace/images/5cf4e0f2b95248d3aab6d69a5eca97fcScreenshot%202026-02-11%20at%205.02.23%E2%80%AFPM.png" alt="5cf4e0f2b95248d3aab6d69a5eca97fc" class="custom-image original-size" data-id="5cf4e0f2b95248d3aab6d69a5eca97fc" data-width="3354" data-height="1910"> Patternmaking + Technical Knowledge</h1>Before getting into freelancing, Usha worked in corporate fashion. Given her background in manufacturing and experience creating tech packs, her asset files come with a lot of crucial information and instructions like precise stitching placements, making it easier for the manufacturer to produce the garment. Using CONNECT’s 3D viewer, buyers can check the pattern inside out to confirm its functionality without needing to download the file and open CLO. <img src="https://storagefiles.clo-set.com/public/community/202603/16c0faac87214a33ba6142c72e5c4ace/images/11b05179c92e43acaa68adc2a7278dcdconnect_gif.gif" alt="11b05179c92e43acaa68adc2a7278dcd" class="custom-image original-size" data-id="11b05179c92e43acaa68adc2a7278dcd" data-width="434" data-height="250"><h1>Reasonable Pricing</h1>All of the points above combined helped Usha differentiate herself from other sellers and set her pricing comfortably without overcharging but still taking into account the effort and time that goes into the creation of a single functional design.&nbsp;<h2 style="text-align: center">“I realized that there are a lot of young designers out there who probably also want to start but do not possess a 3D skillset yet or just need a base to start. That’s why I also didn’t price my assets too high. They can buy them and just edit to use it for their clients. Add the client’s logo. Add the color. And then they can charge any amount they want.”</h2><h2 style="text-align: center"></h2><h1>The key to Usha’s approach</h1>Usha encourages designers to focus on building something sustainable. For her, CONNECT wasn’t about overnight success. It was about consistently showing up, refining her catalog, and treating her profile like a growing storefront.She also leveraged <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/connect.by.usha/">Instagram</a> to drive traffic and saw firsthand how visibility impacts sales. When she stopped posting, sales dipped, a reminder that even passive income benefits from ongoing attention. Her takeaway: build steadily, stay visible, and give your work time to compound.Whether you’re looking for high-quality 3D assets or ready to launch your own digital storefront, CONNECT is the place to be. Follow in Usha’s footsteps and start your journey today!Check out these articles on how to start <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/categories/44704952577561-Creating-Item">creating</a> and <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/45304331487769-Uploading-Items">uploading items</a> to CONNECT. Here’s a quick overview:&nbsp;&nbsp;<img src="https://storagefiles.clo-set.com/public/community/202603/16c0faac87214a33ba6142c72e5c4ace/images/f41a8cab41c149b396bded9d1e4ed46aScreenshot%202026-02-09%20at%203.55.46%E2%80%AFPM.png" alt="f41a8cab41c149b396bded9d1e4ed46a" class="custom-image original-size" data-id="f41a8cab41c149b396bded9d1e4ed46a" data-width="3404" data-height="2038"><ol><li>Create an account on <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/">https://connect.clo-set.com/</a> .</li><li>Click the “Upload” button in the top right.&nbsp;</li><li>Select “Store” from the marketplace type.&nbsp;</li><li>Upload your file and add the item title, description, tags, as well as supporting images.&nbsp;</li><li>Select the appropriate category.&nbsp;</li><li>Set your item price for basic and extended licenses.&nbsp;</li><li>Click “Upload”.&nbsp; </li></ol>Questions? Drop a comment below!

How UJ Designs Monetized Her CLO Designs and Now Earns Passive Income on CONNECT 

FV2 Denim Fit-and-Flare Dress

surfbeyond

Hey everyone!I just uploaded a new tutorial on YouTube where I show how to import a CLO3D animation into Unreal Engine 5.6 using Mixamo and the CLO LiveSync plugin. I go through the full workflow step by step with MetaHuman integration.You can watch it here: <a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/fDca-YTyKJk">https://youtu.be/fDca-YTyKJk</a> Hope it helps. Feel free to give me your feedback or ask any questions.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/fDca-YTyKJk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>#CLO3D #UnrealEngine #Mixamo #MetaHuman #DigitalFashion #CLOLiveSync #AnimationWorkflow

