Gender & Age

Style

Genre & Mood

Objective

inZOI

VRChat

Garment

Casual Set

chindia.24ft

Collection A

This outfit was created by <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/portfolio/540685/collection/collections">[SEOULSOUL]</a> and is compatible with the inZOI Mod. The original work can be found at: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/detail/bea4d4e6a6534ba2a16edc32f8006fa7">[Link]</a> [File Contents] Mod Package File [How to use] For a detailed guide, please refer to the link below. <a target="_blank" rel="noopener noreferrer nofollow" href="https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1">https://shaded-guilty-011.notion.site/inZOI-User-Guide-for-the-Mods-Package-23e4bf91ad5580ba8778da88ea12a3c1</a> --- Use of Gamewear Items is permitted solely for your personal gameplay within inZOI. Any form of distribution or redistribution of Gamewear Items, whether for commercial or non-commercial purposes and whether paid or unpaid, on any platform other than inZOI is strictly prohibited.

Look_05

Women

Outfits

Pants

T-shirt

Sports

Streetwear

M Panelled Street Tracksuit Set

Structured Bodysuit

elegant prom set-windows

Scarlett ★ Scorpio

M Workwear Casual Outfit

Literature Club Fit #BackToSchool #CONNECTxinZOI

The Wild Legacy

M Tshirt Denim Pant Set

时尚高端女装

<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/b656dbd45e804715beb52bc660ce88ec%E1%84%8A%E1%85%A5%E1%86%B7%E1%84%82%E1%85%A6%E1%84%8B%E1%85%B5%E1%86%AF.png" class="custom-image hidden-thumbnail" data-id="b656dbd45e804715beb52bc660ce88ec" data-width="1920" data-height="1080"><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1159073351?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><h1>Motion Graphic Designer, Hyeonpyo Lee</h1><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.behance.net/gallery/242975231/Porter-Brand-Promotion-Film">Behance </a> <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.instagram.com/hyeon_pyo_/">Instagram</a><h1>Could you provide a short introduction and describe your current professional focus?</h1>Hi, I’m Hyunpyo Lee, a 3D motion graphic designer. I specialize in articulating brand philosophies by weaving visual metaphors into compelling stories. My current creative direction involves transcending literal descriptions of product structures to reconstruct them as a unique world-building experience.<h1>Project Introduction: What is the concept and creative intent behind the ‘Porter Brand Promotion Film’?</h1><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1175192531?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div><div data-vimeo-video="" style="padding:56.25% 0 0 0; position:relative;"><iframe src="https://player.vimeo.com/video/1175190910?#t=0" frameborder="0" allowfullscreen="" width="800" allow="autoplay; fullscreen; picture-in-picture; clipboard-write" style="position:absolute; top:0; left:0; width:100%; height:100%;"></iframe></div>The foundation of this project is the core philosophy of the Japanese bag brand, Yoshida Porter: “Heart and Soul in Every Stitch.”A bag is an object brought to life through the harmonious assembly of diverse parts and structures. I believed that reinterpreting these functional elements as a living, natural ecosystem could give birth to a compelling narrative.To realize this vision, I constructed a world where the bag’s components—zippers, clips, fabrics, and D-rings—are transformed into living organisms or elements of nature. For example, zippers are depicted as bioluminescent fireflies navigating the dark, fabrics soar through the sky like birds, and metal clips glide through the water like fish.By portraying these distinct entities living in their respective environments before eventually converging into a single bag, I aimed to metaphorically express the brand's intricate structure and meticulous craftsmanship. Rather than focusing on a direct product showcase, this brand film was designed to visually capture the "journey" of the elements that together define the essence of the bag.<h1>What was the decisive factor in choosing Marvelous Designer, and what specific challenges (e.g., garment simulation, realism) did it help you solve in this project?</h1>The primary reason was to accurately capture the natural physical properties and structural integrity of fabric during the bag-making process.For the scenes where the bag is being constructed, I wanted the patterns and sewing structures to be represented just as they are in real-world garment manufacturing. It was crucial that the process—being cut from patterns and stitched together—looked convincing and authentic, rather than appearing as a simply modeled piece of cloth.<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/1e73bf7480aa4e0c9a9cf4b9a7ba657401.png" alt="1e73bf7480aa4e0c9a9cf4b9a7ba6574" class="custom-image original-size" data-id="1e73bf7480aa4e0c9a9cf4b9a7ba6574" data-width="2560" data-height="1401"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/8834b94026c845728c43a35b3de6099802.png" alt="8834b94026c845728c43a35b3de60998" class="custom-image original-size" data-id="8834b94026c845728c43a35b3de60998" data-width="2560" data-height="1392">Because Marvelous Designer allows for the direct implementation of this pattern-based construction, it was exceptionally effective for:<ul><li>Bag Pattern Creation</li><li>Fabric Simulation</li><li>Representation of Sewing Structures</li></ul>As a result, I was able to achieve natural wrinkles, tension, and intricate stitching details that would have been difficult to create through conventional modeling alone. This significantly enhanced both the realism and the overall quality of the production scenes.