Collection A

<h2 style="text-align: center">The whole process of creation is entirely changed by using Marvelous Designer</h2><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/046f29a6c42c459a95ab9337ba0ccae0030ecf5bc9e0406c9fd5ea5cdd4e4648.jpg" class="custom-image original-size" data-id="046f29a6c42c459a95ab9337ba0ccae0" data-width="1180" data-height="610"><h1>Interview with Kojima Production | METAL GEAR SOLID V</h1><hr><h1>Can you briefly introduce yourself?</h1>I have been a part of Kojima Productions since MGS 4, and I have been in charge as the character lead for MGSV. I oversee the overall character creation process from schedule management for the department, decision making of the character spec, organizing the workflow, outsourcing management, quality improvement process and so on.<h1>Which features do you think provide Marvelous Designer with a powerful advantage in comparison to other clothing simulation tools when you were using it for the “MGS5” project (NextGen)?</h1>Virtual representation of clothing has always been a big challenge in the area of modeling. We have been widely researching from multiple cloth simulation tools to 3D scanning system, but Marvelous Designer was the only product to fully meet our requirements from quality, functionality, speed, and data compatibility. The most powerful advantage I would say is the overall features.<h1>Which features do you think provide a powerful advantage for Marvelous Designer comparison to other clothing simulation tools?</h1>Any features needed for game development and CG features creation. I specifically would like to see quad polygon implemented.<h1>Would you recommend Marvelous Designer to a CG artist and why?</h1>Yes, definitely. The whole process of creation will be entirely changed by using Marvelous Designer. There's no reason not to use it.<img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/6a6455405d7d4c379df054c518c703b9md_cases_metal5_004.jpg" class="custom-image original-size" data-id="6a6455405d7d4c379df054c518c703b9" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/218e7ef638174d05b78b297621ed2ce6md_cases_metal5_002.jpg" class="custom-image original-size" data-id="218e7ef638174d05b78b297621ed2ce6" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/3c2555df2af74a88938f10c73a9b743dmd_cases_metal5_005.jpg" class="custom-image original-size" data-id="3c2555df2af74a88938f10c73a9b743d" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/90a49adb6d394bcaa445b78e17eaedf7md_cases_metal5_006.jpg" class="custom-image original-size" data-id="90a49adb6d394bcaa445b78e17eaedf7" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/2cc7de2e63df4dddb8deeaec110715f4md_cases_metal5_008.jpg" class="custom-image original-size" data-id="2cc7de2e63df4dddb8deeaec110715f4" data-width="1180" data-height="610"><img src="https://storagefiles.clo-set.com/public/community/202501/e1395620e8f74d8b83b29304bf31717c/images/57e8f212af1643d3b4040821bb33e2b3md_cases_metal5_007.jpg" class="custom-image original-size" data-id="57e8f212af1643d3b4040821bb33e2b3" data-width="1180" data-height="610">