How to Import a Clo3D Animation into Unreal Engine 5.6 Using Mixamo

<img src="https://storagefiles.clo-set.com/public/community/202602/6796dca95285478e84e55cee952a4299/images/3bf5304ca7ab402caa2b9d97d98405d0HighresScreenshot00000.png" alt="3bf5304ca7ab402caa2b9d97d98405d0" class="custom-image original-size" data-id="3bf5304ca7ab402caa2b9d97d98405d0" data-width="2894" data-height="1628">Hello,For an event in London I created a small sequence in Unreal Engine using MetaHuman. Since I wanted to share my workflow with you.<img src="https://storagefiles.clo-set.com/public/community/202602/6796dca95285478e84e55cee952a4299/images/d0845af340fd41e39f18f5da44dee218holobox_preview.png" alt="d0845af340fd41e39f18f5da44dee218" class="custom-image original-size" data-id="d0845af340fd41e39f18f5da44dee218" data-width="761" data-height="1194"> In this tutorial, I walk you through my complete Mixamo → MetaHuman → CLO3D workflow inside Unreal Engine, step by step. No shortcuts, no missing links—just a clear pipeline you can actually follow. As a fashion designer transitioning into digital fashion using CLO3D and Unreal Engine, I built this workflow to solve the exact problems I struggled with: ✔ importing animations (Mixamo &amp; FAB Marketplace) ✔ retargeting to MetaHumans ✔ syncing garments from CLO3D<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/Kn3Fx_Igr3U?start=2" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>

Mixamo to Metahuman CLO LiveSync

<h1><img src="https://storagefiles.clo-set.com/public/community/202604/18b5b426d8be42da832d12cffec2dfa4/images/32b098532044470bbd0ac615a200c540CONNECT%20MetaHuman%20Thumbnail.png" class="custom-image hidden-thumbnail" data-id="32b098532044470bbd0ac615a200c540" data-width="1920" data-height="1920">Tailoring for MetaHumans Live Demo + Q&amp;A</h1>We all love the built-in CLO and Marvelous Designer avatars, but what if you’re looking for something a bit more customizable? That’s where our friends at Epic Games can help. We recently teamed up with the <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.metahuman.com/">MetaHuman </a>and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.unrealengine.com/">Unreal Engine</a> teams for a webinar exploring the full workflow—from creating a MetaHuman, importing it into CLO or Marvelous Designer, and bringing it all into Unreal Engine for use in your projects. Check out the full recording for a step-by-step demonstration of the process.<div data-youtube-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://www.youtube.com/embed/s1aP1kFyvKk?start=0" frameborder="0" allowfullscreen="" width="800" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Learn more about creating garments for MetaHumans</h1>Looking to learn more? We put together some resources to help you in your CLO to Unreal journey. Find out more about CLO, Marvelous Designer, MetaHuman, Unreal Engine, and the way they all work together!<h1>MetaHuman resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/documentation/unreal-engine/creating-parametric-clothing-for-fab">Creating Parametric Clothing for Fab </a>This step-by-step outline showcases the process of creating parametric (resizable) clothing assets for MetaHumans. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.fab.com/listings/98f7b49d-f5dc-45c4-b590-52dbb4f951c0"> MetaHuman Conform Topology</a>Download this free set of asset files to make custom characters you’ve sculpted fully compatible with the MetaHuman system. <h1>CLO and Marvelous Designer resources</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=VCKS0qEOJk0">CLO Quick Start</a>This step-by-step tutorial series will walk you through everything you need to kickstart your CLO journey.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=4Ubv8p8qTnE&amp;t=2291s">Pattern Drafter</a>This mini workshop demonstrates the steps to reverse-engineer a garment pattern using the Pattern Drafter.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=mSJLFcYUSTY&amp;t=734s">3D Pen</a>Learn about the updated 3D Pen that enables you to draw garment silhouettes around the avatar directly from the 3D space and instantly convert them into 2D patterns.