<h1>Technical Workflow: How did Marvelous Designer integrate into your overall pipeline (including other tools)? Do you have any tips or precautions regarding data export?</h1>The overall pipeline was structured as follows:Marvelous Designer → Cinema 4D → Octane Render → After EffectsI began by creating the bag patterns and configuring the sewing structures within Marvelous Designer, completing the primary form through fabric simulation. The results were then exported as Alembic (.abc) files and imported into Cinema 4D. There, I integrated hardware parts and other 3D elements before proceeding with animation and lighting.During the export process, I found a few key points to be essential:First, managing mesh density is crucial. Using the simulation results as-is can lead to excessively high polygon counts. Therefore, it was necessary to optimize the mesh density to ensure smooth performance in subsequent stages of the pipeline.Second, properly managing the "Layer" settings in Simulation Properties is vital. In Marvelous Designer, designs often involve overlapping patterns or polygons. Depending on the Layer values, you may encounter issues like mesh penetration or clipping during simulation. Strategically assigning Layer values—carefully considering which pattern sits on top and which sits beneath—was fundamental to achieving a stable and clean simulation.<img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/ec88e73b9a2b4317a967d1fbc25ebc09layer-02.png" alt="ec88e73b9a2b4317a967d1fbc25ebc09" class="custom-image original-size" data-id="ec88e73b9a2b4317a967d1fbc25ebc09" data-width="2552" data-height="992"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/e67ad8d7861245f2bc4f9319a6ea75d4layer-01.png" alt="e67ad8d7861245f2bc4f9319a6ea75d4" class="custom-image original-size" data-id="e67ad8d7861245f2bc4f9319a6ea75d4" data-width="2550" data-height="993"><img src="https://storagefiles.clo-set.com/public/community/202603/883ac020cb3d45a3973bbab96029ccdd/images/a8ce67b957a64ee684a5f355479b4986layer-03.png" alt="a8ce67b957a64ee684a5f355479b4986" class="custom-image original-size" data-id="a8ce67b957a64ee684a5f355479b4986" data-width="2555" data-height="992">By following these steps, I was able to utilize the fabric assets created in Marvelous Designer reliably within the Cinema 4D environment.<h1>What do you feel are Marvelous Designer's distinct advantages compared to other 3D tools? Was there a specific feature that impressed you most during your work?</h1>In my view, the greatest strength is the seamless synergy between pattern-based creation and physical simulation.While many conventional 3D tools rely on sculpting fabric shapes or adjusting them through post-simulation, Marvelous Designer centers the entire workflow on designing actual patterns and sewing them together—mirroring real-world garment manufacturing. The Sewing feature, in particular, allowed me to intuitively configure connections and stitching structures. This was incredibly effective for projects like bags or clothing, where the integrity of the construction and the sewing method are paramount.I was also deeply impressed by the instantaneous feedback loop when modifying patterns. Even a subtle adjustment to a pattern's length or curvature naturally transforms the entire silhouette. This organic connection, where design and simulation coexist in a single, fluid workflow, was truly fascinating.<h1> What practical advice would you give to motion graphic designers who are considering adopting Marvelous Designer or to those who are just starting out and facing challenges?</h1>&nbsp;I believe Marvelous Designer is much more than just a tool for simulating cloth; it becomes far more powerful when approached with an understanding of patterns and structure.Instead of treating it like a typical 3D modeling tool, I recommend starting by creating simple patterns yourself. It is crucial to go through the process of understanding how these flat patterns transform into three-dimensional forms. I also had my own fears about learning a new tool, but I found that many features are so intuitive that I was able to adapt much faster than expected. I encourage beginners not to feel overwhelmed, but to dive in and explore the possibilities.Another method I highly recommend is referring to real-world pattern data. For instance, CLO-SET <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/store">Connect</a> shares a vast array of garment patterns and technical drawings. Analyzing these pattern structures and applying them to your own work will significantly deepen your understanding of the software.As projects involving materials with specific physical properties—such as clothing, fabrics, and bags—continue to grow within the motion graphics field, I believe Marvelous Designer is an incredibly valuable tool that allows for the simultaneous expression of both physical properties and intricate structure.