METAL GEAR SOLID V

[Lucy] hoes AnkleBoots

The Duchess

sepidehojaghi0816

Sleeveless Hoodie with Layered Skirt

Sleeveless Hoodie Layered Skirt 

Garment

Gender & Age

Women

Style

Outfits

Skirt

T-shirt

Genre & Mood

Daily Casual

Others

Bree ★ Taurus

The Sophomore Escape

Sweet Lace-Up Denim Set

Structured Bodysuit

Literature Club Fit #BackToSchool #CONNECTxinZOI

Inzoi_Last_Dance_AI_04

Inzoi_Last_Dance_AI_06

M Layered Activewear Set

Je Porte Jéjjuvele

<img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/1b0256bd719d4efe827746b40c9a4ae9Thumbnail.jpg" class="custom-image hidden-thumbnail" data-id="1b0256bd719d4efe827746b40c9a4ae9" data-width="2113" data-height="2113">Hi there, today I will share my process work for creating the clothes for this Fantasy Adventurer piece. A large part of this process was done using Marvelous Designer, which allows for the quick creation of complex and believable looking folds.<img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/c63dd659e0374c009ed8581e98108861Render.jpg" alt="c63dd659e0374c009ed8581e98108861" class="custom-image original-size" data-id="c63dd659e0374c009ed8581e98108861" data-width="3840" data-height="2160"> The first step in creating the clothing for me is to find references that inspire the clothes I'm about to make. I then make a quick sketch in zbrush to see if I like the concept for the clothing (important especially if the clothing is made up), and once I'm happy with the idea, I begin to blockout the simpler volumes in Zbrush on top of my body mesh. This can be done via classic modeling techniques or sculpting. The important part is that the volumes fit the body and are separated using polygroups, which will determine where the seams are. I tend to make a blockout with dynamesh and slice groups, then Z-remesh until I get a simple model that can be Unwrapped. I use the UV master with the polygroups feature turned on so it splits the UVs at the seams. <img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/93f7f800faa444c5b64fed2083ad6207References.JPG" alt="93f7f800faa444c5b64fed2083ad6207" class="custom-image original-size" data-id="93f7f800faa444c5b64fed2083ad6207" data-width="2947" data-height="1399"><img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/1eb1b8364a5d4fd280a7761d553d764f1st.jpg" alt="1eb1b8364a5d4fd280a7761d553d764f" class="custom-image original-size" data-id="1eb1b8364a5d4fd280a7761d553d764f" data-width="3184" data-height="1737"> The next step is to send this model to a 3D package like Maya or Blender and cleanup the UVs so that the seams are accurate, and the UV islands are relaxed and rotated correctly to represent the clothing patterns. At this point I will export the meshes as .obj files and import them into Marvelous Designer alongside an avatar. <img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/8ea6a0264367426994f651a1860d82e02nd.jpg" alt="8ea6a0264367426994f651a1860d82e0" class="custom-image original-size" data-id="8ea6a0264367426994f651a1860d82e0" data-width="4001" data-height="3529">When in Marvelous Designer, for the clothing, I go to import OBJ and set the Load type to Add, then Object type to Load as Garment, and check Trace 2D patterns from UV map. At this point there should be clothes placed on top of the avatar with the 2D pattern representing the UV map generated. This method gives me a quick head start, and I can skip most of the measuring process for the base pattern. The next step is to re-create what was imported by tracing it in the 2D window, so I get a really clean pattern with proper curvature points, nice angles, and seamlines that connect properly. Some things like gathers and pleats cannot be derived from a block-out that comes from Zbrush, so that has to be added in MD. <img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/db5e540057d84c00a37b99b4acdc7d6e3rd.jpg" alt="db5e540057d84c00a37b99b4acdc7d6e" class="custom-image original-size" data-id="db5e540057d84c00a37b99b4acdc7d6e" data-width="4441" data-height="1874"> <img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/a3468ca6c0db40a2becd14f61b3c14384th.jpg" alt="a3468ca6c0db40a2becd14f61b3c1438" class="custom-image original-size" data-id="a3468ca6c0db40a2becd14f61b3c1438" data-width="3018" data-height="1750"> For this pattern I added some strip on the collar that is longer than the length of the collar, which creates the ruffled effect, similar to the upper sleeves where it meets the elbow cuffs. I also made the buttoned elbow cuff area a double-sided pattern that sews onto itself to create the thicker, more wrinkly, padded look.<img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/faf8039accca433b90da638ba8d30e415.5th.JPG" alt="faf8039accca433b90da638ba8d30e41" class="custom-image original-size" data-id="faf8039accca433b90da638ba8d30e41" data-width="3206" data-height="1655"> Next, I finalized the look by giving the sewing lines that I want to be represented as seamlines in the high poly a fold angle of 360 degrees. This pushes in the pattern at the seams so that it has 3D form which is visible once we bring this model back into Zbrush.<img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/66375d6ee5194ffe9c8fffa4220aea975th.jpg" alt="66375d6ee5194ffe9c8fffa4220aea97" class="custom-image original-size" data-id="66375d6ee5194ffe9c8fffa4220aea97" data-width="1784" data-height="1325"> Moreover, for my particular character design, I wanted the belt strap from the shoulder armor to interact with the blouse, so I imported an OBJ of a one-side, simplified version the strap that has its faces in the direction of the sleeves. The direction of the face normals for this avatar determine whether the clothes will be pushed in or be pulled on top of it. Lastly, I created the coin purse bag in MD, and it was a simple patter I found online, and the main thing to take note is that the gravity of the scene can be turned off for an easier simulation. For the part of the bag that is tied, I made the seams have an elastic, and the top of the bag has seam taping to make it seem more structured and less flimsy.<img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/4015c38750c14cba90b9c97195e9d4c26th.jpg" alt="4015c38750c14cba90b9c97195e9d4c2" class="custom-image original-size" data-id="4015c38750c14cba90b9c97195e9d4c2" data-width="2949" data-height="1375"><img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/d9839a57dcfa4f9d8c7480524d63a32c8th.jpg" alt="d9839a57dcfa4f9d8c7480524d63a32c" class="custom-image original-size" data-id="d9839a57dcfa4f9d8c7480524d63a32c" data-width="2661" data-height="1521"> Once I'm ready to export the clothes out of MD, I go to File- Export- FBX, then I make sure the settings are set to Single Object, Unweld, Thin, and Unified UV Coordinates. For the topology, I like to keep it triangulated since I find that the forms are more accurate and detailed than when turned into quads. I will then import the clothes into Zbrush. <img src="https://storagefiles.clo-set.com/public/community/202607/f2b91008ed7942fb892d0a626d2c9fb5/images/7f3c6dfdc97e48ac9bda1a71e45769667th.jpg" alt="7f3c6dfdc97e48ac9bda1a71e4576966" class="custom-image original-size" data-id="7f3c6dfdc97e48ac9bda1a71e4576966" data-width="2545" data-height="1846">

inZOI - CONNECT Gamewear | CAZ 高质量数字服装

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