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=QDaAGBd_Oc4&amp;t=164s">&nbsp;Style Line Tools</a>Watch this video to explore how to use the style line tools in CLO, also applicable to Marvelous Designer.&nbsp;<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/playlist?list=PLYQUdblF9eDXA3R44hr-wcr2lErnoU1_3">Marvelous Designer Quick Start</a>New to Marvelous Designer? This quick start guide will walk you through the basics of the software.<h1>Integrating CLO and Marvelous Designer with Unreal Engine</h1>Build out your garment design, simulation, and animation pipeline with these useful resources on combining the power of CLO and Marvelous Designer with Unreal Engine. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support.clo3d.com/hc/en-us/articles/53322960594969-CLO-to-MetaHuman-USD-Garment-Integration-Workflow">CLO to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the entire workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://support.marvelousdesigner.com/hc/en-us/articles/52699135975705-Marvelous-Designer-to-MetaHuman-USD-Garment-Integration-Workflow">Marvelous Designer to MetaHuman: USD Garment Integration Workflow</a>This guide outlines the workflow for exporting garments from Marvelous Designer as USD and integrating them with MetaHuman.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=t3GATippRqY">Marvelous Designer 2025.2: How to Import MetaHumans in DNA as Avatars</a>This short tutorial walks you through the process of importing a MetaHuman in DNA format to Marvelous Designer for use as an avatar. <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/categories/44704952678809-LiveSync">CLO/MD LiveSync manual</a>Get set up with LiveSync—a bridge that connects CLO and Unreal Editor (CLO LiveSync), or Marvelous Designer and Unreal Editor (MD LiveSync), with the aim of shortening workflows between these tools and Unreal Engine.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=CoYfZP5GEJM">Matt Workman’s Unreal Engine x Marvelous Designer tutorial</a>Learn how to send an animated MetaHuman from Unreal Engine 5.6 to Marvelous Designer, create and simulate clothing, and send the simulated garments back to Unreal Engine using the CLO / Marvelous Designer LiveSync 2 plugin.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=3Cp2ngrgEHo">My Exact CLO3D to Unreal Engine 5.7 Workflow</a>Discover how to move your CLO assets into Unreal Engine in this beginners’ tutorial by aschno. She covers everything from installation and plugins to UI navigation, target lighting, MetaHuman import, and CLO LiveSync integration.<h1>Using your assets in Unreal Engine</h1>Once you’ve decked out your MetaHuman in their new clothes, you can use Unreal Engine’s Chaos Cloth system to bring realistic cloth movement that responds to character motion, gravity, and wind. <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=IzmJnTnphBc">Chaos Cloth Demystified: A Practical Guide for Artists </a>In this session recorded at Unreal Fest Orlando 2025, we unlock the full potential of Chaos Cloth with an artist-friendly guide to creating a robust production-ready pipeline. <a target="_blank" rel="noopener noreferrer nofollow" href="https://dev.epicgames.com/community/profile/Gk/gozerKeymaster">Official documentation by Tim Brakensiek</a>Epic’s Tim Brakensiek has put together a number of tutorial videos that explore different Chaos Cloth workflows, from resizing outfits to fixing collision issues. Check them out. Artist Credit We’d like to extend a special thanks to the artists whose works we’ve shared in the webinar or in this resource list. Make sure to check out <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/aschno/">@aschno Anna Liedtke</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/reve.riola/">Riola</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/blockschmidt/">Blockschmidt</a>, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/orchidea3d/">Vesna Stawa | Orchidea3D</a>, and<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/cinematographydb/"> Matt Workman</a>.