Marvelous Designer for Motion Graphics: Seamless Integration with C4D

아카데믹 챌린지

Traditional Costumes 3D Restoration

Championship Thread

Conceptual Design Category

Hi CLO Team,Since the CLO 2024 version, I’ve noticed that after every update, some of my favorite fabrics, topstitches, and normal maps disappear. Even the list of fabric physical properties becomes smaller. This just happened again after the latest update.Interestingly, this only happens on my MacBook — on my iMac (2017) I still have all the old fabrics and assets, including V1 and basic fabrics. My friend updated too and also lost her V1 and basic fabrics. This suggests the files might still exist, but CLO isn’t reading from the same library location after updates.I really enjoy seeing the library grow, but it’s a bit frustrating to lose the older items we rely on. It would be wonderful if future updates could keep all previous assets while adding new ones — or at least give users an option to retain older libraries.Issue Summary:<ul><li>Missing fabrics, topstitches, and normal maps after every update since CLO 2024.</li><li>Fabric physical properties list is reduced.</li><li>Problem occurs on MacBook, but iMac 2017 retains all assets.</li><li>Friend updating also lost all V1 and basic fabrics.</li><li>Suggests files exist but library path or update process prevents CLO from reading them.</li><li>Request: Keep all previous assets intact while adding new ones in future updates.</li></ul>Thanks so much for your hard work and for creating such a great tool — I truly appreciate the effort you put into supporting designers!Best regards,Vida

Repeated Missing Fabrics & Assets After Updates (Mac Issue)

⚠️ Please Read Before Purchase✅ This is a Lucy accessory (requires Lucy base avatar)✅ PC-only (Quest unsupported)✅ Results may change if you change to a different shader.━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━🎨 About[Lucy_Socks_Short] is a Lucy accessory for VRChat created by CONNECT Studio.This package contains only the accessory. You must have the Lucy base avatar package to use this accessory.✅ Fully rigged and ready to use✅ Short socks design✅ Customizable ribbon - hide/show via blendshape✅ PC only / Quest unsupported━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📊 Model SpecificationsPolygons: △5064Blendshapes: 1 (ribbon hide/show)Special Features: Blendshape to hide the ribbon accessory━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📦 Included Files✅ FBX, Unitypackage, Textures (PNG - Diffuse, Normal), ReadMe.txtTextures: PNG format (Diffuse 1x, Normal 1x)━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━⚙️ Requirements✅ Lucy base avatar UnityPackage✅ Unity 2022.3.22f1✅ VRChat SDK 3.10 or higher (Latest version via VCC recommended)✅ VRChat Creator Companion (VCC)✅ lilToon Shader✅ Modular Avatar━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━📖 Installation &amp; Usage Guide🔗 Full Guide:- [KR] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ko-kr/articles/53059169807513-VRChat-User-Guide</a>- [EN] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/en-us/articles/53059169807513-VRChat-User-Guide</a>- [JP] <a target="_blank" rel="noopener noreferrer nofollow" href="https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide">https://support-connect.clo-set.com/hc/ja-jp/articles/53059169807513-VRChat-User-Guide</a>⚠️ If you're new to Unity/VCC, please read the guide before installation!💬 Support and CommunityFor inquiries or feedback, please visit the CONNECT Community:CONNECT Community: <a target="_blank" rel="noopener noreferrer nofollow" href="https://connect.clo-set.com/community">https://connect.clo-set.com/community</a>"The 3D viewer is currently unavailable. We'll be updating it soon."

[Lucy] Socks-Short

[Lucy] Socks-Short

[Lucy] Socks-Short

.css-tva0ft{word-break:normal;overflow-wrap:anywhere;}[Lucy] Socks-Short

[Lucy] Socks-Short

[Lucy] Socks-Short

[Lucy] Socks-Short