Tailoring for MetaHumans: CLO and Marvelous Designer to Unreal Engine Live Demo

Im having trouble getting my Metahuman in Unreal 5.5.3 into CLO using LiveSync. This is the error I get: Anyone knows how to fix this?<img src="https://storagefiles.clo-set.com/public/community/202502/17249d97d69040a8a3c93c03c8470beb/images/08aca7b8dc3d47d7b96effe1d01398d1image_2025-02-28_130049229.png" class="custom-image original-size" data-id="08aca7b8dc3d47d7b96effe1d01398d1" data-width="842" data-height="632">

Getting unreal meta human into CLO error

<h2 style="text-align: center">3D artist Christopher Chui showcased his Hazmat Suit and Rina Tavik projects, highlighting Marvelous Designer's role in creating realistic fabrics like rubberized and puffer materials. Using tools like 3ds Max and Unreal Engine, he emphasized early testing, seam accuracy, and fabric layering.</h2><hr><img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/d55aa2d4a1f648d086a282ade7ada823x2_Closeup_Cinematic.000.jpg" class="custom-image original-size" data-id="d55aa2d4a1f648d086a282ade7ada823" data-width="3840" data-height="2160"><h1 style="text-align: center">Interview with Christopher Chui | <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/thehaberdasher">Realtime Hazmat Suit for Metahumans</a> | 3D Character Artist</h1><h1>Can you introduce yourself and your background as an artist?</h1>I’ve always been fascinated by cloth ever since my mum taught me how to sew. I’ve been using Marvelous Designer since its first version. Back then cloth was something that had to be sculpted in zbrush and you could definitely tell it wasn’t to the same quality. Since I started using MD I was constantly pushing how realistic and efficient the results could be. The software offers so much flexibility, letting you create garments through techniques like draping or cutting fabric directly from the body.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/a0486804e1ab41078fff3760c2618c1fCloseups_Seq.0124sdg.jpeg" class="custom-image original-size" data-id="a0486804e1ab41078fff3760c2618c1f" data-width="2560" data-height="1440"><h1>Could you introduce your projects that you’re showcasing to Marvelous Designer community today and what inspired it?</h1><img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/3d5c6b6acf074a6399f3a66993424e80x3_Cinematic_001.jpg" class="custom-image original-size" data-id="3d5c6b6acf074a6399f3a66993424e80" data-width="3840" data-height="2160"><img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/e4dd1e36c47842b89d7f6ad6d8091564MainImage_NoText.jpg" class="custom-image original-size" data-id="e4dd1e36c47842b89d7f6ad6d8091564" data-width="1920" data-height="1080">The two projects I’m showcasing are the Hazmat Suit and Rina Tavik. Both were inspired by the challenge of working with complex fabrics. For Rina, I wanted to experiment with puffer jacket materials, while the Hazmat Suit was an opportunity to tackle rubberized fabric. It was also important for both pieces to show how the fabrics react to straps and belts, emphasizing the compression which is typically hard to do in 3D which MD is perfect for.<h1>What made you choose Marvelous Designer, and how did it support your artistic vision?</h1>Speed is critical when iterating on a design and Marvelous Designer is perfect for that. One of my favourite tools is the Line (Avatar) and Flatten feature, which lets you draw lines on a surface (avatar) and peel off a flattened layer of fabric. This quickly provides a base to begin planning out elements on your garment.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/fabd86b4994b4beb838f274c53c34117Avatar.jpg" class="custom-image original-size" data-id="fabd86b4994b4beb838f274c53c34117" data-width="2388" data-height="1343">To get the best results, I smooth out the crevices and surface details on the avatar, as they can affect the flattening process. For the Hazmat Suit, I used this technique to create a torso garment, planned the harness placement, and cut away excess fabric to form a perfect base.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/da5eaf75747145e19fa8898d6bd1b687Hazmat.jpg" class="custom-image original-size" data-id="da5eaf75747145e19fa8898d6bd1b687" data-width="2170" data-height="836">For Rina Tavik, I encountered stretching issues with the torso piece. To fix this, I imported a custom-shaped geometry as an avatar, used the Line and Flatten tool, and created a relaxed base that matched the intended shape exactly. This method ensures a clean and precise starting point for garment construction.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/28d79cacb99f4a62ab7de9171fe07ac0Rinatavik.jpg" class="custom-image original-size" data-id="28d79cacb99f4a62ab7de9171fe07ac0" data-width="2170" data-height="836"><h1>Could you provide an overview of the tools and techniques you used in your workflow?</h1>I start by concept designing the cloth in Marvelous Designer focussing on silhouette and overall proportion. I then use 3ds Max and Hyper3D.ai for kitbashing objects and hardsurface elements. For both projects, I employed a two-layer cloth technique: a thicker bottom layer (like cotton canvas) and a lightweight nylon top layer with larger weft and warp settings for finer wrinkles. I refine the cloth in MD, reducing particle distance to 5 or less for detailed wrinkles. The hard surface elements and the low poly are created in 3ds Max, with clean baking in Marmoset using multiple bake groups. Finally, I texture in Substance Painter and test the look in Unreal Engine.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/11ff46f4ecfc4b34a481610ab05290ddShrinkage.jpg" class="custom-image original-size" data-id="11ff46f4ecfc4b34a481610ab05290dd" data-width="2519" data-height="1448"><h1>What challenges did you encounter while working on this project, and how did you overcome them?</h1>Seams are one of the biggest challenges, as they’re often overlooked but are crucial for capturing the character of the fabric. To get them right, I add multiple internal lines with angle folds to achieve the correct thickness and shape. Using references is essential here, replicating the real-life look of seams makes a huge difference, as you can see in the leather bags for Rina Tavik.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/ceeaa06dfbc74ee1961bcf8801235dabFoldAngles.jpg" class="custom-image original-size" data-id="ceeaa06dfbc74ee1961bcf8801235dab" data-width="2104" data-height="644"><img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/64f0bab3918b494a9141abc417becb6aBag.png" class="custom-image original-size" data-id="64f0bab3918b494a9141abc417becb6a" data-width="2097" data-height="1392"><h1>What advice would you give to other artists integrating Marvelous Designer into their Unreal Engine workflows?</h1>Import your model into Unreal as early as possible to check its form and how the surfaces look in the engine. This will guide your decisions when finalizing the cloth in Marvelous Designer. Making adjustments after baking is much more time-consuming, so catching issues early will save you a lot of effort.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/f844122115954ed4abc5aed53c131d58x2_Detail_Studio_Closeups_2.jpg" class="custom-image original-size" data-id="f844122115954ed4abc5aed53c131d58" data-width="1920" data-height="1080"><h1>How would you describe your overall experience using Marvelous Designer for this project?</h1>Marvelous Designer is essential for all my characters. I rely on it heavily for both the concept phase and adding intricate details. Its speed allows me to experiment with silhouettes and shapes easily before finalizing a design, making it an invaluable tool for creating complex characters.<img src="https://storagefiles.clo-set.com/public/community/202501/a8bac8f22eea45f583e812955b5987e9/images/215e1a68e23e4167a7d86be660538093MainThumb2.jpg" class="custom-image original-size" data-id="215e1a68e23e4167a7d86be660538093" data-width="3840" data-height="2160"><h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.artstation.com/thehaberdasher">Link to Artstation</a></h1>

Hazmat Suit and Rina Tavik

Collection A

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服装3D+AIGC商用

K-pop 视觉宇宙的幕后推手：顶尖 VFX 工作室“ORB HAUS”访谈录

Woven Styles

Gender & Age

Style

Genre & Mood

Objective

inZOI

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Garment

<h1 style="text-align: center">Are you getting these alerts when importing your custom avatar?</h1><img src="https://storagefiles.clo-set.com/public/community/202502/12dc15957be44852b7ec66959a774353/images/596ac93da385443299075c073c4fbd0eimage.png" class="custom-image original-size" data-id="596ac93da385443299075c073c4fbd0e" data-width="1953" data-height="511">"Arrangement points were not fitted to the avatar. The avatar must be in a T-pose or A-pose."Or "Fitting Suit cannot be created. The avatar must be in a T-Pose or A-pose"There can be a lot of reasons that you might see these errors. First, always best check the "Best Practice Checklist" below and see if it matches what you have so far!Best Practice Checklist for Importing Avatars<ul><li>Avatar is 1 mesh body</li><li>Avatar has closed geometry (no holes)</li><li>Avatar is 1,200-2,000 millimeters tall</li><li>Avatar is in an A-Pose</li><li>Avatar has 2 arms, 2 legs, 1 head</li><li>Importing a OBJ or FBX file type</li><li>Correct normal direction (normals facing outward)</li></ul>After double checking (or not, it will be covered in the flowchart) we can move onto the flow chart.<img src="https://storagefiles.clo-set.com/public/community/202502/12dc15957be44852b7ec66959a774353/images/c39f3d2fe4514096ad22d1d1f3266a9dimage.png" class="custom-image original-size" data-id="c39f3d2fe4514096ad22d1d1f3266a9d" data-width="891" data-height="1121">If you are stuck or end up in the "contact support" portion. Make sure to contact the software support team of the software you are using: <ul><li>For Marvelous Designer: <a target="_blank" rel="noopener noreferrer nofollow" href="https://marvelousdesigner.com/support/contact">https://marvelousdesigner.com/support/contact</a></li><li>For CLO: <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.clo3d.com/en/support">https://www.clo3d.com/en/support</a></li></ul>

Troubleshooting: Auto Fitting and Arrangement Points

This outfit was created by <a href="https://connect.clo-set.com/portfolio/271693/collection/collections" target="_blank">[Javad Hashemi]</a> and is compatible with the inZOI Mod. The original work can be found at: <a href="https://connect.clo-set.com/detail/44f5545ad2554b82b7585484a98bbcf1" target="_blank">[Link]</a> **Limited-Time Offer: This asset is only available during the contest period. [File Contents] Mod Package File [How to use] Download and extract the files. Then, copy the extracted folder to the following directory: Documents\inZOI\Mods For a detailed guide, please refer to the link below. <a href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1" target="_blank">https:&#x2F;&#x2F;shaded-guilty-011.notion.site&#x2F;inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

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i love this coat<img src="https://storagefiles.clo-set.com/public/community/202412/a6ee6485b94b47738a3b8a99bb000c38/images/50f3f7e0ba1d4a91b466ecfad3287454c157_Default%20Colorway_Custom_View_2.png" class="custom-image original-size" data-id="50f3f7e0ba1d4a91b466ecfad3287454" data-width="2000" data-height="2000">

look at this :)

How UJ Designs Monetized Her CLO Designs and Now Earns Passive Income on CONNECT

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CONNECT Official